You light up my life walentynka KW010 Fikartki

Papeteria

Delikatna kartka walentynkowa w pastelowych kolorach, ozdobiona kryształkami, półperełkami i innymi ręcznie wykonanymi ozdobami. Rozmiar kartki 13,5 cm x 13,5 cm W komplecie z kopertą i folią ochronną Możliwe wklejenie życzeń oraz wysyłka prosto do adresata.

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You Light Up My Life &..

Muzyka>Jazz

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You Light Up My Life: Greatest Inspirational Songs CURB MOD AFW

Muzyka>Religijna

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You Light Up My Life Warner Music

Muzyka>Pop

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You Light Up My Life Curb

Muzyka>Country

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Mom, You Light Up My Life!: Mother's Day Journal, Mothers Day Unique Gift, 6 X 9, 108 Lined Pages (Journal, Notebook, Diary)

Książki

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Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

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Under the Duvet Penguin

Powieści i opowiadania

'When people ask me what I do for a crust and I tell them that I'm a novelist, they immediately assume that my life is a non-stop carousel of limos, television appearances, hair-dos, devoted fans, stalkers and all the glitzy paraphernalia of being a public figure. It's time to set the record straight. I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me ...' Her novels are adored by millions around the world

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Pushback: How Smart Women Ask--and Stand Up--for What They Want John Wiley & Sons Inc

Książki / Literatura obcojęzyczna

Selena Rezvani--popular Washington Post columnist and noted leadership consultant--argues that self-advocacy is critical for success. And yet, she explains, women initiate negotiations four times less often than men, resulting in them getting less of what they want and deserve: promotion opportunities, plum assignments, and higher pay. It doesn't have to be this way, and in Pushback, Rezvani shines a light on the rules of holding your own and "pushing back" to secure what is rightfully yours.§Pushback provides a reliable and methodical approach for taking a firm position on the issues that matter most to you. Focusing on how women can hone their negotiation skills and techniques, Rezvani addresses the most pressing questions that professional women face as they prepare to make a stand on tough topics:§What are the best strategies forconfronting an issue head-on--without damaging a relationship?§If I want to advocate fervently for anissue, how far do I push?§What's the best way to take a firmposition when my needs aren't being metor if I disagree?§How can I negotiate my own careeradvancement?§To illustrate her points, Rezvani draws from compelling interviews with top business leaders including Marie Chandoha, CEO of Charles Schwab Investment Management; Cindi Bigelow, president of Bigelow Tea Company; Fizzah Jafri, COO at Morgan Stanley; Rosemary Turner, president at UPS; and Irene Chang Britt, chief strategy officer at Campbell's Soup. She reveals the unedited truth about how these leaders and other successful women have asked their way to the top and triumphed--and she shows how you can too.§Insightful and accessible, Pushback is a timely resource for women who want to leverage their skills, promote themselves effectively, and fast track their careers. Praise for Pushback§"Pushback is a must-read for women in or seeking to enter the workforce. Selena Rezvani shows that you can use your assets as a woman and ask for what you want--whether a promotion, a new challenge, or a raise."§--Katharine Weymouth, CEO, The Washington Post§"Leveraging sophisticated strategy and pragmatic action, Selena Rezvani equips women with the tools to negotiate for more than money. Better work assignments, job flexibility, and even the ability to hold your own in a debate await in Pushback--a required text for all professional women."§--Sylvia Ann Hewlett, Ph.D., president, Center for Work-Life Policy§"Pushback is a brilliantly written book. Chock-full of bad habit breakers, Pushback teaches women how to become resilient negotiators. If women take Selena's advice to heart, I know they will be thrilled with the outcome. The lessons in Pushback will allow every woman's career to leap forward!"§--Janet Hanson, founder and CEO, 85 Broads§"Power is about 20 percent conferred and 80 percent taken. Good things don't come to those who wait; they come to those who ask, negotiate, and push. For women--or men--to get what they deserve, they must get over the platitudes and attitudes that hold them back. Reading and implementing the wisdom of Pushback is a great way to start."§--Jeffrey Pfeffer, professor, Graduate School of Business, Stanford University; author, Power: Why Some People Have It--and Others Don't§"'Can you do any better?' Not only is this a key question during a negotiation, it's one that women first need to ask themselves. Through in-depth research and candid interviews with top female executives, Pushback delves into why many women view negotiation as intimidating and empowers them with the roadmap they need to find success--and the money, status, and esteem that come with it--by turning any negotiation into 'a conversation that ends in agreement.'"§--Jim Hopkinson, author, Salary Tutor: Learn the Salary Negotiation Secrets No One Ever Taught You

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Light of Venus Soulsign

Książki / Literatura obcojęzyczna

The Light of Venus offers a complete system of tracking with and understanding the cycle of Venus in our skies. It demonstrates how to embrace more of your inner feminine nature so that you can better contribute to an improved world. The dynamic phases of Venus are an untapped gem for those wishing to shift out of a me-centric life and into a we-empowered life. The day you were born reveals which of Venus' 13 phases is yours. It describes how your innate Feminine Self unfolds into a unique and co-creative Feminine Dharma. Rooted in the most ancient skywatching practices and explained for modern readers, The Light of Venus is less astrology book and more a sky compass for empowering our femininity. It shows you how to connect what you see in the sky with how you best participate in the world. Extensive explanations, look-up tables, and attractive sky graphics make it easy to understand both the astronomy and the actual human experience of Venus in our skies at every phase. The Light of Venus features an easy, powerful method for aligning body, heart and mind to the monthly meeting of Venus and our Moon. The Light of Venus unlocks the ancient art of delineating observable planetary events and grounds them in contemporary, forward-leaning understandings. "Adam Gainsburg's work is an alchemy of intelligence and imagination that opens a brilliant pathway to take astrology from a cerebral, psychological study, more deeply into the full art of being human. As an astrologer, discovering Adam Gainsburg's work was a bit like discovering a new wing in my well-loved house. I believe he has created a new mythology of Venus." - Mary Plumb, Book Editor, The Mountain Astrologer "Adam Gainsburg listened to the sky and the sky did something it very rarely does: it revealed to him a new secret. Read "The Light of Venus" and you will know the secret too." - Steven Forrest, author of The Inner Sky "The Light of Venus explores in great detail the phases occurring in the cycle of Venus [and] reveals the importance of seeing each specific placement in the horoscope as embedded in a network of interplanet cycles and holographic connections." - Melanie Reinhart, author of Chiron and the Healing Journey

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And Now You're Back Headline Publishing Group

Książki / Literatura obcojęzyczna

'A fabulous, gorgeous read, with characters you'll take to your heart' MILLY JOHNSON'I loved the characters and relationships and found myself rooting for everyone. It left me with a lovely warm glow' LIBBY PAGE'Such a joyful read and hugely entertaining . .. Readers are in for a real treat' RUTH HOGANOne magical night in Venice, Didi fell in love. But it ended - and he left without even saying goodbye.Now, thirteen years on, Shay Mason is back. The old spark is still there, but Didi's determined to ignore it. As manager of a stunning Cotswolds hotel, she's happy at last, and soon to be married.Anyway, Shay isn't staying. He's made a promise to his father. He's going to keep it.And then he'll be gone. But Shay's return stirs up long-forgotten emotions, and the scandal that led him to leave raises its head once again. It's time for buried secrets to come to light.And it seems that this was someone's intention all along . . .From the beloved author of IT STARTED WITH A SECRET comes a fabulous new novel about love, friendship and finding the way to your best life. YOUR FAVOURITE WRITERS LOVE JILL MANSELL'Reading Jill is always such a joy' VERONICA HENRY'Gripping and incredibly comforting' MARIAN KEYES'One of my favourite writers' KATIE FFORDE'Like a little blast of sunshine - uplifting, heartwarming and supremely feelgood' SOPHIE KINSELLA'Jill Mansell is the queen of witty, heart-warming, feel-good love stories' RED

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Blood Doctor Penguin

Powieści i opowiadania

Blood. That

Sklep: Albertus.pl

My Inner Sky Penguin LCC US

Książki / Literatura obcojęzyczna

From New York Times bestselling author Mari Andrew, a collection of essays and illustrations, divided into phases of the sky--twilight, golden hour, night, and dawn--that serves as a loyal companion for life's curveballsA whole, beautiful life is only made possible by the wide spectrum of feelings that exist between joy and sorrow. In this insightful and warm book, writer and illustrator Mari Andrew explores all the emotions that make up a life, in the process offering insights about trauma and healing, the meaning of home and the challenges of loneliness, finding love in the most unexpected of places--from birds nesting on a sculpture to a ride on the subway--and a resounding case for why sometimes you have to put yourself in the path of magic.My Inner Sky empowers us to transform everything that's happened to us into something meaningful, reassurance that even in our darkest times, there's light and beauty to be found.

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GREAT DIVAS CD X 10 PIAF FITZGERALD GARLAND FOLIA

Kultura i rozrywka > Muzyka > Płyty kompaktowe > Jazz, Swing

1 CD 1-1, Ella Fitzgerald

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Craftsman's Handbook Dover Publications Inc.

Książki / Literatura obcojęzyczna

PrefaceII The first chapter of the first section of this bookII "How some enter the profession through loftiness of spirit, and some, for profit"III Fundamental provisions for anyone who enters this professionIIII How the schedule shows you into how many sections and branches the occupations are dividedV How you begin drawing on a little panel; and the system for itVI How to draw on several kinds of panelsVII What kind of bone is good for treating the panelsVIII "How you should start drawing with a style, and by what light"VIIII "How you should give the system of lighting, light or shade, to your figures, endowing them with a system of relief"X "The method and system for drawing on sheep parchment and on paper, and shading with washes"XI How you may draw with a leaden styleXII "How, if you have made a slip in drawing with leaden style, you my erase it, and by what means"XIII How you should practice drawing with a penXIIII How to learn to cut the quill for drawingXV How you should advance to drawing on tinted paperXVI How the green tint is made on paper for drawing; and the way to temper itXVII "How you should tint kid parchment, and by which method you burnish it"XVIII How you should tint paper turnsole colorXVIIII How you should tint paper with an indigo tintXX "How you should tint papers with reddish color, or almost peach color"XXI How you should tint papers with flesh colorXXII "How you should tint papers greenish gray, or drab"XXIII How you may obtain the essence of a good figure or drawing with tracing paperXXIIII The first way to learn how to make a clear tracing paperXXV A second way to make tracing paper: with glueXXVI How to make tracing paper out of paperXXVII How you should endeavor to copy and draw after as few masters as possibleXXVIII How you should regulate your life in the interests of decorum and the condition of your hand; and in what company; and what method you should first adopt for copying a figure from high upXXX "How you should first start drawing on paper with charcoal, and take the measurement of the figure, and fix it with a silver style"XXXI "How you should draw and shade with washes on tinted paper, and then put lights on with white lead"XXXII How you may put on lights with washes of white lead just as you shade with washes of inkXXXIII How to make good and perfect and slender coals for drawingXXXIIII About a stone which has the character of charcoal for drawing. This ends the first section of this bookIIXXXV The second section of this book: bringing you to the working up of the colorsXXXVI "This shows you the natural colors, and how you should grind black"XXXVII How to make various sorts of blackXXXVIII On the character of the red color called sinoperXXXVIIII "How to make the red called cinabrese, for doing flesh on the wall; and about its character"XL On the character of the red called vermilion; and how it should be worked upXLI On the character of a red called red leadXLII On the character of a red called hematiteXLIII On the character of a red called dragonsbloodXLIIII On the character of a red called lacXLV On the character of a yellow color called ocherXLVI On the character of a yellow color called giallorinoXLVII On the character of a yellow called orpimentXLVIII On the character of a yellow called realgarXLVIIII On the character of a yellow called saffronL On the character of a yellow called arzicaLI On the character of a green called terre-verteLII On the character of a green called malachiteLIII How you make a green with orpiment and indigoLIIII How you make a green with blue and giallorinoLV How you make a green with ultramarine blueLVI On the character of a green called verdigrisLVII How you make a green with white lead and terre-verte; or lime whiteLVIII On the character of lime whiteLVIIII On the character of white leadLX On the character of azuriteLXI To make an imitation of azurite with other colorsLXII "On the character of ultramarine blue, and how to make it"LXIII The importance of knowing how to make brushesLXIIII How to make minever brushesLXV "How you should make bristle brushes, and in what manner"LXVI How to keep minever tails from getting moth-eaten. This ends the second section of this book; begins the thirdIIILXVII "The method and system for working on a wall, that is, in fresco; and on painting and doing flesh for a youthful face"LXVIII The method for painting an aged face in frescoLXVIIII The method for painting various kinds of beards and hair in frescoLXX The proportions which a perfectly formed man's body should possessLXXI The way to paint a drapery in frescoLXXII The way to paint on a wall in secco; and the temperas for itLXXIII How to make a violet colorLXXIIII To execute a violet color in frescoLXXV To try to imitate an ultramarine blue for use in frescoLXXVII To paint a shot green drapery in frescoLXXVIII To paint in fresco a drapery shot with ash grayLXXVIIII To paint one in secco shot with lacLXXX To paint one in fresco or in secco shot with each otherLXXXI To paint a greenish-gray costume in fresco or in seccoLXXXII "To paint a costume, in fresco and in secco, of a greenish-gray color like the color of wood"LXXXIII "To make a drapery, or a mantle for Our Lady, with azurite or ultramarine blue"LXXXIIII "To make a black drapery for a monk's or friar's robe, in fresco and in secco"LXXXV "On the way to paint a mountain, in fresco or in secco"LXXXVI "The way to paint trees and plants and foliage, in fresco and in secco"LXXXVII "How buildings are to be painted, in fresco and in secco"LXXXVIII The way to copy a mountain from nature. This ends the third section of this bookIVLXXXVIIII "How to paint in oil on a wall, on panel, on iron, and where you please"LXXXX How you should start for working in oil on a wallLXXXXI "How you are to make oil, good for a tempera, and also for mordants, by boiling with fire"LXXXXII How good and perfect oil is made by cooking in the sunLXXXXIII "How you should work up the colors with oil, and employ them on the wall"LXXXXIIII "How you should work in oil on iron, on panel, on stone"LXXXXV The way to embellish with gold or with tin on a wallLXXXXVI How you should always make a practice of working with fine gold and with good colorsLXXXXVII "How you should cut the golden tin, and embellish"LXXXXVIII How to make green tin for embellishingLXXXXVIIII "How to make the golden tin, and how to lay fine gold with this vermeil"C "How to fashion or cut out the stars, and put them on the wall"CI How you can make the diadems of the saints on the wall with this tin gilded with fine goldCII How you should model up a diadem in lime mortar on a wallCIII How from the wall you enter upon panel-painting. This ends the fourth section of the bookVCIIII The system by which you should prepare to acquire the skill to work on panelCV How you make batter or flour pasteCVI How you should make cement from mending stonesCVII How to make cement for mending dishes of glassCVIII "How fish glue is used, and how it is tempered"CVIIII "How goat glue is made, and how it is tempered; and how many purposes it will serve"CX A perfect size for tempering gessos for anconas or panelsCXI A size which is good for tempering blues and other colorsCXII To make a glue out of lime and cheese. This ends the fifth section of this bookVICXIII How you should start to work on a panel or anconasCXIIII How you should put cloth on a panelCXV How the flat of a panel should be gessoed with the slice with gesso grossoCXVI How to gesso sottile for gessoing panelsCXVII How to gesso an ancona with gesso sottile; and how to temper itCXVIII How you may gesso with gesso sottile without having gessoes with gesso grosso firstCXVIIII How you should temper and grind gesso sottile for modelingCXX How you should start to scrape down an ancona flat gessoed with gesso sottileCXXI "How the gesso sottile on the flats should be scraped down, and what these scrapings are good for"CXXII "How to draw on panel with charcoal, to begin with, and to fix it with ink"CXXIII How you should mark out the outlines of the figures for gilding the groundsCXXIIII "How to model on a panel with gesso sottile, and how to mount precious stones"CXXV How you should cast a relief for embellishing areas of anconasCXXVI How to plaster reliefs on a wallCXXVII How to model with mortar on a wall the say you model with gesso on panelCXXVIII "How to take reliefs from a stone mold, and how they are good on wall and on panel"CXXVIIII How you may model on a wall with varnishCXXX How you may model on a wall with waxCXXXI "How to lay bole on panel, and how to temper it"CXXXII "Another way to temper bole on panel, for gilding"CXXXIII How you may gild on panel with terre-verteCXXXIIII How to gild on panelCXXXV What stones are good for burnishing this gildingCXXXVI How to prepare the stone for burnishing goldCXXXVII "How you should burnish the gold, or mend matters in case it could not get burnished"CXXXVIII "Now I will show you how to burnish, and in what direction, especially a flat"CXXXVIIII "What gold is good for burnish and mordant gilding, and what thickness"CXL "How you should begin swinging the diadems and do stamping on the gold, and mark out the outlines of the figures"CXLI How to design gold brocades in various colorsCXLII How to execute gold or silver brocadesCXLIII Several rules for cloths of gold and silverCXLIV "How to do velvet, wool, and silk"CXLV How to paint on panelCXLVI How to make draperies in blue and purpleCXLVII How to paint facesCXLVIII How to paint a dead manCXLVIX How to paint woundsCL How to paint waterVIICLI "A short section on mordant gilding. How to make a standard mordant, and how to gild with it"CLII How to control the drying of the mordantCLIII How to make a mordant out of garlicVIIICLIV Introduction to a short section on varnishingCLV When to varnishCLVI How to make a painting look as if it were varnishedIXCLVII "A short section on illuminating: first, how to gild on parchment"CLVIII Another kind of size: for grounds onlyCLIX How to make and use mosaic goldCLX How to grind gold and silver for use as colorsCLXI Colors for use on parchmentXCLXII "A section dealing with work on cloth: first, painting and gilding"CLXIII Various ways to do hangingsCLXIV How to draw for embroiderersCLXV "How to work on silk, on both sides"CLXVI How to paint and gild on velvetCLXVII How to lay gold and silver on woolen clothCLXVIII How to make devices out of gilded paperCLXIX How to model crests or helmetsCLXX How to do caskets or chestsXICLXXI "A short section on operations with glass: first, for windows"CLXXII How to gild for reliquary ornamentsCLXXII Arrangements for drawing on this glassCLXXII How to draw on the gilded glassCLXXII How to scrape the gold off the backgroundsCLXXII How to back up the drawing with colorsXIICLXXII "Part of a section dealing with mosaic: first, a fragment from the end of a chapter otherwise lost"CLXXII Mosaic of quill cuttingsCLXXII "Mosaic of crushed eggshells, painted"CLXXII Mosaic of paper or foilCLXXII "Mosaic of eggshells, gilded"XIIICLXXIII "A section dealing with miscellaneous incidental operations: first, block printing on cloth"CLXXIV How to gild a stone figureCLXXV The dangers of a wet wall for frescoCLXXV Preliminary precautions against moistureCLXXV Waterproofing with boiled oilCLXXVI Waterproofing with pitchCLXXVI Waterproofing with liquid varnishCLXXVII How to distemper inside walls with greenCLXXVIII How to varnish terre-verteCLXXIX How to clean off the paint after you have made up a face CLXXX The perils of indulgence in cosmeticsCLXXXI "The final section, devoted to methods of casting, begins here"CLXXXII How to take a life maskCLXXXIII The breathing tubesCLXXXIV The operations of casting the matrixCLXXXIV How to cast this waste moldCLXXXV How to cast whole figuresCLXXXVI How to make a cast of your own personCLXXXVII Castings in gesso for use on panelCLXXXVIII How to cast medalsCLXXXIX How to make a mold from a seal or coinIndex

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