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- znaleziono 20 produkty w 6 sklepach
Spalona Żywcem Wyd. Kieszonkowe - Souad
Książki & Multimedia > Książki
Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23
Sklep: InBook.pl
MOTORHEAD - The World Is Ours Vol 1 - Everything Further Than Everyplace Else - BLU-RAY Sony & BMG Music
LISTA KATEGORII > Filmy Blu-ray
Opis: Gdzieś w innym kraju, innym mieście, innym miejscu, zgromadzony w wypełnionej po brzegi hali koncertowej tłum krzykami domaga się ich wyjścia na scenę. Niestrudzeni podróżnicy i najwięksi wojownicy rocka po raz kolejny przygotowują się na pot, krew i łzy, którymi znowu pokryją całą scenę. Do mikrofonu podchodzi Lemmy, oznajmiając... "WE ARE MOTÖRHEAD... ...AND WE PLAY ROCK'N'ROLL!" Aby uczcić 35 rocznicę obecności zespołu w trasie, Motörhead Music /UDR z dumą prezentuje The Wörld Is Ours Vol 1 - Everything Further Than Everyplace Else - gorące wydawnictwo DVD, na którym znajdują się najlepsze momenty trasy koncertowej, w tym całość występu w Teatro Caupolican w Chile, nakręconego przez Banger Films we współpracy z Samem Dunnem (autorem m.in. Iron Maiden: Flight 666 i Rush: Beyond The Lighted Stage). Płyta The Wörld Is Ours Vol 1, nad której ostatecznym kształtem czuwał wieloletni producent grupy Cameron Webb, zawiera wszystkie klasyki Motörhead, o jakich usłyszeniu na żywo mogą tylko zamarzyć ich fani. Obok absolutnie kultowych "Overkill", "Ace Of Spades" i "Killed By Death", na krążku znajdują się również starsze perełki takie, jak "Over The Top", jak również nieco nowsze kawałki (w tym m.in. "I Know How To Die"). The Wörld Is Ours Vol 1 to wydawnictwo, które zabiera widzów i słuchaczy wprost do pierwszego rzędu genialnego występu w Chile. Oprócz tego na płycie znajdują się również inne smaczne kąski w postaci fragmentów koncertów Motörhead w Best Buy Theater w Nowym Jorku oraz Apollo w Manchesterze. The Wörld Is Ours Vol 1 dokumentuje potęgę, siłę, hałas i rock'n'rollowe granie w najlepszym wydaniu - innymi słowy wszystko, czego można spodziewać się po tej żywej legendzie ciężkiego grania. Motörhead po prostu nie da się zastąpić! I tak, zgadliście dobrze - druga część zapisu trasy koncertowej gigantów rocka pojawi się już w przyszłym roku... Tytuł oryginalny: The Wörld Is Ours Vol 1 - Everything Further Than Everyplace Else Wykonawca: MOTORHEAD Kategoria: rock Spis utworów: Santiago de Chile (90 min) + wywiad (9 min) We Are Motörhead Stay Clean Get Back In Line Metropolis Over the Top One Night Stand Rock Out The Thousand Names of God I Got Mine I Know How to Die The Chase Is Better Than the Catch In the Name of Tragedy Just 'Cos You Got the Power Going to Brazil Killed by Death Ace of Spades Overkill New York (20 min) + wywiad (23 min) Rock Out TheThousand Names of God Killed By Death (feat. Doro & Todd Youth) Manchester (25 min) + wywiad (12 min) We Are Motörhead Stay Clean Be My Baby Get Back In Line I Know How to Die Born to Raise Hell (feat. Michael Monroe) Dodatki: Get Back In Line - video clip - 3:45 min. I Know How To Die - video clip - 4.00 min. EPK "The Wörld Is Yours" - 23 min
Sklep: e-Bluray.com.pl
BIG BAND DRUMMING AT FIRST SIGHT ALFRED PUBLISHING CO.(UK)LTD
Książki / Literatura obcojęzyczna
With Big Band Drumming at First Sight, Steve Fidyk offers a comprehensive approach to improve sight-reading skills in a big band setting. With advice on how to accompany different musical forms and playing styles, Fidyk gives detailed information that will strengthen your ability to recognize band figures and beat patterns quickly and easily. The companion play-along MP3 CD features 10 arrangements of varying styles with beat and figure examples extracted from each score that are looped or repeated several times for thorough study. Big Band Drumming at First Sight will be an invaluable tool in helping you to become a better sight-reader! Read, listen, study, and learn through Steve's experience on what it takes to look at a drumset part once, and know how to deliver the musical goods with confidence!§§"It was love at first sight when I first encountered this book. Here is a great resource that is focused on sight-reading big band charts correctly the first time."§§-Percussive Notes§§"Rather than offering exercises in speedy note reading, the volume covers the fine art of chart interpretation with useful advice and clear illustrations."§-Jeff Potter, Modern Drummer
Sklep: Libristo.pl
Under the Duvet Penguin
Powieści i opowiadania
'When people ask me what I do for a crust and I tell them that I'm a novelist, they immediately assume that my life is a non-stop carousel of limos, television appearances, hair-dos, devoted fans, stalkers and all the glitzy paraphernalia of being a public figure. It's time to set the record straight. I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me ...' Her novels are adored by millions around the world
Sklep: Albertus.pl
ULTIMATE GUITAR LEGENDS SANTANA SCORPIONS CD WYDAWCA
Muzyka > Płyty kompaktowe > Składanki
ULTIMATE GUITAR LEGENDS CD Czteropłytowe wydawnictwo zawierajace najwieksze hity mistrzów gitary. Wsród wykonawców m.in.: John Mayer, Jeff Buckley, Jeff Beck, Joe Satriani czy Stevie Ray Vaughan. Tracklista: CD 1 1. Boston - More Than a Feeling 2. Ram Jam - Black Betty 3. Survivor - Eye of the Tiger 4. Heart - Barracuda 5. Deep Purple - The Battle Rages On 6. Toto - Hold the Line 7. The Byrds - Mr. Tambourine Man 8. Fleetwood Mac - Albatross 9. John Mayer - Queen of California 10. Jeff Buckley - Grace 11. Johnny Winter - Johnny B. Goode 12. Electric Light Orchestra - Ma-Ma-Ma Belle 13. Mott The Hoople - Roll Away the Stone 14. Stevie Ray Vaughan & Double Trouble - Little Wing 15. Jeff Beck - Cause We've Ended as Lovers 16. Joe Satriani - Surfing with the Alien 17. The Doobie Brothers - Long Train Runnin' CD 2 1. Sweet - The Ballroom Blitz 2. Alice Cooper - Poison 3. REO Speedwagon - Take It on the Run 4. Kansas - Carry on Wayward Son 5. Aldo Nova - Fantasy 6. Europe - The Final Countdown 7. Motörhead - The One to Sing the Blues 8. Ted Nugent - Stranglehold 9. The Gun - Race with the Devil 10. Judas Priest - Better by You, Better Than Me 11. Blue Oyster Cult - Burnin' for You 12. Argent - Tragedy 13. Cheap Trick - Surrender 14. Poco - You Better Think Twice 15. Spirit - 1984 16. Lou Reed - Vicious 17. 311 - Down 18. The Jeff Healey Band - While My Guitar Gently Weeps CD 3 1. Johnny Cash - Folsom Prison Blues 2. Chet Atkins & Mark Knopfler - Poor Boy Blues 3. Bob Dylan - Buckets of Rain 4. The Derek Trucks Band - Down In the Flood 5. Van Morrison - Midnight Special 6. Rory Gallagher - Bad Penny 7. The Allman Brothers Band - Low Down Dirty Mean 8. Flamin' Groovies - High Flyin' Baby 9. Bloomfield & Kooper - Albert's Shuffle 10. Chicken Shack - It's Ok with Me Baby 11. Delaney & Bonnie & Friends - Comin' Home 12. Moby Grape - Fall on You 13. Dave Edmunds - Born to Be With You 14. Al Stewart - Carol 15. JJ Cale - Lean On Me 16. Keb' Mo' - Am I Wrong 17. Taj Mahal - Statesboro Blues 18. Shuggie Otis - Oxford Gray 19. The Fabulous Thunderbirds - Powerful Stuff CD 4 1. Santana - Europa (Earth's Cry Heaven's Smile) 2. Steve Vai - For the Love of God 3. John McLaughlin - New York on My Mind 4. Scorpions - In Trance 5. David Bowie - Slow Burn 6. The Guess Who - No Time 7. Jefferson Starship - Runaway 8. The Isley Brothers - That Lady 9. Mother's Finest - Fire 10. RUN-DMC feat. Aerosmith - Walk This Way 11. Al DiMeola - Race with the Devil on Spanish Highway 12. The Outlaws - Green Grass & High Tides 13. G3 - La Grange
Sklep: ksiazkitanie.pl
The Amplified Come as You Are: The Story of Nirvana HARPER ONE
Książki / Literatura obcojęzyczna
A downright revolutionary 30th-anniversary deluxe edition of the iconic bestselling biography of Nirvana, updated with exclusive new content exploring the personal and cultural forces that inspired the music, the author's friendship with Kurt Cobain and why multiple generations remain fascinated by the 1990s."Just tell the truth. That'll be better than anything else that's been written about me."--Kurt Cobain to author Michael AzerradIt has been three decades since Nirvana upended the pop cultural landscape with Nevermind, the landmark album that became the soundtrack of Generation X, capturing its confusion, frustration, and passion. In 1993, Michael Azerrad published what stands as the definitive biography of this revolutionary band and its star-crossed leader Kurt Cobain. Written with the band's complete cooperation, Come as You Are: The Story of Nirvana became a massive bestseller and was, in the words of Cobain, "the best rock book I've ever read."Seven months after the book's original publication, Cobain was dead by suicide, making Come as You Are the only book about Nirvana that features original interviews with Cobain, bassist Krist Novoselic, and drummer Dave Grohl.Now, Azerrad has revisited and reconsidered his original text. The result is this "amplified" version--a truly unique book-within-a-book featuring hundreds of extensive new essay-like annotations that deepen our understanding of this legendary band and the time in which it existed. Azerrad reconsiders the key players and their cultural context; ruminates on topics such as punk rock, selling out, and Generation X; and offers insights into the inner life and creative mind of one of the most significant songwriters and musicians in rock history--a haunting and haunted artist whose influence continues powerfully to the present day.It all comes down to a search for the answer to the question: Why was this music so extraordinarily powerful?Vivid, evocative, and thought-provoking, this gorgeous hardcover book--featuring 100 photos and ephemera--is an essential document not just for Nirvana fans but for anyone interested in the cultural legacy of the 1990s.
Sklep: Libristo.pl
PURE AMERICA BOSTON THE CALLING 4 CD WYDAWCA
Muzyka > Płyty kompaktowe
PURE AMERICA 4 CD CD1 1. Boston - More Than A Feeling 2. The Calling - Wherever You Will Go 3. Train - Drops Of Jupiter 4. Phantom Planet - California 5. Journey - Open Arms 6. Bruce Hornsby And The Range - The Way It Is 7. James Brown - Living In America 8. Bob Dylan - Gotta Serve Somebody 9. Harry Nilsson - Everybody's Talkin' (From 'Midnight Cowboy') 10. Johnny Cash - Ring Of Fire 11. Big Brother & The Holding Company - Piece Of My Heart 12. Elvis Presley - Viva Las Vegas 13. Boz Scaggs - Lido Shuffle 14. Spin Doctors - Two Princes 15. Survivor - American Heartbeat 16. Reo Speedwagon - Keep On Loving You 17. John Denver - Take Me Home Country Roads CD 2: 1. Simon & Garfunkel - America 2. Dolly Parton - Jolene 3. Patti Smith Group - Because The Night 4. Meat Loaf - Dead Ringer For Love 5. The Hooters - Satellite 6. Southside Johnny & The Asbury Jukes - I Don't Wanna Go Home 7. Daryl Hall & John Oates - Out Of Touch 8. Allman Brothers Band - No One To Run With 9. Kris Kristofferson - Me And Bobby Mcgee 10. Waylon Jennings - Theme From The Dukes Of Hazzard (Good Ole Boys) 11. Redbone - The Witch Queen Of New Orleans 12. Ram Jam - Black Betty 13. Steppenwolf - Hard Rock Road 14. Ted Nugent - Cat Scratch Fever 15. Modest Mouse - Dashboard 16. The Fray - How To Save A Life 17. Soul Asylum - Runaway Train CD 3: 1. Starship - We Built This City 2. Toto - Hold The Line 3. Kenny Loggins - Danger Zone 4. Michael Bolton - Steel Bars 5. Sophie B. Hawkins - Damn I Wish I Was Your Lover 6. Cheap Trick - I Want You To Want Me 7. Johnny Winter - Rock And Roll Hoochie Koo 8. Poco - You Better Think Twice 9. America - Ventura Highway 10. Alabama - Mountain Music 11. Willie Nelson - Living In The Promiseland 12. The Byrds - Hickory Wind 13. Tammy Wynette - Stand By Your Man 14. Kansas - Dust In The Wind 15. Dan Fogelberg - Part Of The Plan 16. Cyndi Lauper - True Colors 17. Gladys Knight & The Pips - Midnight Train To Georgia CD 4: 1. Boy Meets Girl - Waiting For A Star To Fall 2. Mr. Mister - Broken Wings 3. Jennifer Rush - The Power Of Love 4. Steve Perry - Oh Sherrie 5. Fabulous Thunderbirds - Tuff Enuff 6. Stevie Ray Vaughan & Double Trouble - Texas Flood 7. Blue Oyster Cult - Cities On Flame With Rock And Roll 8. The Guess Who - American Woman 9. Jefferson Airplane - Somebody To Love 10. Lou Reed - Coney Island Baby 11. Spirit - Mr. Skin 12. Mountain - Mississippi Queen 13. Sly & The Family Stone - Everyday People 14. Shawn Colvin - Sunny Came Home 15. Michael Nesmith & The First National Band - Silver Moon 16. Charlie Daniels - In America 17. Lonestar - Amazed Gandalf.com.pl
Sklep: ksiazkitanie.pl
Dogs Are People Too First Edition Design eBook Publishing
Książki / Literatura obcojęzyczna
Dogs Are People Too- The Practical Guide to Understanding and Training Your Dog (because you're more alike than you think!) is a comprehensive guide for novice to experienced owners on how to best understand and interact with their dogs for utmost success.Professional ReviewsFinding a dog training book that is entertaining, yet not lightweight, is like finding the proverbial needle in a haystack. With Dogs Are People Too, Mary Jean Alsina presents an extremely unique, science-based perspective about dogs and their owners. The tone of the book is conversational, charming, and thought-provoking with its unique perspective about the similarities between dogs and humans.- John ViscontiAlsina neatly draws on a variety of sources to outline how dog guardians can learn to better communicate with their dogs, read their emotions and understand what they are trying to say.- Susan Nilson I highly recommend that dog owners read Dogs Are People Too as it delivers an excellent overview of important concepts they need to be aware of. Dogs Are People Too acts as a comprehensive guide to canine guardianship, giving owners the information they need to enhance their bond with their dogs, and is a valuable foundation of dog owner education.- Angelica SteinkerI'd always suspected that my dogs were the better versions of me and now this book proves it. This is the bridge that helps you to relate to your dog as you would to your child, your friend, your partner. It applies what you know already to the language of dogs and you will find yourself nodding absently and consistently in agreement as you flip the pages. Don't think of this as a dog training manual. Rather, it is a guide for understanding dogs.- Zarina MakAbout the author - Mary Jean Alsina, CPDT-KA, PCT-A, M.A., is a certified professional science-based dog trainer with over 10 years' experience. During this time, she has worked with hundreds and hundreds of dogs exhibiting issues ranging from typical puppy behavior to severe fear and aggression as adults. Alsina is a former New Jersey public school teacher who taught instrumental music (band and strings) for 20 years. She also has an extensive knowledge of the human and canine learning process. Alsina finds the similarities between humans and dogs fascinating and draws on them daily to help her clients in her belief that utilizing the knowledge people use to function and relate to others can easily translate to our relationships with dogs, leading to a more successful and understanding partnership.Keywords: Dog Training, Canine, Dog Behavior, Dogs, Positive Reinforcement, Human Learning, Dogs Are People, Dog Learning, Maslow's Hierarchy Of Needs, Dog Safety
Sklep: Libristo.pl
Letter from America Penguin
Powieści i opowiadania
When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except
Sklep: Albertus.pl
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