119,99 zł

Roy Andersson's "Songs From The Second Floor"

Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>Films, cinema>Theory & criticismKsiążki Obcojęzyczne>Angielskie>The art...

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Sklep: Gigant.pl

92,65 zł

Blood Moon's Guide To Gay And Lesbian Film Blood Moon Productions, Ltd

Książki / Literatura obcojęzyczna

Here, assembled into one comprehensive annual volume, is a rundown of the previous year's most intriguing gay, lesbian, and transgendered films, illustrated guides that are Out, Outrageous, Provocative, and Proud. A defiant challenge to films today, they each get sweaty with Gay Cowboys, Gay Nazis, Nude Marines, Ballsy Detectives, Hit Men, Porn Stars, and Women in Love...With each other. The Scent of Lavender, the Smell of Testosterone, and the Aroma of Velvet. It's all here! Descriptions and reviews of at least 140 feature-length gay films, with commentary, special features, essays on key moments in the previous year's filmmaking, and hundreds of photos. Each volume is loaded with the kind of gossipy insight that's making the entertainment industry spin. Authoritative, exhaustive, and essential, Blood Moon's Guide to Gay and Lesbian Film is the queer girl's and boy's one-stop resource for what to add to their film queue. The film synopses and the snippets of critic's reviews are reason enough to keep this annual compendium of cinematic information close to the DVD player.But the extras-including the Blood Moon Awards and commentary on queer short films-are butter on the popcorn.-Books to Watch Out For (www.btwof.com) Blood Moon's Guide to Gay and Lesbian Film is like having access to a feverishly compiled queer film fan's private scrapbook. This first edition gives a snapshot of where we are in Hollywood now, which should be updated with each further annual edition. It's a lot of fun and, like screen representations of us, verges wildly between titillation and tribulation. Now.I'm ready for my closeup...-Gay Times (London) From feisty Blood Moon Productions, this big, lively guidebook of (mostly) recent gay and gayish films is not meant to be a dust-collecting reference book covering the history of GLBT films. Instead, it's an annual running commentary on what's new and what's going on in gay filmmaking.-Mandate Includes everything fabu in the previous years' movies. An essential guide for both the casual viewer and the hard-core movie-watching homo.-Bay Windows (Boston)

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100,49 zł

Blood Moon's Guide To Gay And Lesbian Film Blood Moon Productions, Ltd

Książki / Literatura obcojęzyczna

More of what you've come to expect from Blood Moon's ongoing series of guidebooks devoted to the previous year's production of Gay and Lesbian Films, with a completely different and expanded roster of films from those reviewed within Volume One. Blood Moon's series on GLBT film was designated as winner of a Bronze IPPY Award (2007) from the Independent Publishers Association of America, and received an Honorable Mention (2007) and a nomination for Best GLBT Nonfiction Title of the Year (2008) from Foreword Magazine. In 2008, it received an honorable mention from the Book Of The Year competition conducted annually in Los Angeles by the Hollywood Book Festival. Blood Moon's guides to GLBT film are produced by the same writing team that produces many of the widely distributed Frommer Guides to the tourist scenes of Europe and The Caribbean. The Frommer Guides are an imprint of John Wiley and Sons.

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122,60 zł

Film Noir - From Berlin to Sin City Wallflower Press

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Film Noir: From Fritz Lang to Fight Club explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at modern films that could be called neo-noir. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the era (Wilder, Lang, Preminger, Hawks, Siodmak, Welles) and this book is an indispensible guide to this popular genre.

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234,45 zł

Film Noir Guide McFarland & Company

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More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book--such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.

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99,88 zł

Charlie Chaplin: The Complete Film Guide Lulu.com

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The complete guide to the films of Charlie Chaplin, from his early silent comedies at Keystone to his seminal feature length masterpieces such as The Kid and City Lights. In this book, Chris Wade explores the making and legacy of these extraordinary movies

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79,08 zł

Film Book Dorling Kindersley Ltd

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Immerse yourself into the world of cinema and discover action-packed chases, epic journeys, and tear-jerking moments. Get the popcorn popping and keep the movies coming! From box office hits and cult classics to romcoms and thrillers, this is your go-to guide to movies, directors, genres and styles. This ultimate movie guide profiles more than 100 of the most significant films ever made and brings cinema to life in true blockbuster fashion.Discover the behind-the-scenes stories about timeless classics like Citizen Kane and The Godfather, and take a front-row seat at lavish blockbusters like Star Wars or Titanic. - Lists of top 10 film recommendations - What to watch boxes that explore specific plot lines, scenes, and images- Trivia sections to test your knowledge on Oscar-winning movies, biggest flops and banned films- Explains complex methods of film-making in familiar, non-technical jargon- High-resolution photography and stills allow for a deeper understanding of the nature of film-makingEach page of this film book takes you on a journey through the ever-changing landscape of cinema - from Hollywood to Bollywood and everything in between. It includes every film-making school from across the globe, behind-the-scenes shots, profiles of 100 influential directors, and lists more than 100 of the greatest movies ever made!Lights.Camera. Action!Whether you enjoy art films or sci-fi, going to the cinema or watching movies on Netflix, The Film Book covers it all. It's perfect for inspiring your next movie night!This updated version covers the best films and directors of the last 10 years, along with new discoveries in the history of cinema since the last edition from 2011.It's the ultimate gift for any film buff or critic.

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99,68 zł

Trevor Lynch's White Nationalist Guide to the Movies Counter-Currents Publishing

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Since 2001, Trevor Lynch's witty, pugnacious, and profound film essays and reviews have developed a wide following among cinephiles and White Nationalists alike. Lynch deals frankly with the anti-white bias and Jewish agenda of many mainstream films, but he is even more interested in discerning positive racial messages and values, sometimes in the most unlikely places.Trevor Lynch's White Nationalist Guide to the Movies gathers together some of his best essays and reviews covering 32 movies, including his startling philosophical readings of Pulp Fiction, The Dark Knight Trilogy, and Mishima; his racialist interpretations of The Lord of the Rings and Gangs of New York; his masculinist readings of The Twilight Saga and A History of Violence; his insights into the Jewish nature of the superhero genre occasioned by Guillermo del Toro's Hellboy movies; and his hilarious demolitions of The Matrix Trilogy, The Girl With the Dragon Tattoo series, and the detritus of Quentin Tarantino's long decline.Trevor Lynch's White Nationalist Guide to the Movies establishes its author as a leading cultural theorist and critic of the North American New Right."Trevor Lynch provides us with a highly literate, insightful, and even philosophical perspective on film-one that will send you running to the video rental store for a look at some very worthwhile movies-although he is also quite willing to tell you what not to see. He sees movies without the usual blinders. He is quite aware that because Hollywood is controlled by Jews, one must typically analyze movies for their propaganda value in the project of white dispossession. Trevor Lynch's collection is a must read for anyone attempting to understand the deep undercurrents of the contemporary culture of the West."- Kevin MacDonald, author of The Culture of Critique, from the Foreword"Hollywood has been deconstructing the white race for nearly a century. Now Trevor Lynch is fighting back, deconstructing Hollywood from a White Nationalist point of view. But these essays are not just of interest to White Nationalists. Lynch offers profound and original insights into more than 30 films, including Christopher Nolan's The Dark Knight, Quentin Tarantino's Pulp Fiction, Guillermo del Toro's Hellboy, and Martin Scorsese's Gangs of New York. These essays combine a cultural and philosophical sophistication beyond anything in film studies today with a lucid, accessible, and entertaining prose style. Every serious cineaste needs to read this book."- Edmund Connelly"The Hollywood movie may be the greatest vehicle of deception ever invented, and the passive white viewer is its primary target. Yet White Nationalist philosopher and film critic Trevor Lynch demonstrates that truth is to be found even in this unlikeliest of places. If American audiences could learn the kind of critical appreciation Mr. Lynch demonstrates for them, their seductive enemies in Tinseltown wouldn't stand a chance."- F. Roger Devlin, author of Alexandre Kojčve and the Outcome of Modern Thought"Trevor Lynch's White Nationalist Guide to the Movies is not some collection of vein-popping rants about Hollywood's political agendas. It's a thoughtful and engaging examination of ideas in popular films from a perspective you won't find in your local newspaper or in Entertainment Weekly. Lynch has chosen films that-in many cases-he actually enjoyed, and playfully teased out the New Right themes that mainstream reviewers can only afford to address with a careful measure of scorn. How many trees have been felled to print all of the Marxist, feminist, minority-pandering 'critiques' of contemporary celluloid over the past fifty years? Isn't it about time we read an explicitly white review of The Fellowship of the Ring, or Traditionalist take on take on The Dark Knight?"- Jack Donovan, author of The Way of Men

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133,75 zł

Turner Classic Movies Presents Leonard Maltin's Classic Movie Guide Penguin Putnam Inc

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The definitive guide to classic films from one of America's most trusted film critics§§Thanks to Netflix and cable television, classic films are more accessible than ever. Now co-branded with Turner Classic Movies, Leonard Maltin's Classic Movie Guide covers films from Hollywood and around the world, from the silent era through 1965, and from The Maltese Falcon to Singin' in the Rain and Godzilla, King of the Monsters!§§Thoroughly revised and updated, and featuring expanded indexes, a list of Maltin's personal recommendations, and more than two hundred new entries-including many offbeat and obscure films-this new edition is a must-have companion for every movie lover.

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84,91 zł

Manhattan on Film Limelight Editions

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This book offers 18 of the best walking tours you'd ever want to take of the greatest venues of movie scenes in New York City. In one volume, Katz updates the two best-selling Limelight Editions guidebooks, Manhattan on Film and Manhattan on Film 2 to include films released over the past six years as well as changes to New York City neighborhoods, especially lower Manhattan. Each tour is illustrated with photos from each film shot along its route and includes maps and travel tips. No tour takes more than two hours. A list of the films, with page references, provides an easy guide for those who want to quickly look up their favorite movies.

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40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

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161,69 zł

Alien: The Archive - The Ultimate Guide to the Classic Movies Titan Books

Książki / Literatura obcojęzyczna

Alien is one of the most original, thrilling, and beautiful franchises in cinema history. From Ridley Scott's elegant horror masterpiece and James Cameron's visceral and heart-pounding Aliens , to David Fincher's nihilistic Alien3 , and Jean-Pierre Jeunet's twisted Alien Resurrection , these are the films that birthed a monster and a cultural phenomenon.Alien: The Archive is a beautiful celebration of these landmark films, delving deep into the process of how all four films were created. From the earliest script ideas to final cut, this book showcases the making of the series in exhaustive and exclusive detail. Featuring storyboards from Ridley Scott, exclusive concept designs from Ron Cobb and Syd Mead, behind-the-scenes imagery of the xenomorphs being created, deleted scenes, unused ideas, costumes, weapons, and much more.This must have retrospective also includes brand new interviews with Ridley Scott, Sigourney Weaver, H.R. Giger, Jean-Pierre Jeunet, Jenette Goldstein, and those whose vision and originality created a cinema legend.This book is for all fans of Alien , art lovers, and cinema and science fiction historians. Alien:The Archive is the final word on the series and showcases the breathtaking creation of a terrifying and beautiful filmic nightmare.TM &

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92,95 zł

Chronology of Film Thames & Hudson Ltd

Książki / Literatura obcojęzyczna

A Chronology of Film presents a fresh perspective on the medium by taking a purely chronological approach to its history, tracing the complex links between technical innovations, social changes and artistic interventions. Organized around a central timeline that charts the development of film from the earliest moving images to the present-day blockbusters, it features key films, together with commentaries and contextual information about the social, political and cultural events of the period in which they were produced. Special feature spreads highlight important technical developments and key practitioners.Covering a wide selection of genres, styles, and directors, it is invaluable as a comprehensive guide to film in all its different forms.

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70,24 zł

Short Story of Film Orion Publishing Co

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The Short Story of Film is a new and innovative introduction to the art of film-making. Simply constructed, the book explores 50 key movies, from superhero blockbusters to indie darlings. The design of the book allows the reader to navigate their way around key genres, movements and techniques with ease.Accessible, concise and fun to read, this pocket guide will give moviegoers a new way to enjoy their favourite films and to discover new ones to watch. The perfect book for all movie lovers who want to understand how, why and when film changed

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92,95 zł

Definitive Guide To Screenwriting Ebury Publishing

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Published for the first time in the UK, Syd Field, acclaimed writer and director, tells you step-by-step how to identify and fix common screenwriting problems, providing the professional secrets that make films brilliant - secrets that can make your screenplay a success. He provides easily understood guidelines for writing a screenplay, from concept to finished product. The art of film-writing is made accessible to novices and helps practiced writers improve their scripts, as the author pinpoints stylistic and structural elements such as characterisation and plot. Tips and techniques on what to do after your screenplay has been completed and much more are all here. There are also practical examples from films which Syd Field has collaborated on such as Lord of the Rings, American Beauty and The Pianist. Written for all levels of screenwriters, this is an indispensable reference book for anyone who wants to make money as a great screenwriter.

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