Effective

Effective Nails > System

Sklep: SmartLac.com

Effective

Effective Nails > System

Sklep: SmartLac.com

Effective

Effective Nails > System

Sklep: SmartLac.com

Effective

Effective Nails > System

Sklep: SmartLac.com

Harmonia jeźdzca i konia - Sally Swift

Książki & Multimedia > Książki

Opis - Przez ponad połowę wieku Sally Swift była pionierką w nowej filozofii nauczania jazdy konnej opierającej się przede wszystkim na świadomości własnego ciała, jego równowadze oraz stosowaniu wzroku rozproszonego. Teraz jej metody zebrane w formie książki umożliwiają jeźdźcom i ich koniom uzyskanie harmonii we wspólnej pracy bez uczucia bólu i niewygody. Niezwykle dokładne ilustracje i fotografie nie stosowane nigdy wcześniej w książkach na temat jazdy konnej, bardzo trafnie tłumaczą anatomię i przedstawiają wyobrażenia, pomagając naszemu umysłowi i ciału w odnalezieniu nowego, wewnętrznego podejścia do jazdy konnej. ``Tytuł`` jest książką zarówno dla początkujących jak i tych zaliczających się do światowej klasy jeźdźców. Nazwa - Harmonia jeźdzca i konia Autor - Sally Swift Oprawa - Miękka Wydawca - Galaktyka Kod ISBN - 9788375792249 Kod EAN - 9788375792249 Wydanie - 1 Rok wydania - 2012 Język - polski Tłumacz - Mickunas Barbara Seria wydawnicza - Ekspert poleca Format - 16.5x24.0cm Ilość stron - 186 Podatek VAT - 5% Premiera - 2012-07-04

Sklep: InBook.pl

Craftsman's Handbook Dover Publications Inc.

Książki / Literatura obcojęzyczna

PrefaceII The first chapter of the first section of this bookII "How some enter the profession through loftiness of spirit, and some, for profit"III Fundamental provisions for anyone who enters this professionIIII How the schedule shows you into how many sections and branches the occupations are dividedV How you begin drawing on a little panel; and the system for itVI How to draw on several kinds of panelsVII What kind of bone is good for treating the panelsVIII "How you should start drawing with a style, and by what light"VIIII "How you should give the system of lighting, light or shade, to your figures, endowing them with a system of relief"X "The method and system for drawing on sheep parchment and on paper, and shading with washes"XI How you may draw with a leaden styleXII "How, if you have made a slip in drawing with leaden style, you my erase it, and by what means"XIII How you should practice drawing with a penXIIII How to learn to cut the quill for drawingXV How you should advance to drawing on tinted paperXVI How the green tint is made on paper for drawing; and the way to temper itXVII "How you should tint kid parchment, and by which method you burnish it"XVIII How you should tint paper turnsole colorXVIIII How you should tint paper with an indigo tintXX "How you should tint papers with reddish color, or almost peach color"XXI How you should tint papers with flesh colorXXII "How you should tint papers greenish gray, or drab"XXIII How you may obtain the essence of a good figure or drawing with tracing paperXXIIII The first way to learn how to make a clear tracing paperXXV A second way to make tracing paper: with glueXXVI How to make tracing paper out of paperXXVII How you should endeavor to copy and draw after as few masters as possibleXXVIII How you should regulate your life in the interests of decorum and the condition of your hand; and in what company; and what method you should first adopt for copying a figure from high upXXX "How you should first start drawing on paper with charcoal, and take the measurement of the figure, and fix it with a silver style"XXXI "How you should draw and shade with washes on tinted paper, and then put lights on with white lead"XXXII How you may put on lights with washes of white lead just as you shade with washes of inkXXXIII How to make good and perfect and slender coals for drawingXXXIIII About a stone which has the character of charcoal for drawing. This ends the first section of this bookIIXXXV The second section of this book: bringing you to the working up of the colorsXXXVI "This shows you the natural colors, and how you should grind black"XXXVII How to make various sorts of blackXXXVIII On the character of the red color called sinoperXXXVIIII "How to make the red called cinabrese, for doing flesh on the wall; and about its character"XL On the character of the red called vermilion; and how it should be worked upXLI On the character of a red called red leadXLII On the character of a red called hematiteXLIII On the character of a red called dragonsbloodXLIIII On the character of a red called lacXLV On the character of a yellow color called ocherXLVI On the character of a yellow color called giallorinoXLVII On the character of a yellow called orpimentXLVIII On the character of a yellow called realgarXLVIIII On the character of a yellow called saffronL On the character of a yellow called arzicaLI On the character of a green called terre-verteLII On the character of a green called malachiteLIII How you make a green with orpiment and indigoLIIII How you make a green with blue and giallorinoLV How you make a green with ultramarine blueLVI On the character of a green called verdigrisLVII How you make a green with white lead and terre-verte; or lime whiteLVIII On the character of lime whiteLVIIII On the character of white leadLX On the character of azuriteLXI To make an imitation of azurite with other colorsLXII "On the character of ultramarine blue, and how to make it"LXIII The importance of knowing how to make brushesLXIIII How to make minever brushesLXV "How you should make bristle brushes, and in what manner"LXVI How to keep minever tails from getting moth-eaten. This ends the second section of this book; begins the thirdIIILXVII "The method and system for working on a wall, that is, in fresco; and on painting and doing flesh for a youthful face"LXVIII The method for painting an aged face in frescoLXVIIII The method for painting various kinds of beards and hair in frescoLXX The proportions which a perfectly formed man's body should possessLXXI The way to paint a drapery in frescoLXXII The way to paint on a wall in secco; and the temperas for itLXXIII How to make a violet colorLXXIIII To execute a violet color in frescoLXXV To try to imitate an ultramarine blue for use in frescoLXXVII To paint a shot green drapery in frescoLXXVIII To paint in fresco a drapery shot with ash grayLXXVIIII To paint one in secco shot with lacLXXX To paint one in fresco or in secco shot with each otherLXXXI To paint a greenish-gray costume in fresco or in seccoLXXXII "To paint a costume, in fresco and in secco, of a greenish-gray color like the color of wood"LXXXIII "To make a drapery, or a mantle for Our Lady, with azurite or ultramarine blue"LXXXIIII "To make a black drapery for a monk's or friar's robe, in fresco and in secco"LXXXV "On the way to paint a mountain, in fresco or in secco"LXXXVI "The way to paint trees and plants and foliage, in fresco and in secco"LXXXVII "How buildings are to be painted, in fresco and in secco"LXXXVIII The way to copy a mountain from nature. This ends the third section of this bookIVLXXXVIIII "How to paint in oil on a wall, on panel, on iron, and where you please"LXXXX How you should start for working in oil on a wallLXXXXI "How you are to make oil, good for a tempera, and also for mordants, by boiling with fire"LXXXXII How good and perfect oil is made by cooking in the sunLXXXXIII "How you should work up the colors with oil, and employ them on the wall"LXXXXIIII "How you should work in oil on iron, on panel, on stone"LXXXXV The way to embellish with gold or with tin on a wallLXXXXVI How you should always make a practice of working with fine gold and with good colorsLXXXXVII "How you should cut the golden tin, and embellish"LXXXXVIII How to make green tin for embellishingLXXXXVIIII "How to make the golden tin, and how to lay fine gold with this vermeil"C "How to fashion or cut out the stars, and put them on the wall"CI How you can make the diadems of the saints on the wall with this tin gilded with fine goldCII How you should model up a diadem in lime mortar on a wallCIII How from the wall you enter upon panel-painting. This ends the fourth section of the bookVCIIII The system by which you should prepare to acquire the skill to work on panelCV How you make batter or flour pasteCVI How you should make cement from mending stonesCVII How to make cement for mending dishes of glassCVIII "How fish glue is used, and how it is tempered"CVIIII "How goat glue is made, and how it is tempered; and how many purposes it will serve"CX A perfect size for tempering gessos for anconas or panelsCXI A size which is good for tempering blues and other colorsCXII To make a glue out of lime and cheese. This ends the fifth section of this bookVICXIII How you should start to work on a panel or anconasCXIIII How you should put cloth on a panelCXV How the flat of a panel should be gessoed with the slice with gesso grossoCXVI How to gesso sottile for gessoing panelsCXVII How to gesso an ancona with gesso sottile; and how to temper itCXVIII How you may gesso with gesso sottile without having gessoes with gesso grosso firstCXVIIII How you should temper and grind gesso sottile for modelingCXX How you should start to scrape down an ancona flat gessoed with gesso sottileCXXI "How the gesso sottile on the flats should be scraped down, and what these scrapings are good for"CXXII "How to draw on panel with charcoal, to begin with, and to fix it with ink"CXXIII How you should mark out the outlines of the figures for gilding the groundsCXXIIII "How to model on a panel with gesso sottile, and how to mount precious stones"CXXV How you should cast a relief for embellishing areas of anconasCXXVI How to plaster reliefs on a wallCXXVII How to model with mortar on a wall the say you model with gesso on panelCXXVIII "How to take reliefs from a stone mold, and how they are good on wall and on panel"CXXVIIII How you may model on a wall with varnishCXXX How you may model on a wall with waxCXXXI "How to lay bole on panel, and how to temper it"CXXXII "Another way to temper bole on panel, for gilding"CXXXIII How you may gild on panel with terre-verteCXXXIIII How to gild on panelCXXXV What stones are good for burnishing this gildingCXXXVI How to prepare the stone for burnishing goldCXXXVII "How you should burnish the gold, or mend matters in case it could not get burnished"CXXXVIII "Now I will show you how to burnish, and in what direction, especially a flat"CXXXVIIII "What gold is good for burnish and mordant gilding, and what thickness"CXL "How you should begin swinging the diadems and do stamping on the gold, and mark out the outlines of the figures"CXLI How to design gold brocades in various colorsCXLII How to execute gold or silver brocadesCXLIII Several rules for cloths of gold and silverCXLIV "How to do velvet, wool, and silk"CXLV How to paint on panelCXLVI How to make draperies in blue and purpleCXLVII How to paint facesCXLVIII How to paint a dead manCXLVIX How to paint woundsCL How to paint waterVIICLI "A short section on mordant gilding. How to make a standard mordant, and how to gild with it"CLII How to control the drying of the mordantCLIII How to make a mordant out of garlicVIIICLIV Introduction to a short section on varnishingCLV When to varnishCLVI How to make a painting look as if it were varnishedIXCLVII "A short section on illuminating: first, how to gild on parchment"CLVIII Another kind of size: for grounds onlyCLIX How to make and use mosaic goldCLX How to grind gold and silver for use as colorsCLXI Colors for use on parchmentXCLXII "A section dealing with work on cloth: first, painting and gilding"CLXIII Various ways to do hangingsCLXIV How to draw for embroiderersCLXV "How to work on silk, on both sides"CLXVI How to paint and gild on velvetCLXVII How to lay gold and silver on woolen clothCLXVIII How to make devices out of gilded paperCLXIX How to model crests or helmetsCLXX How to do caskets or chestsXICLXXI "A short section on operations with glass: first, for windows"CLXXII How to gild for reliquary ornamentsCLXXII Arrangements for drawing on this glassCLXXII How to draw on the gilded glassCLXXII How to scrape the gold off the backgroundsCLXXII How to back up the drawing with colorsXIICLXXII "Part of a section dealing with mosaic: first, a fragment from the end of a chapter otherwise lost"CLXXII Mosaic of quill cuttingsCLXXII "Mosaic of crushed eggshells, painted"CLXXII Mosaic of paper or foilCLXXII "Mosaic of eggshells, gilded"XIIICLXXIII "A section dealing with miscellaneous incidental operations: first, block printing on cloth"CLXXIV How to gild a stone figureCLXXV The dangers of a wet wall for frescoCLXXV Preliminary precautions against moistureCLXXV Waterproofing with boiled oilCLXXVI Waterproofing with pitchCLXXVI Waterproofing with liquid varnishCLXXVII How to distemper inside walls with greenCLXXVIII How to varnish terre-verteCLXXIX How to clean off the paint after you have made up a face CLXXX The perils of indulgence in cosmeticsCLXXXI "The final section, devoted to methods of casting, begins here"CLXXXII How to take a life maskCLXXXIII The breathing tubesCLXXXIV The operations of casting the matrixCLXXXIV How to cast this waste moldCLXXXV How to cast whole figuresCLXXXVI How to make a cast of your own personCLXXXVII Castings in gesso for use on panelCLXXXVIII How to cast medalsCLXXXIX How to make a mold from a seal or coinIndex

Sklep: Libristo.pl

Requiem for an Assassin ONYX PUBLISHERS

Powieść zagranicznaSensacja. Thiller. Kryminał

Requiem for an Assassin is a great example of an author trying to find a way out of a characterisation cul-de-sac that he has gotten himself into and only being partially successful in his attempt at doing so. At the end of the previous John Rain thriller, titled The Last Assassin in the US, Eisler's half-American/half-Japanese assassin had finally put behind him the never-ending (and slightly tedious) saga of his affair with the Jazz pianist Midori and returned to the arms of his Israeli lover Delilah. With an affirmed friendship with ex-Marine sniper Dox in place and the death of a dangerous old adversary it appeared that Rain was finally changing his self-imposed isolated lifestyle for a more normal one with long term human relationships, even if he wasn't giving up the business of killing. With Requiem for an Assassin however, it appears that Eisler somewhat regrets humanising Rain in this fashion. Although when we pick up his story he is still with Delilah, living in Paris, it is rapidly revealed that Rain is having difficulty dealing with his new lifestyle. When Dox is kidnapped by another face from his past, ex-CIA spook Hilger, in an effort to coerce Rain into undertaking some wet-work, it is the perfect excuse for the old, emotionless killing machine (the Ice Man as Rain refers to that side of himself) to resurface and get back into the action. All of which feels like something of a cop out. Over the previous novels in this series Eisler has managed to slowly humanise John Rain in a way that has always felt real and logical. There's been no road to Damascus conversion; the man has always remained a killer, but in increments Eisler has allowed Rain to grow and form long term attachments. With Requiem for an Assassin however, it feels like Eisler regrets allowing this to happen and has sought a way to bring back the Rain of old; the one man killing machine of the earlier novels. The result is not only a somewhat contrived set-up but also a step back in terms of character development.

Sklep: Booknet.net.pl

Let It Snow Penguin USA

Książki / Literatura obcojęzyczna

Sparkling white snowdrifts, beautiful presents wrapped in ribbons, and multicolored lights glittering in the night through the falling snow. A Christmas Eve snowstorm transforms one small town into a romantic haven, the kind you see only in movies. Well, kinda. After all, a cold and wet hike from a stranded train through the middle of nowhere would not normally end with a delicious kiss from a charming stranger. And no one would think that a trip to the Waffle House through four feet of snow would lead to love with an old friend. Or that the way back to true love begins with a painfully early morning shift at Starbucks.

Sklep: Libristo.pl

Product Management Essentials APress

Książki / Literatura obcojęzyczna

Gain all of the techniques, teachings, tools, and methodologies required to be an effective first-time product manager. The overarching goal of this book is to help you understand the product manager role, give you concrete examples of what a product manager does, and build the foundational skill-set that will gear you towards a career in product management. To be an effective PM in the tech industry, you need to have a basic understanding of technology. In this book you'll get your feet wet by exploring the skills a PM needs in their toolset and cover enough ground to make you feel comfortable in a technical discussion. A PM is not expected to have the same level of depth or knowledge as a software engineer, but knowing enough to continue the conversation can be a benefit in your career in product management. A complete product manager will have a 360-degree understanding of user experience and how to craft beautiful products that are easy-to-use, with the end user in mind. You'll continue your journey with a walk through basic UX principles and even go through the process of building a simple set of UI frames for a mock app. Aside from the technical and design expertise, a PM needs to master the social aspects of the role. Acting as a bridge between engineering, marketing, and other teams can be difficult, and this book will dive into the business and soft skills of product management. After reading Product Management Essentials you will be one of a select few technically-capable PMs who can interface with management, stakeholders, customers, and the engineering team. What You Will Learn Gain the traits of a successful PM from industry PMs, VCs, and other professionalsSee the day-to-day responsibilities of a PM and how the role differs across tech companiesAbsorb the technical knowledge necessary to interface with engineers and estimate timelinesDesign basic mocks, high-fidelity wireframes, and fully polished user interfacesCreate core documents and handle business interactions Who This Book Is For Individuals who are eyeing a transition into a PM role or have just entered a PM role at a new organization for the first time. They currently hold positions as a software engineer, marketing manager, UX designer, or data analyst and want to move away from a feature-focused view to a high-level strategic view of the product vision.

Sklep: Libristo.pl

Blitzcat Pan Macmillan

Książki / Literatura obcojęzyczna

She made her way down the cliff, and on to the beach. At the edge of the waves, she stopped, shaking her wet paws. She knew that somewhere ahead was her person, but far, far away. She miaowed plaintively; stood staring at the moving blur of uncrossable sea. She led the way to safety, out of the blazing hell of blitzed Coventry. People touched her for luck; feared her as an omen of disaster. Wherever she went, she changed lives ...From her beginning to her end she never wavered. She was the Blitzcat. The Smarties Prize-winning book about one brave cat's experiences during World War Two. Now with a brilliant new cover look and including an extended author biography.

Sklep: Libristo.pl

The Victorian Royal Nursery 1840-1865 Universitas

Historia

The Victorian Royal Nursery attempts to shed more light on the nursery for the children of Queen Victoria. It examines the creation, organisation, and financing of the nursery, with a consideration of the most important individuals who looked after the Royal children, namely the medical staff, wet nurses, monthly nurses, permanent nurses, governesses and subgovernesses. The study is based mostly on the numerous unpublished documents from the Royal Archives at Windsor as well as the hitherto little-known or unknown sources like the journal of the royal accoucheur Dr Robert Ferguson or the diary of head-nurse Mrs Ann Thurston. This is an original and important research project []. In The Victorian Royal Nursery Mr Misztal brings a scholarly, tightly-focussed approach to a part of the Victorian Royal Household which until now has only received passing references in the literature. This superb study gives a full, definitive account of a part of the life of Queen Victoria which has been largely neglected []. No one has written in such detail about the royal nursery, and that in itself represents a vital contribution to royal scholarship. The new material which Misztal has discovered sheds new light on the Queen's mental and emotional state after childbirth This gives substance to Albert's later fears about Victoria's mental state and the rumours that she had inherited the madness of King George III. [] The footnotes are excellent and full of additional material [...]. This is an outstanding piece of research. It is a definitive account, and it will become indispensable. professor Jane Ridley, author of Bertie: A Life of Edward VII and Queen Victoria: A Short Life

Sklep: ksiegarnia-marki.pl

Płetwy gumowe PowerJet ze sprężynami TecLine

Płetwy > Płetwy paskowe

Płetwy TecLine PowerJet Nasze nowe płetwy w wersji HARD oraz MEDIUM przeznaczone są dla nurków technicznych: wrakowych i jaskiniowych. W wersji SOFT również dla nurków rekreacyjnych. Podstawowe cechy płetw TecLine PowerJet 1. Łatwiejsze i bardziej precyzyjne manewrowanie. 2. Niezwykle efektywne pływanie technikami zmodyfikowanymi na długich dystansach. 3. Uniwersalna kieszeń dopasowana do każdego typu buta nurkowego (zwykłe buty, flex/turbo sole oraz rockboots). 4. Znaczne ograniczenie energii nurka oraz zużycia gazu. Dodatkowym atutem naszych płetw jest możliwość wyboru jednej z trzech twardości. 1. Miękka (SOFT) dla początkujących nurków chcących utrzymać miękką charakterystykę płetwy, a jednocześnie korzystać z zalet płetwy typu

Sklep: Diveshop

Gold Silver | Jewelry Flash Tattoo stickers W-080, 21x11cm Jewelry Tattoo

Jewelry Tattoo > Gold Silver

Gold Silver Metallic Flash Temporary Waterproof Tattoo Stickers inspired by Jewelry (bracelets, necklaces, rings, suspenders, Indian, African, Egyptian, geometric and other motifs),which lasts 3-5 days you can apply and remove by following simple guide: Tattoo Application : 1. tattoo is applied on clean, dry and cream free skin 2. cut the desired theme and remove the transparent foil 3. place tattoo face down on skin 4. wet tattoo by water and press with damp cloth or sponge for about 30 seconds longer or until template off the paper 5. carefully remove the top backing paper and decal is applied 6. lightly rinse with water to increase the tattoo effect . CAUTION: Do not use tattoo on sensitive or damaged skin, if you are allergic to a glue and patches. Not suitable for children 0-3 years old. Tattoo Removal : To remove your Flash Tattoo simply soak your skin in spirit, baby oil, olive oil or coconut oil for one minute then gently scrub off. Repeat as necessary. Apply lotion to moisturize and soothe the skin area. Gold und Silber Metallic Flash Temporäre Wasserdicht Tattoo Aufkleber ist von Schmuck, wie Armbänder, Halsketten, Ringe, Motiven aus Indien, Afrika, Ägypten, geometrische und andere Motive inspiriert. Diese Flash Tattoo haftet auf Haut ca. 3 bis 5 Tage und Sie können für Anwendung oder Entfernung diese einfache Anleitung verfolgen: Tattoo Anwendung: 1. Tätowierung ist auf saubere, trockene und Fett freie Haut aufzutragen 2. Schneiden Sie das gewünschte Thema aus und entfernen Sie die transparente Folie 3. Platzieren Sie Tattoo auf die Haut 4. Befeuchten Sie Tattoo mit Wasser und drücken Sie mit einem feuchten Tuch oder Schwamm für etwa 30 Sekunden länger oder bis sich die Vorlage vom Papier löst 5. Entfernen Sie vorsichtig die obere Trägerfolie und somit ist Tattoo fertig 6. leicht mit Wasser spülen, um das Tattoo-Effekt zu erhöhen. ACHTUNG: Verwenden Sie keine Tätowierung auf empfindliche oder beschädigte Haut, wenn Sie allergisch auf einen Kleber oder Pflaster sind. Nicht geeignet für Kinder 0-3 Jahre alt. Tattoo-Entfernung: Zum Entfernung von Flash Tattoo befeuchten Sie einfach Ihre Haut mit Ethanol oder Baby Öl, Olivenöl oder Kokos Öl für eine Minute, dann vorsichtig Tattoo abschrubben. Bei Bedarf wiederholen. Nach Entfernung empfiehlt sich das Haut mit einer Feuchtigkeitslotion zu behandeln, um die Stelle nach Entfernung zu beruhigen. Pegatinas tatuaje temporal dorado y plateado, resistente al agua inspirado en joyas (pulseras, brazaletes, anillos, ligueros, motivos indios, africanos, egipcios, geométricos y otros), de entre 3 - 5 días de durabilidad se aplican y quitan según este sencillo manual: Aplicación: 1. el tatuaje se aplica sobre la piel limpia y desengrasada. 2. recortad el motivo deseado y quitad la capa transparente. 3. sujetad la pegatina en la piel en la parte del cuerpo deseada con el motivo hacia el cuerpo. 4. mojad la pegatina con agua y suavemente apretad con una esponja o un trapito unos 30 segundos hasta que se quede en la piel y se desprenda el papel base. 5. quitad el papel base cuidadosamente y ya está listo. 6. para fijar el tatuaje más, echad por encima un poco de agua. Atención: no usar el tatuaje en la piel sensible, con heridas o alérgica a pegamento o tiritas. No usar el tatuaje cerca de los ojos. No apto para ni

Sklep: Aerograf-Fengda

Gold Silver | Jewelry Flash Tattoo stickers W-081, 21x11cm Jewelry Tattoo

Jewelry Tattoo > Gold Silver

Gold Silver Metallic Flash Temporary Waterproof Tattoo Stickers inspired by Jewelry (bracelets, necklaces, rings, suspenders, Indian, African, Egyptian, geometric and other motifs),which lasts 3-5 days you can apply and remove by following simple guide: Tattoo Application : 1. tattoo is applied on clean, dry and cream free skin 2. cut the desired theme and remove the transparent foil 3. place tattoo face down on skin 4. wet tattoo by water and press with damp cloth or sponge for about 30 seconds longer or until template off the paper 5. carefully remove the top backing paper and decal is applied 6. lightly rinse with water to increase the tattoo effect . CAUTION: Do not use tattoo on sensitive or damaged skin, if you are allergic to a glue and patches. Not suitable for children 0-3 years old. Tattoo Removal : To remove your Flash Tattoo simply soak your skin in spirit, baby oil, olive oil or coconut oil for one minute then gently scrub off. Repeat as necessary. Apply lotion to moisturize and soothe the skin area. Gold und Silber Metallic Flash Temporäre Wasserdicht Tattoo Aufkleber ist von Schmuck, wie Armbänder, Halsketten, Ringe, Motiven aus Indien, Afrika, Ägypten, geometrische und andere Motive inspiriert. Diese Flash Tattoo haftet auf Haut ca. 3 bis 5 Tage und Sie können für Anwendung oder Entfernung diese einfache Anleitung verfolgen: Tattoo Anwendung: 1. Tätowierung ist auf saubere, trockene und Fett freie Haut aufzutragen 2. Schneiden Sie das gewünschte Thema aus und entfernen Sie die transparente Folie 3. Platzieren Sie Tattoo auf die Haut 4. Befeuchten Sie Tattoo mit Wasser und drücken Sie mit einem feuchten Tuch oder Schwamm für etwa 30 Sekunden länger oder bis sich die Vorlage vom Papier löst 5. Entfernen Sie vorsichtig die obere Trägerfolie und somit ist Tattoo fertig 6. leicht mit Wasser spülen, um das Tattoo-Effekt zu erhöhen. ACHTUNG: Verwenden Sie keine Tätowierung auf empfindliche oder beschädigte Haut, wenn Sie allergisch auf einen Kleber oder Pflaster sind. Nicht geeignet für Kinder 0-3 Jahre alt. Tattoo-Entfernung: Zum Entfernung von Flash Tattoo befeuchten Sie einfach Ihre Haut mit Ethanol oder Baby Öl, Olivenöl oder Kokos Öl für eine Minute, dann vorsichtig Tattoo abschrubben. Bei Bedarf wiederholen. Nach Entfernung empfiehlt sich das Haut mit einer Feuchtigkeitslotion zu behandeln, um die Stelle nach Entfernung zu beruhigen. Pegatinas tatuaje temporal dorado y plateado, resistente al agua inspirado en joyas (pulseras, brazaletes, anillos, ligueros, motivos indios, africanos, egipcios, geométricos y otros), de entre 3 - 5 días de durabilidad se aplican y quitan según este sencillo manual: Aplicación: 1. el tatuaje se aplica sobre la piel limpia y desengrasada. 2. recortad el motivo deseado y quitad la capa transparente. 3. sujetad la pegatina en la piel en la parte del cuerpo deseada con el motivo hacia el cuerpo. 4. mojad la pegatina con agua y suavemente apretad con una esponja o un trapito unos 30 segundos hasta que se quede en la piel y se desprenda el papel base. 5. quitad el papel base cuidadosamente y ya está listo. 6. para fijar el tatuaje más, echad por encima un poco de agua. Atención: no usar el tatuaje en la piel sensible, con heridas o alérgica a pegamento o tiritas. No usar el tatuaje cerca de los ojos. No apto para ni

Sklep: Aerograf-Fengda

Gold Silver | Jewelry Flash Tattoo stickers W-078, 21x15cm Jewelry Tattoo

Jewelry Tattoo > Gold Silver

Gold Silver Metallic Flash Temporary Waterproof Tattoo Stickers inspired by Jewelry (bracelets, necklaces, rings, suspenders, Indian, African, Egyptian, geometric and other motifs),which lasts 3-5 days you can apply and remove by following simple guide: Tattoo Application : 1. tattoo is applied on clean, dry and cream free skin 2. cut the desired theme and remove the transparent foil 3. place tattoo face down on skin 4. wet tattoo by water and press with damp cloth or sponge for about 30 seconds longer or until template off the paper 5. carefully remove the top backing paper and decal is applied 6. lightly rinse with water to increase the tattoo effect . CAUTION: Do not use tattoo on sensitive or damaged skin, if you are allergic to a glue and patches. Not suitable for children 0-3 years old. Tattoo Removal : To remove your Flash Tattoo simply soak your skin in spirit, baby oil, olive oil or coconut oil for one minute then gently scrub off. Repeat as necessary. Apply lotion to moisturize and soothe the skin area. Gold und Silber Metallic Flash Temporäre Wasserdicht Tattoo Aufkleber ist von Schmuck, wie Armbänder, Halsketten, Ringe, Motiven aus Indien, Afrika, Ägypten, geometrische und andere Motive inspiriert. Diese Flash Tattoo haftet auf Haut ca. 3 bis 5 Tage und Sie können für Anwendung oder Entfernung diese einfache Anleitung verfolgen: Tattoo Anwendung: 1. Tätowierung ist auf saubere, trockene und Fett freie Haut aufzutragen 2. Schneiden Sie das gewünschte Thema aus und entfernen Sie die transparente Folie 3. Platzieren Sie Tattoo auf die Haut 4. Befeuchten Sie Tattoo mit Wasser und drücken Sie mit einem feuchten Tuch oder Schwamm für etwa 30 Sekunden länger oder bis sich die Vorlage vom Papier löst 5. Entfernen Sie vorsichtig die obere Trägerfolie und somit ist Tattoo fertig 6. leicht mit Wasser spülen, um das Tattoo-Effekt zu erhöhen. ACHTUNG: Verwenden Sie keine Tätowierung auf empfindliche oder beschädigte Haut, wenn Sie allergisch auf einen Kleber oder Pflaster sind. Nicht geeignet für Kinder 0-3 Jahre alt. Tattoo-Entfernung: Zum Entfernung von Flash Tattoo befeuchten Sie einfach Ihre Haut mit Ethanol oder Baby Öl, Olivenöl oder Kokos Öl für eine Minute, dann vorsichtig Tattoo abschrubben. Bei Bedarf wiederholen. Nach Entfernung empfiehlt sich das Haut mit einer Feuchtigkeitslotion zu behandeln, um die Stelle nach Entfernung zu beruhigen. Pegatinas tatuaje temporal dorado y plateado, resistente al agua inspirado en joyas (pulseras, brazaletes, anillos, ligueros, motivos indios, africanos, egipcios, geométricos y otros), de entre 3 - 5 días de durabilidad se aplican y quitan según este sencillo manual: Aplicación: 1. el tatuaje se aplica sobre la piel limpia y desengrasada. 2. recortad el motivo deseado y quitad la capa transparente. 3. sujetad la pegatina en la piel en la parte del cuerpo deseada con el motivo hacia el cuerpo. 4. mojad la pegatina con agua y suavemente apretad con una esponja o un trapito unos 30 segundos hasta que se quede en la piel y se desprenda el papel base. 5. quitad el papel base cuidadosamente y ya está listo. 6. para fijar el tatuaje más, echad por encima un poco de agua. Atención: no usar el tatuaje en la piel sensible, con heridas o alérgica a pegamento o tiritas. No usar el tatuaje cerca de los ojos. No apto para ni

Sklep: Aerograf-Fengda