Chopin: Piano Concertos / Solo Piano Works Warner Music Poland / EMI Classics

Muzyka>Klasyczna

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Concertos: Piano Reduction for Two Pianos Chopin Complete Works Vol. XIV PWM

Książki / Literatura obcojęzyczna

Sklep: Libristo.pl

Chopin Masterpieces for Solo Piano: 46 Works Dover Publications Inc.

Książki / Literatura obcojęzyczna

Includes Ballade No. 1 in G Minor, Berceuse, 3 ecossaises, 5 etudes, Fantaisie-Impromptu, "Marche Funebre"""from Sonata No. 2, 8 mazurkas, 7 nocturnes, 3 polonaises, 9 preludes, 6 waltzes, and more.

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Kenner Plays Chopin (4 Scherzos And Other Works For Piano Solo) DUX Recording Producers

Muzyka>Klasyczna

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Sklep: Gigant.pl

Chopin Complete Solo Piano Works In Opus Order Shebanova DUX Recording Producers

Muzyka>Klasyczna

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Sklep: Gigant.pl

Frederic Chopin: The Piano Concertos Arranged for Two Pianos: The Joseffy Edition Dover Publications Inc.

Książki / Literatura obcojęzyczna

This volume offers pianists a unique opportunity to study and master Chopin's two piano concertos: The Piano Concerto No. 1 in E Minor, Op. 11, and the Piano Concerto No. 2 in F Minor, Op. 21. Although the composer wrote both works to launch his career

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Chopin: Piano Concertos 1 & 2 Brilliant Classics

Nagrania muzyczneMuzyka poważna

Stanisław Skrowaczewski, world-renowned conductor, is incensed that Chopin?s Piano Concertos are compared so unfavourably to those by other composers, and on this recording he does a masterful job of setting the reputation of these works to rights. The First Concerto dances along with vivacity and outstanding joie de vivre, containing as it does elements of a variety of Polish dances. In the Second Concerto, the composer?s deep understanding of the piano and its colours comes to the fore: his use of harmony is remarkably innovative for its time, pointing far ahead into the future. Chopin shows himself to be the supreme composer for piano, with the soloist well supported by some sublime orchestral writing. Because of Chopin?s penchant for writing the accompaniment on the second piano score, the music has been carefully reconstructed by Chopin scholars, to glorious effect. Polish pianist Ewa Kupiec, compatriot of Stanisław Skrowaczewski, is regularly invited to perform at the world?s leading classical music festivals, with the Frankfurter Allgemeine Zeitung praising her ?faultless technique? and ?ability to shape music with transparency and ? impressive richness of colours?. She feels a deep connection to Chopin and other Polish composers, and gave three different Chopin recitals in honour of the 200th anniversary of the composer?s birth. Here she is accompanied by the magnificent Saarbrücken Radio Symphony Orchestra, which was founded in 1937 and is regularly heard throughout Europe thanks to its involvement in the Deutsch-Französische Konzerte radio series.Chopin?s ever popular piano concertos played and conducted by two Poles: pianist Ewa Kupiec and conductor Stanislav Skrowaczewski.The Polish element in Chopin?s concertos is best evident in their third movements: characteristics of the Polish national dances Mazurka and Polonaise abound in these brilliant finales. Both concertos enjoy universal and wide popularity, and count among the most frequently played concertos of the entire repertoire.?Infinitely nuanced, performance: 9? writes Classicstoday.com about soloist Ewa Kupiec, and conductor Stanislaw Skrowaczewski receives special mention for his excellent and serious treatment of the orchestral score, which in other performances might be treated as minor accompaniment: ?Unfailingly supportive, vibrant and alive? (Classicstoday.com).

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Heroic Polonaise No.6 in A-Flat Major by Fr D Ric Chopin for Solo Piano (1842) Op.53 Meredith Press

Książki / Literatura obcojęzyczna

This wonderful piece "Heroic" by Frédéric Chopin contains a score for the solo piano. It is a fine example of the composer's work and a fantastic addition to any classical musician's repertoire. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

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PIANO CONCERTOS Marketing Design

Nagrania muzyczneMuzyka poważna

Tchaikovsky wrote four works for piano and orchestra: the three concertos, and the Concert Fantasy in G Op.56 (1884). The First Concerto ranks today as possibly the most famous piano concerto ever composed. Its entry into the world was, however, far from easy. Dismissed by critics as a flop, and by its dedicatee Nikolai Rubinstein as unplayable ? which caused a rift between Rubinstein and Tchaikovsky, the concerto was premiered in Boston in the USA in 1875, and the dedicatee was Hans von Bülow, who conducted the performance with Benjamin Johnson Lang as soloist. Its success was never in doubt from then on. Rubinstein relented and undertook to champion the concerto. It is a large, dramatic work with its roots firmly in the Chopin/Mendelssohn school.The underrated Second Concerto (1880) was for many years performed in a cut version made by Tchaikovsky?s pupil Siloti. This cut the jewel of the concerto ? the ?triple concerto?-like second movement for violin, cello and piano. Happily the recording in this set is of the original version. It is a very strong work, with great tunes and a tremendously virtuosic solo part ? the huge cadenza in the first movement is especially impressive.The Third Concerto (1893) ? today only performed as a one-movement Konzertstück was created out of the abandoned Seventh Symphony in E major. The first movement of both concerto and symphony are almost identical, but then Tchaikovsky wrote an Andante and finale (orchestrated by Taneyev) as the other two movements, but abandoned these as well in favour of the one-movement work we hear today. The Third Concerto is technically very challenging for the performer, and contains some wonderful music.Recording made in 1982

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PIANO CONCERTOS marketing design

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna

Tchaikovsky wrote four works for piano and orchestra: the three concertos, and the Concert Fantasy in G Op.56 (1884). The First Concerto ranks today as possibly the most famous piano concerto ever composed. Its entry into the world was, however, far from easy. Dismissed by critics as a flop, and by its dedicatee Nikolai Rubinstein as unplayable

Sklep: Madbooks.pl

Weber: Symphonies, Overtures, Piano Concertos, Clarinet Concertos Brilliant Classics

Nagrania muzyczneMuzyka poważna

Carl Maria von Weber is a name that is often cited with regard to the bridge between Classicism and Romanticism, and yet how many works of his is it possible to name? In this fantastic compendium, we have the chance to explore some of his finest instrumental music; beginning with the two charming symphonies, written in the composer's early 20s and reflecting the new Romantic fascination with timbre, the compilation also details the operatic overtures (Der Freischütz among them), perhaps his greatest works for orchestra alone and which reflect the many years he spent as Director of the Prague and Dresden Houses promulgating nationalist opera. Compositions for soloist and orchestra make up the rest of the release: in addition to the clarinet concertos, music of scintillating bravura which set new standards in this instrument's repertoire, there are the piano concerti -- similarly virtuosic works which anticipate those by Mendelssohn and Chopin and are testament to the composer's extraordinary powers as a keyboardist.Indeed, to say that Weber exerted an enormous influence of subsequent generations of composers is no exaggeration; Euryanthe and its highly developed leitmotif technique, for example, pointed the way forward for a young Wagner. Bringing together many world-class names, such as Emma Johnson on clarinet and Sir Neville Marriner conducting the Academy of St-Martin-in-the-Fields, this collection is the perfect introduction to a composer whose oeuvre holds a significant place in the music history books."Rösel [...] deals beautifully with the Chopinesque flourishes in the slow movement of No.2."Marriner's conducting of the symphonies: "... attractively vibrant performances that bring this music fully to life." (Gramophone)Other information:- Carl Maria von Weber marked the transition from the Classical to the Romantic period. His works, while adhering to the formal style of the Viennese School, abound in dramatic contrasts and glittering instrumental virtuosity. His concertos, for piano and for clarinet, are hugely enjoyable, full of "Spielfreude" and many a good tune.- Weber's concertos, overtures and symphonies still keep repertoire nowadays, crowd pleasers as they are in their relatively simple musical language and immediate appeal.- Excellent performances by the brilliant Academy of St Martin in the Fields, Neville Marriner, English Chamber orchestra, Staatskapelle Dresden and Staatskapelle Berlin, pianist Peter Rösel and star clarinettist Emma Johnson.- Booklet contains detailed notes on the composer and his music.- Recordings made between 1974 and 1984.

Sklep: Booknet.net.pl

Weber: Symphonies, Overtures, Piano Concertos, Clarinet Concertos brilliant classics

Nagrania>Nagrania muzyczne

Carl Maria von Weber is a name that is often cited with regard to the bridge between Classicism and Romanticism, and yet how many works of his is it possible to name? In this fantastic compendium, we have the chance to explore some of his finest instrumental music; beginning with the two charming symphonies, written in the composer's early 20s and reflecting the new Romantic fascination with timbre, the compilation also details the operatic overtures (Der Freischütz among them), perhaps his greatest works for orchestra alone and which reflect the many years he spent as Director of the Prague and Dresden Houses promulgating nationalist opera. Compositions for soloist and orchestra make up the rest of the release: in addition to the clarinet concertos, music of scintillating bravura which set new standards in this instrument's repertoire, there are the piano concerti -- similarly virtuosic works which anticipate those by Mendelssohn and Chopin and are testament to the composer's extraordinary powers as a keyboardist.Indeed, to say that Weber exerted an enormous influence of subsequent generations of composers is no exaggeration; Euryanthe and its highly developed leitmotif technique, for example, pointed the way forward for a young Wagner. Bringing together many world-class names, such as Emma Johnson on clarinet and Sir Neville Marriner conducting the Academy of St-Martin-in-the-Fields, this collection is the perfect introduction to a composer whose oeuvre holds a significant place in the music history books."Rösel [...] deals beautifully with the Chopinesque flourishes in the slow movement of No.2."Marriner's conducting of the symphonies: "... attractively vibrant performances that bring this music fully to life." (Gramophone)Other information:- Carl Maria von Weber marked the transition from the Classical to the Romantic period. His works, while adhering to the formal style of the Viennese School, abound in dramatic contrasts and glittering instrumental virtuosity. His concertos, for piano and for clarinet, are hugely enjoyable, full of "Spielfreude" and many a good tune.- Weber's concertos, overtures and symphonies still keep repertoire nowadays, crowd pleasers as they are in their relatively simple musical language and immediate appeal.- Excellent performances by the brilliant Academy of St Martin in the Fields, Neville Marriner, English Chamber orchestra, Staatskapelle Dresden and Staatskapelle Berlin, pianist Peter Rösel and star clarinettist Emma Johnson.- Booklet contains detailed notes on the composer and his music.- Recordings made between 1974 and 1984....

Sklep: Bonusmedia

Works For Piano Solo EROICA CLASSICAL

Muzyka>Klasyczna>Kameralna

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Sklep: Gigant.pl

Piano Concertos Marketing Design

Nagrania muzyczneMuzyka poważna

Jorge Bolet (Piano)Orchestre Symphonique de MontréalCharles Dutoit (Conductor)Chopin?s two concertos date from early in his career, and the Second was actually completed before the work published as No.1. They are both supreme examples of the early-Romantic piano concerto, and the influence of Hummel and Field can be heard in many places throughout both works. That is not to say that these works are in any way derivative.Chopin developed the styles and techniques of these keyboard masters (he performed their concertos frequently) and created his own distinct keyboard style. These concertos have often been criticised for their ?wooden? orchestration, but Chopin kept the involvement of the orchestra to a minimum so they could be performed with a small string ensemble ? something both Hummel and Moscheles had in mind with their concertos.The 4 Ballades and the Fantaisie show Chopin at the height of his powers, and writing in the smaller forms that suited his genius perfectly, though the Fantaisie is by no means a small-scale work.In the hands of Jorge Bolet (1914?1990), Chopin?s music comes alive in a way few pianists have managed before or since. Bolet was Cuban by birth, studied piano from the age of five, and made his debut aged nine.

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Piano Concertos marketing design

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna

Jorge Bolet (Piano)Orchestre Symphonique de MontréalCharles Dutoit (Conductor)Chopin

Sklep: Madbooks.pl