413,20 zł

Eastern Europe, the Soviet Union, and Africa De Gruyter

Książki / Literatura obcojęzyczna

It is now widely recognised that a Cold War perspective falls short in unfolding the complex geographies of connections and the multipolarity of actions and transactions that were shaped through the movement of individuals and ideas from Africa to the "East" and from the "East" to Africa in the decades in which African countries moved to independence. Adopting an interdisciplinary, transregional perspective, this volume casts new light on aspects of the role of Eastern Europe and the Soviet Union in the decolonisation of Africa. Taking further themes explored in a collection of essays published by the editors in 2019, the twelve case studies by authors from South Africa, Czech Republic, Portugal, Russia, Hungary, Italy, Canada, Serbia, and Germany draw on new sources to explore the history of the ties that existed between African liberation movements and the socialist bloc, some of which continue to influence relationships today. Chapters contribute to three relevant main themes that resonate in a number of scholarly fields of inquiry, ranging from Global Studies, Transregional Studies, Cold War Studies, (Global) History to African Studies, Eastern European, Russian and Slavic Studies: Reconsiderations, Resources, and Reverberations. Drawing upon newly opened archives and combining transregional perspectives with sources in different languages, chapters explicitly point out the shortcomings of past research and debates in the respective field. They highlight new avenues which have been developing and which need to be further developed (Reconsiderations). Selected case studies address the resources of those being active and involved in decolonisation processes, be it in East, North, West and South. They reveal: Which resources (both material and intellectual) are the actors drawing upon? On the other hand: From which resources are individuals on one side or the other reciprocally or intermittently (intentionally) kept away? (Resources). Finally, the third theme puts an emphasis on the historicity of the processes depicted. Studies point to the gaps and dead ends of international support, the paths that peter out, but also to repercussions and reverberations up until today. (Reverberations) Taken these three themes together, the individual chapters contribute to the overall question of: Which general historical narratives about the second half of the 20th century are changing based on these new research findings?

Sklep: Libristo.pl

51,25 zł

Art in Jewish society - Praca zbiorowa

Książki & Multimedia > Książki

Opis - The book Art in Jewish society contains a wide spectrum of interpretations of Jewish art in the social and cultural context. The authors of these studies presented the profiles of artists and people of art as well as artistic trends against the social and cultural background prevalent in the Jewish communities of Central and Eastern Europe from the period of emancipation until the mid-twentieth century. These studies of diversified methods, methodologies and research perspectives included texts devoted to the relationships of the output of Jewish artists with Zionist ideology, Christian threads in Jewish art, the reactions of Jewish artists to political events, such as the pogroms, World War I, or the persecution they experienced after Hitler?s rise to power. The last part of the volume is devoted to Jewish museums and collections. The topics presented by the authors are extremely diverse yet at the same time complement each other to form a cohesive whole. The volume contains studies of various aspects of the work of individual artists (Yankiel Katz and his relationship with the art school in Kazan, Theresa Berenstein, Bruno Schulz and Samuel Hirszenberg, Marek Szwarc), as well as more comprehensive studies on Jewish architecture (the synagogue in Volhynia; the designs of Henryk Stifelman), photography (a comparative study of the works of Menachem Kipnis and Alter Kacyzne, as well as an article about the South African Litvak photographers) and film (the work of Maya Deren on a 1949 Jewish War Film in Moscow), as well as arts and crafts (Jewish papercuts) and monuments (Jewish monuments before 1939). Studies on art education are also included (Jewish students at the Warsaw Academy of Fine Arts). Three articles examine the topic of the relationship between Jewish artists and European avant-garde circles (David Bomberg, Marc Chagall, Ludwig Meidner). Compatible with the thematic framework designated by the editors of the volume, there are articles on Christian-Jewish relations (Pieta in Jewish art), or the involvement of Jewish artists in important historical events and politics (the presentation of pogroms in art; Jewish artists against the policies of National Socialism), including their involvement in Zionist ideology (Ephraim Moses Lilien, iconographic motifs in the interior of Eastern European synagogues). There are also some interesting articles discussing the activities of Jewish art critics and historians (Tea Arciszewska, Otto Schneider) and patrons (the Margolin family who supported the artist Israel Lejzerowicza), who played an important role as intermediaries between the artists and society. A similar social role in the promotion of culture was played by Jewish museums and private collections, directly represented in this volume by three articles (the Jewish Museum in Prešov, the history of art collections in the Jewish museum of Vilnius [Wilno, Vilna], the Judaica collections of the National Museum in Kraków). Nazwa - Art in Jewish society Autor - Praca zbiorowa Oprawa - Twarda Wydawca - Tako Kod ISBN - 9788362737918 Kod EAN - 9788362737918 Rok wydania - 2016 Język - angielski Format - 30.3x20.6 Ilość stron - 329 Podatek VAT - 5%

Sklep: InBook.pl

69,00 zł

Art in Jewish society tako

Historia. Archeologia >Historia krajów, narodów i miejsc

The book Art in Jewish society contains a wide spectrum of interpretations of Jewish art in the social and cultural context. The authors of these studies presented the profiles of artists and people of art as well as artistic trends against the social and cultural background prevalent in the Jewish communities of Central and Eastern Europe from the period of emancipation until the mid-twentieth century. These studies of diversified methods, methodologies and research perspectives included texts devoted to the relationships of the output of Jewish artists with Zionist ideology, Christian threads in Jewish art, the reactions of Jewish artists to political events, such as the pogroms, World War I, or the persecution they experienced after Hitler

Sklep: Prolibri.pl

61,40 zł

Art in Jewish society Tako

Historia ŻydówSztukaWydawnictwa naukowe i popularno-naukowe

The book Art in Jewish society contains a wide spectrum of interpretations of Jewish art in the social and cultural context. The authors of these studies presented the profiles of artists and people of art as well as artistic trends against the social and cultural background prevalent in the Jewish communities of Central and Eastern Europe from the period of emancipation until the mid-twentieth century. These studies of diversified methods, methodologies and research perspectives included texts devoted to the relationships of the output of Jewish artists with Zionist ideology, Christian threads in Jewish art, the reactions of Jewish artists to political events, such as the pogroms, World War I, or the persecution they experienced after Hitler?s rise to power. The last part of the volume is devoted to Jewish museums and collections. The topics presented by the authors are extremely diverse yet at the same time complement each other to form a cohesive whole. The volume contains studies of various aspects of the work of individual artists (Yankiel Katz and his relationship with the art school in Kazan, Theresa Berenstein, Bruno Schulz and Samuel Hirszenberg, Marek Szwarc), as well as more comprehensive studies on Jewish architecture (the synagogue in Volhynia; the designs of Henryk Stifelman), photography (a comparative study of the works of Menachem Kipnis and Alter Kacyzne, as well as an article about the South African Litvak photographers) and film (the work of Maya Deren on a 1949 Jewish War Film in Moscow), as well as arts and crafts (Jewish papercuts) and monuments (Jewish monuments before 1939). Studies on art education are also included (Jewish students at the Warsaw Academy of Fine Arts). Three articles examine the topic of the relationship between Jewish artists and European avant-garde circles (David Bomberg, Marc Chagall, Ludwig Meidner). Compatible with the thematic framework designated by the editors of the volume, there are articles on Christian-Jewish relations (Pieta in Jewish art), or the involvement of Jewish artists in important historical events and politics (the presentation of pogroms in art; Jewish artists against the policies of National Socialism), including their involvement in Zionist ideology (Ephraim Moses Lilien, iconographic motifs in the interior of Eastern European synagogues).There are also some interesting articles discussing the activities of Jewish art critics and historians (Tea Arciszewska, Otto Schneider) and patrons (the Margolin family who supported the artist Israel Lejzerowicza), who played an important role as intermediaries between the artists and society. A similar social role in the promotion of culture was played by Jewish museums and private collections, directly represented in this volume by three articles (the Jewish Museum in Prešov, the history of art collections in the Jewish museum of Vilnius [Wilno, Vilna], the Judaica collections of the National Museum in Kraków).

Sklep: Booknet.net.pl

45,78 zł

Art in Jewish society TAKO

Poradniki, albumy, atlasy, leksykony / Albumy

The book Art in Jewish society contains a wide spectrum of interpretations of Jewish art in the social and cultural context. The authors of these studies presented the profiles of artists and people of art as well as artistic trends against the social and cultural background prevalent in the Jewish communities of Central and Eastern Europe from the period of emancipation until the mid-twentieth century. These studies of diversified methods, methodologies and research perspectives included texts devoted to the relationships of the output of Jewish artists with Zionist ideology, Christian threads in Jewish art, the reactions of Jewish artists to political events, such as the pogroms, World War I, or the persecution they experienced after Hitler’s rise to power. The last part of the volume is devoted to Jewish museums and collections. The topics presented by the authors are extremely diverse yet at the same time complement each other to form a cohesive whole. The volume contains studies of various aspects of the work of individual artists (Yankiel Katz and his relationship with the art school in Kazan, Theresa Berenstein, Bruno Schulz and Samuel Hirszenberg, Marek Szwarc), as well as more comprehensive studies on Jewish architecture (the synagogue in Volhynia; the designs of Henryk Stifelman), photography (a comparative study of the works of Menachem Kipnis and Alter Kacyzne, as well as an article about the South African Litvak photographers) and film (the work of Maya Deren on a 1949 Jewish War Film in Moscow), as well as arts and crafts (Jewish papercuts) and monuments (Jewish monuments before 1939). Studies on art education are also included (Jewish students at the Warsaw Academy of Fine Arts). Three articles examine the topic of the relationship between Jewish artists and European avant-garde circles (David Bomberg, Marc Chagall, Ludwig Meidner). Compatible with the thematic framework designated by the editors of the volume, there are articles on Christian-Jewish relations (Pieta in Jewish art), or the involvement of Jewish artists in important historical events and politics (the presentation of pogroms in art; Jewish artists against the policies of National Socialism), including their involvement in Zionist ideology (Ephraim Moses Lilien, iconographic motifs in the interior of Eastern European synagogues). There are also some interesting articles discussing the activities of Jewish art critics and historians (Tea Arciszewska, Otto Schneider) and patrons (the Margolin family who supported the artist Israel Lejzerowicza), who played an important role as intermediaries between the artists and society. A similar social role in the promotion of culture was played by Jewish museums and private collections, directly represented in this volume by three articles (the Jewish Museum in Prešov, the history of art collections in the Jewish museum of Vilnius [Wilno, Vilna], the Judaica collections of the National Museum in Kraków).

Sklep: Literacka.pl

Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

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