75,00 zł

NEIL DIAMOND - Hot August Night NYC: Live from Madison Square Garden - Blu-ray SONY BMG MUSIC

LISTA KATEGORII > Filmy Blu-ray > muzyczny

Tytuł oryginalny: Hot August Night NYC: Live from Madison Square Garden Wydanie: 1 Blu-ray Wykonawca: NEIL DIAMOND Opis: Hot August Night NYC to koncert Neila Diamonda zarejestrowany w sierpniu 2008 roku w Madison Square Garden, to również przekrój przez całą karierę znakomitego artysty. W trakcie koncertu Neil Diamond wykonał blisko 30 utworów w tym takie klasyki i przeboje jak: 'Love On The Rock', 'Cherry Cherry', 'I Am... I Said', 'Solitary Man', 'Forever In Blue Jeans', czy chociażby 'Sweet Caroline'. W dodatkach znajdziemy dokument "Welcome Home Neil". Spis utworów: Intro Holly Holy Beautiful Noise Street Life Love On The Rocks Play Me Cherry, Cherry Thank The Lord For The Night Time Home Before Dark Don't Go There Pretty Amazing Grace Crunchy Granola Suite Done Too Soon Brooklyn Roads I Am...I Said Solitary Man Kentucky Woman Forever In Blue Jeans Sweet Caroline Sweet Caroline (Reprise) You Don't Bring Me Flowers Song Sung Blue I'm A Believer Man Of God Hell Yeah Cracklin' Rosie America Brother Love's Traveling Salvation Show Dodatki: The Road to Madison Square Garden, an exclusive documentary featuring new interviews with Eric and Steve, together with rare footage and photographs of Cream, Traffic and Blind Faith. Rambling On My Mind: The final preparation for the three legendary performances highlighted by an acoustic soundcheck performance by Eric of the Robert Johnson standard "Rambling On My Mind" Bonus Performances of: Lowdown Kind Hearted Woman Crossroads Data premiery: 23.02.2010 Dźwięk: Dolby True HD 5.1, PCM Stereo Format obrazu: 1080p 16:9

Sklep: e-Bluray.com.pl

132,85 zł

LIVE WITH THE PLOVDIV PSYCHOTIC SYMPHONY SONS OF APOLLO BLU-RAY WYDAWCA

Muzyka > Płyty kompaktowe > Metal

LIVE WITH THE PLOVDIV PSYCHOTIC SYMPHONY  SONS OF APOLLO BLU-RAY Progresywna supergrupa legendarnego Mike'a Portnoya nagrała wspaniały koncert z materiałem ze swojej debiutanckiej płyty

Sklep: ksiazkitanie.pl

81,29 zł

No-Drama Discipline Bantam

Książki / Literatura obcojęzyczna

NEW YORK TIMES BESTSELLER

Sklep: Libristo.pl

40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

Sklep: Albertus.pl

8,10 zł

Three-oh ebookpoint

Corel

John Denton, a veteran of the units of rapid reaction to nanotechnological threat. Once an ace, now a wreck of a man. His only hope is in nanoimplantation which expands the capacities of the body and mind. However, during the procedure things do not go as planned... they go much better! Denton is not a common implant. He is a Three-oh. And he has to run."Three-oh" is the story of John Denton, a former soldier, now a fugitive augmented with three-oh nano implantation. Kate Everett, an Interpol agent assigned to his case as an outside consultant, is after him. So as military. He has to run, find help and fulfill his destiny... From the first chapter:The suite on the last floor had a gleaming entrance most likely made of halftransparent aluminum. There were no handles or any genetic readers in the wall. The door even lacked an outline. From the other side, however, someone or something was watching him. He felt it vividly. Like you feel the eyes of the wolf wondering whether it has already smelled out your fear. Still, he came nearer and saw his reflection on the polished surface. The implant glowed incandescent from the bundle of information to which he tried to respond buthe could not do it, not knowing the question. Welcome, John Denton. Weve been waiting for you.The sign illuminated the metallic surface, which instantly slid to the sides, drowning the hall in dazzling brilliance. Every nanite in his body yearned towards that light and he did not try to contain it. He stepped forward and let himself be engulfed by the brightness.Have as much fun reading the book, as I had writing it.If you would like to contact me, please visit the official Facebook page of "Three-oh" at https://www.facebook.com/Threeoh

Sklep: Booknet.net.pl

61,87 zł

WYDAWCA

Muzyka > Płyty kompaktowe > Składanki

FRESH HITS ZIMA 2019 CD Lista utworów: 1.1. Ariana Grande

Sklep: ksiazkitanie.pl

112,55 zł

The Empathy Game BIS Publishers

Książki / Literatura obcojęzyczna

Do you want to go beyond small talk with colleagues, friends, family, or strangers? This is your game to truly connect with people. Imagine a red car, I'll do the same. Now describe it to me. No red car would ever be the same. No thought, or story ever is. We listen. We might smile. We nod. But, do we really understand each other? The human mind predicts and assumes to make sense of the world, and to understand people. There's often more to discover than we assume to know. The Empathy Game connects the dots. It engages people to share, listen, and engage with stories beyond their own frame of reference. There's more to discover and learn. Let's play.EXAMPLE QUESTIONS Memory How different was your life one year ago? What is special about the place you grew up in? Who is I? What do you admire/value in others? What is the best day on the calendar? Imagine If you could invent anything, what would it be? If someone could give you the answer to any unresolved question, what would you ask?- the game forges deep connections, and help people go beyond the usual small talk - facilitates the exploration of each other's memories, assumptions, and imagination through playfully engaging with each other's stories, and sensory experiences

Sklep: Libristo.pl

188,99 zł

RARITIES DEMOS 3 ENUFF Z NUFF CD NOWA WYDAWCA

Muzyka

RARITIES DEMOS 3 ENUFF Z NUFF CD NOWA Lista utworów: CD 1 1. Bye Bye Love 2. I Won't Forget 3. Say It Isn't So 4. Girl Crazy 5. Tears Away 6. New Night Tonight 7. Just What You Want 8. Love on Your Mind 9. I Want You Back 10. Never Let You Go 11. Everyone Says No 12. I Can't Get Over You CD 2 1. Temporarily Disconnected 2. The Real Thing 3. Number One 4. Higher 5. Enough's Enough 6. Why Does It Have to End 7. Million Miles Away 8. Misery 9. Soldier's Story 10. Valentine 11. Tossed in My Face 12. Maybe Someday 13. Fallin' in Love 14. Will You Remember 15. 1, 2, 3 CD 3 1. Crazy Night 2. Still Lovers 3. Somewhere Else for Me 4. Help 5. Holdin' Out 4 More 6. Yesterday's Gone 7. How Does It Feel 8. I Don't Mind 9. So Fine 10. Cupid's Laughing 11. Tara Nichole 12. No Girl of Mine 13. Look What You Do

Sklep: ksiazkitanie.pl

77,27 zł

Best of Willie Nelson MUSIC SALES CORP

Książki / Literatura obcojęzyczna

(E-Z Play Today). 25 of his very best, including: Always On My Mind * Blue Eyes Crying In The Rain * Crazy * Georgia On My Mind * Help Me Make It Through The Night * Make The World Go Away * Mammas Don't Let Your Babies Grow Up To Be Cowboys * On The Road

Sklep: Libristo.pl

38,18 zł

Are You Ready to Play Outside? Walker Books Ltd

Książki / Literatura obcojęzyczna

This is one of a series of delightfully humorous award-winning tales for beginner readers from the internationally acclaimed author-illustrator of Don't Let the Pigeon Drive the Bus! and Knuffle Bunny. Gerald is careful. Piggie is not. Piggie cannot help smiling. Gerald can. Gerald worries so that Piggie does not have to. Gerald and Piggie are best friends. In Are You Ready to Play Outside?, Piggie can't wait to go and play in the sunshine. But will a rainy day ruin all the fun? This is a vibrant new edition of Mo Willems' award-winning series for beginner readers, with bright colours and lively humour that will appeal to small children and parents alike. Told entirely in speech bubbles, with a repetitive use of familiar phrases, this highly original book is perfect for children who are just learning to read. This is a Theodor Seuss Geisel Award-winning series for the most distinguished books for beginner readers. It includes: Backlist: I Will Surprise My Friend! (9781406338461); My Friend Is Sad (9781406338478); I Am Invited to a Party (9781406338430); Today I Will Fly!(9781406338485); There Is a Bird on Your Head (9781406348248); I Love My New Toy (9781406348262); and, Watch Me Throw the Ball (9781406348279).

Sklep: Libristo.pl

15,26 zł

Key Words: 1b Look at this Penguin Random House Children's UK

Książki / Literatura obcojęzyczna

The first Key Words with Peter and Jane book, from Ladybird. Key Words with Peter and Jane uses the most frequently met words in the English language as a starting point for learning to read successfully and confidently. The Key Words reading scheme is scientifically researched and world renowned. Book 1b follows on from 1a and introduces 16 new words, including 'toys', 'has', 'trees' and 'ball'. Once this book has been completed, the child moves on to book 3b. The Key Words with Peter and Jane books work because each of the key words is introduced gradually and repeated frequently. This builds confidence in children when they recognise these key words on sight (also known as the 'look and say' method of learning). Examples of key words are: the, one, two, he. There are 12 levels, each with 3 books: a, b, and c. Series a: gradually introduces new words. Series b: provides further practise of words featured in the 'a' series. Series c: links reading with writing and phonics.All the words that have been introduced in each 'a' and 'b' book are also reinforced in the 'c' books The Ladybird Key Words with Peter and Jane series: Play With Us; Reading with Sounds; Boys and Girls; Read and Write; Fun and Games; Mountain Adventure; The Carnival; Books are Exciting; Happy Holiday; Jump from the Sky; I Like to Write; We like to Help; The Big House; The Mystery on the Island; Adventure at the Castle; Sunny Days; Out in the Sun; More Sounds to Say; Learning is Fun; Say the Sound; Enjoying Reading; The Open Door to Reading; Easy to Sound; Let me Write; Adventure on the Island; Boxset; Fun with Sounds; Games We Like; Have a Go; Fun at the Farm; Where we Go; The Holiday Camp Mystery; Our Friends; We have Fun; Things We Like; Things We Do; Look at This; and Flash Cards.

Sklep: Libristo.pl

100,69 zł

Disney Favorites: Jazz Piano Solos Series Volume 51 HAL LEONARD PUB CO

Książki / Literatura obcojęzyczna

(Jazz Piano Solos). 25 Disney classics in jazz-flavored piano solo arrangments with chord names, including: Cruella De Vil * Friend like Me * God Help the Outcasts * Hakuna Matata * How Far I'll Go * It's a Small World * Let It Go * Part of Your World * Re

Sklep: Libristo.pl

15,26 zł

Key Words: 1a Play with us Penguin Random House Children's UK

Książki / Literatura obcojęzyczna

This is the first Key Words with Peter and Jane book, from Ladybird. Key Words with Peter and Jane uses the most frequently met words in the English language as a starting point for learning to read successfully and confidently. The Key Words reading scheme is scientifically researched and world renowned. Book 1a introduces Peter and Jane in 16 new words including 'and', 'I', 'likes' and 'has'. Once this book has been completed, the child moves on to book 1b. The Key Words with Peter and Jane books work because each of the key words is introduced gradually and repeated frequently. This builds confidence in children when they recognise these key words on sight (also known as the 'look and say' method of learning). Examples of key words are: the, one, two, he. There are 12 levels, each with 3 books: a, b, and c. Series a: gradually introduces new words. Series b: provides further practise of words featured in the 'a' series. Series c: links reading with writing and phonics. All the words that have been introduced in each 'a' and 'b' book are also reinforced in the 'c' books.The Ladybird Key Words with Peter and Jane series: Play With Us; Reading with Sounds; Boys and Girls; Read and Write; Fun and Games; Mountain Adventure; The Carnival; Books are Exciting; Happy Holiday; Jump from the Sky; I Like to Write; We like to Help; The Big House; The Mystery on the Island; Adventure at the Castle; Sunny Days; Out in the Sun; More Sounds to Say; Learning is Fun; Say the Sound; Enjoying Reading; The Open Door to Reading; Easy to Sound; Let me Write; Adventure on the Island; Boxset; Fun with Sounds; Games We Like; Have a Go; Fun at the Farm; Where we Go; The Holiday Camp Mystery; Our Friends; We have Fun; Things We Like; Things We Do; Look at This; and Flash Cards.

Sklep: Libristo.pl

127,22 zł

Taking Smart Risks: How Sharp Leaders Win When Stakes are High McGraw-Hill Education - Europe

Książki / Literatura obcojęzyczna

In today's market, playing it safe is not an option§§Lead your company to sustainable success by taking the RIGHT RISKS§§The business world is in flux, and you have to think and act quickly in order to stay competitive. But the last thing you want to do is make reckless business decisions. You have to find the middle ground. You have to take SMART RISKS.§§In this groundbreaking book, leadership expert Doug Sundheim explains how to find that precise point between comfort and danger for generating the sustained ability to work at the highest level of performance.§§Taking Smart Risks reveals the secrets to discovering, planning for, and acting upon the kind of risks that will move your company forward and ahead of the competition. Learn how to:§§Find Something Worth Fighting For- What do you care enough about to risk time, energy, and money to try to make happen? Determining this is half the battle.§See the Future Now- Clarify your big idea in terms of real objectives, plans, and intended results.§Act Fast, Learn Fast- Make your move quickly, but be sure you don't squander valuable resources in the process.§Communicate Powerfully- Assume communication will break down at points, plan accordingly-and don't shy away from the tough conversations.§Create a Smart Risk Culture- Build teams that share the same mindsets and values about expected smart risk behavior.§§Applying Sundheim's advice will help you let go of old assumptions, explore new possibilities, move your organization out of its comfort zone, and experience long-term success.§§When you take smart risks, you will create. You will innovate. You will grow. And you will WIN.§§"From Sherwin Williams to Moo.com, Doug Sundheim is onto something here: your work is worth fighting for. A worthy read for everyone in your organization."§-Seth Godin, Author, The Icarus Deception §§"The risk-taking concepts in this book lie at the heart of effective leadership. Using case studies and stories from executives who have 'been there, done that,' Doug Sundheim teaches us that sometimes the most dangerous thing to do-in business and life-is to play it safe."§-Marshall Goldsmith, million-selling author of the New York Times bestsellers MOJO and What Got You Here Won't Get You There §§"Sundheim delivers a message that every business needs to hear right now: excessive risk will kill you, but so will complacency. . . . If you're charged with driving growth in your organization, buy this book-but more importantly, use it."§-Jed Hartman, Group Publisher, Fortune & CNNMoney.com§§"A spectacular book! The stories were powerful, the advice was crystal clear, and every few pages called me to action. I have bookmarked more pages in Taking Smart Risks than I have in any book since reading Peter Drucker's classics."§-Michael Hejtmanek, President & CEO, Hasselblad Bron Inc.§§"Doug Sundheim does an excellent job of demonstrating not only how to take smart risks, but also how to lead the process of risk-taking-a critical skill set for leaders today."§-Cindy Zollinger, President & CEO, Cornerstone Research§§"A compelling case for why smart risk taking is so important in today's fast-paced, uncertain world."§-Willie Pietersen, Professor, Columbia Business School; former CEO, Tropicana and Seagram USA§

Sklep: Libristo.pl

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Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

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