25,24 zł

The Couple Next Door - Shari Lapena

Książki & Multimedia > Książki

Opis - The Sunday Times bestseller and WHSmith Book of the Year 2016. PEOPLE ARE CAPABLE OF ALMOST ANYTHING. 'A twisty, utterly riveting tale that will send readers on a wild rollercoaster ride of emotions. Shocking revelations kept me turning the pages like a madwoman' (TESS GERRITSEN). Fast-paced and addictive, The Couple Next Door announces a major new talent in thriller writing. You never know what's happening on the other side of the wall. Your neighbour told you that she didn't want your six-month-old daughter at the dinner party. Nothing personal, she just couldn't stand her crying. Your husband said it would be fine. After all, you only live next door. You'll have the baby monitor and you'll take it in turns to go back every half hour. Your daughter was sleeping when you checked on her last. But now, as you race up the stairs in your deathly quiet house, your worst fears are realized. She's gone. You've never had to call the police before. But now they're in your home, and who knows what they'll find there. What would you be capable of, when pushed past your limit" 'How well do we ever know those around us"The Couple Next Door will keep you glued to the pages in search of the answer. Even then, you'll never guess the truth...until it's too late' (LISA GARDNER). 'I thought the read-it-in-one-sitting thing was a cliche. Not any more' (LINWOOD BARCLAY). 'Meticulously crafted and razor-sharp. THE COUPLE NEXT DOOR lingers long after you turn the final page' (HARLAN COBEN). Nazwa - The Couple Next Door Autor - Shari Lapena Oprawa - Miękka Wydawca - Corgi Kod ISBN - 9780552174060 Kod EAN - 9780552174060 Rok wydania - 2017 Język - angielski Format - 11.0x17.8cm Ilość stron - 352 Podatek VAT - 5%

Sklep: InBook.pl

28,00 zł

The Couple Next Door Corgi

Literatura kobiecaPowieść zagraniczna

The Sunday Times bestseller and WHSmith Book of the Year 2016. PEOPLE ARE CAPABLE OF ALMOST ANYTHING. 'A twisty, utterly riveting tale that will send readers on a wild rollercoaster ride of emotions. Shocking revelations kept me turning the pages like a madwoman' (TESS GERRITSEN). Fast-paced and addictive, The Couple Next Door announces a major new talent in thriller writing. You never know what's happening on the other side of the wall. Your neighbour told you that she didn't want your six-month-old daughter at the dinner party. Nothing personal, she just couldn't stand her crying. Your husband said it would be fine. After all, you only live next door. You'll have the baby monitor and you'll take it in turns to go back every half hour. Your daughter was sleeping when you checked on her last. But now, as you race up the stairs in your deathly quiet house, your worst fears are realized. She's gone. You've never had to call the police before. But now they're in your home, and who knows what they'll find there. What would you be capable of, when pushed past your limit? 'How well do we ever know those around us?The Couple Next Door will keep you glued to the pages in search of the answer. Even then, you'll never guess the truth...until it's too late' (LISA GARDNER). 'I thought the read-it-in-one-sitting thing was a cliche. Not any more' (LINWOOD BARCLAY). 'Meticulously crafted and razor-sharp. THE COUPLE NEXT DOOR lingers long after you turn the final page' (HARLAN COBEN).

Sklep: Booknet.net.pl

26,22 zł

The Couple Next Door CORGI

Literatura obcojęzyczna

The Sunday Times bestseller and WHSmith Book of the Year 2016. PEOPLE ARE CAPABLE OF ALMOST ANYTHING. 'A twisty, utterly riveting tale that will send readers on a wild rollercoaster ride of emotions. Shocking revelations kept me turning the pages like a madwoman' (TESS GERRITSEN). Fast-paced and addictive, The Couple Next Door announces a major new talent in thriller writing. You never know what's happening on the other side of the wall. Your neighbour told you that she didn't want your six-month-old daughter at the dinner party. Nothing personal, she just couldn't stand her crying. Your husband said it would be fine. After all, you only live next door. You'll have the baby monitor and you'll take it in turns to go back every half hour. Your daughter was sleeping when you checked on her last. But now, as you race up the stairs in your deathly quiet house, your worst fears are realized. She's gone. You've never had to call the police before. But now they're in your home, and who knows what they'll find there. What would you be capable of, when pushed past your limit? 'How well do we ever know those around us?The Couple Next Door will keep you glued to the pages in search of the answer. Even then, you'll never guess the truth...until it's too late' (LISA GARDNER). 'I thought the read-it-in-one-sitting thing was a cliche. Not any more' (LINWOOD BARCLAY). 'Meticulously crafted and razor-sharp. THE COUPLE NEXT DOOR lingers long after you turn the final page' (HARLAN COBEN).

Sklep: Literacka.pl

11,15 zł

Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

Sklep: InBook.pl

32,40 zł

Blood Doctor Penguin

Powieści i opowiadania

Blood. That

Sklep: Albertus.pl

36,60 zł

Under the Duvet Penguin

Powieści i opowiadania

'When people ask me what I do for a crust and I tell them that I'm a novelist, they immediately assume that my life is a non-stop carousel of limos, television appearances, hair-dos, devoted fans, stalkers and all the glitzy paraphernalia of being a public figure. It's time to set the record straight. I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me ...' Her novels are adored by millions around the world

Sklep: Albertus.pl

40,80 zł

Shadow of the Sun Penguin

Literatura faktu

'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In a study that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on the mosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft. The Beginning: Collision, Ghana 1958 More than anything, one is struck by the light. Light everywhere. Brightness everywhere. Everywhere, the sun. Just yesterday, an autumnal London was drenched in rain. The airplane drenched in rain. A cold, wind, darkness. But here, from the morning

Sklep: Albertus.pl

45,80 zł

Consolations of Philosophy Penguin

Nauki humanistyczne

Alain de Botton, best-selling author of How Proust can Change Your Life, has set six of the finest minds in the history of philosophy to work on the problems of everyday life. Here then are Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche on some of the things that bother us all; lack of money, the pain of love, inadequacy, anxiety, the fear of failure and the pressure to conform.

Sklep: Albertus.pl

40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

Sklep: Albertus.pl

36,60 zł

Tulip Touch Penguin

Inne 1

'She's mad. There has to be something wrong with her. She's insane.' Nobody wants Tulip in their gang. She skives off school, cheeks the teachers, and makes herself unpopular with her classmates by telling the most awful lies. None of this matters to Natalie. Natalie finds Tulip exciting, and at first she doesn't care that other people are so upset and unnerved by Tulip's bizarre games like Stinking Mackerel and Road of Bones. It's funny to watch their reactions, and there's always the delicious fear that the two girls might be caught. But as the games become increasingly sinister and dangerous, Natalie realizes that Tulip is going too far. Much too far. Natalie could try to change things. But deep inside she knows that, once crossed, Tulip won't rest until she's won the most dangerous game of all. In this compelling story Anne Fine explores the dark side of a friendship bordering on obsession, and sensitively depicts one girl's gradual decline into hostility and violence. The Tulip Touch is a powerful novel, gripping and mesmerizing. It is truly a story that touches the heart - I couldn't put it down, I had to know what happened next to Tulip and Natalie! A real read, recommended for all young readers from the age of about nine. Jade You shouldn

Sklep: Albertus.pl

41,04 zł

Someone We Know Penguin LCC US

Książki / Literatura obcojęzyczna

AN INSTANT NEW YORK TIMES BESTSELLER!USA Today's top 100 books to read while stuck at home social distancing "No-one does suburban paranoia like Shari Lapena--this slowly unfurling nightmare will have you biting your nails until the end." --Ruth Ware, #1 New York Times bestselling author of The Woman in Cabin 10The new domestic suspense novel from the New York Times bestselling author of The Couple Next Door, A Stranger in the House, and An Unwanted Guest, Shari LapenaMaybe you don't know your neighbors as well as you thought you did . . . "This is a very difficult letter to write. I hope you will not hate us too much. . . My son broke into your home recently while you were out." In a quiet, leafy suburb in upstate New York, a teenager has been sneaking into houses--and into the owners' computers as well--learning their secrets, and maybe sharing some of them, too.Who is he, and what might he have uncovered? After two anonymous letters are received, whispers start to circulate, and suspicion mounts. And when a woman down the street is found murdered, the tension reaches the breaking point. Who killed her? Who knows more than they're telling? And how far will all these very nice people go to protect their own secrets? In this neighborhood, it's not just the husbands and wives who play games. Here, everyone in the family has something to hide . . .You never really know what people are capable of.

Sklep: Libristo.pl

40,65 zł

Thirteens VIKING BOOKS FOR YOUNG READERS

Książki / Literatura obcojęzyczna

Neil Gaiman's Coraline meets Stranger Things in a dark and twisted story about a sleepy town with a dark secret--and the three kids brave enough to uncover it.Every thirteen years in the town of Eden Eld, three thirteen-year-olds disappear.Eleanor has just moved to the quiet, prosperous Eden Eld. When she awakes to discover an ancient grandfather clock that she's never seen before outside her new room, she's sure her eyes must be playing tricks on her. But then she spots a large bird, staring at her as she boards the school bus. And a black dog with glowing red eyes follows her around town. All she wants is to be normal, and these are far from normal. And worse--no one else can see them.Except for her new friends, Pip and Otto, who teach her a thing or two about surviving in Eden Eld. First: Don't let the "wrong things" know you can see them. Second: Don't speak of the wrong things to anyone else. The only other clue they have about these supernatural disturbances is a book of fairytales unlike any they've read before. It tells tales of the mysterious Mr. January, who struck a cursed deal with the town's founders. Every thirteenth Halloween, he will take three of their children, who are never heard from again. It's up to our trio to break the curse--because Eden Eld's thirteen years are up. And Eleanor, Pip, and Otto are marked as his next sacrifice.

Sklep: Libristo.pl

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