All About Ella

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All About Ella

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Deliciously Ella Hodder & Stoughton

Książki / Literatura obcojęzyczna

Ella Woodward is the author of must-read food blog www.deliciouslyella.com which has one million visitors every month from all over the world. Ella started the blog after being diagnosed with a rare illness called Postural Tachycardia Syndrome (PoTS), which left her unable to get out of bed and desperate to find something that helped. When conventional medicine failed, she turned to dietitians and overnight she gave up meat, gluten, dairy, sugar and anything processed. Since then she has blogged about her recipes and food choices and amassed a huge following online. Deliciously Ella is not a diet, it's never about deprivation or starvation but instead it's about creating a new mind-set. A mind-set that embraces all the delicious foods we should eat and all the amazing things that we can do with them. We can love food, love snacking and love our bodies all at the same time.

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Ella's Kitchen: The Big Baking Book Octopus Publishing Group

Książki / Literatura obcojęzyczna

Kids love baking, with all its fascinating textures, smells - and of course, tastes! Ella's Kitchen: The Big Baking Book takes them beyond licking the bowl, with a wide range of easy recipes for all occasions, from lunchtime to party time. Enjoy cooking up a host of nutritious treats with your little ones, and watch them learn about counting, weighing and measuring at the same time. Above all, have fun and get messy! Ella's Kitchen: The Big Baking Book is sure to become your family's go-to cookbook, with recipes designed to really fit in with your life: - Try having a batch of savoury snack bakes on hand to fill a gap until dinner - a healthy way to keep your child's energy up without sending her into overdrive. - Head to your garden or the park with the delicious selection of picnic recipes - all dishes are highly portable and perfect for sharing. - Simplify days out with recipes from our On-the-Go section - individual portions, and not a crumb or a sticky finger in sight! But by far the best thing about this book is the fun it promises for your family, as you discover new recipes and create fond memories for your children.You'll never forget the look on their faces when they hand out slices of their first cake or cookies from their first ever batch.

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Truth and Lies of Ella Black Penguin Random House Children's UK

Książki / Literatura obcojęzyczna

Ella Black seems to live the life most other seventeen-year-olds would kill for . . .Until one day, telling her nothing, her parents whisk her off to Rio de Janeiro. Determined to find out why, Ella takes her chance and searches through their things.And realises her life has been a lie.Her mother and father aren't hers at all. Unable to comprehend the truth, Ella runs away, to the one place they'll never think to look - the favelas.But there she learns a terrible secret - the truth about her real parents and their past. And the truth about a mother, desperate for a daughter taken from her seventeen years ago . . .

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Ella Bella Ballerina and Swan Lake Hachette Children's Book

Książki / Literatura obcojęzyczna

Can Ella Bella help the swan princess to be reunited with her prince? Will she help to break the wicked sorcerer's spell? Will true love conquer all? Young ballerinas will find the answer to all these questions and delight in the sheer charm of Ella Bella's world. James Mayhew has also included a last page full of ballet facts to help even the keenest budding ballerina learn about the story behind Swan Lake.

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Ella Bella Ballerina and the Nutcracker Hachette Children's Book

Książki / Literatura obcojęzyczna

Join Ella Bella Ballerina as she twirls into the enchanting world of The Nutcracker ballet with its magical dancing snowflakes, tantalising swirling sweets and, of course, the beautiful Sugar Plum Fairy. But can Ella Bella help the Nutcracker to defeat his arch enemy, the wicked Mouse King? James Mayhew's richly detailed storytelling and his exquisite, retro art-style make this book perfect for all would-be prima ballerinas. The final page is devoted to ballet facts, so children can learn about the original ballet The Nutcracker.

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Ella May Does It Her Way WORDS & PICTURES

Książki / Literatura obcojęzyczna

Hello and welcome to Ella May, the girl who likes to do things her way. In the first of this brilliant new series all about an imaginative, strong-willed girl character with her own ideas, Ella May tries walking backward, just to see how it feels. In her b

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All the Ever Afters Harper Collins Publishers

Książki / Literatura obcojęzyczna

In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous reimagining of a classic tale, told from the perspective of Agnes, Cinderella's "evil" stepmother. We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story. . . . A peasant born into serfdom, Agnes is separated from her family and forced into servitude as a laundress's apprentice when she is only ten years old. Using her wits and ingenuity, she escapes her tyrannical matron and makes her way toward a hopeful future. When teenaged Agnes is seduced by an older man and becomes pregnant, she is transformed by love for her child. Once again left penniless, Agnes has no choice but to return to servitude at the manor she thought she had left behind. Her new position is nursemaid to Ella, an otherworldly infant. She struggles to love the child who in time becomes her stepdaughter and, eventually, the celebrated princess who embodies everyone's unattainable fantasies. The story of their relationship reveals that nothing is what it seems, that beauty is not always desirable, and that love can take on many guises. Lyrically told, emotionally evocative, and brilliantly perceptive, All the Ever Afters explores the hidden complexities that lie beneath classic tales of good and evil, all the while showing us that how we confront adversity reveals a more profound, and ultimately more important, truth than the ideal of "happily ever after."

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GREAT DIVAS CD X 10 PIAF FITZGERALD GARLAND FOLIA

Kultura i rozrywka > Muzyka > Płyty kompaktowe > Jazz, Swing

1 CD 1-1, Ella Fitzgerald

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Fly Me To The Moon - The Best Jazz Songs SOLITON Soliton

Multimedia / Muzyka

Wyjątkowa kompilacja klasycznych utworów jazzowych, skierowana zarówno do płci męskiej, jak i żeńskiej. Na płytach usłyszymy takich wykonawców, jak Ella Fitzgerald, Billie Holiday, Nat King Cole, Louis Armstrong czy Frank Sinatra.Idealny prezent dla ukochanej osoby!Próbka płyty dostępna TUTAJLista utworów:CD1 Ladies

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Fly Me To The Moon - The Best Jazz Songs 2 CD SOLITON

Sztuka i kultura / Muzyka

Wyjątkowa kompilacja klasycznych utworów jazzowych, skierowana zarówno do płci męskiej, jak i żeńskiej. Na płytach usłyszymy takich wykonawców, jak Ella Fitzgerald, Billie Holiday, Nat King Cole, Louis Armstrong czy Frank Sinatra. Idealny prezent na walentynki (i nie tylko)! Próbka płyty dostępna TUTAJ Lista utworów: CD1 Ladies': 1. When I Fall In Love - Alma Cogan 2. Cheerful Little Earful - Ella Fitzgerald 3. Fly Me To The Moon - Patti Page 4. Blue Skies - Ella Fitzgerald 5. My Baby Just Cares For Me - Nina Simone 6. Every Time We Say Goodbye - Ella Fitzgerald 7. My funny Valentine - Joni James 8. Cheek To Cheek - Ella Fitzgerald 9. I Love To Love - Nina Simone 10. How About Me - Ella Fitzgerald 11. All Of Me - Sarrah Vaughan 12. Manhattan - Ella Fitzgerald 13. Where Can I Go Without You - Nina Simone 14. Have You Met Miss Jones? - Sarah Vaughan 15. The Man I Love - Ella Fitzgerald 16. Whatever Lola Wants - Sarah Vaughan 17. Night And Day - Ella Fitzgerald 18. Lullaby Of Birdland - Sarah Vaughan 19 It Don't Mean A Thing - Ella Fitzgerald & Duke Ellington 20. Love Me Or Leave Me - Lena Horne 21. Moonlight Becomes You - Ella Fitzgerald 22. Perdido - Sarah Vaughan 23. Black Coffee - Ella Fitzgerald 24. Blue Moon - Billie Holiday CD2 Gentlemans: 1. I've Got You Under My Skin - Frank Sinatra 2. Unforgettable - Nat King Cole 3. You Go To My Head - Frank Sinatra 4. Smile - Nat King Cole 5. La Vie En Rose - Louis Armstrong 6. It's Only A Paper Moon - Frank Sinatra 7. The Very Thought Of You - Nat King Cole 8. Summertime - Charlie Parker 9. Embraceable You - Nat King Cole 10. Have You Met Miss Jones? - Louis Armstrong 11. Come Fly With Me - Frank Sinatra 12. Autumn Leaves - Stan Getz 13. My One And Only Love - Frank Sinatra 14. Take Five - Dave Brubeck 15. Monalisa - Nat King Cole 16. This Was My Love - Frank Sinatra 17. You're My Everything - Miles Davis & John Coltrane 18. Over The Rainbow - Frank Sinatra 19. Day By Day - Frank Sinatra 20. That's All There Is To That - Nat King Cole 21. Moonlight Serenade - Glen Milleer 22. Almost Like Being In Love - Frank Sinatra 23. Dream A Little Dream Of Me - Louis Armstrong & Ella Fitzgerald

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The Red Ribbon Hot Key Books

Książki / Literatura obcojęzyczna

Rose, Ella, Marta and Carla. In another life we might all have been friends together. But this was Birchwood.For fans of The Diary of Anne Frank and The Boy in the Striped Pyjamas.As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients.Ella has joined the seamstresses of Birkenau-Auschwitz, as readers may recognise it. Every dress she makes could mean the difference between life and death. And this place is all about survival.Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration with her captors, or is it a means of staying alive? Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose?One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.

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Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

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Mummy Fairy and Me: Unicorn Wishes Penguin Random House Children's UK

Książki / Literatura obcojęzyczna

The third magical book in this wonderful series for 5-7 year olds, from global bestselling author Sophie Kinsella.My mummy looks normal, like any other mummy . . . but she's not. Because she can turn into a fairy. All she has to do is stamp her feet three times, clap her hands, wiggle her bottom and say 'Marshmallow' . . . and POOF! She's Mummy Fairy.Ella's family has a big secret - her mummy is a fairy! But sometimes Mummy Fairy's magic goes wrong, and it's up to Ella to help... In this third book of spellbinding adventures about Mummy Fairy and Ella, you'll find flying cars, enchanted ballet shoes, a unicorn in the kitchen - and of course, Ella's very own magical wardrobe.

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