94,99 zł

Went The Day Well

Książki Obcojęzyczne>Angielskie>Humanities>History>Military history>Napoleonic WarsKsiążki Obcojęzyczne>Angielskie>Humanities>...

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94,99 zł

Went The Day Well?

Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>Films, cinema>Guides & reviews

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Sklep: Gigant.pl

47,22 zł

The Woman who Went to Bed for a Year Penguin Books

Książki / Literatura obcojęzyczna

'Hilarious and totally Townsend. There were parts where I laughed until I cried' Daily Mail What happens when a duvet day turns into a duvet year? Sue Townsend, the bestselling author of the Adrian Mole series, returns with The Woman Who Went to Bed for a Year, a funny and touching novel about what happens when someone stops being the person everyone wants them to be. The day her twins leave home, Eva climbs into bed and stays there. For seventeen years she's wanted to yell at the world, 'Stop! I want to get off'. Finally, this is her chance. Her husband Brian, an astronomer having an unsatisfactory affair, is upset. Who will cook his dinner? Eva, he complains, is attention seeking. But word of Eva's defiance spreads. Legions of fans, believing she is protesting, gather in the street. While Alexander the white van man brings tea, toast and sympathy. And from this odd but comforting place Eva begins to see both herself and the world very, very differently. . . Bestselling author Sue Townsend has been Britain's favourite comic writer for over three decades. 'Laugh-out-loud . . . a teeming world of characters whose foibles and misunderstandings provide glorious amusement. Something deeper and darker than comedy' Sunday Times 'She fills the pages with turmoil, anger, passion, love and big helpings of wit. It's full of colour and glows with life' Independent 'Touching and hilarious. Bursting with witty social commentary as well as humour' Women's Weekly 'A funny, poignant look at modern family life' Daily Express

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47,22 zł

Woman who Went to Bed for a Year Penguin Books

Książki / Literatura obcojęzyczna

Sue Townsend, the bestselling author of the "Adrian Mole series", returns with "The Woman Who Went to Bed for a Year", a funny and touching novel about what happens when someone stops being the person everyone wants them to be. "Laugh-out-loud...a teeming world of characters whose foibles and misunderstandings provide glorious amusement. Something deeper and darker than comedy." ("Sunday Times"). The day her twins leave home, Eva climbs into bed and stays there. For seventeen years she's wanted to yell at the world, 'Stop! I want to get off'. Finally, this is her chance. Her husband Brian, an astronomer having an unsatisfactory affair, is upset. Who will cook his dinner? Eva, he complains, is attention seeking. But word of Eva's defiance spreads. Legions of fans, believing she is protesting, gather in the street. While Alexander the white van man brings tea, toast and sympathy. And from this odd but comforting place Eva begins to see both herself and the world very, very differently...Bestselling author Sue Townsend has been Britain's favourite comic writer for over three decades, "The Woman Who Went to Bed for a Year" is her hilarious new novel."She fills the pages with turmoil, anger, passion, love and big helpings of wit. It's full of colour and glows with life." ("Independent"). "Hilarious and totally Townsend. There were parts where I laughed until I cried." ("Daily Mail"). "Touching and hilarious. Bursting with witty social commentary as well as humour." ("Women's Weekly"). "A funny, poignant look at modern family life." ("Daily Express"). Sue Townsend is Britain's favourite comic author. Her hugely successful novels include eight Adrian Mole books, "The Public Confessions of a Middle-Aged Woman (Aged 55 )", "Number Ten", "Ghost Children", "The Queen and I" and "Queen Camilla", all of which are highly acclaimed bestsellers. She has also written numerous well-received plays. She lives in Leicester, where she was born and grew up.

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35,06 zł

Well Traveled Penguin Books

Książki / Literatura obcojęzyczna

Attorney Lulu Malone lived to work until the day it all went wrong. So, when her cousin Mitch introduces her to the world of Renaissance Faires, she leaps for the turkey legs, taverns, and tarot readers. Sometimes girls just wanna have fun. The only drawback is Dex MacLean: a guitarist with a killer smile, the Casanova of the Faire . . . and her travelling companion for the summer. Kilted bad boy Dex has never had to work hard in his life. Touring with his brothers as The Dueling Kilts is going great and there's a woman for him at every Faire. But when Lulu proves indifferent to his plaid charms and the band's future is threatened, Dex fears he's losing it. Spending days and nights on the road, Lulu and Dex can't help but grow close. But summer can't last forever. Will they go their separate ways? Or does destiny's path lie along a shared road?

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32,05 zł

Alexander and the terrible, horrible, no good, very bad day Simon & Schuster

Książki / Literatura obcojęzyczna

Read the inspiration behind the new major film starring Steve Carrell, Jennifer Garner and Bella Thorne. He could tell it was going to be a terrible, horrible, no good, very bad day...He went to sleep with gum in his mouth and woke up with gum in his hair...When he got out of bed, he tripped over his skateboard and by mistake dropped his sweater in the sink while the water was running...What do you do on a day like that? Well, you may think about going to Australia. You may also be glad to find that some days are like that for other people too. This funny and endearing story has delighted readers for more than forty years and is the inspiration behind the upcoming film, starring Jennifer Garner and Steve Carrell.

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40,80 zł

Shadow of the Sun Penguin

Literatura faktu

'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In a study that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on the mosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft. The Beginning: Collision, Ghana 1958 More than anything, one is struck by the light. Light everywhere. Brightness everywhere. Everywhere, the sun. Just yesterday, an autumnal London was drenched in rain. The airplane drenched in rain. A cold, wind, darkness. But here, from the morning

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40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

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65,21 zł

Rackham's Fairy Tale Illustrations Dover Publications Inc.

Książki / Literatura obcojęzyczna

List of PlatesLITTLE BROTHER AND LITTLE SISTER AND OTHER TALES BY THE BROTHERS GRIMM1 "She took off her golden garter and put it round the roe-buck's neck ("Little Brother and Little Sister")"2 "The end of his beard was caught in a crack in the tree ("Snow-White and Rose-Red)"3 "The third time she wore the star-dress which sparkled at every step ("The True Sweetheart")"4 "Suddenly the branches twined round her and turned into two arms ("The Old Woman in the Wood")"5 "He played until the room was entirely full of gnomes ("The Gnomes")"6 "What did she find there but real ripe strawberries ("The Three Little Men in the Wood")"7 "The waiting maid sprang down first and Maid Maleen followed ("Maid Maleen")"8 "She begged quite prettily to be allowed to spend the night there ("The Hut in the Forest")"SNOWDROP AND OTHER TALES BY THE BROTHERS GRIMM9 "The Dwarfs, when they came in the evening, found Snowdrop lying on the ground ("Snowdrop")"10 "The King could not contain himslef for joy ("Briar Rose")"11 "The young Prince said, "I am not afraid; I am determined to go and look upon the lovely Briar Rose" ("Briar Rose")"12 "Ashenputtel goes to the ball ("Ashenputtel")"13 "The fishes, in their joy, stretched up their head above the water, and promised to reward him ("The White Snake")"14 "So the four brothers took their sticks in their hands, bade their father good-bye, and passed out of the town gate ("The Four Clever Brothers")"15 "The King's only daughter had been carried off by a dragon ("The Four Clever Brothers")"16 "She went away accompanied by the lions ("The Lady and the Lion")"17 "Alas! Dear Falada, there thou hangest ("The Goosegirl")"18 "Bow, blow, little breeze, And Conrad's hat seize ("The Goosegirl")"19 "Good Dwarf, can you not tell me where my brothers are? ("The Water of Life")"20 "The son made a circle, and his father and he took their places within it, and the little black Manniken appeared ("The King of the Golden Mountain")"21 "But they said one after another: "Halloa! Who has been eating off my plate? Who has been drinking out of my cup?" ("The Seven Ravens")"22 "The beggar took her by the hand and led her away ("King Thrushbeard")"HANSEL AND GRETHEL AND OTHER TALES BY THE BROTHERS GRIMM23 "All at once the door opened and an old, old woman, supporting herself on a crutch, came hobbling out ("Hansel and Grethel")"24 "Hansel put out a knuckle-bone, and the old woman, whose eyes were dim, could not see it, and thought it was his finger, and she was much astonished that he did not get fat ("Hansel and Grethel")"25 "Once there was a poor old woman who lived in a village ("The Straw, the Coal, and the Bean") "26 "So she seized him with two fingers, and carried him upstairs ("The Frog Prince")"27 "The cat stole away behind the city walls to the church ("The Cat and Mouse in Partnership")"28 "The witch climbed up ("Rapunzel")"29 "When she got to the wood, she met a wolf ("Red Riding Hood")"30 "O Grandmother, what big ears you have got" she said ("Red Riding Hood")"31 "The old man had to sit by himself, and ate his food from a wooden bowl ("The Old Man and His Grandson")"THE ALLIES' FAIRY BOOK32 "In a twinkling the giant put each garden, and orchard, and castle in the bundle as they were before ("The Battle of the Birds")"33 "If thou wilt give me this pretty little one," says the king's son. "I will take thee at they word" ('"The Battle of the Birds")"34 "Now, Guleesh, what good will she be to you when she'll be dumb? It's time for us to go-but you'll remember us, Guleesh")"35 "The sleeping Princess ("The Sleeping Beauty")"36 "So valiantly did they grapple with him that they bore him to the ground and slew him ("Cesarino and the Dragon")"37 "The birds showed the young man the white dove's nest ("What Came of Picking Flowers")"38 "Art thou warm, maiden? Art thou warm, pretty one? Art thou warm, my darling?" ("Frost")"39 "Nine peahens flew towards the tree, and eight of them settled on its branches, but the ninth alighted near him and turned instantly into a beautiful girl ("The Golden Apple-Tree and the Nine Peahens")"40 "The dragon flew out and caught the queen on the road and carried her away ("The Golden Apple Tree and the Nine Peahens")"ENGLISH FAIRY TALES41 "Mr. And Mrs. Vinegar at home ("Mr. And Mrs. Vinegar")"42 "Somebody has been at my porriedge, and has eaten it all up!" ("The Story of the Three Bears")"43 "The giant Cormoran was the terror of all the country-side ("Jack the Giant-Killer")"44 "Tree of mine! O tree of mine! Have you seen my naughty little maid?" ("The Two Sisters")"45 "Fee-fi-fo-fum, I smell the blood of an Englishman" ("Jack and the Beanstalk")"46 "She went along, and went along, and went along ("Catskin")"47 "They thanked her and said good-bye, and she went on her journey ("The Three Heads of the Well")"48 "Many's the beating he had from the broomstick or the ladle ("Dick Whittington and his Cat")"49 "When Puss saw the rats and mice she didn't want to be told ("Dick Whittington and his Cat")"50 "She sat down and plaited herself an overall of rushes and a cap to match ("Caporushes")"IRISH FAIRY TALES51 "In a forked glen into which he slipped at night-fall he was surrounded by giant toads ("Becuma of the White Skin")"52 "My life became a ceaseless scurry and wound and escape, a burden and anguish of watchfullness" ("The Story of Tuan Mac Cairill")"53 "She looked angry woe at the straining and snarling horde below ("The Wooing of Becfola")"Headpiece [on title page] By day she made herself into a cat . . .Tailpiece [following Plate 53] . . . or a screech owl

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20,80 zł

Alice's Adventures in Wonderland Penguin

Inne 1

'I had sent my heroine straight down a rabbit-hole without the least idea what was to happen afterwards,' wrote Dodgson, describing how Alice was conjured up one 'golden afternoon' in 1862 to entertain his child-friend Alice Liddell. In the nonsensical Wonderland and the back-to-front Looking-Glass kingdom, order is turned upside-down: a baby turns into a pig; time is abandoned at a tea-party; and a chaotic game of chess makes a 7-year-old a Queen. This book is a Penguin Red Classic.  To see other Penguin Reds, visit the minisite by clicking here. Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it,

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40,20 zł

Goodbye to All That Penguin

Powieści i opowiadania

In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.

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45,80 zł

Consolations of Philosophy Penguin

Nauki humanistyczne

Alain de Botton, best-selling author of How Proust can Change Your Life, has set six of the finest minds in the history of philosophy to work on the problems of everyday life. Here then are Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche on some of the things that bother us all; lack of money, the pain of love, inadequacy, anxiety, the fear of failure and the pressure to conform.

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36,60 zł

Globalization & its Discontents Penguin

Biznes

Our world is changing. Globalization is not working. It is hurting those it was meant to help. And now, the tide is turning

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45,80 zł

Colossus Penguin

Inne 1

Is America the new world empire? Presidents from Lincoln to Bush may have denied it but, as Niall Ferguson's brilliant and provocative book shows, the US is the greatest military and economic colossus of all time. What's more, it always has been an empire, with its founding fathers battling westwards for territory and their successors spreading freedom across the world - at gunpoint if necessary. Yet is the US really equipped to play Atlas, bearing the weight of the world on its shoulders? America, Ferguson reveals, is now an empire running on empty, backing away from the crucial imperial commitments of time, money and manpower - and resting on perilous financial foundations. When the New Rome falls, its collapse may come from within. Unlike the majority of European writers who have written on this subject, I am fundamentally in favor of empire. Indeed, I believe that empire is more necessary in the twenty-first century than ever before. The threats we face are not in themselves new ones. But advances in technology make them more dangerous than ever before. Thanks to the speed and regularity of modern air travel, infectious diseases can be transmitted to us with terrifying swiftness. And thanks to the relative cheapness and destructiveness of modern weaponry, tyrants and terrorists can realistically think of devastating our cities. The old, post-1945 system of sovereign states, bound loosely together by an evolving system of international law, cannot easily deal with these threats because there are too many nation-states where the writ of the "international community" simply does not run. What is required is an agency capable of intervening in the affairs of such states to contain epidemics, depose tyrants, end local wars and eradicate terrorist organizations. This is the self-interested argument for empire. But there is also a complementary altruistic argument. Even if they did not pose a direct threat to the security of the United States, economic and social conditions in a number of countries in the world would justify some kind of intervention. The poverty of a country like Liberia is explicable not in terms of resource endowment; otherwise (for example) Botswana would be just as poor. The problem in Liberia, as in so many sub-Saharan African states, is simply misgovernment: corrupt and lawless dictators whose conduct makes economic development impossible and encourages political opposition to take the form of civil war. Countries in this condition will not correct themselves. They require the imposition of some kind of external authority. There are those who would insist that an empire is by definition incapable of playing such a role; in their eyes, all empires are exploitative in character. Yet there can be

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105,31 zł

Bookkeeping Workbook For Dummies John Wiley & Sons Inc

Książki / Literatura obcojęzyczna

If you're preparing for The American Institute of Professional Bookkeepers' (AIPB) bookkeeping certification test, you need an easy- to-follow test-preparation guide that gets you up to speed quickly in all of the bookkeeping basics, from setting up a company's books and recording transactions to managing employee payroll, handling government paperwork, and closing out the books. You need Bookkeeping Workbook For Dummies. With demonstration problems, complementary examples, and multiple-choice questions you'll find in this user-friendly primer, you'll sharpen your bookkeeping skills for the real world as you increase your ability to perform well on any test. Chapter quizzes let check your progress as you go, and step-by-step answers show you where you went wrong (or right) each problem.You'll feel your confidence -and competence-growing as you learn how to:* Perform a wide variety of financial transactions* Use key concepts and skills with real-world bookkeeping problems* Design a bookkeeping system* Track day-to-day business operations* Keep journals for active accounts* Use blank working papers and spread sheets* Handle cash entries and develop internal controls* Calculate and pay employee withholding taxes* Depreciate assets* Prove out your books at year's end* Prepare tax returns as set up for a new year Complete with Top Ten lists for managing cash, monitoring accounts, and finding additional helpful resources, Bookkeeping Workbook For Dummies is the test-prep guide you need to help you ace the certification test and speed your way into a successful and rewarding career.

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