SING WHEN YOU'RE WINNING (NTSC) - Robbie Williams (Płyta CD)

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Let Love Be Your Energy 2. Better Man 3. Rock DJ 4. Supreme 5. Kids 6. If It's Hurting You 7. Singing For The Lonely 8. Love Calling Earth 9. Knutsford City Limits 10. Forever Texas 11. By All Means Necessary 12. The Road To Mandalay DVD: (wcześniej niepublikowane nagrania) 1. Rock DJ (Top Of The Pops Special, 30/08/00) 2. Kids (with Kylie) (Top Of The Pops, 6/10/00) 3. Kids (with Kylie) (MTV Music Awards, 16/11/00) 4. Let Love Be Your Energy (Later... with Jools Holland, 02/12/00) 5. Better Man (Later... with Jools Holland, 02/12/00) 6. Supreme (Top Of The Pops, 8/12/00) 7. Interview with Parkinson (7/04/01) 8. Eternity (Top Of The Pops, 29/06/01) 9. The Road To Mandalay (Top Of The Pops Special, 30/08/00) Nazwa - SING WHEN YOU'RE WINNING (NTSC) Autor - Robbie Williams Wydawca - EMI Music Poland Kod EAN - 5099994942620 Rok wydania - 2011 Nośnik - Płyta CD Ilość elementów - 2 Podatek VAT - 23% Premiera - 2011-03-21

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Sing When You're Winning (Cd + Ntsc Dvd) Universal Music / EMI

Muzyka>Pop

0x003b0afa00000000

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Just Sing

PlayStation/PlayStation 4 > Gry

Sklep: Pixelgame.pl

Sing It: High School Musical 3: Senior Year (używ.) Disney Interactive

PS2 > PS2 Gry

Disney Sing It: High School Musical 3: Senior Year to gra muzyczna (karaoke) oparta na motywach tytułowego filmu stworzonego przez studio filmowe Disneya. Dzieło zostało opracowane przez dewelopera Zoe Mode (odpowiedzialnego chociażby za Rock Revolution i You're in the Movies) i wydane przez Disney Interactive Studios. Tytuł jest kontynuacją High School Musical: Sing It!. Disney Sing It: High School Musical 3: Senior Year jest grą karaoke przeznaczoną dla całej rodziny. Gracze śpiewają piosenki korzystając z wyświetlanych na ekranie tekstów i podpowiedzi oraz podziwiając animacje w tle. Całość została opracowana w stylistyce wspomnianego obrazu kinowego Disneya

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Sing It: High School Musical 3: Senior Year Disney Interactive

PS3 > PS3 Gry

Zestaw nie zawiera mikrofonów. Disney Sing It: High School Musical 3: Senior Year to gra muzyczna (karaoke) oparta na motywach tytułowego filmu stworzonego przez studio filmowe Disneya. Dzieło zostało opracowane przez dewelopera Zoe Mode (odpowiedzialnego chociażby za Rock Revolution i You're in the Movies) i wydane przez Disney Interactive Studios. Tytuł jest kontynuacją High School Musical: Sing It!. Disney Sing It: High School Musical 3: Senior Year jest grą karaoke przeznaczoną dla całej rodziny. Gracze śpiewają piosenki korzystając z wyświetlanych na ekranie tekstów i podpowiedzi oraz podziwiając animacje w tle. Całość została opracowana w stylistyce wspomnianego obrazu kinowego Disneya

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Sing It: High School Musical 3: Senior Year Disney Interactive

PS2 > PS2 Gry

Disney Sing It: High School Musical 3: Senior Year to gra muzyczna (karaoke) oparta na motywach tytułowego filmu stworzonego przez studio filmowe Disneya. Dzieło zostało opracowane przez dewelopera Zoe Mode (odpowiedzialnego chociażby za Rock Revolution i You're in the Movies) i wydane przez Disney Interactive Studios. Tytuł jest kontynuacją High School Musical: Sing It!. Disney Sing It: High School Musical 3: Senior Year jest grą karaoke przeznaczoną dla całej rodziny. Gracze śpiewają piosenki korzystając z wyświetlanych na ekranie tekstów i podpowiedzi oraz podziwiając animacje w tle. Całość została opracowana w stylistyce wspomnianego obrazu kinowego Disneya

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Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

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CLOSE TO YOU: REMEMBERING THE CARPENTERS - The Carpenters (Płyta DVD)

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Yesterday Once More 2. Superstar 3. Rainy Days And Mondays 4. Top Of the World 5. Ticket To Ride 6. Love Is Surrender 7. Maybe It's You 8. Reason To Believe 9. Where Do I Go From Here? 10. This Masquerade 11. It's Going To Take Some Time 12. One More Time 13. Those Good Old Dreams 14. For All We Know 15. Crystal Lullaby 16. I Believe You 17. (They Long To Be) Close To You 18. Bless The Beasts And Children 19. All You Get From Love Is A Love Song 20. Calling Occupants Of Interplanetary Craft Płyta 2 1. I Need to Be In Love 2. Now 3. Solitaire 4. Please Mr. Postman 5. Hurting Each Other 6. I Won't Last A Day Without You 7. Sweet, Sweet Smile 8. A Song For You 9. Ordinary Fool 10. When You've Got What It Takes 11. Goodbye To Love 12. Your Baby Doesn't Love You Anymore 13. Sing 14. Baby, It's You 15. Let Me Be The One 16. Only Yesterday 17. Jambalaya (On The Bayou) 18. Touch Me When We're Dancing 19. We've Only Just Begun 20. When It's Gone (It's Just Gone) Opis - The Carpenters byli jednym z najpopularniejszych zespołów lat 70-tych oraz najlepiej sprzedającą grupą w tamtym okresie. W trakcie czternastoletniej kariery wydali 11 albumów, które rozeszły się w nakładzie przekraczającym 100 milionów egzemplarzy, oraz 31 singli, otrzymując 18 nominacji i 3 statuetki Grammy. Działalność duetu zakończyła nagła śmierć Karen Carpenter w 1983 roku.W 2009 roku mija 40-ta rocznica wydania pierwszego albumu The Carpenters - "Ticket To Ride" (pierwotnie "The Offering") oraz podpisania kontraktu z wytwórnią A&M Records. Z tej okazji ukazała się dwupłytowa kompilacja obejmująca najważniejsze i najpopularniejsze utwory w ich karierze, takie jak: "Ticket To Ride", "We've Only Just Began", "Superstar" czy "Please Mr. Postman" Nazwa - CLOSE TO YOU: REMEMBERING THE CARPENTERS Autor - The Carpenters Wydawca - UNIVERSAL Kod EAN - 0602527200071 Rok wydania - 2009 Nośnik - Płyta DVD Ilość elementów - 1 Podatek VAT - 23% Premiera - 2009-09-28

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If You Still Recognise Me Little Tiger Press Group

Książki / Literatura obcojęzyczna

If you loved Heartstopper and need more feel-good LGBTQ+ romance - If You Still Recognise Me is the one for you!Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they've never met in real life and Ada lives an ocean away. But Elsie has decided it's now or never to tell Ada how she feels.That is, until her long-lost best friend Joan walks back into her life. In a summer of repairing broken connections and building surprising new ones, Elsie realises that she isn't nearly as alone as she thought. But now she has a choice to make...A lyrical contemporary story about falling in love and finding yourself in the process, for fans of THE BLACK FLAMINGO, THE FALLING IN LOVE MONTAGE and Alice Oseman. "An epic fandom, a scavenger hunt for a lost love and an ode to cultural inheritance - this is a wonderfully heartfelt and joyously queer romance" - Lauren James, author of The Loneliest Girl in the Universe"If You Still Recognise Me is a poignant, perfectly formed debut about queer love, fandom and family." - Lex Croucher, author of Reputation"A beautiful and intricately layered tale of friendship, fandom and finding yourself - I absolutely adored it." - Sophie Cameron, author of Out of the Blue"Exploring the bonds of friendship, family, fandom, culture and queer community, this is a story about finding who you really are at the heart of all the things you love." - Sera Milano, author of This Can Never Not Be Real"A celebration of fannish glee, queer joy and family in all senses of the word. If You Still Recognise Me asks what it means to find yourself, when we are all more than a single story. I adored it." - Kat Dunn, author of Dangerous Remedy"Beautifully written with moments of sheer lyricism. A must-read for humans of all ages and walks of life. I loved it so much!" - Wibke Brueggemann, author of Love is for Losers"If You Still Recognise Me by Cynthia So is just so SO perfect.Refreshing, relatable and raw in its honesty, this is the book I wish I'd had as a queer teen discovering my identity." - Sarah Underwood, author of Lies We Sing to the Sea"If You Still Recognise Me is a moving and heart-warming story about queer love, family, culture and fandom and So's has a uniquely poetic style that sees beauty in the everyday and makes the familiar feel fresh and new" - Ciara Smyth, author of Not My Problem"This wonderful book is both a tender coming-of-age romance and a tapestry of queer identity that spans oceans, generations, and stages of life ... Suffused with queer wistfulness and the ache to be known, So's debut is as intimate and revelatory as the first touch of a first crush's hand." - Riley Redgate, author of Seven Ways We Lie"A lyrical, complex tale of friendship, family, and all the stories we tell ourselves - true and not - about what it means to love" - Kelly Loy Gilbert, author of When We Were Infinite"Cynthia So deftly weaves a story that explores queerness, love, and relationships across distance, both geographical and time. An accomplished debut with shades of Nina LaCour, If You Still Recognise Me is the perfect summer-time read." - Lizzie Huxley-Jones, author and editor

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One Flew Over the Cuckoo's Nest Penguin

Powieści i opowiadania

Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew Over the Cuckoo's Nest is the seminal novel of the 1960s that has left an indelible mark on the literature of our time. Here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the awesome powers that keep them all imprisoned. This morning the lockworks rattle strange; it's not a regular visitor at the door. An Escort Man's voice calls down, edgy and impatient, 'Admission, come sign for him,' and the black boys go. Admission. Everybody stops playing cards and Monopoly, turns towards the day-room door. Most days I'd be out sweeping the hall and see who they're signing in, but this morning, like I explain to you, the Big Nurse put a thousand pounds down me and I can't budge out of the chair. Most days I'm the first one to see the Admission, watch him creep in the door and slide along the wall and stand scared till the black boys come sign for him and take him into the shower room, where they strip him and leave him shivering with the door open while they all three run grinning up and down the halls looking for the Vaseline. 'We need that Vaseline,' they'll tell the Big Nurse, 'for the thermometer.' She looks from one to the other: 'I'm sure you do,' and hands them a jar holds at least a gallon, 'but mind you boys don't group up in there.' Then I see two, maybe all three of them in there, in that shower room with the Admission, running that thermometer around in the grease till it's coated the size of your finger, crooning,

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Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

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Consolations of Philosophy Penguin

Nauki humanistyczne

Alain de Botton, best-selling author of How Proust can Change Your Life, has set six of the finest minds in the history of philosophy to work on the problems of everyday life. Here then are Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche on some of the things that bother us all; lack of money, the pain of love, inadequacy, anxiety, the fear of failure and the pressure to conform.

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WHERE EGOS DARE (PAL VERSION) - Robbie Williams (Płyta DVD)

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Slane Castle Concert August 1999 4. Sing When You're Winning (footage of Robbie in the studio making the album) Nazwa - WHERE EGOS DARE (PAL VERSION) Autor - Robbie Williams Wydawca - EMI Music Poland Kod EAN - 0724349243095 Rok wydania - 2000 Nośnik - Płyta DVD Ilość elementów - 1 Podatek VAT - 23% Premiera - 2000-11-13

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ARETHA FRANKLIN 5 CD ORIGINAL ALBUM SERIES BOX RESPECT WYDAWCA

Muzyka > Płyty kompaktowe > Jazz, Swing

Aretha Franklin: Original Album Series [BOX] [5CD] CD 1: 1. Respect - Aretha Franklin 2. Drown In My Own Tears - Aretha Franklin 3. I Never Loved A Man / The Way I Love You - Aretha Franklin 4. Soul Serenade - Aretha Franklin 5. Don't Let Me Lose This Dream - Aretha Franklin 6. "Baby, Baby, Baby" - Aretha Franklin 7. Dr. Feelgood / Love Is Serious Business - Aretha Franklin 8. Good Times - Aretha Franklin 9. Do Right Woman / Do Right Man - Aretha Franklin 10. Save Me - Aretha Franklin 11. A Change Is Gonna Come - Aretha Franklin CD 2: 1. Chain Of Fools - Aretha Franklin 2. Money Won't Change You - Aretha Franklin 3. People Get Ready - Aretha Franklin 4. Niki Hoeky - Aretha Franklin 5. You Make Me Feel Like / A Natural Woman - Aretha Franklin 6. Since You've Been Gone / Sweet Sweet Baby - Aretha Franklin 7. Good To Me As I Am To You - Aretha Franklin 8. Come Back Baby - Aretha Franklin 9. Groovin' - Aretha Franklin 10. Ain't No Way - Aretha Franklin CD 3: 1. Think - Aretha Franklin 2. I Say A Little Prayer - Aretha Franklin 3. See Saw - Aretha Franklin 4. Night Time Is The Right Time - Aretha Franklin 5. You Send Me - Aretha Franklin 6. You're A Sweet Sweet Man - Aretha Franklin 7. I Take What I Want - Aretha Franklin 8. Hello Sunshine - Aretha Franklin 9. A Change - Aretha Franklin 10. I Can't See Myself Leaving You - Aretha Franklin CD 4: 1. Don't Play That Song - Aretha Franklin 2. The Thrill Is Gone / From Yesterday's Kiss (Album Version) - Aretha Franklin 3. Pullin' - Aretha Franklin 4. You And Me - Aretha Franklin 5. Honest I Do - Aretha Franklin 6. Spirit In The Dark - Aretha Franklin 7. When The Battle Is Over - Aretha Franklin 8. One Way Ticket - Aretha Franklin 9. Try Matty's - Aretha Franklin 10. That's All I Want From You - Aretha Franklin 11. Oh No Not My Baby - Aretha Franklin 12. Why I Sing The Blues - Aretha Franklin CD 5: 1. "Respect (Live at Fillmore West, San Francisco, February 5, 1971) - Aretha Franklin 2. "Love The One Your With (Live at Fillmore West, San Francisco, February 5, 1971) - Aretha Franklin 3. "Bridge Over Troubled Water (Live at Fillmore West, San Francisco, February 5, 1971) - Aretha Franklin 4. "Eleanor Rigby (Live at Fillmore West, San Francisco, February 5, 1971) - Aretha Franklin 5. "Make It With You (Live at Fillmore West, San Francisco, February 5, 1971) - Aretha Franklin 6. "Don't Play That Song (Live at Fillmore West, San Francisco, February 5, 1971) - Aretha Franklin 7. "Dr. [Feelgood (Live at Fillmore West, San Francisco, February 5, 1971) - Aretha Franklin 8. "Spirit In The Dark (Live at Fillmore West, San Francisco, February 7, 1971) - Aretha Franklin 9. "Spirit In The Dark (Reprise w/ Ray Charles) (Live at Fillmore West, San Francisco, February 7, 1971) - Aretha Franklin 10. "Reach Out And Touch / Somebody's Hand (Live at Fillmore West, San Francisco, February 7, 1971) - Aretha Franklin

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Singing the Scriptures - How All Believers Can Experience Breakthrough, Hope and Healing Baker Publishing Group

Książki / Literatura obcojęzyczna

In the Bible, Moses sang. So did David, Mary, Paul, and many more. When we learn to sing God's words back to him, we align the deepest spaces of our hearts with the deepest places of his. You don't need to know how to read music or even sing in tune. All you need is Scripture and a willingness to engage God in song--and you will experience breakthrough.

Sklep: Libristo.pl