Zen in English Literature and Oriental Classics Angelico Press

Książki / Literatura obcojęzyczna

It was R.H Blyth's belief that "all that is good in European literature and culture is simply and solely that which is in accordance with the Spirit of Zen." He thereafter applied himself to the task of searching the writings of East and West in an attempt to discover that Spirit. Zen in English Literature and Oriental Classics embraces the classical literature of China and Japan and the whole extent of English literature, with numerous quotations not only from English but also from French, German, Italian, and Spanish writing. Don Quixote has a chapter all to himself, and the author considers him possibly the purest example in all of world literature of a man who lives by Zen. In English, the Zen attitude toward life is found most consistently in Shakespeare, Wordsworth, Dickens, and Stevenson. This book is essential reading for anyone interested in Zen, haiku, or indeed English literature. R.H. Blyth was born in London in 1898 and studied English literature at London University. He traveled extensively in the East before moving first to Korea and then Japan and teaching English at several universities. Blyth eventually became the English tutor to the Crown Prince of Japan. He also studied Zen Buddhism under Kayama Taigi Roshi. Blyth was interned during the war years, and it was during this time that he wrote his first book, Zen in English Literature. He went on to write numerous other books on Zen, haiku, senryu, and humor. Blyth was a man whose sensibility took root in two disparate cultures and found a harmony that he beautifully and effectively communicated in his writing.

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Zen In English Literature And Oriental Classics

Książki Obcojęzyczne>Angielskie>Humanities>Philosophy>Non-Western philosophy>Oriental & Indian philosophyKsiążki Obcojęzyczne>Angiel...

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Zen in English Literature and Oriental Classics

Książki

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Zen in English Literature and Oriental Classics

Książki

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William Beckford - Vathek Oxford University Press

Książki / Literatura obcojęzyczna

'Woe to the rash mortal who seeks to know that of which he should remain ignorant; and to undertake that which surpasseth his power!' The Caliph Vathek is dissolute and debauched, and hungry for knowledge. When the mysterious Giaour offers him boundless treasure and unrivalled power he is willing to sacrifice his god, the lives of innocent children, and his own soul to satisfy his obsession. Vathek's extraordinary journey to the subterranean palace of Eblis, and the terrifying fate that there awaits him, is a captivating tale of magic and oriental fantasy, sudden violence and corrupted love, whose mix of moral fable, grotesque comedy, and evocative beauty defies classification. Originally written by Beckford in French at the age of only 21, its dreamlike qualities have influenced writers from Byron to H. P. Lovecraft. This new edition reprints Beckford's authorized English text of 1816 with its elaborate and entertaining notes. In his new introduction Thomas Keymer examines the novel's relations to a range of literary genres and cultural contexts.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Life, Life Crescent Moon Publishing

Książki / Literatura obcojęzyczna

LIFE, LIFE A book of poetry by Russian poet Arseny Tarkovsky, translated by Virginia Rounding. Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and his son Andrei Tarkovsky, and illustrations from Tarkovsky's movies. This is one of the very few translations in English of poetry by Arseny Tarkovsky available. FROM THE INTRODUCTION: Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century. From the poem ;Ignatyevo Forest': The last leaves' embers in total immolation Rise into the sky; this whole forest Seethes with irritation, just as we did That last year we lived together. Illustrated. With bibliography and notes. ISBN 9781861714300. www.crmoon.com

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