krainaksiazek i have received much more than i have deserved 20088200

- znaleziono 355 produktów w 24 sklepach

Phase Four Stereo.. -ltd- - 2843982851

539,99 zł

Phase Four Stereo.. -ltd-

Muzyka>Klasyczna

1. Gordon, Irving - Unforgettable 2. Fain, Sammy - Secret Love 3. Livingston, Jay - To Each His Own 4. Roemheld, Heinz - Ruby 5. Ferrao, Raul - April In Portugal 6. Mellin, Robert - My One & Only Love 7. Kosma, Joseph - Autumn Leaves 8. Garner, Erroll - Misty 9. Young, Victor - Golden Earrings 10. Richards, John W. - Young At Heart 11. Fain, Sammy - April Love 12. Reid, Billy - The Gipsy 101. Maxwell, Robert - Ebb Tide 102. Noble, Ray - The Very Thought Of You 103. Fain, Sammy - I'll Be Seeing You 104. Young, Victor - Love Letters 105. Kern, Jerome - Long Ago (And Far Away) 106. Berlin, Irving - How Deep Is The Ocean 107. Kern, Jerome - Smoke Gets In Your Eyes 108. Young, Victor - Stella By Starlight 109. Nicholls, Horatio - Among My Souvenirs 110. Heusen, Jimmy - Darn That Dream 111. Aldrich, Ronnie - Evening Star 112. Rodgers, Richard - Where Or When 201. Rose, Peter - Deep Purple 202. Youmans, Vincent - More Than You Know 203. Lowe, Ruth - I'll Never Smile Again 204. Gershwin, George - Embraceable You 205. Mchugh, Jimmy - Don't Blame Me 206. Rodgers, Richard - I Have Dreamed 207. Weill, Kurt - September Song 208. Mchugh, Jimmy - I'm In The Mood For Love 209. Rodgers, Richard - If I Loved You 210. Aldrich, Ronnie - Lonely Lover 211. Suessdorf, Karl - Moonlight In Vermont 212. Loesser, Frank - Spring Will Be A Little Late This 301. Mancini, Henry - Charade 302. Jobim, Antonio Carlos - A Felicidade 303. Loewe, Frederick - I've Grown Accustomed To Her Fa 304. Aldrich, Ronnie - Ship Of Dreams 305. Cross, Douglass - (I Left My Heart) In San Francis 306. Vita, Alfredo De - Softly As I Leave You 307. Mancini, Henry - How Soon 308. Beach, Albert A. - I Wish You Love 309. Gimbel, Norman - The Girl From Ipanema 310. Rodgers, Richard - The Sound Of Music 311. Aldrich, Ronnie - Gardens In Ibiza 312. Merrill, Bob - People 401. Rodgers, Richard - My Favourite Things 402. Delange, Eddie - Theme From Picnic Introducing 403. Melodie D'amour 404. Salvador, Henri - Original Version 405. Livingston, Jay - Mona Lisa 406. Bacharach, Burt - Magic Moments 407. Young, Victor - When I Fall In Love 408. Dehr, Richard - Memories Are Made Of This 409. Leiber, Jerry - Spanish Harlem 410. Rodgers, Richard - The Sweetest Sounds 411. Farres, Osvaldo - Come Closer To Me 412. Heneker, David William - If The Rain's Got To Fall 413. Lerner, Alan Jay - If Ever I Would Leave You 501. Bacharach, Burt - This Guy's In Love With You 502. Webb, Jimmy - Macarthur Park 503. Dylan, Bob - Blowin' In The Wind 504. Wilson, Brian - Do It Again 505. Russell, Bobby - Honey 506. Aldrich, Ronnie - Time 507. Simon, Paul - Mrs. Robinson 508. Webb, Jimmy - By The Time I Get To Phoenix 509. Ben, Jorge - Mas Que Nada 510. Schifrin, Lalo - Theme From The Fox 511. Mason, Barry - A Man Without Love 512. Macleod, John - Something Here In My Heart 601. White, Barry - Love's Theme 602. Bergman, Alan - The Way We Were 603. Laurie, Linda - Leave Me Alone 604. Croce, Jim - I'll Have To Say I Love You In A Song 605. Bettis, John - Top Of The World 606. Pinder, Michael - Have You Heard 607. Masser, Michael - Last Time I Saw Him 608. Bergman, Alan - What Are You Doing The Rest Of You 609. Albertelli, Luigi - Vado Via 610. Jobim, Antonio Carlos - Wave 611. O'sullivan, Gilbert - Happiness Is Me & You 612. Durrill, John - Dark Lady 701. Mandel, Johnny - The Shadow Of Your Smile (From T 702. Jarre, Maurice - Somewhere My Love (From Doctor Z 703. Kaempfert, Bert - Strangers In The Night (From A 704. Sherman, Richard M. - Chim Chim Cher-ee (From Mar 705. Chaplin, Charlie - Limelight (From Limelight) 706. Mayuzumi, Toshiro - The Bible (From The Bible) 707. North, Alex - Who's Afraid? (From Who's Afraid Of 708. Auric, Georges - The Moulin Rouge Theme (From Mou 709. Ciorciolini, Marcello - More (From Mondo Cane) 710. Williams, Charles - The Apartment (From The Apart 711. Goldsmith, Jerry - A Patch Of Blue (From A Patch 712. Jarre, Maurice - Lawrence Of Arabia (From Lawrenc 713. Barry, John - You Only Live Twice (From You Only 714. Brooker, Gary - A Whiter Shade Of Pale 715. Springfield, Tom - Georgy Girl 716. Parks, Carson C. - Somethin' Stupid 717. Lai, Francis Albert - A Man & A Woman 718. Schmidt, Harvey - My Cup Runneth Over (From I Do, 719. Hatch, Tony - Don't Sleep In The Subway 720. Miller, Eddie - Release Me 721. Hefti, Neal - Barefoot In The Park 722. Bacharach, Burt - Alfie (From Alfie) 723. Ramin, Sid - Music To Watch Girls By 724. Chaplin, Charlie - This Is My Song (From A Counte 801. Barbieri, Gato - Last Tango In Paris 802. Simon, Carly - You're So Vain 803. Gates, David - Aubrey 804. Brown, Lawrence - Tie A Yellow Ribbon Round The Ol 805. O'sullivan, Gilbert - Clair 806. Green, Al - Call Me (Come Back Home) 807. O'keefe, Danny - Good Time Charlie's Got The Blues 808. Smith, Eileen - Oh Babe, What Would You Say 809. Fox, Charles - Killing Me Softly With His Song 810. Evoy, Larry - Last Song 811. Ortolani, Riz - Love Theme From The Valachi Paper 812. Hazlewood, Michael Edward - It Never Rains In Sout 813. Rota, Nino - Love Theme From The Godfather 814. O'sullivan, Gilbert - Alone Again (Naturally) 815. Diamond, Neil - Song Sung Blue 816. Darion, Joseph - The Impossible Dream 817. Kingsley, Gershon - Popcorn 818. Mcdonald, Ralph - Where Is The Love 819. Bacharach, Burt - Theme From Lost Horizon 820. Bricusse, Leslie - Candy Man 821. Ham, Peter William - Without You 822. Marc, Ronald - Come To Where The Love Is 823. Sedaka, Neil - Breaking Up Is Hard To Do 824. Ralston, Alfred - Jenny's Theme 901. Brown, Nacio Herb - Temptation 902. Lieurance, Thurlow - By The Waters Of Minnetonka 903. Jobim, Antonio Carlos - Adieu Tristesse 904. Lecuona, Casado Ernesto - Jungle Drums 905. Rimsky-korsakov, Nicolai - Hymn To The Sun 906. Lecuona, Margarita - Babalu 907. Lane, Burton - Old Devil Moon 908. Barroso, Ary - Baia 909. Newman, Alfred - The Moon Of Manakoora 910. Leeds, Milton - Misirlou 911. Grouya, Ted - Flamingo 912. Ellington, Duke - Caravan 1001. Anonymous - Shema - Hava Nagila 1002. Anonymous - Raisins & Almonds 1003. Lawrence, Jack - Yes, My Darling Daughter 1004. Anonymous - Eili Eili 1005. Miron-michrovsky, Issachar - Tzena, Tzena, Tzena 1006. Elman, Ziggy - & The Angels Sing 1007. Gilbert, Joe (Joseph George) - A Letter To My Moth 1008. Casman, Nellie - Joseph! Joseph! 1009. Achron, Joseph - Hebrew Melody 1010. Anonymous - Hativkah 1101. Gold, Ernest - Exodus Main Theme 1102. Pollack, Lew - My Yiddische Momme 1103. Anonymous - Freilich 1104. Anonymous - Sunrise, Sunset / Hava Netze B'machol 1105. Lebedeff, Aaron - Second Avenue Symphonette 1106. Lavry, Marc - Kinneret 1107. Anonymous - Kol Nidre 1108. Anonymous - Finale 1201. Rodgers, Richard - Oklahoma! Medley 1202. Rodgers, Richard - Bali Ha'i 1203. Herman, Jerry - Hello Dolly! 1204. Styne, Jule - People 1205. Carousel 1206. Rodgers, Richard - Carousel Waltz (Original Versio 1207. Bock, Jerry - Fiddler On The Roof 1208. Kern, Jerome - Ol' Man River 1209. Willson, Meredith - Seventy-six Trombones 1210. Wright, Robert Craig Bob - Baubles, Bangles & Bead 1211. Rodgers, Richard - Slaughter On Tenth Avenue 1212. Loewe, Frederick - My Fair Lady - Medley 1213. Rozsa, Miklos - Theme From Spellbound 1214. North, Alex - Antony & Cleopatra's Theme 1215. A Summer Place 1216. Steiner, Max - A Summer Place (Original Version) 1217. Bernstein, Leonard - On The Waterfront 1218. Steiner, Max - Tara's Theme 1219. Jarre, Maurice - Lawrence Of Arabia: Theme 1220. Bernstein, Elmer - The Magnificent Seven: Theme 1301. Cash, Johnny - I Walk The Line 1302. Gibson, Don - I Can't Stop Loving You 1303. Travis, Merle - Sixteen Tons 1304. Lawson, Herbert Happy - Any Time 1305. Friend, Clifford - Lovesick Blues 1306. Willet, Slim - Don't Let The Stars Get In Your Eye 1307. Robbins, Marty - El Paso 1308. Williams, Hank - Cold, Cold Heart 1309. Williams, Hank - Jambalaya 1310. Williams, Hank - Your Cheatin' Heart 1311. Williams, Curley - Half As Much 1312. Tubb, Ernest - Walking The Floor Over You 1401. Waxman, Franz - Peyton Place 1402. Hagen, Earle - The Dick Van Dyke Show 1403. Tiomkin, Dimitri - Rawhide 1404. Riddle, Nelson - Route 66 1405. Murray, Lyn - The Alfred Hitchcock Theme 1406. Schumann, Walter - Dragnet 1407. Goldsmith, Jerry - Theme From Doctor Kildare 1408. Livingston, Jay - Bonanza 1409. Wilson, Dennis - Marriage Lines 1410. Mancini, Henry - Peter Gunn 1411. Maxwell, Robert - The Jackie Gleason Show - Theme 1412. Goldsmith, Jerry - The Man From U.n.c.l.e. 1501. Morricone, Ennio - The Good The Bad & The Ugly - T 1502. Mozart, Wolfgang Amadeus - Theme From Elvira Madi 1503. Jarre, Maurice - Lara's Theme 1504. Loussier, Jacques - Theme From The Mercenaries 1505. Chaplin, Charlie - This Is My Song 1506. Theodorakis, Mikis - Zorba's Dance 1507. Bacharach, Burt - Alfie 1508. Legrand, Michel - I Will Wait For You 1509. Farnon, Robert - Irina 1510. Norman, Monty - The James Bond Theme 1511. Mitchell, Adrian - Rose Of Saigon 1512. Lai, Francis - A Man & A Woman 1601. Lennon, John - Get Back 1602. Lennon, John - Michelle 1603. Lennon, John - Got To Get You Into My Life 1604. Lennon, John - Yesterday 1605. Harrison, George - Something 1606. Lennon, John - Hey Jude 1607. Lennon, John - A Hard Day's Night 1608. Lennon, John - Norwegian Wood 1609. Lennon, John - Ticket To Ride 1610. Lennon, John - Fool On The Hill 1611. Lennon, John - Come Together 1612. Lennon, John - Ob-la-di, Ob-la-da 1701. Bacharach, Burt - Raindrops Keep Falling On My Hea 1702. Bacharach, Burt - Alfie 1703. Bacharach, Burt - I'll Never Fall In Love Again 1704. Bacharach, Burt - This Guy's In Love With You 1705. Bacharach, Burt - Paper Mache 1706. Bacharach, Burt - Trains & Boats & Planes 1707. Bacharach, Burt - They Long To Be Close To You 1708. Bacharach, Burt - You'll Never Get To Heaven 1709. Bacharach, Burt - The Look Of Love 1710. Bacharach, Burt - To Wait For Love Is To Waste You 1711. Bacharach, Burt - The Green Grass Starts To Grow 1712. Bacharach, Burt - Wives & Lovers 1801. Kern, Jerome - The Last Time I Saw Paris 1802. Kern, Jerome - All The Things You Are 1803. Kern, Jerome - The Folks Who Live On The Hill 1804. Desylva, Buddy - Look For The Silver Lining 1805. Harbach, Otto - She Didn't Say Yes 1806. Kern, Jerome - Smoke Gets In Your Eyes 1807. Kern, Jerome - I Won't Dance 1808. Kern, Jerome - Long Ago (And Far Away) 1809. Kern, Jerome - Who? 1810. Kern, Jerome - Yesterdays 1811. Kern, Jerome - Showboat - Medley 1901. Webb, Jimmy - Up, Up & Away 1902. Simon, Paul - Homeward Bound 1903. Webb, Jimmy - By The Time I Get To Phoenix 1904. Simon, Paul - Mrs. Robinson 1905. Webb, Jimmy - Galveston 1906. Simon, Paul - Bridge Over Troubled Water 1907. Traditional - Scarborough Fair Canticle 1908. Webb, Jimmy - Wichita Lineman 1909. Simon, Paul - Cecilia 1910. Simon, Paul - The Sound Of Silence 1911. Webb, Jimmy - Macarthur Park 2001. Maxwell, Robert - Ebb Tide 2002. Berlin, Irving - How Deep Is The Ocean 2003. Traditional - Deep River 2004. Bilk, Acker - Stranger On The Shore 2005. Myers, Sherman - Moonlight On The Ganges 2006. Senicourt, Roger - Sea Mist 2007. Traditional - Shenandoah 2008. Trenet, Charles - La Mer 2009. Mancini, Henry - Moon River 2010. Coates, Eric - Sleepy Lagoon 2011. Rodgers, Richard - Victory At Sea 2012. Chaplin, Charlie - Limelight 2013. Arlen, Harold - The Man That Got Away 2014. Porter, Cole - In The Still Of The Night 2015. Danzig, Evelyn - Scarlet Ribbons 2016. Chaplin, Charles - Smile 2017. Bernstein, Leonard - Tonight 2018. Hudson, Will - Theme From Picnic Introducing Mo 2019. Arlen, Harold - Come Rain Or Come Shine 2020. Porter, Cole - Night & Day 2021. Bacharach, Burt - Here I Am 2022. Addinsell, Richard - Warsaw Concerto 2101. Brown, Nacio Herb - You Stepped Out Of A Dream 2102. Gordon, Mack - I Had The Craziest Dream 2103. Brown, Les - Sentimental Journey 2104. Miller, Glenn - Moonlight Serenade 2105. Keating, Johhny - Mirage 2106. Ellington, Duke - I Got It Bad 2107. Nolan, Bob - Tumbling Tumbleweeds 2108. Petkere, Bernice - Close Your Eyes 2109. Warren, Harry - At Last 2110. Keating, Johhny - Egyptian Night 2111. Kern, Jerome - They Didn't Believe Me 2112. Maxwell, Robert - Ebb Tide 2201. Handy, William Christopher - St. Louis Blues 2202. Johnson, James P. - Charleston 2203. Cross, Douglass - I Left My Heart In San Francisco 2204. Fisher, Fred - Chicago 2205. Alter, Paul - Manhattan Serenade 2206. Henderson, Ray - Alabamy Bound 2207. Warren, Harry - I've Got A Gal In Kalamazoo 2208. Traditional - Oh Susannah 2209. Suessdorf, Karl - Moonlight In Vermont 2210. Dubin, Al - Lullaby Of Broadway 2211. Gordon, Irving - Allentown Jail 2212. Jersey Bounce 2213. Plater, Bobby - Original Version 2301. Rodgers, Richard - Do-re-mi 2302. Rodgers, Richard - Finale 2303. Rodgers, Richard - Sixteen Going On Seventeen 2304. Hammerstein Ii, Oscar - Preludium 2305. Rodgers, Richard - How Can Love Survive? 2306. Rodgers, Richard - The Lonely Goatherd 2307. Rodgers, Richard - My Favourite Things 2308. Ted Heath & His Music - Climb Ev'ry Mountain 2309. Hammerstein Ii, Oscar - An Ordinary Couple 2310. Rodgers, Richard - Something Good 2311. Rodgers, Richard - Finale 2401. Strayhorn, Billy - Take The A Train 2402. Ellington, Duke - Do Nothing Till You Hear From Me 2403. Delange, Eddie - Solitude 2404. Ellington, Duke - I Got It Bad (And That Ain't Goo 2405. Ellington, Edward Kennedy - Caravan 2406. Tizol, Juan - Perdido 2407. Ellington, Duke - Mood Indigo 2408. Ellington, Duke - Sophisticated Lady 2409. Ellington, Duke - Don't Get Around Much Anynore 2410. Ellington, Duke - Cotton Tail 2501. Berlin, Irving - Marie 2502. Kahn, Gus - Chloe 2503. Foster, Stephen - Swanee River 2504. Porter, Cole - I Get A Kick Out Of You 2505. Oliver, Sy - Well, Git It 2506. Rimsky-korsakov, Nicolai - Song Of India 2507. Dorsey, Tommy - Trombonology 2508. Jones, Isham - On The Alamo 2509. Mchugh, Jimmy - On The Sunny Side Of The Street 2510. Oliver, Sy - Opus One 2601. Cooley, Eddie - Fever 2602. Ciorciolini, Marcello - More 2603. Herman, Jerry - Hello Dolly! 2604. Steiner, Max - A Summer Place - Theme 2605. Hadjidakis, Manos - Never On Sunday 2606. Bacharach, Burt - Wives & Lovers 2607. Weill, Kurt - Mack The Knife 2608. Mancini, Henry - Moon River 2609. Garner, Erroll - Misty 2610. Gimbel, Norman - The Girl From Ipanema 2611. Styne, Jule - People 2612. Howard, Bart - Fly Me To The Moon 2613. Forrest, George Chet - Baubles, Bangles & Beads 2614. Ledbetter, Huddie 'Ledbelly' - Cotton Fields 2615. Adler, Richard - Rags To Riches 2616. Adderley, Nat - Work Song 2617. Arlen, Harold - The Man That Got Away 2618. Mills, Gordon - It's Not Unusual 2619. Traditional - Michael Row The Boat Ashore 2620. Mayfield, Percy - Hit The Road Jack 2621. Loesser, Frank - Poppa, Don't Preach To Me 2622. Oliver, Sy - Yes Indeed! 2623. Porter, Cole - Night & Day 2624. Mann, Barry - Blame It On The Bossa Nova 2701. Goodman, Benny - Flying Home 2702. Noble, Ray - Cherokee 2703. Porter, Cole - Begin The Beguine 2704. Basie, Count - One O'clock Jump 2705. Rimsky-korsakov, Nicolai - Song Of India 2706. Bishop, Joe - At The Woodchoppers' Ball 2707. Sherwood, Bobby - Elks' Parade 2708. Garland, Joseph C. - In The Mood 2709. James, Harry - Two O'clock Jump 2710. Dorsey, Tommy - Contrasts 2711. Strayhorn, Billy - Take The 'A' Train 2712. Prima, Louis - Sing, Sing, Sing 2713. Oliver, Sy - Opus 1 2714. Barnet, Charlie - Skyliner 2715. Delange, Eddie - A String Of Pearls 2716. Bauduc, Ray - South Rampart Street Parade 2717. Dorsey, Jimmy - Long John Silver 2718. Wetzel, Ray - Intermission Riff 2719. Basie, Count - Jumpin' At The Woodside 2720. Gershwin, George - Oh! Lady Be Good 2721. Ellington, Duke - Don't Get Around Much Anymore 2722. Plater, Robert - Jersey Bounce 2723. Hagen, Earle - Harlem Nocturne 2724. Berry, Chuck - Apple Honey 2801. Rome, Harold J. - South America Take It Away 2802. Richard Miles - The Coffee Song 2803. Porter, Cole - In The Still Of The Night 2804. Arlen, Harold - Come Rain Or Come Shine 2805. Mendonca, Newton Ferreira - Desafinado 2806. Roubanis, Nicholas - Misirlou 2807. Keating, Johnny - Ted Meets Ed 2808. Berlin, Irving - Heat Wave 2809. Banks, Marion - Malaguena 2810. Weill, Kurt - Speak Low 2811. Berlin, Irving - Anything You Can Do 2812. Bernstein, Leonard - America 2813. Adler, Richard - There Once Was A Man 2814. Loesser, Frank - Baby It's Cold Outside 2815. Hamm, Fred - Bye Bye Blues 2816. Costa, Harry - Tiger Rag 2817. Musel, Bob - Granada 2818. Bulhoes, Max - Come To The Mardi Gras 2819. Porter, Cole - Begin The Beguine 2820. Troup, Bobby - Daddy 2821. Ros, Edmundo - Solamente Bob Efford 2822. Porter, Cole - Friendship 2901. Kismet 2902. Wright, Robert - Overture (Original Version) 2903. Kismet (Original Version) 2904. Wright, Robert - Sands Of Time (Act 1) 2905. Kismet 2906. Wright, Robert - Rhymes Have I (Original Version) 2907. Kismet (Original Version) 2908. Wright, Robert - Fate (Act 1) 2909. Kismet 2910. Wright, Robert - Baubles, Bangles & Beads (Origina 2911. Wright, Robert - Not Since Ninevah (Original Versi 2912. Kismet (Original Version) 2913. Wright, Robert - Stranger In Paradise (Act 2) 2914. Wright, Robert - He's In Love (Act 1) 2915. Wright, Robert - Gesticulate (Act 1) 2916. Wright, Robert - Night Of My Nights (Act 2) 2917. Wright, Robert - Was I Wasir? (Act 2) 2918. Kismet 2919. Wright, Robert - Rhahadlakum (Original Version) 2920. Kismet (Original Version) 2921. Wright, Robert - & This Is My Beloved (Act 2) 2922. Wright, Robert - The Olive Tree (Act 2) 2923. Wright, Robert - Zubbediya (Act 2) 2924. Wright, Robert - Samaris Dance (Act 2) 2925. Wright, Robert - Night Of My Nights (Act 2) 3001. Porter, Cole - You're The Top 3002. Gershwin, George - I Got Rhythm 3003. Berlin, Irving - You're Just In Love 3004. Berlin, Irving - Alexander's Ragtime Band 3005. Berlin, Irving - I Got Lost In His Arms 3006. Whiting, Richard A. - Eadie Was A Lady 3007. Berlin, Irving - There's No Business Like Show Bus 3008. Berlin, Irving - They Say It's Wonderful 3009. Porter, Cole - It's D'lovely 3010. Porter, Cole - I Get A Kick Out Of You 3011. Sondheim, Stephen - Everything's Coming Up Roses 3012. Porter, Cole - Blow, Gabriel Blow 3013. Karr, Harold - Gee, But It's Good To Be Here 3014. Schonberger, John - Whispering 3015. Merrill, Bob - Some People Intro People 3016. Bock, Jerry - Sunrise, Sunset 3017. Bricusse, Leslie - What Kind Of Fool Am I? 3018. Porter, Cole - Ridin' High 3019. Gershwin, George - Someone To Watch Over Me 3020. Darion, Joseph - The Impossible Dream 3021. Lane, Burton - On A Clear Day 3022. Bricusse, Leslie - Nothing Can Stop Me Now 3101. Traditional - Dixie 3102. Steffe, John William - The Battle Hymn Of The Repu 3103. Rogers, Eric - America (My Country 'Tis Of Thee) 3104. Cohan, George M. - Over There 3105. Traditional - We're Tenting Tonight 3106. Berlin, Irving - God Bless America 3107. Traditional - Yankee Doodle 3108. Traditional - Columbia, The Gem Of The Ocean 3109. Traditional - Maryland, My Maryland 3110. Traditional - America, The Beautiful 3111. Sanderson, James - Hail To The Chief 3112. The Star-spangled Banner 3113. Smith, John Stafford - Arr. Eric Rogers 3201. Costa, Harry - Tiger Rag 3202. Schonberger, John - Whispering 3203. Desylva, Buddy - The Black Bottom 3204. Youmans, Vincent - Tea For Two 3205. Ager, Milton - Ain't She Sweet 3206. Gershwin, George - Fascinating Rhythm 3207. Fisher, Fred - Chicago 3208. Dreyer, Dave - Me & My Shadow 3209. Kern, Jerome - Who? 3210. Henderson, Ray - Birth Of The Blues 3211. Johnson, James P. - Charleston 3212. Whiting, Richard A. - She's Funny That Way 3301. Anonymous - La Bamba 3302. Bandeira, Manuel - Azulao 3303. Mccartney, Paul - El Tonto En La Colina 3304. Luna, Felix Cesar - La Peregrinacion 3305. Carillo, Alvaro - Sabor A Mi 3306. Andre, Fabian - Sueno Que Estoy Junto A Ti 3307. Macdermot, Galt - Be In 3308. Valle, Paolo Sergio Kostenbader - Samba De Verao 3309. Trovaioli, Armando - O Meu Violao 3310. Barcelata Castro, Lorenzo - Maria Elena 3311. Dupont, Paul - La Rosita 3312. Moraes, Vinicius De - Canto De Ossanha 3401. Grever, Maria - What A Difference A Day Made 3402. Simons, Moises - The Peanut Vendor 3403. Ramos, Silvano - Alla En El Rancho Grande 3404. Lacalle, Joseph Maria - Amapola 3405. Serradell, Narciso - La Golondrina 3406. Banks, Marion - Malaguena 3407. Roig, Ganzalo - Yours 3408. Lecuona, Ernesto - The Breeze & I 3409. Lecuona, Ernesto - Say Si, Si 3410. Traditional - Latin Shalom 3411. Lecuona, Ernesto - Maria My Own 3412. Lecuona, Ernesto - Jungle Drums 3501. Wayne, Mabel - In A Little Spanish Town 3502. Lecuona, Ernesto - Siboney 3503. Rizzo, Vincent - The Laughing Samba 3504. Loewe, Frederick - Get Me To The Church On Time 3505. Herman, Jerry - Hello Dolly! 3506. Morales, Noro - Oye Negra 3507. Rose, David - Holiday For Strings 3508. Rixner, Joe - Corcovado 3509. Hoffman, Al - Heartaches 3510. Bart, Lionel - From Russia With Love 3511. Donida, Carlo - Al Di La 3512. Monnot, Marguerite - If You Love Me 3601. Bonfa, Luiz - Carnival 3602. Salinas, Alfredo Omar - Ole Mambo 3603. Stellman, Marcel - Spanish Flea 3604. Simons, Moises - The Peanut Vendor 3605. Fields, Dorothy - Cuban Love Song 3606. Abreu, Zequinha - Tico, Tico 3607. Sanders, Julio Cesar - Pablo The Dreamer 3608. Neville, Naomi - Whipped Cream 3609. Lara, Agustin - Solamente Una Vez 3610. Rose, Billy - It Happened In Monterey 3611. Barosso, Ary - Baia 3612. Traditional - La Bamba 3613. Allen, Barclay - Cumana 3614. Jobim, Antonio Carlos - A Felicidade 3615. Ben, Jorge - Mas Que Nada 3616. Lai, Francis - A Man & A Woman 3617. Menendez, Nilo - Green Eyes 3618. Banks, Marion - Malaguena 3619. Dodd, Dorothy - Granada 3620. Matos Rodriguez, Gerardo Hernando - La Cumparsita 3621. Calero, Ortiz Antonio - La Macarena 3622. Mcgear, Mike - Thank U Very Much 3623. Azevedo, Waldir - Delicado 3624. Audinot, Rafael - Rumba Rhapsody 3701. Macdermot, Galt - Good Morning Starshine 3702. Macdermot, Galt - Ain't Got No 3703. Macdermot, Galt - I Got Life 3704. Macdermot, Galt - Where Do I Go? 3705. Macdermot, Galt - Hare Krishna 3706. Macdermot, Galt - Aquarius 3707. Macdermot, Galt - Hair 3708. Macdermot, Galt - Easy To Be Hard 3709. Macdermot, Galt - Manchester, England 3710. Macdermot, Galt - Frank Mills 3711. Macdermot, Galt - Let The Sunshine In 3712. Macdermot, Galt - Donna 3713. Duran, Marcelo - Do You Like The Samba 3714. Brown, Lawrence - Tie A Yellow Ribbon Round The Ol 3715. Yradier, Sebastian - La Paloma 3716. Russell, Bob - The Night The Lights Went Out In Ge 3717. Traditional - This Train 3718. Wonder, Stevie - You Are The Sunshine Of My Life 3719. Marc, Ronald - Grab The Bull By The Horns 3720. Rio, Chuck - Tequila 3721. Lauret, Mediato Benito - Words We Now Regret 3722. Sotto, Titi - Mama Loves Pompa 3801. Goldsmith, Jerrald K - Theme From The Man From U. 3802. Barry, John - Mr. Kiss-kiss, Bang-bang 3803. Kaplan, Sol - Theme From The Spy Who Came In From 3804. Barry, John - Goldfinger 3805. Barry, John - The Ipcress File 3806. Astley, Edwin - The Saint 3807. Barry, John - Thunderball 3808. Johnson, Laurie - The Avengers 3809. Bart, Lionel - From Russia With Love 3810. Hagen, Earle - I Spy 3811. Goldsmith, Jerry - Our Man Flint 3812. Norman, Monty - The James Bond Theme 3901. Barry, John - You Only Live Twice 3902. Barry, John - Capsule In Space 3903. Barry, John - Gypsy Camp 3904. Barry, John - Teasing The Korean 3905. Barry, John - The Wedding 3906. Bacharach, Burt - Casino Royale 3907. Bacharach, Burt - The Look Of Love 3908. Barry, John - Bond Below Disco Volante 3909. Barry, John - Thunderball 3910. Norman, Monty - Jump Up 3911. Barry, John - Chateau Fight 3912. Bacharach, Burt - Let The Love Come Through

Sklep: Gigant.pl

Mendelssohn: Midsummer Night'S Dream, Overtures - 2857719570

26,90 zł

Mendelssohn: Midsummer Night'S Dream, Overtures Brilliant Classics

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This special collection brings together Felix Mendelssohn?s concert overtures, a genre for which the composer was particularly famed. Among them is Ruy Blas; despite Mendelssohn?s initial lack of interest in his commission for this work, he later divulged that ?the whole thing gave me more pleasure than much else I have undertaken?, and today the work is heralded by many as a dramatic masterpiece. Also featured is The Hebrides ? inspired by the composer?s first visit to Britain in 1829 ? and the C major Overture, also known as the ?Trumpet? overture and which received its name due to the impressive flourishes for this instrument that permeate the work. The Fair Melusine was written in direct response to the overture of an opera of the same name by Conradin Kreutzer, which Mendelssohn ?disliked ? exceedingly?, claiming that his own attempt would ?have more substance?. Calm Sea and Prosperous Voyage is an excellent example of Mendelssohn?s ability to compose for seascape, with the contrabassoon representing the rolling waves.The collection is preceded by A Midsummer Night?s Dream, a work that began its life as a concert overture, receiving its first performance in the garden of the composer?s family?s Berlin house, with players and audience drawn from relatives and friends. Mendelssohn later expanded the work into incidental music to accompany Shakespeare?s play on which it is based, and it is now counted among the composer?s most popular works: a regular favourite in concert halls the world over. A wealth of performance talent is assembled for this release, with acclaimed conductors Walter Weller and Kurt Masur sharing the baton.Other information:- Recorded in Glasgow and Leipzig, 1974.- This release offers masterworks of Mendelssohn the romantic symphonist.- The incidental music for Shakespeare?s play A Midsummer Night?s Dream (played here in the complete version, with vocalists) contain the most fairylike, ethereal and miraculous music Mendelssohn has ever written, the Scherzo is a wonder of lightness and elf-like mystery, whereas the Wedding March has become the archetypal March for accompanying bride and bridegroom into the church. The second disc contains popular overtures, among which the famous Fingal?s Cave (otherwise known as The Hebrides Overture) and the Meeresstille und Glückliche Fahrt.- Excellent performances by the Royal Scottish National Orchestra/Walter Weller and the Gewandhausorchester Leipzig (founded by Mendelssohn himself!) conducted by Kurt Masur.- Contains liner notes on the composer and works

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Letter from America - 2212824618

40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

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Wi-Fi Home Networking - 2822223615

90,81 zł

Wi-Fi Home Networking McGraw-Hill

Medycyna > English Division

This book: describes the costs, benefits and necessity of networking; reviews software networking tools that save money for small-time operators; summarizes business expenses and savings to help a prospective user choose their office setup; offers criteria for deciding on distribution media; compares wireless versus wired connections; and includes important, practical information about security, viruses, and backing up. Booking a new career Ojai man, laid off after 25 years by Verizon, becomes author By Roger Harris, harris@insidevc.com For 18 months, Ray Smith had way too much time to smell the pink and red roses growing in his Ojai back yard. Like thousands of other telecommunications workers across the country who were laid off by struggling telecom companies, Smith was out of work. A veteran network engineer with more than 25 years of experience, Smith hated being jobless. He looked for work constantly after being let go by Verizon Communications in January 2001. He made a million phone calls and knocked on a like number of doors. Or so it seemed. Too often he heard the words that every 50-something job hunter learns to hate: "You're overqualified." No nibbles. No offers. "I was desperate," said Smith, 55. So with his back to the wall, Smith tried something new -- he wrote a book. Other than the Christmas letters he writes instead of sending cards, Smith was a novice writer. But he knows computer networking. With the help of a good editor and his patient and supportive wife, Jade, he began writing last June. Six months later, Smith delivered the last pages of WiFi Home Networking to his publisher. In the process, he rediscovered himself and put those pesky out-of-work blues into the closet. Seeing his book on the shelf at Barnes & Noble for the first time was "an out-of-body experience almost," Smith said. "Suddenly, I was somebody again." His book was published by McGraw Hill, one of the largest publishing houses in the country. The 347-page book details how to build a wireless network for your home. WiFi is short for "wireless fidelity," the radio frequency technology used to connect computers. Step by step, Smith outlines everything from the history of WiFi and the benefits of a wireless network to choosing the right equipment and setting up the network. The book, which sells for $29.95 and includes a CD version, is aimed primarily at small-office/home-office users. There are several advantages of a wireless network, said Smith, who found in researching the book that more than 20 million U.S. households have more than one computer. With a WiFi home network, several computers can share the same high-speed wireless Internet connection and the same printer. If you have a laptop computer, you can work anywhere in the house or even the back yard -- because there are no wires to trip over. Wireless networks make it easy to share files between computers and remotely control one computer with another computer. And, homeowners don't have to knock holes in walls like they would when running cable for a wired network. Smith said a wireless network makes working from home easier and more productive. Real estate agents, for example, can connect a WiFi camera to their computer and show out-of-town home buyers photos of houses, and a salesperson could sit in their home office and use the technology to video conference with field engineers. How it happened In the last few months, interest in wireless networking has taken off. In addition to being a useful tool for home offices, wireless networks are cropping up in coffee shops, airports and hotels. "Ray has a real knack of seeing things before they become popular," said Jade, who works for Verizon's DSL division. "... A lot of families have more than one computer, and (WiFi) is a way to get them to talk to each other. It's the next logical step." Although Smith never wrote a book before, his longtime friend David Leathers, a Videography magazine editor and president of Eye Square Productions, a video and film production company in Culver City, didn't hesitate to recommend Smith when McGraw-Hill was looking for a WiFi writer. "I knew he knew the subject matter because he had been directly involved in it a very long time," said Leathers, who has written technical books for McGraw-Hill. "I've not been particularly impressed with some of the technical writing I see. Some of it looks like somebody took some downloads from the Net, some press releases and rescrambled it and then called it an article. But I knew Ray would take it seriously and do original work on it." Smith's serious work-ethic impressed his editor at McGraw-Hill. "He did a great job of researching and getting enough information from the vendors," said Judy Bass, senior editor with McGraw-Hill. Smith accepted criticism without complaint and quickly learned the style preferred by McGraw-Hill's Professional Book Group, which publishes hundreds of titles a year. "He really went out and learned about the market and in the process marketed himself really well," Bass said. Unlike many how-to technical books, Smith writes in a manner understandable by both novices and tech-savvy readers. The book is sprinkled with interesting tidbits. For instance, the first wireless communication was in 1880 when Alexander Graham Bell invented the photophone, which used a beam of light to carry a voice message between buildings in Washington, D.C. The Ventura County Star 20030608

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Life and Letters of Peter and Susan Lesley (Classic Reprint) - 2859268370

104,19 zł

Life and Letters of Peter and Susan Lesley (Classic Reprint) Forgotten Books

Książki / Literatura obcojęzyczna

Excerpt from Life and Letters of Peter and Susan Lesley It has been my desire in writing this Memoir to give a lifelike impression of my father and mother. They were unusually full of vitality, their interests were varied, and their affections strong and constant. Any account of them which did not show their abundant strength of mind and heart would be of little value. The most direct and natural way to accomplish this end has seemed to be the use of their own intimate correspondence, since by self-revelation rather than by the description of others is the most vivid impression of personality made. Fortunately we had for use not only the long series of their letters, but also a large number of letters to intimate friends. It is always difficult to decide how much or how little of a private correspondence it is proper to give to the public in such an undertaking. But, if a true picture is to be shown, family reserve must be thrown aside to some extent, and something more than the mere chronicle of events or the statement of abstract opinions must be included. In preparing these volumes, I have had it constantly in mind that they would be read by many friends for whom everything that related to my father and mother would have interest, and perhaps on that account I have included more than would have been done for an impersonal public. The method of portraiture by means of letters has the disadvantage of lack of continuity in any particular subject. But what it lacks in that respect it gains in vividness. And, since I have not so much wished to make a full record of the external events of their lives as to give a faithful picture of their personalities, I have felt this method to be best fitted to my purpose. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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LAYARD RICHARD - Thrive - 2826874939

45,07 zł

LAYARD RICHARD - Thrive Penguin

Książki / Literatura obcojęzyczna

This book offers a ground-breaking argument for better treatment of mental health from Richard Layard (author of Happiness) and David M. Clark. Britain has become a world leader in providing psychological therapies thanks to the work of Richard Layard and David Clark. But, even so, in Britain and worldwide the majority of people who need help still don't get treatment. This is both unjust and a false economy. This book argues for change. It shows that mental ill-health causes more of the suffering in our society than physical illness, poverty or unemployment. Moreover, greater spending on helping people to recover from mental health problems - and stay well - would generate massive savings to national economies, as those who suffer from depression and anxiety disorders account for nearly a half of all disability and are predominantly of working age. Modern talking therapies, such as CBT (Cognitive Behavioural Therapy), are highly effective, and if more sufferers got these treatments, lives would be turned around and the cost would be fully covered by the huge savings. Thrive explores the new effective solutions to the misery and injustice caused by mental illness. It describes how successful psychological treatments have been developed and explains what works best for whom. It also urges us to do all we can to prevent these problems in the first place, through better schools and a better society. And, most importantly, it offers real hope. "This book is an inspiring success story and a stirring call to further action. Its message is as compelling as it is important: the social costs of mental illness are terribly high and the costs of effective treatments are surprisingly low." (Daniel Kahneman). "Extremely easy and pleasurable to read. It's the most comprehensive, humane and generous study of mental illness that I've come across." (Melvyn Bragg). "Remarkable...presents the issues in a style that easy for the professional, the general public, and policy makers to understand." (Aaron T Beck). "Professors Layard and Clark (the Dream Team of British Social Science) make a compelling case for a massive injection of resources into the treatment and prevention of mental illness. This is simply the best book on public policy and mental health ever written." (Martin Seligman). Richard layard is one of the world's leading labour economists, and in 2008 received the IZA International Prize for Labour Economics. A member of the House of Lords, he has done much to raise the public profile of mental health. His 2005 book Happiness has been translated into 20 languages. David M. Clark, Professor of Psychology at Oxford, is one of the world's leading experts on CBT, responsible for much progress in treatment methods. With Richard Layard, he was the main driver behind the UK's Improving Access to Psychological Therapies programme.

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Ill Will - 2854512094

99,24 zł

Ill Will Ballantine Books

Książki / Literatura obcojęzyczna

NATIONAL BESTSELLER - Two sensational unsolved crimes-one in the past, another in the present-are linked by one man's memory and self-deception in this chilling novel of literary suspense from National Book Award finalist Dan Chaon. "We are always telling a story to ourselves, about ourselves." This is one of the little mantras Dustin Tillman likes to share with his patients, and it's meant to be reassuring. But what if that story is a lie? A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin's parents, aunt, and uncle. The trial came to epitomize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning. Meanwhile, one of Dustin's patients has been plying him with stories of the drowning deaths of a string of drunk college boys. At first Dustin dismisses his patient's suggestions that a serial killer is at work as paranoid thinking, but as the two embark on an amateur investigation, Dustin starts to believe that there's more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries-and putting his own family in harm's way. From one of today's most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon's nimble, chilling prose, the past looms over the present, turning each into a haunted place. Praise for Ill Will "In his haunting, strikingly original new novel, [Dan] Chaon takes formidable risks, dismantling his timeline like a film editor."-The New York Times Book Review "The scariest novel of the year . . . ingenious . . . Chaon's novel walks along a garrote stretched taut between Edgar Allan Poe and Alfred Hitchcock."-The Washington Post "Powerful . . . Chaon is one of America's best and most dependable writers, and in the end, Ill Will is a ruthlessly 'realistic' piece of fiction about the unrealistic beliefs people entertain about their world."-Los Angeles Times "This intriguing novel about a tightly wired criminal psychologist with a murky past has the tension of a thriller plus the emotional release of justice finally served."-O: The Oprah Magazine "Powerfully unsettling . . . There's a lot going on under the surface of Ill Will-more than one reading will reveal. Going back and reading this oddly compelling book again will only provide more pleasure."-Chicago Tribune "Terrifically eerie . . . Too few writers prize atmosphere as much as narrative tautness. With Ill Will, Chaon succeeds at delivering both."-The Dallas Morning News "Outstanding . . . Chaon's writing is cool and precise, but his story is thrillingly unstable. It also boasts, at the end, a traditional horror-novel payoff I didn't see coming-Stephen King couldn't have done it better."-The Wall Street Journal "One of the best thrillers I've encountered in a very, very long time."-Newsweek

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We Want to Believe - 2859246305

114,63 zł

We Want to Believe INGRAM INTERNATIONAL

Książki / Literatura obcojęzyczna

Description: From the first episode to the latest feature film, two main symbols provide the driving force for the iconic television series The X-Files: Fox Mulder's "I Want to Believe" poster and Dana Scully's cross necklace. Mulder's poster may feature a flying saucer, but the phrase "I want to believe" refers to more than simply the quest for the truth about aliens. The search for extraterrestrial life, the truth that is out there, is a metaphor for the search for God. The desire to believe in something greater than ourselves is part of human nature: we want to believe. Scully's cross represents this desire to believe, as well as the internal struggle between faith and what we can see and prove. The X-Files depicts this struggle by posing questions and exploring possible answers, both natural and supernatural. Why would God let the innocent suffer? Can God forgive even the most heinous criminal? What if God is giving us signs to point the way to the truth, but we're not paying attention? These are some of the questions raised by The X-Files. In the spirit of the show, this book uses the symbols and images presented throughout the series to pose such questions and explore some of the answers, particularly in the Christian tradition. With a focus on key themes of the series--faith, hope, love, and truth--along the way, this book journeys from the desire to believe to the message of the cross. Endorsements: "What a wonderful book. With grace and intelligence, Amy Donaldson explores the questions of faith and mystery that form the secret heart of the The X-Files. Skeptics and believers alike are bound to come away with new insights into the series--and life." --Frank Spotnitz Executive Producer, The X-Files "Amy Donaldson has written the Bible for X-Files fans . . . Written in an easygoing style that is free of the postmodern jargon one finds in much of cultural criticism, Dr. Donaldson raises challenging questions that provoke an engaging conversation between science, faith, and theological reflection. This book is a must-read for Christians interested in fostering intelligent dialogue between contemporary popular culture and Christian faith." --Jeffrey L. Staley Department of Theology and Religious Studies Seattle University "Amy M. Donaldson's We Want To Believe takes The X Files to have been a prolonged, ever-deepening meditation on the modern crisis no less acute in its insights than, say, a critical study by Jacques Ellul or a novel by Hermann Hesse or a poem by T. S. Eliot. Donaldson indeed brings to bear on Carter's nine-season epic the same type of exegetical apparatus that the best scholars of literature and philosophy bring to the objects of their interest . . . We Want To Believe is an informative and enjoyable book that all fans of The X Files, and all serious students of religion and faith, should read." --Thomas F. Bertonneau co-author of The Truth Is Out There: Christian Faith and the Classics of TV Science Fiction "Donaldson utilizes the synergy and convergence of Mulder and Scully's relationship and her impressively vast knowledge of the X-Files universe to uniquely argue that by not giving up on the truths of the heart--faith, hope, and love--one may thereby discover (and become renewed in) the 'truest truths' that are 'out there.'" --Dean A. Kowalski author/editor of The Philosophy of The X-Files About the Contributor(s): Amy M. Donaldson works as an Associate Editor at Baker Publishing Group. She received her PhD in New Testament and Early Christianity from the University of Notre Dame.

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The Practical Expositor, or an Exposition of the New Testament, in the Form of a Paraphrase, Vol. 4 - 2859232024

89,95 zł

The Practical Expositor, or an Exposition of the New Testament, in the Form of a Paraphrase, Vol. 4 Forgotten Books

Książki / Literatura obcojęzyczna

Excerpt from The Practical Expositor, or an Exposition of the New Testament, in the Form of a Paraphrase, Vol. 4: With Occasional Notes in Their Proper Places, for Further Explication, and Serious Recollections at the Close of Every Chapter; Containing Paul's Epistles to the Corinthians, Galatians, and Ephesians As there were greater diforders and corruptions in this church, than in any other, that the apofile wrote to; and as an account of fome of them had been brought to him perform/(y, by witneffes of arndoubted credit, clmp. I. And he had received a letter from his friends in that church, defiring an anfwer to feveral queflions, relating to others of them; (fee the note on Map. Vii. I.) he took occafion, about two or three years after he had left them, to fend this epillle from Eloise/(u, as is generally, and I thinkjuf'tly, conclu ded from cbap. Xvi. 8, 19. And not from silzjbpz, as the pożfcript, added by latter ages, would have it. See the nore on cbap. Xvi. 8. The conneftion and fentiments, in feveral parts of this epiflle, are much more difficult and obfcure, than I imagined, till I came clofe ly to confider it but this I take to be chieży owing to our unac' quaintednefs with the {late of things in that church, and the repre fentation that had been made of it to the apożle, by word of mouth, and by letter, which he all along keeps in view, and replies to; and which, were it before us, would doubtlefs call a clear and obvious light upon the whole: But it is plain, from many pażages, that its great defign was to correct irregularities, which had erept in among them. Hence the apofile fets himfelf, in the former part of the e pifile, to the end of c/jap. Vi. To take of? The invidious afperfions that had been caft upon his charaéler; to eżablifh his apofiolic authority; to expofe the prefumptuous pretences of the falfe teachers, and bring thofe members of the church of? From them, that had efpoufed their party; to infiż on an excommunication of the inceżuous perfon, and on the prefervation of the purity of the church and to cure the fchifms and defaults that were made in it, and unite all its members in the faith, love, and bolineis of the gofpel. And in the latter part, from c/jap. Vii. To the end of the epifile, he anfwers the quef tions that had been fent to him; and gives fuch (lireélions with re. Ference thereumo, as he knew to be molt needful for them; flill car rying on his main view againf't his chief enemies and all their adhe. Rents: And concludes the whole with friendly admonitions, and {21 lutations in the Lord. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Opus Dei - 2212825700

79,10 zł

Opus Dei Penguin

Literatura faktu

Opus Dei is the most controversial - and unknown - force in the Catholic Church.  Here, John L. Allen uncovers its real nature.  Accused of promoting a right-wing political agenda, of cult-like practices, and immortalized forever in the pages of Dan Brown's The Da Vinci Code, Opus Dei is the most notorious, most talked about - but least known - religious organization of our time.  Granted unlimited access to those within its ranks, and with an investigative eye intent on uncovering closely guarded secrets, John L. Allen finally separates the myths from the facts:  the actual use of the cilice; the reason men and women remain separate; the true extent of Opus Dei's funds.  Built around a wealth of interviews with the heads of Opus Dei in the Vatican and in centres around the world, comparing the attitudes of current members with those of highly critical members and outsiders, Opus Dei is a portrait of a remarkably powerful organization, both inside and outside the Church. One of the most mysterious and controversial religious forces today, and immortalized in Dan Brown

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Intelligent School - 2854253458

223,33 zł

Intelligent School Sage Publications

Książki / Literatura obcojęzyczna

'This is a challenging book and makes for uncomfortable reading at times because one realises that there is so much more to be accomplished in education. How can the teacher who wants to follow this further find out more? Barbara MacGilchrist, Jane Reed and Kate Myers have given the next step: each chapter has a conclusion and "questions for discussion and activities" which are very open and will lead to considerable introspection' - Education Review 'I have rarely been so enthusiastic about a book. Reviewers are supposed to highlight some imperfections - I am at a loss. Recommend this book to all you meet' - Mervyn Flecknoe, Improving Schools 'This book would be an invaluable read for all who work in schools including LEA advisors, inspectors and consultants. It contains a chapter on teachers' learning and has some excellent questions for discussion at the end of each chapter that could usefully stimulate ideas for staff development sessions.It would be great if this book were read and taken seriously by those who make policy as well as those who try to put it into practice' - Escalate 'The book is easy to use, clear, well organized, full of practical examples and equally practical questions. It could be a signpost to the future - if the days of educational diktat are really almost over' - Michael Duffy, Times Educational Supplement, Friday Magazine 'This Second Edition of The Intelligent School offers a concise and accessible insight into the key aspects of educational leadership. In my view, it ought to be read by anyone who is keen to develop their understanding of theoretical frameworks expertly illustrated through practical examples' - Neil Saunders, Primary Phase Inspector - Hampshire LEA ,(Doctoral Student - The University of Hull) 'This is an excellent book. I will use its insights and the wealth of practical questions it offers to help with my present politically driven imperative - the transformation of London's secondary schools. If I have this book at my elbow and make sure it's well thumbed, there is every chance that we can create 411 intelligent schools across London.The new insights in The Intelligent School are a testament to the extraordinary proficiency of these three authors. As the waiter in the restaurant says when serving the meal "Enjoy"' - Tim Brighouse, Times Educational Supplement Barbara MacGilchrist, Kate Myers and Jane Reed have written a masterpiece. The First Edition of the Intelligent School in 1997 was an outstanding book and it is no surprise that a Second Edition has followed relatively quickly to share more good news for practitioners, policymakers, researchers and scholars. The First Edition shaped my thinking more than most in the late 1990's and I cited it in scores of presentations in different countries around the world. It was a perfect complement to our work on the self-managing school. In this Second Edition, the concept of the Intelligent School is expanded and the different kinds of intelligences are carefully explained and illustrated. The authors are able to draw on more than five years of implementation in the field and further and broader work in the research and development centres with which they are associated.They offer the best synthesis of the international literature on school effectiveness and school improvement that I have seen. They have performed a great service in making this literature accessible to the profession. I recommended the First Edition as essential reading for all the work in schools. Those who did not do so should certainly acquire the second, but it is important that policymakers and academics do the same. 'This book will quickly gain recognition as the leader among an increasing number of books that provide hope that all students in every setting can achieve a high quality education. It is one of the truly outstanding features of this book that it also conveys an unbridled spirit of optimism' - Brian Caldwell, Professor & Dean, Faculty of Education, University of Melbourne In writing The Intelligent School, Second Edition, the authors offer a practical resource to schools to help them maximise their improvement efforts.The aim is to help schools to be intelligent organizations; to be the type of school that can synthesise different kinds of knowledge, experience and ideas in order to be confident about current achievements, and to be able to decide what to do next. This Second Edition has been fully revised and updated particularly in terms of new research evidence about how to improve the quality of learning and teaching in classrooms. The authors set out fresh thinking about the nine intelligences and provide a new framework for school improvement which includes the exploration of spiritual, ethical and emotional intelligence. The book also includes examples of Intelligent Schools in action.

Sklep: Libristo.pl

Marriage Markets - 2854316789

128,38 zł

Marriage Markets Oxford University Press Inc

Książki / Literatura obcojęzyczna

Over the past four decades, the American family has undergone a radical transformation. Skyrocketing rates of divorce, single parenthood, and couples with children out of wedlock have all worked to undermine an idealized family model that took root in the 1950s and has served as a beacon for traditionalists ever since. But what are the causes of this change? Conservatives blame it on moral decline and women's liberation. Progressives often attribute it to women's greater freedom and changing sexual mores, but they typically paint these trends in a positive light. In Family Classes, Naomi Cahn and June Carbone contend that these views miss the forest for the trees. Armed with authoritative evidence, they show that the changing structure of our economy is the root cause of the transformation, and that working class and poorer families have paid the highest price. Increasing inequality and instability in the labor market over the past three decades has had a disproportionately negative impact on family stability and marriage rates among working-class and lower-income Americans. In particular, the decline of stable blue collar jobs for men has upended the labor market in the lower deciles of the income chart. Conversely, educated middle class Americans now have the highest rates of both marriage and marital stability despite the fact that they are relatively unlikely to espouse 'traditional values.' In fact, their family stability rate appears to be increasing. That is important because the children of stable two-parent families really do have a leg up in life. They draw from truly fascinating sociological data to drive home their point that economic factors weigh heaviest. For instance, when eligible (i.e., desirable and marriageable) men outnumber eligible women, the marriage and marital stability rates are significantly higher than when the reverse situation occurs - the exact situation we have in America today. Among the educated middle classes, eligible men outnumber eligible women in the area that truly matters-high incomes-and people in that strata therefore have far more stable family lives than working class and poorer Americans. In these latter sectors, men have lost economic ground vis-a-vis women, and family lives have become increasingly unstable in the last two decades. Interestingly, religion and moral values are insignificant factors in generating this difference in comparison to class. To make families stronger, then, we need to increase the level of economic stability in the bottom half of the population. The authors close with a series of policy proposals to address the family-related problems that flow from economic instability. A rigorous and enlightening account of why American families have changed so much since the 1960s, Family Classes cuts through the ideological and moralistic rhetoric that drives our current debate.

Sklep: Libristo.pl

MYTHOLOGY - Bee Gees (Płyta CD) - 2842307411

126,00 zł

MYTHOLOGY - Bee Gees (Płyta CD)

Książki & Multimedia > Muzyka

Lista utworów - Płyta CD 1 1. Spirits (Having Flown) 2. You Win Again 3. Jive Talkin' 4. To Love Somebody 5. Tragedy 6. Too Much Heaven 7. First of May 8. More Than a Woman 9. Love So Right 10. Night Fever 11. Words 12. Don't Forget to Remember 13. If I Can't Have You 14. Alone 15. Heartbreaker 16. How Deep is Your Love 17. Love You Inside out 18. Stayin' Alive 19. Barker of the Ufo 20. Swan Song 21. Spicks and Specks Płyta CD 2 1. I Am the World 2. New York Mining Disaster 3. I Can't See Nobody 4. Holiday 5. Massachusetts 6. Sir Geoffrey Saved the World 7. And the Sun Will Shine 8. The Singer Sang His Song 9. I've Gotta Get a Message to You 10. I Started a Joke 11. Odessa 12. Saved by the Bell 13. My World 14. Run to Me 15. Love Me 16. Juliet 17. The Longest Night 18. Fallen Angel 19. Rings Around the Moon 20. Embrace 21. Islands in the Stream Płyta CD 3 1. Man in the Middle 2. Closer Than Close 3. Dimensions 4. House of Shame 5. Suddenly 6. Railroad 7. Overnight 8. It's Just the Way 9. Lay It on Me 10. Trafalgar 11. Omega Man 12. Walking on Air 13. Country Woman 14. Angel of Mercy 15. Above and Beyond 16. Hold Her in Your Hand 17. You Know It's for You 18. Wildflower 19. On Time 20. The Bridge Płyta CD 4 1. Shadow Dancing 2. I Just Want to Be Your Everything 3. (Love Is) Thicker Than Water 4. An Everlasting Love 5. Desire 6. (Our Love) Don't Throw It All Away 7. Flowing Rivers 8. Words and Music 9. I Can't Help It (With Olivia Newton-john) 10. Time is Time 11. Me (Without You) 12. After Dark 13. Warm Ride 14. Too Many Looks in Your Eyes 15. Man on Fire 16. Arrow Through the Heart 17. Starlight 18. Dance to the Light of the Morning 19. In the End Opis - CD1 Nazwa - MYTHOLOGY Autor - Bee Gees Wydawca - Warner Music Kod EAN - 0081227985998 Rok wydania - 2012 Nośnik - Płyta CD Ilość elementów - 4 Podatek VAT - 23% Premiera - 2012-04-16

Sklep: InBook.pl

The potential of Paranosema (Nosema) locustae (Microsporidia: Nosematidae) and its combination with Metarhizium anisopliae var. acridum (Deuteromycoti - 2859229662

90,44 zł

The potential of Paranosema (Nosema) locustae (Microsporidia: Nosematidae) and its combination with Metarhizium anisopliae var. acridum (Deuteromycoti Cuvillier Verlag

Książki / Literatura obcojęzyczna

Locusts and grasshoppers are the most treating agricultural pests that represent with drought the first reason of famine in Sahelian regions of Africa. Concern about environmental and toxicological issues resulting from wide spread application of synthetic pesticide has stimulated studies on the development of microbiological insecticides based on Microsporidian Paranosema locustae Canning and the entomopathogenic fungus Metarhizium anisopliae var. acridum Driver and Milner. The main objectives of this study were to: (i) investigate the potential of P. locustae to control locusts and grasshoppers (Chapters 2 and 3) and (ii) the possibility of its combination with M. anisopliae to increase the efficacy of the two pathogens in regulation of locust and grasshopper populations in West Africa (chapters 4 and 5). The evaluation of the relative susceptibility of developmental stages of Oedaleus senegalensis and Schistocerca gregaria to different dosages of P. locustae indicated both lethal and sublethal effects of the pathogen against the hosts. Considering the lethal effects all tested nymphal stages suffered from significantly higher mortality compared to the control with always the younger nymphal instars being more susceptible compared to the older. Sublethal effects of P. locustae in the tested hosts included among other, delayed and abnormal development of the infected hosts, reduced host weight and vertical transmission of the pathogen from infected adults to the offspring. Laboratory investigation of the interaction of P. locustae and M. anisopliae indicated that additional inoculation with M. anisopliae following infection with P. locustae cause additive and synergistic mortality response of the two pathogens in fifth instar S. gregaria, resulting in both a significant reduction of Median Survival Time (MSTs) and a higher mortality in mixed infections compared to the single infection. Significantly fewer P. locustae spores were yielded in mixed infections compared to nymphs infected with P. locustae alone. However, M. anisopliae production was not affected by the mixed infections. Last but not least, based on the laboratory bioassay testing the relative susceptibility of grasshopper and locust developmental stages to P. locustae, a field trial was designed to target the younger instar of grasshopper. The results showed that within season grasshopper population reduction might be feasible when the pathogen is applied earlier after hatching. Moreover combined application of P. locustae and M. anisopliae under field condition confirmed that mixed application of the two pathogens could help to increase host population reduction in short time periods. In the light of the results from the laboratory bioassays testing different concentrations of P. locustae spores against different nymphal instars of O. senegalensis and S. gregaria, the effects of P. locustae on the two species can be classified as direct and indirect effects. The direct host mortality effect of P. locustae is greatly pathogen concentration dependent with younger instars being more susceptible than older instars. The longer Median Survival Time (MST) recorded in older nymphal developmental stage compared to the younger, confirms the high susceptibility of the latter. Almost 100% mortality can be reached in first and second instars in a maximum of 10 days while most fourth and fifth instar nymphs can survive P. locustae infection up to adulthood. Mortalities recorded when targeting the host at older stages remain low irrespective of the pathogen dosages. Although some of the results show a low susceptibility of the tested host to the pathogen (e.g., low concentrations against fifth instars, the indirect sublethal effect of the pathogen can be considered as an additional important factor that can contribute to overcome its low virulence. Younger instars infected at low P. locustae spore concentrations that did not die from the pathogen infection in most cases did not reach adulthood and remained small in their size with low weight. Moreover common malformations of wings and hind legs observed in infected nymphs that developed to adults could affect the population dynamics of grasshoppers and locusts since morphologically affected hosts are unlikely to move and fly as normal healthy ones. Only infected adults that have survived the pathogen infection were able to mate and produce eggs with very high potential to transmit P. locustae to the hatching nymphs. However the slow development of P. locustae infection remains one important limitation in the use of this pathogen since for the grower the first and probably the only objective is to kill the pest fast and with high efficacy to avoid resurgence of the pest and need for repeated treatments. Our laboratory study testing the host mortality response to the combination of P. locustae and M. anisopliae indicated that a combination of the two pathogens increased significantly host acute mortality with consistent reduction in host survival time. This is further supported by the fact that after inoculation of Paranosema-infested fifth instar nymphs, total mortality rates were recorded within 4 to 7 days in host infected at the highest concentrations of the two pathogens. However, although the two pathogens showed ability to develop in the same host, the production of P. locustae spores was significantly lowered in dual infection. A successful integration of the two control agents, i.e. P. locustae and M. anisopliae var. acridum, depends on the possibility to minimize direct and indirect detrimental effects on the relatively less virulent P. locustae. Application of P. locustae alone or in mixture with sugar or M. anisopliae resulted in significant grasshopper density reduction in three weeks, with up to 40% P. locustae infection in surviving grasshopper in plots that have received P. locustae spores, suggesting the possible persistence of the pathogens in the following generations. The general ability of M. anisopliae var. acridum and P. locustae to infect locusts and grasshoppers (Brooks, 1988; Henry, 1990; Langewald et al., 1999), the high relative humidity (leading to a >90%) and temperature (24-31 C) at the time of pathogen applications, which correspond with the optimum growth conditions for both pathogens (Ouedraogo et al., 1997; Hallsworth and Magan, 1999; Lowman et al., 2000) might have contributed to the high infection and density reduction recorded in the present experiment. Moreover, the relatively high predominance of younger instars of the Senegalese grasshopper, O. senegalensis (>76% were represented by first, second and third instar nymphs) expands the previous laboratory observations on the high virulence of P. locustae against young grasshopper and locust instars. The field trial confirmed the efficacy of combination of P. locustae and M. anisopliae for control of locust and grasshopper populations. Results obtained from this study suggest that P. locustae is of a value as long-term biological control agent of S. gregaria and O. senegalensis in West Africa. Although P. locustae does not cause conspicuous mortality as do the chemicals currently used, its increased developmental time, the decreased survival of the infected host, and the fact that infected nymphs are apparently unable to reach adulthood, would have an impact on the intrinsic rate of population increase, leading to lower population density levels in the long term. In our study we have observed that both O. senegalensis and S. gregaria readily consumed wheat bran the way in which P. locustae is delivered (Henry and Oma, 1981). In large sector of the locust and grasshopper outbreak area, ground cover is relatively poor, meaning that nymphs would easily locate baits. Pathogens used in the present study were derived from commercial products (M. anisopliae var. acridum from Green Muscle(r) IITA-Benin and P. locustae from M and R Durango, Inc. P. O. Box 886 Bayfield, CO 81122 USA). This suggests that microbial control of locusts and grasshoppers combining the two pathogens in bait could be readily implemented. Innovative products such as P. locustae and M. anisopliae formulations, however, are unlikely to be accepted unless they are easy to handle. The oil-based M. anisopliae formulation has proved to be easy to handle, involving a minimal amount of preparation before spraying, and thus helped to achieve an acceptably high work rate (Douro-Kpindou et al., 1995; Bateman et al., 1997; Johnson, 1997; Langewald et al., 1999; Lomer et al., 1999; Lomer et al., 2001). Interestingly, manual application of wheat bran formulation of P. locustae and M. anisopliae in the present study has proven to induce consistent pathogen infections in grasshopper populations in Sahel. Such method could be more appropriated for the Sahelian growers given the small handled quantity of bran (2kg) applied per hectare. Compared to the use of toxic pesticide that requires or need more protection or risk avoiding technique for application, the hand spreading method required little work and less experiment from the operator.

Sklep: Libristo.pl

Sorrows of Young Werther - 2212824622

24,20 zł

Sorrows of Young Werther Penguin

Powieści i opowiadania

You only find true love once. When Werther dances with the beautiful Lotte, it seems as though he is in paradise. It is a joy, however, that can only ever be short-lived. Engaged to another man, she tolerates Werther's adoration and encourages his friendship. She can never return his love. Broken-hearted, he leaves her home in the country, trying to escape his own desire. But when he receives a letter telling him that she is finally married, his passion soon turns to destructive obsession. And as his life falls apart, Werther is haunted by one certainty: He has lost his reason for living. This book is a Penguin Red Classic.  To see other Penguin Reds, visit the minisite by clicking here. 4th May 1771 How happy I am to be away! My dear friend, what a thing is the heart of Man! To leave you, whom I love so, from whom I was inseparable, and to be happy! I know that you will forgive me. Were not my other attachments hand-picked by Fate to beset a heart such as mine with fears? Poor Leonore! And yet I was innocent. Was it my fault that, while I was taking pleasure and amusement in the wilful charms of her sister, a passion was growing in that poor heart? And yet

Sklep: Albertus.pl

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