gigant my favourite christmas fkoeqcagrxwmebdwkwub

- znaleziono 11 produktów w 6 sklepach

My Favourite Christmas Al - 2840863082

24,99 zł

My Favourite Christmas Al

Muzyka>Klasyczna>Easy

0x00923edf00000000

Sklep: Gigant.pl

A Mary Christmas (Polska cena) - Mary J. Blige (Płyta CD) - 2836994703

38,90 zł

A Mary Christmas (Polska cena) - Mary J. Blige (Płyta CD)

Ksi±żki & Multimedia > Muzyka

Opis - Ikona muzyki, wielokrotna laureatka Grammy, piosenkarka, aktorka i filantropka, Mary J. Blige poł±czyła siły z największymi talentami w branży. Nagrana dla Matriarchy Records/Verve Records/Interscope Records płyta to pierwszy ¶wi±teczny album Blige zatytułowana A Mary Christmas. To także pierwszy owoc współpracy artystki z producentem i prezesem The Verve Music Group, Davidem Fosterem. "Ostatnie pięć miesięcy to był dla mnie fantastyczny czas, a to wszystko dzięki Davidovi Fosterowi. Jestem szczę¶ciar±, że miałam szansę stworzyć ten album wła¶nie z nim. David współpracował z wieloma bardzo utalentowanymi osobami, dlatego cieszę się, że i mnie się to udało. Jestem dumna z tego, co stworzyli¶my, wierzę, że moi fani pokochaj± ten album tak, jak ja go kocham" - mówi artystka. Na A Mary Christmas znajdziemy ciekawe interpretacje klasycznych melodii bożonarodzeniowych, m.in. Have Yourself A Merry Little Christmas czy The Christmas Song. Blige towarzyszy na tej płycie wielu pierwszoligowych muzyków, poczynaj±c od Barbry Straisand, z któr± wykonuje duet When You Wish Upon A Star, przez Jessie J w utworze Do You Hear What I Hear, The Clark Sisters - w The First Noel po Marka Anthony'ego (Noche de Paz). Inne, niewymienione wcze¶niej utwory, to: Little Drummer Boy, My Favourite Things, This Christmas Rudolph The Red-Nosed Reindeer oraz Petit Popo Noel Tina Rossiego. David Foster w następuj±cy sposób wypowiada się o artystce: "Jest wiele rzeczy, które mógłbym powiedzieć o Mary, ale najważniejsze jest chyba to, że dla niej nie istniej± żadne ograniczenia artystyczne, żadne schematy, poza które nie można by wyj¶ć. Ona nie my¶li o sobie przez pryzmat tego, czy jest biała, czy czarna, żółta czy czerwona, czy jest kobiet± czy mężczyzn±. Zawsze postrzega siebie tylko i wył±cznie jako artystkę i rzeczywi¶cie ni± jest". Nazwa - A Mary Christmas (Polska cena) Autor - Mary J. Blige Wydawca - Universal Music Kod EAN - 0602537566303 Rok wydania - 2013 No¶nik - Płyta CD Ilo¶ć elementów - 1 Podatek VAT - 23% Premiera - 2013-10-31

Sklep: InBook.pl

A Mary Christmas (Polska cena) - 2858666857

35,69 zł

A Mary Christmas (Polska cena) UNIVERSAL MUSIC POLSKA

Muzyka na CD / pop

Ikona muzyki, wielokrotna laureatka Grammy, piosenkarka, aktorka i filantropka, Mary J. Blige połączyła siły z największymi talentami w branży. Nagrana dla Matriarchy Records/Verve Records/Interscope Records płyta to pierwszy świąteczny album Blige zatytułowana A Mary Christmas. To także pierwszy owoc współpracy artystki z producentem i prezesem The Verve Music Group, Davidem Fosterem. „Ostatnie pięć miesięcy to był dla mnie fantastyczny czas, a to wszystko dzięki Davidovi Fosterowi. Jestem szczęściarą, że miałam szansę stworzyć ten album właśnie z nim. David współpracował z wieloma bardzo utalentowanymi osobami, dlatego cieszę się, że i mnie się to udało. Jestem dumna z tego, co stworzyliśmy, wierzę, że moi fani pokochają ten album tak, jak ja go kocham” - mówi artystka. Na A Mary Christmas znajdziemy ciekawe interpretacje klasycznych melodii bożonarodzeniowych, m.in. Have Yourself A Merry Little Christmas czy The Christmas Song. Blige towarzyszy na tej płycie wielu pierwszoligowych muzyków, poczynając od Barbry Straisand, z którą wykonuje duet When You Wish Upon A Star, przez Jessie J w utworze Do You Hear What I Hear, The Clark Sisters – w The First Noel po Marka Anthony’ego (Noche de Paz). Inne, niewymienione wcześniej utwory, to: Little Drummer Boy, My Favourite Things, This Christmas Rudolph The Red-Nosed Reindeer oraz Petit Popo Noel Tina Rossiego. David Foster w następujący sposób wypowiada się o artystce: „Jest wiele rzeczy, które mógłbym powiedzieć o Mary, ale najważniejsze jest chyba to, że dla niej nie istnieją żadne ograniczenia artystyczne, żadne schematy, poza które nie można by wyjść. Ona nie myśli o sobie przez pryzmat tego, czy jest biała, czy czarna, żółta czy czerwona, czy jest kobietą czy mężczyzną. Zawsze postrzega siebie tylko i wyłącznie jako artystkę i rzeczywiście nią jest”.

Sklep: Literacka.pl

Christmas at the Comfort Food Cafe - 2877037930

41,83 zł

Christmas at the Comfort Food Cafe HarperCollins Publishers

Ksi±żki / Literatura obcojęzyczna

'My new favourite author' - Holly Martin 'A lovely, emotion-filled, giggle-inducing story' - Sunday Times bestselling author Milly Johnson

Sklep: Libristo.pl

Blood Doctor - 2212839586

32,40 zł

Blood Doctor Penguin

Powie¶ci i opowiadania

Blood. That

Sklep: Albertus.pl

Módl się i zwyciężaj - Ks. Krystian Wilczyński - 2847771163

3,63 zł

Módl się i zwyciężaj - Ks. Krystian Wilczyński

Ksi±żki & Multimedia > Ksi±żki

Nazwa - Módl się i zwyciężaj Autor - Ks. Krystian Wilczyński Oprawa - Miękka Wydawca - Emmanuel Kod ISBN - 9788363757625 Kod EAN - 9788363757625 Rok wydania - 2014 Format - 105x145 Ilo¶ć stron - 31 Podatek VAT - 5%

Sklep: InBook.pl

The King: Chess Pieces - 2877023805

146,30 zł

The King: Chess Pieces

Szachy > Ksi±żki New In Chess

J.H.Donner  (1927-1988) was a Dutch Grandmaster and one of the greatest writers about chess of all time. He was a chess reporter and a chess columnist, as well as an annotator of the game. Above all he was a witty and unpredictable commentator of everything and everybody, both inside and outside the chess world.  THE KING  spans a writing career of more than thirty years during which Donner slowly developed from chess player-writer into writer-chess player. Donner's favourite themes are: Bobby Fischer, the blunder, chess as a game of luck, why women can't play chess, madness, and poor Lodewijk Prins, his rival for the Dutch National Championship for many years, who, according to Donner, "couldn't tell a bishop from a knight."  'THE KING' is a book full of insults and ironies, but Donner wouldn't be Donner without a considerable amount of self-mockery.  "After I resigned the last game with perfect self-control  and solemnly shook hands with my opponent in the best of Anglo-Saxon traditions, I rushed home where I threw myself onto my bed, howling and screaming, and pulled  the blankets over my face." Shortlisted English Chess Federation 2006 Book of the Year  The first unabridged English edition of this classic Lubosh Kavalek, The Washington Post: "[An] acclaimed masterpiece. The late Dutch Grandmaster was a brilliant, amusing, provoking and self-mocking author, a master of vertical hyperboles and shortcuts." Taylor Kingston, ChessCafe: "His reportorial style reminds one of the 'gonzo journalism' of Hunter S.Thompson fame, and his polemics are reminiscent of such great scourges of hypocrisy as H.L.Mencken (...) If you do not buy this book, and you later realize just how good it really is, and what a treasure you have missed, you will feel depressed, and deservedly so." Raymond Keene, chess columnist of The Times (London): "Absolutely wonderful." Harry Mulisch, author of 'The Discovery of Heaven': "This book is about chess only in appearance, and I hope that no one will allow himself to be scared off by the diagrams and the annotations. It is in fact a magnificent self-portrait of Hein Donner, the player, the equally fearless and hilarious provocateur, who, when the chips are down, will always be found on the right side." Bob Long, Chessco: "Totally absorbing. Any insightful person should have this book." Paul Motwani, The Scotsman: "An irresistible gem of a book, that weighs in at 390 pages, yet never looses the seemingly magical lightness of its text." John Saunders, British Chess Magazine: "A work that all chess players should own. It would probably be my only 'desert island' chess book." Malcolm Pein, chess columnist of The Daily Telegraph: "Donner was the wittiest, most irreverent writer of his generation. The book is a triumph." John Donaldson, Inside Chess Magazine: "Donner was witty, opinionated and often cranky, but he was always fun to read - assuming of course you weren't the object of one of his attacks." Sarah Hurst, Chess Moves: "The most outrageous chess book money can buy." Jeremy Silman, author of 'How to Reassess Your Chess': "Far and away the finest chess writing ever seen (...) Trust me, you don't want to be without this book." Tim Krabbé, author of 'The Vanishing': "Eminently readable for chess players and non-chess players alike." Mike Fox and Richard Jame s, Chess Magazine: "A magnificent portrait of a remarkable man, as well as one of the funniest chess books ever written." GM Peter Svidler, four-times chess champion of Russia: "I felt I deserved a little present and bought myself 'The King'. It is every bit as good as it is said to be." Mark Donlan, Chess Horizons: "One of the few chess books that made me laugh aloud. It is the only chess book that ever similarly amused my wife (...) This is THE BOOK to put on your Christmas or birthday wish list." Rick Kennedy, ChessVille: "A perfect gift for a chess-friend who likes a good tale told with verve and a fresh perspective. Do pick up a couple of copies, though - if you peek inside you might not want to let go of the first one!" Fred Waitzkin, author of 'Searching for Bobby Fischer': "The book has blown me away.

Sklep: Imperiumzabawek.pl

Letter from America - 2212824618

40,80 zł

Letter from America Penguin

Powie¶ci i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

Sklep: Albertus.pl

That Rabbit Belongs To Emily Brown - 2826904743

37,49 zł

That Rabbit Belongs To Emily Brown Hachette Children's Book

Ksi±żki / Literatura obcojęzyczna

A stunning reissue of this classic picture book. When the Queen steals Emily Brown's favourite toy and erstwhile companion, a toy rabbit called Stanley, Emily sets out to get him back and teach that naughty queen a valuable lesson! Winner of the 2006 Nestle Gold Award, chosen for the Richard & Judy Christmas book party, a Bookaboo Book Club book as seen on CITV and read by Amanda Holden. 'Charming, funny and gets my vote as the best picture book of the year.' - FTMagazine Written by Cressida Cowell, the bestselling author of the How to Train Your Dragon series. http://www.cressidacowell.co.uk/ Illustrated by award winning Neal Layton, creator of Stanley's Stick. http://www.neallayton.co.uk/New index.html

Sklep: Libristo.pl

Furious Method - 2867092833

41,83 zł

Furious Method Cornerstone

Ksi±żki / Literatura obcojęzyczna

The knock-out Sunday Times bestseller from BBC Sport Personality of the Year nominee, the People's Champion and Gypsy King: Tyson Fury________________________________________PICK YOURSELF UP OFF THE CANVAS. TRANSFORM YOUR BODY AND MIND. MAKE YOUR COMEBACK.________________________________________'Tyson's story ranks as one of the greatest comebacks ever. Not just in sport.' Telegraph'Full of tips on getting physically and mentally fitter ... a great antidote to battling lockdown blues.' Evening StandardFrom weighing twenty-eight stone and fighting a deep depression, to his amazing return to heavyweight champion of the world, Tyson opens up and share his inspiring advice and tips on diet, exercise regime, and his incredible journey back to a healthier body and mind.Frank, accessible and inspiring, The Furious Method is a feel-good and motivating tonic, full of inspirational advice for readers on how we can all improve our physical and mental health. And how we can all create a champion mind-set. Whatever your starting point or past set-backs, Tyson will show you how you can make your own comeback and start living your life to the fullest - fighting fit, mentally restored, and stronger than ever.________________________________________'King of the ring ... king of how to make a regime work for you. [Passes] on the message without preaching, without lecturing' Chris Evans'It's a very positive book, it's got some incredible things in here ...[this] book will help so many people' Roman Kemp'A number of very useful tips ... A great example to anyone' Phillip Schofield'It's a very open, honest book ... I think the advice in it is great.' Susanna Reid'It's a great read ...a great book' Piers Morgan'There's great humour in the book ... This is my favourite interview we've ever done' Holly Willoughby'Inspirational ... must-have gift for Christmas' Alan Brazil'The Furious Method is a feel-good and motivating tonic, full of inspirational advice for readers on how we can all improve our physical and mental health.' The Sportsman

Sklep: Libristo.pl

Summer at the Comfort Food Cafe - 2869549373

41,83 zł

Summer at the Comfort Food Cafe HarperCollins Publishers

Ksi±żki / Literatura obcojęzyczna

'My new favourite author' - Holly Martin, bestselling author of 'Christmas at Lilac Cottage' & 'Summer at Rose Island' The brand new book from best-selling author Debbie Johnson will make you laugh, make you cry, and make you raid the pantry in the middle of the night...

Sklep: Libristo.pl

Sklepy zlokalizowane w miastach: Warszawa, Kraków, ŁódĽ, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

Szukaj w sklepach lub całym serwisie

1. Sklepy z gigant pl my favourite christmas fkoeqcagrxwmebdwkwub

2. Szukaj na wszystkich stronach serwisu

t1=0.04, t2=0, t3=0, t4=0.018, t=0.04

Dla sprzedawców

copyright © 2005-2024 Sklepy24.pl  |  made by Internet Software House DOTCOM RIVER