A Night at an Inn, a Play in One Act

Książki

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Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

Sklep: InBook.pl

Na poligonie - dla malucha

Książki & Multimedia > Książki

Nazwa - Na poligonie - dla malucha Wydawca - Pasja Kod ISBN - 9788364773921 Kod EAN - 9788364773921 Ilość stron - 16 Podatek VAT - 5%

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Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

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Smarter Faster Better Random House Inc

Książki / Literatura obcojęzyczna

NEW YORK TIMES BESTSELLER - From the author of The Power of Habit comes a fascinating book that explores the science of productivity, and why managing how you think is more important than what you think-with an appendix of real-world lessons to apply to your life.At the core of Smarter Faster Better are eight key productivity concepts-from motivation and goal setting to focus and decision making-that explain why some people and companies get so much done. Drawing on the latest findings in neuroscience, psychology, and behavioral economics-as well as the experiences of CEOs, educational reformers, four-star generals, FBI agents, airplane pilots, and Broadway songwriters-this painstakingly researched book explains that the most productive people, companies, and organizations don't merely act differently.They view the world, and their choices, in profoundly different ways.A young woman drops out of a PhD program and starts playing poker. By training herself to envision contradictory futures, she learns to anticipate her opponents' missteps-and becomes one of the most successful players in the world.A group of data scientists at Google embark on a four-year study of how the best teams function, and find that how a group interacts is more important than who is in the group-a principle, it turns out, that also helps explain why Saturday Night Live became a hit.A Marine Corps general, faced with low morale among recruits, reimagines boot camp-and discovers that instilling a "bias toward action" can turn even the most directionless teenagers into self-motivating achievers.The filmmakers behind Disney's Frozen are nearly out of time and on the brink of catastrophe-until they shake up their team in just the right way, spurring a creative breakthrough that leads to one of the highest-grossing movies of all time.What do these people have in common?They know that productivity relies on making certain choices. The way we frame our daily decisions; the big ambitions we embrace and the easy goals we ignore; the cultures we establish as leaders to drive innovation; the way we interact with data: These are the things that separate the merely busy from the genuinely productive.In The Power of Habit, Pulitzer Prize-winning journalist Charles Duhigg explained why we do what we do. In Smarter Faster Better, he applies the same relentless curiosity, deep reporting, and rich storytelling to explain how we can improve at the things we do. It's a groundbreaking exploration of the science of productivity, one that can help anyone learn to succeed with less stress and struggle, and to get more done without sacrificing what we care about most-to become smarter, faster, and better at everything we do.Praise for Smarter Faster Better"A pleasure to read . . . Duhigg's skill as a storyteller makes his book so engaging to read."-The New York Times Book Review"Not only will Smarter Faster Better make you more efficient if you heed its tips, it will also save you the effort of reading many productivity books dedicated to the ideas inside."-Bloomberg Businessweek"Duhigg pairs relatable anecdotes with the research behind why some people and businesses are not as efficient as others."-Chicago Tribune"The book covers a lot of ground through meticulous reporting and deft analysis, presenting a wide range of case studies . . . with insights that apply to the rest of us."-The Wall Street Journal

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False Witness HarperCollins

Książki / Literatura obcojęzyczna

INSTANT NEW YORK TIMES BESTSELLER"There's deception, sabotage, violence, family secrets . . . all the stuff you could want from a fictional page-turner."- theSkimm Recommended by Washington Post - theSkimm - GMA.com - Popsugar - Bustle - Atlanta Journal-Constitution - Augusta Chronicle - Sun-Sentinel - Mystery and Suspense Magazine - and more! He saw what you did. He knows who you are...From the New York Times bestselling author of Pieces of Her and The Silent Wife, an electrifying standalone thriller.AN ORDINARY LIFE...Leigh Collier has worked hard to build what looks like a normal life. She's an up-and-coming defense attorney at a prestigious law firm in Atlanta, would do anything for her sixteen-year-old daughter Maddy, and is managing to successfully coparent through a pandemic after an amicable separation from her husband Walter.HIDES A DEVASTATING PAST...But Leigh's ordinary life masks a childhood no one should have to endure ... a childhood tarnished by secrets, broken by betrayal, and ultimately destroyed by a brutal act of violence.BUT NOW THE PAST IS CATCHING UP...On a Sunday night at her daughter's school play, she gets a call from one of the firm's partners who wants Leigh to come on board to defend a wealthy man accused of multiple counts of rape. Though wary of the case, it becomes apparent she doesn't have much choice if she wants to keep her job. They're scheduled to go to trial in one week. When she meets the accused face-to-face, she realizes that it's no coincidence that he's specifically asked for her to represent him. She knows him. And he knows her. More to the point, he may know what happened over twenty years ago, and why Leigh has spent two decades avoiding her past. AND TIME IS RUNNING OUT.Suddenly she has a lot more to lose than this case. The only person who can help is her younger, estranged sister Callie-the last person Leigh would ever want to drag into this after all they've been through. But with the life-shattering truth in danger of being revealed, she has no choice..."A high-stakes thriller . . . Her heroines are believable, flawed and courageous." -OYINKAN BRAITHWAITE

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Smarter Faster Better Random House Publishing

Książki / Literatura obcojęzyczna

NEW YORK TIMES BESTSELLER - From the author of The Power of Habit comes a fascinating book that explores the science of productivity, and why managing how you think is more important than what you think-with an appendix of real-world lessons to apply to your life. At the core of Smarter Faster Better are eight key productivity concepts-from motivation and goal setting to focus and decision making-that explain why some people and companies get so much done. Drawing on the latest findings in neuroscience, psychology, and behavioral economics-as well as the experiences of CEOs, educational reformers, four-star generals, FBI agents, airplane pilots, and Broadway songwriters-this painstakingly researched book explains that the most productive people, companies, and organizations don't merely act differently.They view the world, and their choices, in profoundly different ways.A young woman drops out of a PhD program and starts playing poker. By training herself to envision contradictory futures, she learns to anticipate her opponents' missteps-and becomes one of the most successful players in the world.A group of data scientists at Google embark on a four-year study of how the best teams function, and find that how a group interacts is more important than who is in the group-a principle, it turns out, that also helps explain why Saturday Night Live became a hit.A Marine Corps general, faced with low morale among recruits, reimagines boot camp-and discovers that instilling a "bias toward action" can turn even the most directionless teenagers into self-motivating achievers.The filmmakers behind Disney's Frozen are nearly out of time and on the brink of catastrophe-until they shake up their team in just the right way, spurring a creative breakthrough that leads to one of the highest-grossing movies of all time.What do these people have in common?They know that productivity relies on making certain choices. The way we frame our daily decisions; the big ambitions we embrace and the easy goals we ignore; the cultures we establish as leaders to drive innovation; the way we interact with data: These are the things that separate the merely busy from the genuinely productive.In The Power of Habit, Pulitzer Prize-winning journalist Charles Duhigg explained why we do what we do. In Smarter Faster Better, he applies the same relentless curiosity, deep reporting, and rich storytelling to explain how we can improve at the things we do. It's a groundbreaking exploration of the science of productivity, one that can help anyone learn to succeed with less stress and struggle, and to get more done without sacrificing what we care about most-to become smarter, faster, and better at everything we do.Praise for Smarter Faster Better "A pleasure to read . . . Duhigg's skill as a storyteller makes his book so engaging to read." - The New York Times Book Review "Not only will Smarter Faster Better make you more efficient if you heed its tips, it will also save you the effort of reading many productivity books dedicated to the ideas inside." - Bloomberg Businessweek"Duhigg pairs relatable anecdotes with the research behind why some people and businesses are not as efficient as others." - Chicago Tribune "The book covers a lot of ground through meticulous reporting and deft analysis, presenting a wide range of case studies . . . with insights that apply to the rest of us." - The Wall Street Journal

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Brecht Collected Plays: 1 Bloomsbury Publishing

Książki / Literatura obcojęzyczna

Published by Methuen Drama, the collected dramatic works of Bertolt Brecht are presented in the most comprehensive and authoritative editions of Brecht's plays in the English language.Volume One of Brecht's Collected Plays contains Brecht's first performed stage works. Baal is inspired by Brecht's student life in Augsburg and follows the life of a young poet on the rocky road to inspiration; Drums in the Night was written in response to Brecht's experience as a medical orderly in the aftermath of the First World War; and In the Jungle of Cities, set in Chicago, covers the downfall of a family that has moved from the prairies to the jungle of the big city - award-winning in its day, it was described by a leading German daily as the play that 'has given our time a new tone, a new melody, a new vision'. This volume also includes The Life of Edward II of England, a ballad-like adaptation of Marlowe's original, and five one-act plays The Beggar or the Dead Dog, Driving Out The Devil, Lux in Tenebris, The Catch and A Respectable Wedding in which the bourgeois proceedings take a hilarious turn for the unseemly.The translators are Jean Benedetti, Eva Geiser and Ernest Borneman, Richard Grunberger, Michael Hamburger, Gerhard Nellhaus, Peter Tegel and John Willett.The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.

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Maestra Zaffre Publishing

Powieść zagranicznaSensacja. Thiller. Kryminał

By day Judith Rashleigh is a put-upon assistant at a London auction house.By night she's a hostess in one of the capital's unsavoury bars.Desperate to make something of herself, Judith knows she has to play the game. She's learned to dress, speak and act in the interests of men. She's learned to be a good girl. But after uncovering a dark secret at the heart of the art world, Judith is fired and her dreams of a better life are torn apart.So she turns to a long-neglected friend.A friend that kept her chin up and back straight through every past slight.A friend that a good girl like her shouldn't have: Rage.The Talented Mr Ripley meets Gone Girl in this darkly decadent and compelling new thriller that asks:Where do you go when you've gone too far?

Sklep: Booknet.net.pl

Maestra zaffre publishing

Kryminał, sensacja, thriller

By day Judith Rashleigh is a put-upon assistant at a London auction house.By night she's a hostess in one of the capital's unsavoury bars.Desperate to make something of herself, Judith knows she has to play the game. She's learned to dress, speak and act in the interests of men. She's learned to be a good girl. But after uncovering a dark secret at the heart of the art world, Judith is fired and her dreams of a better life are torn apart.So she turns to a long-neglected friend.A friend that kept her chin up and back straight through every past slight.A friend that a good girl like her shouldn't have: Rage.The Talented Mr Ripley meets Gone Girl in this darkly decadent and compelling new thriller that asks:Where do you go when you've gone too far?...

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MTG 2014 - Intro Pack - Death Reaper Wizards of the Coast

Gry Karciane

This deck comes out swinging with aggressive creatures that quickly put your opponent's back to the wall. You'll close the deal by making whatever sacrifices are necessary to secure victory. Your goal in the early turns of the game is to play as many creatures as you can and keep turning them sideways to attack. Instants like Wring Flesh and Thunder Strike let you continue the attack even if the opponent plays a blocker. Make sure to use your spells to clear a path for the devastating Liliana's Reaver whenever possible. Heavy hitters like Sengir Vampire and Vampire Warlord are in this deck to finish things off in the late game, but this deck is also capable of finishing things off outside of combat. Gnawing Zombie and Barrage of Expendables let you turn each of your creatures into additional damage. Try to avoid trading your creatures for your opponent's early on so that they stick around to sacrifice later. In particular, make sure your opponent doesn't catch you without to reanimate your Tenacious Dead, because later in the game you can sacrifice it over and over every turn! Look for cards in Magic

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Dying Breath ZEBRA BOOKS

Powieść zagranicznaSensacja. Thiller. Kryminał

It's summer on the Jersey Shore. Children play on the beach. Husbands are off working in the city. And the surf echoes in the night. Here, in this perfect place, a serial killer has no worries in the world - except choosing the next victim...Cam Hastings has come to Long Beach Island with her teenage daughter and the hope that maybe she can save her failed marriage. Cam has never stopped loving her husband Mike nor has she been able to outrun her flaws and demons - a vanished mother, a lost sister, and the ugly visions she has of missing children...Now, Cam is about to step over the edge. For once, she will act on one of her visions - and then face the consequences. For a killer has just struck again. And for Cam, and the people she loves most, fear has come home for good...

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Look At Me Penguin Books

Książki / Literatura obcojęzyczna

'Once a thing is known it can never be unknown.' By day Frances Hinton works in a medical library, by night she haunts the room of a West London mansion flat. Everything changes, however, when she is adopted by charming Nick and his dazzling wife Alix. They draw her into their tight circle of friends. Suddenly, Frances' life is full and ripe with new engagements. But too late, Frances realises that she may be only a play thing, to be picked up and discarded once used. And that just one act in defiance of Alix's wishes could see her lose everything . . .

Sklep: Libristo.pl