Songs About A Girl

Książki Obcojęzyczne>Angielskie>Children

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Songs About A Girl Vol 1 (Can)

Muzyka>Country

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Songs about a Girl

Książki

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Songs About Fucking - Big Black (Płyta CD)

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Power of Independent Trucking 2. Model 3. Bad Penny 4. L Dopa 5. Precious Thing 6. Colombian Necktie 7. Kitty Empire 8. Ergot 9. Kasimir S. Pulaski Day 10. Fish Fry 11. Pavement Saw 12. Tiny, King of the Jews 13. Bombastic Intro 14. He's a Whore Opis - Songs About Fucking - drugi album noiserockowej grupy Big Black, wydany w 1987 roku. Zawiera cover The Model Kraftwerk, a w wersji na CD dodatkowo He's a Whore Cheap Trick. Nazwa - Songs About Fucking Autor - Big Black Wydawca - Touch And Go Kod EAN - 0036172072422 Rok wydania - 2009 Nośnik - Płyta CD Ilość elementów - 1 Podatek VAT - 23% Premiera - 2009-05-01

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About a Boy Penguin Books

Książki / Literatura obcojęzyczna

About a Boy is Nick Hornby's comic and heart-warming million-copy bestseller 'How cool was Will Freeman?' Too cool! At thirty-six, he's as hip as a teenager. He's single, child-free, goes to the right clubs and knows which trainers to wear. He's also found a great way to score with women: attend single parents' groups full of available (and grateful) mothers, all hoping to meet a Nice Guy. Which is how Will meets Marcus, the oldest twelve-year-old on the planet. Marcus is a bit strange: he listens to Joni Mitchell and Mozart, looks after his mum and has never owned a pair of trainers. But Marcus latches on to Will - and won't let go. Can Will teach Marcus how to grow up cool? And can Marcus help Will just to grow up? This astonishing novel, now a modern classic, was adapted for the acclaimed 2002 film About A Boy, starring Hugh Grant and Nicholas Hoult. Fans of One Day by David Nicholls and Any Human Heart by William Boyd will devour this book, as will lovers of fiction everywhere. "A stunner of a novel. Utterly read-in-one-day, forget-where-you-are-on-the-tube-gripping". (Marie Claire)."About the awful, hilarious, embarrassing places where children and adults meet, and Hornby has captured it with delightful precision". (Irish Times). "It takes a writer with real talent to make this work, and Hornby has it - in buckets". (Literary Review). Nick Hornby has captivated readers and achieved widespread critical acclaim for his comic, well-observed novels High Fidelity, How to be Good, A Long Way Down (shortlisted for the Whitbread Award), Slam and Juliet, Naked. His three works of non-fiction, 31 Songs (shortlisted for the National Book Critics Circle Award), Fever Pitch (winner of the William Hill Sports Book of the Year Award) and The Complete Polysyllabic Spree are also available from Penguin.

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Greatest Christmas Songs Forever [4CD] - Różni wykonawcy

Książki & Multimedia > Książki

Opis - Wielkimi krokami zbliża się grudzień a wraz z nim Święta Bożego Narodzenia i ta jedna, wyjątkowa Noc. Noc Rzeczy Ważnych. Cicha Noc, w którą Śliczna Panna porodziła Syna - maluśkiego nicym rękawicka. Noc, w którą Bóg się rodzi, Aniołowie się radują a Mędrcy świata przy blasku jednej z pierwszych gwiazd bieżą do Betlejem.... Noc, kiedy przestają dzwonić telefony, zegary wstrzymują oddech a czas łagodnie odmierzają kolędy...Na czterech płytach znajdziemy zarówno tradycyjne polskie kolędy jak i dobrze znane zagraniczne piosenki.Lista tytułów:CD 1 1. Andy Wiliams - Sleigh Ride 2. Chris Rea - Driving Home For Christmas 3. Barry Manilow - Santa Claus Is Coming To Town 4. Frank Sinatra - Jingle Bells 5. Kylie Minogue - Santa Baby 6. Westlife - White Christmas 7. Human Nature - Last Christmas 8. Natalie Cole - The Christmas Song 9. Otis Redding - Merry Christma 10. Jose Feliciano - Feliz Navidad 11. Bing Crosby - Jingle Bells 12. ALMA COGAN - Never Do A Tango With An Eskimo 13. MUD - Lonely This Christmas 14. Aretha Franklin - Winter Wonderland 15. Elvis Presley - Here Comes Santa Claus 16. Wizzard - I Wish It Could Be Christmas Everyday CD 2 1. De Su - Kto wie? 2. Kayah - Ding Dong 3. Kasia Skrzynecka - Oszaleli anieli 4. Krzysztof Kiljański - Od świąt do świąt 5. Olga Bończyk - Swingująca zima 6. Patrycja Markowska - Moja kolęda 7. Majka Jeżowska ft. De Mono - Chcę z Tobą spędzić święta 8. Skaldowie - Z kopyta kulig rwie 9. Edyta Górniak ft. Krzysztof Antkowiak - Pada śnieg 10. Raz Dwa Trzy - Pod niebem 11. Ryszard Rynkowski - Bardzo cicha noc 12. Mietek Szcześniak - Zimowa piosenka 13. Anna Maria Jopek ft. Jeremi Przybora - Na całej połaci śnieg 14. Grzegorz Turnau - Płatki opłatki CD 3 1. Coldplay - Christmas Time 2. Mick Hucknall - Happy This Christmas 3. Andy Willimas - It;s The Most Wonderful Time Of The Year 4. Doris Day - I'll be Home For Christmas 5. Amanda Jenssen - Another Christmas 6. Luther Vandross - Have Yourself A Merry Little Christmas 7. Kate WINSLET - What If 8. Il DIVO - When A Child Is Born 9. Mindi Abair - I Can't Wait For Christmas 10. Glen Campbell - I'll Be Home For Christmas 11. Christina Perri - Somethong About December 12. Frank Sinatra - Let It Snow! Let It Snow! Let It Snow! 13. Everything But The Girl - 25Th December 14. Pretenders - 2000 miles 15. Cliff Richard - Mistletoe And Wine CD 4 1. Mazowsze - Wśród Nocnej Ciszy 2. Krzysztof Kiljański - Cicha noc 3. Kasia Cerekwicka - Lulajze Jezuniu 4. M. Balcar, N. Kukulska, K. Stankiewicz, A. Piaseczny - Dzisiaj W Betlejem 5. Krzysztof Krawczyk - Przybieżeli do Betlejem 6. Ryszard Rynkowski - Hej, w dzień narodzenia 7. Golec Orkiestra - Pójdźmy wszyscy do stajenki 8. Pospieszalscy - Północ juz była 9. Stanisław Soyka - Wesołą nowinę 10. Natalia Kukulska - Gdy śliczna panna 11. Michał Bajor - Pasterze mili 12. Hanna Banaszak - W żłobie leży 13. Katarzyna Groniec - Jezus Malusieńki 14. Zakopowe - Oj maluśki, maluśki 15. Mazowsze - Bóg się rodzi Nazwa - Greatest Christmas Songs Forever [4CD] Autor - Różni wykonawcy Wydawca - Warner Music Kod ISBN - 0825646191437 Kod EAN - 0825646191437 Rok wydania - 2014 Podatek VAT - 23%

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Traditional British Folk Songs for Tongue Drum or Handpan Independently Published

Książki / Literatura obcojęzyczna

Most of these melodies are rather unique compared to our other book with the most popular and simple kids songs "Tongue Drum Songbook for Beginner: Play Simple Kids Songs by Number"), but most of these songs will keep your audience listening with great interest and enjoyment.They are simple enough for any beginner musician, even one who has never played an instrument or read sheet music. You can play immediately just by following the numbers.We use numbers notation beside the classic music score system because most modern tongue drums have numbers engraved or painted on their keys, and because it is easier to play for absolute beginners who cannot read sheet music.Also, we added a QR code to all songs. Follow the link and listen to the rhythm before beginning to play.Most songs from this book are possible to play in one octave because a lot of tongue drums include and are tuned to involve the notes of the main octave.The steel tongue drums also called the tong drum, tank drum, gluck-o-phone, hapi, yoga drum, lotus, or mandala drum) and the handpan (also called the hank drum, UFO drum, zen drum, meditation, healing, or chakra drum) are quite modern musical percussion instruments. They are primarily used to express feelings, emotions, and other bodily sensations. No classical music training or musical theory study is necessary to play them. The aim is to creatively experiment with sounds in order to meditate, bring about feelings of relaxation, and have the experience of traveling through your inner self.This book provides popular melodies to add to your experimentation.You don't need classical music training or knowledge of music theory to play them.This book includes very simple, popular children's and folk songs.Attention: Songs have been transposed for a DIATONIC range. Some melodies might be changed and simplified. If you have flat keys on your instrument,please use the classic music score for piano.Contents:1. Alphabet Song2. Amazing Grace3. Baa Baa Black Sheep4. Bobby Shafto5. Cobbler, Mend My Shoe6. Cock-a-Doodle-Doo7. Dr. Foster8. Fiddle-De-Dee9. Five Little Monkeys10. Here We Go Looby Loo11. Hey Diddle Diddle12. I Love Little Kitty13. It

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GREATEST CHRISTMAS SONGS FOREVER 4 CD WYDAWCA

Muzyka > Płyty kompaktowe > Składanki

Płyta z muzyką jest zawsze dobrym pomysłem na prezent, a album z kolędami dodatkowo może umilić okres przedświątecznych przygotowań i oczekiwań na ten wyjątkowy wieczór. Wydawnictwo

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The Hard Thing about Hard Things HarperCollins Publishers Inc

Książki / Literatura obcojęzyczna

Ben Horowitz, cofounder of Andreessen Horowitz and one of Silicon Valley's most respected and experienced entrepreneurs, offers essential advice on building and running a startup-practical wisdom for managing the toughest problems business school doesn't cover, based on his popular ben's blog. While many people talk about how great it is to start a business, very few are honest about how difficult it is to run one. Ben Horowitz analyzes the problems that confront leaders every day, sharing the insights he's gained developing, managing, selling, buying, investing in, and supervising technology companies. A lifelong rap fanatic, he amplifies business lessons with lyrics from his favorite songs, telling it straight about everything from firing friends to poaching competitors, cultivating and sustaining a CEO mentality to knowing the right time to cash in.Filled with his trademark humor and straight talk, The Hard Thing About Hard Things is invaluable for veteran entrepreneurs as well as those aspiring to their own new ventures, drawing from Horowitz's personal and often humbling experiences.

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Fly Me To The Moon - The Best Jazz Songs 2 CD SOLITON

Sztuka i kultura / Muzyka

Wyjątkowa kompilacja klasycznych utworów jazzowych, skierowana zarówno do płci męskiej, jak i żeńskiej. Na płytach usłyszymy takich wykonawców, jak Ella Fitzgerald, Billie Holiday, Nat King Cole, Louis Armstrong czy Frank Sinatra. Idealny prezent na walentynki (i nie tylko)! Próbka płyty dostępna TUTAJ Lista utworów: CD1 Ladies': 1. When I Fall In Love - Alma Cogan 2. Cheerful Little Earful - Ella Fitzgerald 3. Fly Me To The Moon - Patti Page 4. Blue Skies - Ella Fitzgerald 5. My Baby Just Cares For Me - Nina Simone 6. Every Time We Say Goodbye - Ella Fitzgerald 7. My funny Valentine - Joni James 8. Cheek To Cheek - Ella Fitzgerald 9. I Love To Love - Nina Simone 10. How About Me - Ella Fitzgerald 11. All Of Me - Sarrah Vaughan 12. Manhattan - Ella Fitzgerald 13. Where Can I Go Without You - Nina Simone 14. Have You Met Miss Jones? - Sarah Vaughan 15. The Man I Love - Ella Fitzgerald 16. Whatever Lola Wants - Sarah Vaughan 17. Night And Day - Ella Fitzgerald 18. Lullaby Of Birdland - Sarah Vaughan 19 It Don't Mean A Thing - Ella Fitzgerald & Duke Ellington 20. Love Me Or Leave Me - Lena Horne 21. Moonlight Becomes You - Ella Fitzgerald 22. Perdido - Sarah Vaughan 23. Black Coffee - Ella Fitzgerald 24. Blue Moon - Billie Holiday CD2 Gentlemans: 1. I've Got You Under My Skin - Frank Sinatra 2. Unforgettable - Nat King Cole 3. You Go To My Head - Frank Sinatra 4. Smile - Nat King Cole 5. La Vie En Rose - Louis Armstrong 6. It's Only A Paper Moon - Frank Sinatra 7. The Very Thought Of You - Nat King Cole 8. Summertime - Charlie Parker 9. Embraceable You - Nat King Cole 10. Have You Met Miss Jones? - Louis Armstrong 11. Come Fly With Me - Frank Sinatra 12. Autumn Leaves - Stan Getz 13. My One And Only Love - Frank Sinatra 14. Take Five - Dave Brubeck 15. Monalisa - Nat King Cole 16. This Was My Love - Frank Sinatra 17. You're My Everything - Miles Davis & John Coltrane 18. Over The Rainbow - Frank Sinatra 19. Day By Day - Frank Sinatra 20. That's All There Is To That - Nat King Cole 21. Moonlight Serenade - Glen Milleer 22. Almost Like Being In Love - Frank Sinatra 23. Dream A Little Dream Of Me - Louis Armstrong & Ella Fitzgerald

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Fly Me To The Moon - The Best Jazz Songs SOLITON Soliton

Multimedia / Muzyka

Wyjątkowa kompilacja klasycznych utworów jazzowych, skierowana zarówno do płci męskiej, jak i żeńskiej. Na płytach usłyszymy takich wykonawców, jak Ella Fitzgerald, Billie Holiday, Nat King Cole, Louis Armstrong czy Frank Sinatra.Idealny prezent dla ukochanej osoby!Próbka płyty dostępna TUTAJLista utworów:CD1 Ladies

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A. N. Author - Lyrics Penguin Books

Książki / Literatura obcojęzyczna

A self-portrait in 154 songs, by our greatest living songwriter'More often than I can count, I've been asked if I would write an autobiography, but the time has never been right. The one thing I've always managed to do, whether at home or on the road, is to write new songs. I know that some people, when they get to a certain age, like to go to a diary to recall day-to-day events from the past, but I have no such notebooks.What I do have are my songs, hundreds of them, which I've learned serve much the same purpose. And these songs span my entire life.' In this extraordinary book, with unparalleled candour, Paul McCartney recounts his life and art through the prism of 154 songs from all stages of his career - from his earliest boyhood compositions through the legendary decade of The Beatles, to Wings and his solo albums to the present. Arranged alphabetically to provide a kaleidoscopic rather than chronological account, it establishes definitive texts of the songs' lyrics for the first time and describes the circumstances in which they were written, the people and places that inspired them, and what he thinks of them now.Presented with this is a treasure trove of material from McCartney's personal archive - drafts, letters, photographs - never seen before, which make this also a unique visual record of one of the greatest songwriters of all time. We learn intimately about the man, the creative process, the working out of melodies, the moments of inspiration. The voice and personality of Paul McCartney sings off every page.There has never been a book about a great musician like it. Each volume is 480 pp, not available separately

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Children of a Vanished World University of California Press

Książki / Literatura obcojęzyczna

Between 1935 and 1938 the celebrated photographer Roman Vishniac explored the cities and villages of Eastern Europe, capturing life in the Jewish shtetlekh of Poland, Romania, Russia, and Hungary, communities that even then seemed threatened - not by destruction and extermination, which no one foresaw, but by change. Using a hidden camera and under difficult circumstances, Vishniac was able to take over sixteen thousand photographs; most were left with his father in a village in France for the duration of the war. With the publication of "Children of a Vanished World", seventy of those photographs are available, thirty-six for the first time. The book is devoted to a subject Vishniac especially loved, and one whose mystery and spontaneity he captured with particular poignancy: children. Selected and edited by the photographer's daughter, Mara Vishniac Kohn, and translator and coeditor Miriam Hartman Flacks, these images show children playing, children studying, children in the midst of a world that was about to disappear. They capture the daily life of their subjects, at once ordinary and extraordinary.The photographs are accompanied by a selection of nursery rhymes, songs, poems, and chants for children's games in both Yiddish and English translation. Thanks to Vishniac's visual artistry and the editors' choice of traditional Yiddish verses, a part of this wonderful culture can be preserved for future generations. Earlier books of Roman Vishniac's photographs include "To Give Them Light: The Legacy of Roman Vishniac" (1995), "A Vanished World" (1983), and "Polish Jews" (1947). A major exhibition titled 'Children of a Vanished World: Photographs byRoman Vishniac' is scheduled at the Museum of Jewish Heritage in New York. The show will open to the public on March 7 and run through June 4, 2000.

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No Volveré a Tener Miedo / I Will Not Be Afraid Again SUMA

Książki / Literatura obcojęzyczna

El reconocido actor Pablo Rivero da el salto a la literatura con una ópera prima perturbadora, hipnótica y genuina.La madrugada del 9 de abril de 1994 una familia es asesinada mientras duerme. El crimen conmociona a la sociedad espa?ola por la brutalidad de los hechos y porque es cometido a sangre fría por uno de sus miembros. Estos son sus últimos siete días de vida.Tras una fuerte discusión, el padre abandona la casa familiar. Laura, la madre, arrepentida de haber sacado a la luz los secretos que con tanto esmero se esforzaban en esconder, tendrá que lidiar con los dos hijos que nunca quiso mientras encuentra la manera de hacerle volver. Raúl, el hijo mayor, obsesionado con el cine de terror, intenta huir de sus oscuras tentaciones a ritmo de canciones de Nirvana. Mientras que Mario, el peque?o, encuentra en la historia que le contó su hermano sobre un hombre que espera cada noche frente a su ventana, las claves para entender la ausencia paterna.Pero,

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Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

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