11,15 zł

Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

Sklep: InBook.pl

22,40 zł

Sardelli: Baroque Concertos, Psalm, Chamber Music Brilliant Classics

Nagrania muzyczneMuzyka poważna

As the composer, conductor, scholar and provocateur explains in his own notes, this is Baroque music for our time. Federico Maria Sardelli's long experience researching and editing the music of Vivaldi leaves him perhaps ideally placed to recreate such music in his own image, which he does here with chamber, orchestral and vocal music that is less a pastiche, in which identity is obscured, than a defiant recreation of a past age. 'It's important for me to point out that I don't compose "neo-Baroque" music, but Baroque music. It's not a question of revisiting a musical idiom, or being influenced by it. What I do is breathe new life into a style that's dead so that it regains its own original language and adheres to its own original criteria, expressing vibrant new ideas that are keeping with its identity.'As his fellow composer Carlo Boccadoro remarks, the result 'is rather like filling antique containers with sparkling coloured liquids so that they take on an entirely new aspect; or looking at certain Renaissance portrayals that seem slightly distorted until they are viewed from exactly the right angle... Like optical illusions themselves, his music is both real and immaterial, built from solid counterpoint and born aloft by airy lightness. Sardelli subtly eludes the whole subject of musical idiom so central to all forms of contemporary music, fully aware of his own unique and inimitable individuality.'The performers on this unique disc are experienced performers of the Baroque style, playing in 'historically informed' conditions -- a further paradox that enriches this time-bending recording. Under the baton of Sardelli, Modo Antiquo appears regularly at major international festivals and concert halls. Its discography of more that 40 titles includes many world premiere recordings.Other information:- New recording made in 2013.- Another obscure baroque composer dug up from the dusty archives of some Italian library? No! Federico Maria Sardelli is alive and kicking, a highly respected musician and conductor rightly famed for his numerous outstanding recordings (the Vivaldi Edition on Naive).Sardelli is also a composer of Baroque music, and to comment on that we better let him speak himself: "It's important for me to point out that I don't compose 'neo-Baroque' music, but Baroque music. It's not a question of revisiting a musical idiom, or being influenced by it. What I do is breathe new life into a style that's dead so that it regains its own original language and adheres to its own original criteria, expressing vibrant new ideas that are keeping with its identity."- Sardelli's Baroque music is sparkling, luminous, witty, deeply feeling, and extremely well crafted: a true "discovery"!- Performed by his own Modo Antiquo, and a line-up of excellent soloists of international renown. And of course conducted by himself..- Booklet notes including tributes to Sardelli from the Vivaldi scholar Michael Talbot.

Sklep: Booknet.net.pl

24,00 zł

Sardelli: Baroque Concertos, Psalm, Chamber Music brilliant classics

Nagrania>Nagrania muzyczne

As the composer, conductor, scholar and provocateur explains in his own notes, this is Baroque music for our time. Federico Maria Sardelli's long experience researching and editing the music of Vivaldi leaves him perhaps ideally placed to recreate such music in his own image, which he does here with chamber, orchestral and vocal music that is less a pastiche, in which identity is obscured, than a defiant recreation of a past age. 'It's important for me to point out that I don't compose "neo-Baroque" music, but Baroque music. It's not a question of revisiting a musical idiom, or being influenced by it. What I do is breathe new life into a style that's dead so that it regains its own original language and adheres to its own original criteria, expressing vibrant new ideas that are keeping with its identity.'As his fellow composer Carlo Boccadoro remarks, the result 'is rather like filling antique containers with sparkling coloured liquids so that they take on an entirely new aspect; or looking at certain Renaissance portrayals that seem slightly distorted until they are viewed from exactly the right angle... Like optical illusions themselves, his music is both real and immaterial, built from solid counterpoint and born aloft by airy lightness. Sardelli subtly eludes the whole subject of musical idiom so central to all forms of contemporary music, fully aware of his own unique and inimitable individuality.'The performers on this unique disc are experienced performers of the Baroque style, playing in 'historically informed' conditions -- a further paradox that enriches this time-bending recording. Under the baton of Sardelli, Modo Antiquo appears regularly at major international festivals and concert halls. Its discography of more that 40 titles includes many world premiere recordings.Other information:- New recording made in 2013.- Another obscure baroque composer dug up from the dusty archives of some Italian library? No! Federico Maria Sardelli is alive and kicking, a highly respected musician and conductor rightly famed for his numerous outstanding recordings (the Vivaldi Edition on Naive).Sardelli is also a composer of Baroque music, and to comment on that we better let him speak himself: "It's important for me to point out that I don't compose 'neo-Baroque' music, but Baroque music. It's not a question of revisiting a musical idiom, or being influenced by it. What I do is breathe new life into a style that's dead so that it regains its own original language and adheres to its own original criteria, expressing vibrant new ideas that are keeping with its identity."- Sardelli's Baroque music is sparkling, luminous, witty, deeply feeling, and extremely well crafted: a true "discovery"!- Performed by his own Modo Antiquo, and a line-up of excellent soloists of international renown. And of course conducted by himself..- Booklet notes including tributes to Sardelli from the Vivaldi scholar Michael Talbot....

Sklep: Bonusmedia

22,62 zł

Sardelli: Baroque Concertos, Psalm, Chamber Music brilliant classics

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna

As the composer, conductor, scholar and provocateur explains in his own notes, this is Baroque music for our time. Federico Maria Sardelli's long experience researching and editing the music of Vivaldi leaves him perhaps ideally placed to recreate such music in his own image, which he does here with chamber, orchestral and vocal music that is less a pastiche, in which identity is obscured, than a defiant recreation of a past age. 'It's important for me to point out that I don't compose "neo-Baroque" music, but Baroque music. It's not a question of revisiting a musical idiom, or being influenced by it. What I do is breathe new life into a style that's dead so that it regains its own original language and adheres to its own original criteria, expressing vibrant new ideas that are keeping with its identity.'As his fellow composer Carlo Boccadoro remarks, the result 'is rather like filling antique containers with sparkling coloured liquids so that they take on an entirely new aspect; or looking at certain Renaissance portrayals that seem slightly distorted until they are viewed from exactly the right angle... Like optical illusions themselves, his music is both real and immaterial, built from solid counterpoint and born aloft by airy lightness. Sardelli subtly eludes the whole subject of musical idiom so central to all forms of contemporary music, fully aware of his own unique and inimitable individuality.'The performers on this unique disc are experienced performers of the Baroque style, playing in 'historically informed' conditions -- a further paradox that enriches this time-bending recording. Under the baton of Sardelli, Modo Antiquo appears regularly at major international festivals and concert halls. Its discography of more that 40 titles includes many world premiere recordings.Other information:- New recording made in 2013.- Another obscure baroque composer dug up from the dusty archives of some Italian library? No! Federico Maria Sardelli is alive and kicking, a highly respected musician and conductor rightly famed for his numerous outstanding recordings (the Vivaldi Edition on Naive).Sardelli is also a composer of Baroque music, and to comment on that we better let him speak himself: "It's important for me to point out that I don't compose 'neo-Baroque' music, but Baroque music. It's not a question of revisiting a musical idiom, or being influenced by it. What I do is breathe new life into a style that's dead so that it regains its own original language and adheres to its own original criteria, expressing vibrant new ideas that are keeping with its identity."- Sardelli's Baroque music is sparkling, luminous, witty, deeply feeling, and extremely well crafted: a true "discovery"!- Performed by his own Modo Antiquo, and a line-up of excellent soloists of international renown. And of course conducted by himself..- Booklet notes including tributes to Sardelli from the Vivaldi scholar Michael Talbot....

Sklep: Madbooks.pl

206,51 zł

Music in the Baroque Era from Monteverdi to Bach Read Books

Książki / Literatura obcojęzyczna

This vintage book contains a comprehensive treatise of Baroque music. It was written for the music student and music lover, with the aim of acquainting them with this great period of music history and helping them to gain a historical understanding of music without which baroque music cannot be fully appreciated and enjoyed. Written in simple, plain language and full of fascinating information about baroque music, this text will appeal to those interested in music but who have little previous knowledge of baroque, and it would make for a most worthy addition to collections of music-related literature. The chapters of this book include: 'Early Baroque in Italy'; 'The Beginnings of the Concertato Style: Gabrieli'; 'The Phases of Baroque Music'; 'Tradition and progress in Sacred Music'; 'The Netherlands School and Its English Background', et cetera. We are republishing this antiquarian volume now in an affordable, modern edition complete with a new prefatory biography of the author.

Sklep: Libristo.pl

94,15 zł

Renaissance Counterpoint with Medieval Preliminaries AuthorHouse

Książki / Literatura obcojęzyczna

This book starts by focusing on Medieval creativity and the first, and later attempts at written music, from the earliest days on into the Ars Nova period, so as to show the eventual evolution to Renaissance triadic counterpoint. The second, more important focus is on an adapted set of Species exercises, with all the benefits of its strict rules. The third focus is on freer creativity within the learned rules. The final focus is on the English Madrigal, and how it bridges to Baroque tonality. A prose Appendix historically orients the student with overview summaries of the Renaissance period.

Sklep: Libristo.pl

197,06 zł

Lyric Poetry by Women of the Italian Renaissance Johns Hopkins University Press

Książki / Literatura obcojęzyczna

Lyric Poetry by Women of the Italian Renaissance is the first modern anthology of verse by Italian women of this period to give a full representation of the richness and diversity of their output. Although familiar authors such as Vittoria Colonna, Gaspara Stampa, and Veronica Gambara are well represented, half of the fifty-four poets featured are unknown even to many specialists. Especially noteworthy is an extensive selection of verse from the period following 1560, which has received little or no critical attention. This later, strikingly experimental, proto-Baroque tradition of verse is reconstructed here for the first time. Virginia Cox creates both a scholarly teaching resource and a collection of poetry accessible to general readers with no previous knowledge of the Italian poetic tradition. Each poem is presented in its original language, accompanied by a translation and commentary. An introduction traces the history of Italian lyric poetry from the fifteenth to the seventeenth century. Cox also provides a guide to meter, rhythm, and rhyme, as well as a glossary of rhetorical terms and a biographical dictionary of authors.Organized thematically, this book offers poems about love, religion, and politics; verse addressed to patrons, friends, family, and places; and polemical and correspondence verse. Four languages are represented: Greek, Latin, literary Tuscan of various levels of standardization, and the stylized rustic dialect of pavan. The volume contains more than 200 poems, of which about a quarter have never before been published in a modern edition and more than a third have not previously been available in English translation. "Exhaustive and insightful...This is an amazing book, a major achievement in the field of women's studies." (Renaissance Quarterly, reviewing Women's Writing in Italy, 1400-1650).

Sklep: Libristo.pl

22,50 zł

Da Milano: Music For Lute Brilliant Classics

Nagrania muzyczneMuzyka poważna

Francesco da Milano was a composer of the Italian Renaissance period, and like many other musicians of that time, a poet, artist and writer to boot. His extraordinary talents are well exemplified in his lute works, a large selection of ricercares and fantasias. At a time when instrumental and vocal music was inextricably linked, the fantasia, a new invention of the late 1400s, was reminiscent of vocal polyphony, as it strove to imitate another innovation of the period ? the madrigal. Both the ricercare and fantasia are highly inventive, consisting of various imitations along the lines of a vocal motet. Da Milano was a master of innovation, and his astonishingly varied melodic lines were highly praised by contemporaries in his time. World-class lutist Sandro Volta has delved into Arthur J. Ness?s authoritative edition of Da Milano?s lute music, choosing ten fantasias and twelve ricercares to enchant and delight the listener. An experienced recording artist, Volta?s repertoire spans many periods on a variety of plucked instruments, but he specialises in Renaissance and Baroque lute music from Italy. He has a profound understanding of the relationship between music and the written word, having published an important study on 17th-century music and poetry, and it is this understanding that underpins his assured performance on this recording. Francesco da Milano lived from 1497 till 1543. He worked as a composer and lute player at the Papal court and his fame spread over Europe, earning him the epithet ?il Divino?.His instrumental music for lute is influenced by the vocal practice of his time, notably the madrigal, whose polyphonic writing he imitated in his many Ricercares and Fantasias. These works had a profound influence on the development of purely instrumental music in the Renaissance. Master lutenist Sandro Volta published a book on the relationship between music and poetry in the renaissance, and his knowledge is showing in the vocal quality of his interpretations of these beautiful, melancholic masterworks for the lute. Other information: Extensive notes on the composer and pieces, written by the performer Biography of the artist Recorded in 2014

Sklep: Booknet.net.pl

54,71 zł

Alberti: Complete Keyboard Music (Płyta CD)

Książki & Multimedia > Muzyka

Opis - The prolific Domenico Alberti squeezed a surprising number of works out of a short and eventful life, achieving fame across Western Europe, particularly for the socalled "Alberti bass", an arpeggiated style of left"hand keyboard playing. Yet his presentday reputation does not equal these heights, his fame largely limited today to his Eight Sonatas. This recording puts this to rights, showcasing Alberti as a composer who deserves to be remembered for centuries to come, as a musical poet possessed of remarkable invention and imagination. Alberti"s compositions display the simplicity and sensitivity of Clementi, the vigour of Mozart and, in the briefest of moments, an almost Schubertian or Chopinesque pre"Romanticism. His keyboard compositions are generally individual movements or twopart toccatas or sonatas, the whole full of melodic echoes and intentional reworkings, which form intriguing bridges between the pieces. The three distinct periods in the composer"s output of keyboard music are mirrored here by the use of organ, fortepiano and harpsichord (all of which Alberti would have had to hand in his day) " corresponding also to the period practice of "playing on all manner of instruments", with individual pieces often not tied down to a specific instrument. This combination adds a Talented keyboardist and international award"winner Manuel Tomadin has a particular interest in Renaissance and Baroque music and historical organs. He brings all of his expertise to bear on this superb album. This 4CD set contains the complete keyboard music by Domenico Alberti, a First Recording! Domenico Alberti lived a short but very productive life, from 1710"1740. He was famous as a composer, cembalo player and singer (the world famous castrato Farinelli heard him sing, and recognised in him a fearful rival). Alberti claim to fame is his "discovery" of the so-called Alberti-bass: the accompanying left hand chord broken in a certain way (like c-g-e-g etc). This figure forms the basis of the Viennese classical style, and was used by all composers of keyboard sonatas and sonatinas. Alberti"s Sonatas and Toccatas are in two movements, the first an allegro in free form, followed by a mellow andante in arioso style. In order to achieve maximum variety Manuel Tomadin performs these works on three instruments: an historic organ (1773 Francesco Dacci organ), a harpsichord and a fortepiano. Manuel Tomadin already recorded successfully for Brilliant Classics, notably the Leipziger Chorale by Bach (BC94456). Recorded in Italy in 2013 and 2014. Contains liner notes written by the artist in Italian and English. Contains a biography of the artist. Contains a full organ specification. Nazwa - Alberti: Complete Keyboard Music Wydawca - Brilliant Classics Kod EAN - 5028421951614 Rok wydania - 2015 Nośnik - Płyta CD Podatek VAT - 23%

Sklep: InBook.pl

53,90 zł

Schutz: Sacred Music Brilliant Classics

Nagrania muzyczneMuzyka poważna

"Seculi sui Musicus excellentissimus" was the epitaph inscribed on his tombstone in the old Frauenkirche of Dresden -- to his contemporaries, the Saxon-born Heinrich Schütz was one of the most outstanding composers of the century, and even writers of music history today refer to him as 'Musicus poeticus ecclesiasticus', whose works were and are still the epitome of Protestant church music.This collection is a tribute to the great Baroque composer, who received most of his training in Venice from the organist of St Mark's, Giovanni Gabrieli. The richness of colour and musical splendour of the Psalmen Davids, scored for several choruses and first to feature on the release, reflects the arts-minded Saxon court for which they were composed; next comes a collection of motets, which similarly follow in the footsteps of Venetian composition through 'painting in sound' the content of the text and dividing the choir into two or more tonal groups. The motet played a significant role in church service music, and Schütz also wrote a number of polychoral concertos for festive occasions, the affective Magnificat anima mea SWV468 for Christmas among them. Rounding off the compilation is the composer's Schwanengesang, literally meaning 'Swan Song' and deemed to be his parting gift to the world -- here Luther's version of the 'German Magnificat' at the end of the piece reveals Schütz's taking on the role of musical interpreter in the cause of Lutheran teaching.The renowned Dresden Kreuzchor became closely associated with the works of Schütz under the directorship of Rudolf Mauersberger, who made the choir an instrument of singular appeal. Here they feature alongside a number of other distinguished German choral groups and ensembles, including the Berliner Solisten, to perform the works of a composer who represented an important transitional phase in sacred music.Other information:- Recordings made in 1965, 1970 and 1983--4.- Heinrich Schütz was no doubt one of the most important composers from the period of transition from Renaissance to Baroque, a German who imbued the strict german polyphony with Italian melos of warmth and emotion. Johann Sebastian Bach considered him the greatest of his predecessors.- Brilliant Classics has given Schütz ample due in its Schütz Edition volumes 1-4, and this new set presents some of his grandest works, the splendid Psalms of David, Polychoral Concertos and Motets and his moving Schwanengesang, music both magnificent and intimate.- Performances in the best german choral tradition by the famous Dresdner Kreuzchor, Capella Fidicina and the Berliner Solisten.- Booklet contains detailed notes on the composer and his music.

Sklep: Booknet.net.pl

57,00 zł

Schutz: Sacred Music brilliant classics

Nagrania>Nagrania muzyczne

"Seculi sui Musicus excellentissimus" was the epitaph inscribed on his tombstone in the old Frauenkirche of Dresden -- to his contemporaries, the Saxon-born Heinrich Schütz was one of the most outstanding composers of the century, and even writers of music history today refer to him as 'Musicus poeticus ecclesiasticus', whose works were and are still the epitome of Protestant church music.This collection is a tribute to the great Baroque composer, who received most of his training in Venice from the organist of St Mark's, Giovanni Gabrieli. The richness of colour and musical splendour of the Psalmen Davids, scored for several choruses and first to feature on the release, reflects the arts-minded Saxon court for which they were composed; next comes a collection of motets, which similarly follow in the footsteps of Venetian composition through 'painting in sound' the content of the text and dividing the choir into two or more tonal groups. The motet played a significant role in church service music, and Schütz also wrote a number of polychoral concertos for festive occasions, the affective Magnificat anima mea SWV468 for Christmas among them. Rounding off the compilation is the composer's Schwanengesang, literally meaning 'Swan Song' and deemed to be his parting gift to the world -- here Luther's version of the 'German Magnificat' at the end of the piece reveals Schütz's taking on the role of musical interpreter in the cause of Lutheran teaching.The renowned Dresden Kreuzchor became closely associated with the works of Schütz under the directorship of Rudolf Mauersberger, who made the choir an instrument of singular appeal. Here they feature alongside a number of other distinguished German choral groups and ensembles, including the Berliner Solisten, to perform the works of a composer who represented an important transitional phase in sacred music.Other information:- Recordings made in 1965, 1970 and 1983--4.- Heinrich Schütz was no doubt one of the most important composers from the period of transition from Renaissance to Baroque, a German who imbued the strict german polyphony with Italian melos of warmth and emotion. Johann Sebastian Bach considered him the greatest of his predecessors.- Brilliant Classics has given Schütz ample due in its Schütz Edition volumes 1-4, and this new set presents some of his grandest works, the splendid Psalms of David, Polychoral Concertos and Motets and his moving Schwanengesang, music both magnificent and intimate.- Performances in the best german choral tradition by the famous Dresdner Kreuzchor, Capella Fidicina and the Berliner Solisten.- Booklet contains detailed notes on the composer and his music....

Sklep: Bonusmedia

54,39 zł

Schutz: Sacred Music brilliant classics

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna

"Seculi sui Musicus excellentissimus" was the epitaph inscribed on his tombstone in the old Frauenkirche of Dresden -- to his contemporaries, the Saxon-born Heinrich Schütz was one of the most outstanding composers of the century, and even writers of music history today refer to him as 'Musicus poeticus ecclesiasticus', whose works were and are still the epitome of Protestant church music.This collection is a tribute to the great Baroque composer, who received most of his training in Venice from the organist of St Mark's, Giovanni Gabrieli. The richness of colour and musical splendour of the Psalmen Davids, scored for several choruses and first to feature on the release, reflects the arts-minded Saxon court for which they were composed; next comes a collection of motets, which similarly follow in the footsteps of Venetian composition through 'painting in sound' the content of the text and dividing the choir into two or more tonal groups. The motet played a significant role in church service music, and Schütz also wrote a number of polychoral concertos for festive occasions, the affective Magnificat anima mea SWV468 for Christmas among them. Rounding off the compilation is the composer's Schwanengesang, literally meaning 'Swan Song' and deemed to be his parting gift to the world -- here Luther's version of the 'German Magnificat' at the end of the piece reveals Schütz's taking on the role of musical interpreter in the cause of Lutheran teaching.The renowned Dresden Kreuzchor became closely associated with the works of Schütz under the directorship of Rudolf Mauersberger, who made the choir an instrument of singular appeal. Here they feature alongside a number of other distinguished German choral groups and ensembles, including the Berliner Solisten, to perform the works of a composer who represented an important transitional phase in sacred music.Other information:- Recordings made in 1965, 1970 and 1983--4.- Heinrich Schütz was no doubt one of the most important composers from the period of transition from Renaissance to Baroque, a German who imbued the strict german polyphony with Italian melos of warmth and emotion. Johann Sebastian Bach considered him the greatest of his predecessors.- Brilliant Classics has given Schütz ample due in its Schütz Edition volumes 1-4, and this new set presents some of his grandest works, the splendid Psalms of David, Polychoral Concertos and Motets and his moving Schwanengesang, music both magnificent and intimate.- Performances in the best german choral tradition by the famous Dresdner Kreuzchor, Capella Fidicina and the Berliner Solisten.- Booklet contains detailed notes on the composer and his music....

Sklep: Madbooks.pl

54,99 zł

Alberti: Complete Keyboard Music brilliant classics

Kultura. Sztuka. >Muzyka Taniec Śpiew

The prolific Domenico Alberti squeezed a surprising number of works out of a short and eventful life, achieving fame across Western Europe, particularly for the socalled

Sklep: Prolibri.pl

49,50 zł

Alberti: Complete Keyboard Music Brilliant Classics

Nagrania muzyczneMuzyka poważna

The prolific Domenico Alberti squeezed a surprising number of works out of a short and eventful life, achieving fame across Western Europe, particularly for the socalled ?Alberti bass?, an arpeggiated style of left?hand keyboard playing. Yet his presentday reputation does not equal these heights, his fame largely limited today to his Eight Sonatas. This recording puts this to rights, showcasing Alberti as a composer who deserves to be remembered for centuries to come, as a musical poet possessed of remarkable invention and imagination.Alberti?s compositions display the simplicity and sensitivity of Clementi, the vigour of Mozart and, in the briefest of moments, an almost Schubertian or Chopinesque pre?Romanticism. His keyboard compositions are generally individual movements or twopart toccatas or sonatas, the whole full of melodic echoes and intentional reworkings, which form intriguing bridges between the pieces.The three distinct periods in the composer?s output of keyboard music are mirrored here by the use of organ, fortepiano and harpsichord (all of which Alberti would have had to hand in his day) ? corresponding also to the period practice of ?playing on all manner of instruments?, with individual pieces often not tied down to a specific instrument. This combination adds a Talented keyboardist and international award?winner Manuel Tomadin has a particular interest in Renaissance and Baroque music and historical organs. He brings all of his expertise to bear on this superb album.This 4CD set contains the complete keyboard music by Domenico Alberti, a First Recording!Domenico Alberti lived a short but very productive life, from 1710?1740. He was famous as a composer, cembalo player and singer (the world famous castrato Farinelli heard him sing, and recognised in him a fearful rival).Alberti claim to fame is his ?discovery? of the so-called Alberti-bass: the accompanying left hand chord broken in a certain way (like c-g-e-g etc). This figure forms the basis of the Viennese classical style, and was used by all composers of keyboard sonatas and sonatinas. Alberti?s Sonatas and Toccatas are in two movements, the first an allegro in free form, followed by a mellow andante in arioso style. In order to achieve maximum variety Manuel Tomadin performs these works on three instruments: an historic organ (1773 Francesco Dacci organ), a harpsichord and a fortepiano. Manuel Tomadin already recorded successfully for Brilliant Classics, notably the Leipziger Chorale by Bach (BC94456).Recorded in Italy in 2013 and 2014.Contains liner notes written by the artist in Italian and English.Contains a biography of the artist.Contains a full organ specification.

Sklep: Booknet.net.pl

48,82 zł

Alberti: Complete Keyboard Music MAC

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The prolific Domenico Alberti squeezed a surprising number of works out of a short and eventful life, achieving fame across Western Europe, particularly for the socalled ‘Alberti bass’, an arpeggiated style of left‐hand keyboard playing. Yet his presentday reputation does not equal these heights, his fame largely limited today to his Eight Sonatas. This recording puts this to rights, showcasing Alberti as a composer who deserves to be remembered for centuries to come, as a musical poet possessed of remarkable invention and imagination. Alberti’s compositions display the simplicity and sensitivity of Clementi, the vigour of Mozart and, in the briefest of moments, an almost Schubertian or Chopinesque pre‐Romanticism. His keyboard compositions are generally individual movements or twopart toccatas or sonatas, the whole full of melodic echoes and intentional reworkings, which form intriguing bridges between the pieces. The three distinct periods in the composer’s output of keyboard music are mirrored here by the use of organ, fortepiano and harpsichord (all of which Alberti would have had to hand in his day) – corresponding also to the period practice of ‘playing on all manner of instruments’, with individual pieces often not tied down to a specific instrument. This combination adds a Talented keyboardist and international award‐winner Manuel Tomadin has a particular interest in Renaissance and Baroque music and historical organs. He brings all of his expertise to bear on this superb album. This 4CD set contains the complete keyboard music by Domenico Alberti, a First Recording! Domenico Alberti lived a short but very productive life, from 1710‐1740. He was famous as a composer, cembalo player and singer (the world famous castrato Farinelli heard him sing, and recognised in him a fearful rival). Alberti claim to fame is his “discovery” of the so-called Alberti-bass: the accompanying left hand chord broken in a certain way (like c-g-e-g etc). This figure forms the basis of the Viennese classical style, and was used by all composers of keyboard sonatas and sonatinas. Alberti’s Sonatas and Toccatas are in two movements, the first an allegro in free form, followed by a mellow andante in arioso style. In order to achieve maximum variety Manuel Tomadin performs these works on three instruments: an historic organ (1773 Francesco Dacci organ), a harpsichord and a fortepiano. Manuel Tomadin already recorded successfully for Brilliant Classics, notably the Leipziger Chorale by Bach (BC94456). Recorded in Italy in 2013 and 2014. Contains liner notes written by the artist in Italian and English. Contains a biography of the artist. Contains a full organ specification.

Sklep: Literacka.pl

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Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

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