libristo british television films film guide 11743593
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British Stunt & Action Performers On Film & Television
Książki Obcojęzyczne>Angielskie>Reference, information & interdisciplinary sub.>Encyclopaedias & reference works>Reference worksKsiążki Ob...
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The British Television Location Guide
Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>TelevisionKsiążki Obcojęzyczne>Angielskie>Lifestyle, sport & leisure>Tr...
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Television And British Cinema
Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>TelevisionKsiążki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>...
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Channel 4 And British Film Culture
Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>TelevisionKsiążki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>...
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A Spotter's Guide To Film (And Tv) Locations
Książki Obcojęzyczne>Angielskie>Lifestyle, sport & leisure>Travel & holiday>Travel tips & advice: generalKsiążki Obcojęzyczne>Angielski...
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British Gothic Cinema Palgrave Macmillan
Książki / Literatura obcojęzyczna
From the films produced by the Hammer studios and their rivals in the 1940s and 1950s, to the films of the 21st century and their current popularity, Forshaw provides a definitive, wide-ranging study of British horror cinema. Beginning with a lively discussion of the great literary antecedents, British Gothic Cinema discusses the flowering of the genre in the middle of the 20th century and the headline-grabbing critical and establishment revulsion over the unprecedented levels of violence and sexuality. It also explores the rude health of the field and its continuing influence. With enthusiasm and scholarship, Forshaw celebrates the British cinema's long love affair with the Gothic and the macabre, both persevering characteristics of modern film and television.
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The British Working Class In The Twentieth Century
Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>Films, cinemaKsiążki Obcojęzyczne>Angielskie>The arts>Film, TV & radio&...
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The Screenwriter In British Cinema
Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>Television>Scripts & screenplaysKsiążki Obcojęzyczne>Angielskie>The art...
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Social Class On British And American Screens
Książki Obcojęzyczne>Angielskie>Society & social sciences>Society & culture: general>Social groupsKsiążki Obcojęzyczne>Angielskie>Th...
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Turner Classic Movies Presents Leonard Maltin's Classic Movie Guide Penguin Putnam Inc
Książki / Literatura obcojęzyczna
The definitive guide to classic films from one of America's most trusted film critics§§Thanks to Netflix and cable television, classic films are more accessible than ever. Now co-branded with Turner Classic Movies, Leonard Maltin's Classic Movie Guide covers films from Hollywood and around the world, from the silent era through 1965, and from The Maltese Falcon to Singin' in the Rain and Godzilla, King of the Monsters!§§Thoroughly revised and updated, and featuring expanded indexes, a list of Maltin's personal recommendations, and more than two hundred new entries-including many offbeat and obscure films-this new edition is a must-have companion for every movie lover.
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The Practical Guide To Documentary Editing
Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>Films, cinema>Documentary filmsKsiążki Obcojęzyczne>Angielskie>The arts...
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The Definitive Guide To Screenwriting
Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>Films, cinemaKsiążki Obcojęzyczne>Angielskie>Language>Reference & gener...
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The Filmmaker's Guide To Digital Imaging
Książki Obcojęzyczne>Angielskie>The arts>Photography & photographs>Special kinds of photography>Cinematography, television cameraworkKs...
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Hidden Universe Travel Guide
Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>TelevisionKsiążki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>...
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Je T'Aime... Moi Non Plus Berghahn Books
Książki / Literatura obcojęzyczna
"This is a rich and academically relevant collection ...that offers an engagement with a full spectrum of disciplinary interests ...The running filmography that is established across the volume will be a great resource to film scholars and students, and the range of methodological approaches deployed is genuinely inspiring in terms of its diversity, application and results." * Sue Harris, Queen Mary University of London "[T]here is much here to inform the specialist and please the aficionado. This is a welcome addition to the fields of reception studies, French and British film history and culture, and transnational film studies." * Professor Elizabeth Ezra, University of Stirling A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of 'le cinema British', or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens.In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the present day. The chapters, written by leading experts in the history of French, British and European cinema, provide insights into relations between French and British cinematic cultures at the level of production, exhibition and distribution, reception, representation and personnel. The book features a diverse range of studies, including: the exhibition of French cinema in Britain in the 1930s, contemporary 'extreme' French cinema, stars such as Annabella, David Niven and Jane Birkin and the French Resistance on British screens. Lucy Mazdon is a Reader in Film Studies at the University of Southampton. She has written widely on French cinema and television and her publications include Encore Hollywood: Remaking French Cinema (BFI, 2000), France on Film: Reflections on Popular French Cinema (Wallflower, 2001) and The Contemporary Television Series (EUP, 2005).Catherine Wheatley is a Research Assistant at the University of Southampton where she is working on Lucy Mazdon's AHRC funded project on French cinema in Britain. She is the author of Michael Haneke's Cinema: The Ethic of the Image (Berghahn Books, 2009) and is a regular contributor to Sight and Sound.
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