krainaksiazek a lesson in hope 20088385
- znaleziono 35 produktów w 3 sklepach
Książki Obcojęzyczne>Angielskie>Fiction & related items>Crime & mystery
Bestselling Author Philip Gulley Offers Humorous, Small-town Storytelling In Book Two Of His Acclaimed New Series Featuring Beloved Protagonist Pastor Sam Gardner.
Tiny Pieces of Skull or, a Lesson in Manners Team Angelica Publishing
Książki / Literatura obcojęzyczna
'WINNER 2016 LAMBDA BEST TRANS FICTION LITERARY AWARD' In the 1980s, poet and activist Roz Kaveney wrote a novel, 'Tiny Pieces of Skull', about trans street life and bar life in London and Chicago in the late 1970s. Much admired in manuscript by writers from Kathy Acker to Neil Gaiman, it has never seen print until now...Funny and terrifying by turns, and full of glimpses of other lives, it is the story of how beautiful Natasha persuades clever Annabelle to run away from her life and have adventures, more adventures than either of them quite meant her to have... 'A certain classic, a definitive portrait of trans outside the niceties of middle class daydreams. Brava, sister mine.' - Kate Bornstein, writer and activist 'Even now I find it hard to put into words quite how moving and marvellous I found it. It's an astonishing, troubling book; scalpel-sharp; brittle; bleak and brave. I feel sure it will upset a great number of people in all the right ways. In fact, I hope it does: literature should be a call to arms, not a sleeping-pill. Congratulations on bringing this story out of the dark.' - Joanne Harris, author of Chocolat and The Gospel of Loki
Hope . . . from the Heart of Horses Skyhorse Publishing
Książki / Literatura obcojęzyczna
"Hope . . . From the Heart of Horses" explores and celebrates the relationship and bond possible between horses and humans. Each chapter offers a life lesson about trusting one's instincts, honestly addressing emotions, achieving clarity in communications, and releasing negative thoughts. Because survival depends on being highly tuned to the thoughts and feelings of others, horses sense human intentions rather than what a person offers in facial expressions, which creates a remarkable effect on the relationship between these two distinctly different species. Among the moving stories the author relates are a horse named Hope who teaches the difference between hope and faith; an abused horse's background bringing up old memories and helping the author to move on; a young Olympic equestrienne hopeful who discovers and reaffirms her self-esteem; and a corporate training session in which one participant achieves great success merely by being honest about her fears. As you see how these people grow deeper into themselves as they learn the horse's way, you, too, will be inspired to explore and apply the deep and everlasting connection and communication between horses and humans.
A.L.I.C.E. with Jesus Blessed Hope Publishing
Książki / Literatura obcojęzyczna
The present book is about how you can follow Jesus Christ in your daily life. Following Jesus is a life-changing experience, beginning with an inner peace with God, with yourself, and with other people surrounding you. We hope that you will experience God in your life, and your life will be transformed thoroughly. The idea of this book came to me in a dream after watching a very good movie at one afternoon at December 27, 2013. The title of that movie is A Thousand Words , with actor includes Eddie Murphy. The lesson that I learned through that movie is that you should live like a new person (or re-born in Christian term), and it can be a true reality once you can live peacefully with God, with yourself, with your father, with your mother, and with everyone that you are connected with. Only if you live peacefully with everyone including with God and with yourself, then you will live happily no matter what. If you follow through the articles in this book one article each day for sixth days and take a rest in the seventh day, then within a few weeks you will complete reading this book, and you will get A.L.I.C.E. with Jesus. That would mean A life-changing experience with Jesus
Big Life of a Little Man Tate Publishing & Enterprises
Książki / Literatura obcojęzyczna
With the help of a treasure trove of letters, magazine articles, newspaper clippings, and personal journal entries from his mother, author Sherry Kelly has compiled a touching and comprehensive account of the life of Michael Dunn, the famous little person actor of the sixties and seventies. Michael was well known as Dr. Loveless in The Wild Wild West TV series and was nominated for an Academy Award for his role in the movie Ship of Fools. Dunn lived an amazing life from childhood until his mysterious death in London while filming a movie. The Big Life of a Little Man is a story of courage, determination, triumph, and one family's abounding love. ...A person with dwarfism, Dunn sends a message to make all of us proud - that difference is not something on which we or anyone around us should dwell. Rather, it is one unique aspect of our lives contributing to the story of who we are. Gary Arnold, Vice President of Public Relations, Little People of America ...Mr. Dunn's life is a lesson that I hope all aspiring performers take to heart. Stephen Di Benedetto, Ph.D., Assistant Professor of Theatre History & Theory, The University of Miami A well-written biography about a man who lead an exciting life. It takes you through the many ups and downs...of his life through funny stories and adventures as seen through the eyes and heart of his family. Truly an amazing man! Bailey Cheatham, High School Senior, Mustang High School, Mustang, Oklahoma Sherry Kelly's other works include A Cat Named Zooby and Your New Baby's Instruction Book.
A-Z Special Needs for Every Teacher Optimus Education
Książki / Literatura obcojęzyczna
SEN BESTSELLER! A-Z of Special Needs is our most popular and easy-to-use resource. It offers you an A-Z dictionary of special needs conditions, as well as a who's who of specialists. It is an essential text for anyone teaching children or young people with educational special needs, and can be especially helpful when working with pupils with specific special needs conditions Written by Jacquie Buttriss and Ann Callander The first edition of The A-Z of Special Needs (2003) quickly sold out. Don't miss this new updated edition, with the same quality and breadth of information, plus extra features. The A-Z of Special Needs: for Every Teacher (2nd Edition) is a comprehensive reference resource for anyone working with pupils with learning difficulties or disabilities. It will help busy SENCOs to provide support for pupils, parents, class teachers and teaching assistants across all key stages. Other staff members will find it useful as an off-the-shelf reference for looking up answers to queries. This book includes: *A comprehensive glossary of terms, acronyms and abbreviations used by practitioners working with pupils with learning difficulties and disabilities. *A clear guide to the 'barriers to learning' likely to be encountered by mainstream class teachers or tutors. Each condition or syndrome is given a general description, followed by a listing of its main characteristics and an extensive range of practical support strategies to suit pupils of all ages. *'Who's who?' - detailed descriptions of the roles of professionals working within multi-agency settings. *Proformas - these are designed to support the work of the SENCO as well as the class teacher in a variety of ways in order to simplify the challenge of recording individual needs and progress. *Support groups - an A-Z of the contact details of support groups for all 'barriers to learning' listed. *Special reeds resources - an A-Z of publishers and resources, software publishers and equipment suppliers. *An A-Z of useful websites. The A-Z of Special Needs: for Every Teacher (2nd Edition) is useful, easy-to-read and comprehensive guide to SEN that has been brought right up to date, with substantial new additions in each section and some completely new sections. It is fully cross-referenced to be an indispensable guide to learning difficulties and disabilities across all age-groups. The book can also be used to provide INSET for teachers and teaching assistants. The proformas can be used as an aid to developing personalised learning through recording provision, planning, target-setting and assessment. This book is by no means the complete answer to everything but we hope it will help you ask questions and search for answers by using the appropriate sources. Proformas included in A-Z of Special Needs: for Every Teacher (2nd Edition): *School Improvement Plan *SEN Development Plan *Individual Education Plan *Class learning difficulties grid *Lesson planning sheets for teaching assistants *Group observation and recording sheet for teaching assistants *Individual observation and recording sheet for teaching assistants *Handy hints for TAs *Provision map *Skills target sheet *Personal profile sheet
A Trial in Burma Springer Netherlands
Książki / Literatura obcojęzyczna
Crime does not pay, and politics by assassination pays even less. That is perhaps the one sharp lesson which stands out from the trial of U Saw and his men for the murder of Bogyoke Aung San and his colleagues. The trial is a historie one, and the murders undoubtedly altered the course of Burma' s modem history. I present the judgement of the Special Tribunal in full and the story of the assassinations for the record, in the hope that they will serve historians and our peoples in Burma in several ways. Mr. ]ustice Mya Thein of the High Court gave me the records which he compiled of the trial while serving on the prosecution. That was a few years ago, and I have, since then, wanted to edit and publish a book of the trial. Dr. Myint Thein, Chief ]ustice of the Union, also gave his file of the records to the Defence Services Historical Research Institute, and I was able to check and compare the papers. To both I owe and sincerely acknow ledge thanks. I am also grateful to Mr. ]ustice Aung Tha Gyaw of the Supreme Court who answered my questions with kindness and courtesy, and to U Kyaw Soe, Director of Information, and his staff, who dug up the pictures which are published in this book.
L In A Dark Place SOMA
1. Temple March 2. Forgotten Requiem 3. Simulation 4. A Physical Sense Of Time 5. Tightly Wound 6. Soulchamber 7. Melody Attack 8. Ghost 9. Vasatis' Black Mask 10. The Lesson Of Hope
Under the Duvet Penguin
Powieści i opowiadania
'When people ask me what I do for a crust and I tell them that I'm a novelist, they immediately assume that my life is a non-stop carousel of limos, television appearances, hair-dos, devoted fans, stalkers and all the glitzy paraphernalia of being a public figure. It's time to set the record straight. I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me ...' Her novels are adored by millions around the world
Opus Dei Penguin
Opus Dei is the most controversial - and unknown - force in the Catholic Church. Here, John L. Allen uncovers its real nature. Accused of promoting a right-wing political agenda, of cult-like practices, and immortalized forever in the pages of Dan Brown's The Da Vinci Code, Opus Dei is the most notorious, most talked about - but least known - religious organization of our time. Granted unlimited access to those within its ranks, and with an investigative eye intent on uncovering closely guarded secrets, John L. Allen finally separates the myths from the facts: the actual use of the cilice; the reason men and women remain separate; the true extent of Opus Dei's funds. Built around a wealth of interviews with the heads of Opus Dei in the Vatican and in centres around the world, comparing the attitudes of current members with those of highly critical members and outsiders, Opus Dei is a portrait of a remarkably powerful organization, both inside and outside the Church. One of the most mysterious and controversial religious forces today, and immortalized in Dan Brown
Choral Classics: Tallis: Complete Works Brilliant Classics
Obszerna Seria Zestawów Płyt Prezentujących Najwspanialsze, Najsłynniejsze I Najbardziej Popularne Arcydzieła Chóralne Zachodniej Muzyki. Obejmuje Ponad 700 Lat Historii Muzyki, Od Flamandzkich Mistrzów Josquina I Ockeghema, Przez Maestrię Bacha, Wdzięk Mozarta, Romantyków Brahmsa I Mendelssohna, Po XX-wiecznych Mistrzów Brittena I Ruttera. Pięknie Opakowane Ze świeżą I Inspirującą Szatą Graficzną, Trafiającą W Gusta Szerokiego Kręgu Odbiorców. Wiele Zestawów Zostało Ponownie Opracowanych, Tak By Oferowały Jeszcze Więcej Za Dobrą Cenę. Wysoce Atrakcyjna Seria Z Ogromnym Potencjałem Na Okres Bożonarodzeniowy! Kariera Thomasa Tallisa, Organisty I Kompozytora, Obejmowała Okresy Rządów Czworga Angielskich Monarchów - Henryka VIII, Edwarda VI, Marii I I Elżbiety I - A Także Okres Fundamentalnych Zmian Religijnych I Muzycznych Sprowadzonych Przez Reformację I Założenie Kościoła Anglikańskiego. Pomimo Faktu, że Tworzył W Okresie Ogromnych Zawirowań Religijnych I Społecznych, Tallis Przez Całe życie Cieszył Się Renomą Wybitnego Kompozytora, Adaptując Swoje Utwory Do Zmieniających Się Oczekiwań Stawianych Przed Muzyką Sakralną Przez Każdego Kolejnego Monarchę. Składająca Się Z 10 Płyt CD Kolekcja Zawiera Wszystkie Utwory Tallisa I Pokazuje Jego Wszechstronność I Odpowiedź Na Muzyczny Klimat Jego Czasów. Oprócz Najbardziej Znanych I Najbardziej Charakterystycznych Dzieł, Takich Jak Gaude Gloriosa Dei Mater, Lamentacje I Motet Spem In Alium Na 40 Głosów, Zestaw Ten Zawiera Także Mniej Znane Pieśni I Dzieła Instrumentalne. CD1 Music For Henry VIII 1 Ave Dei Patris Filia 15'33 2 Ave Rosa Sine Spinis 11'14 3 Alleluia: Ora Pro Nobis 3'57 4 Euge Coeli Porta 2'28 5 Kyrie: Deus Creator 2'28 Mass: Salve Intemerata 6 Gloria 5'11 7 Credo 6'05 8 Sanctus & Benedictus 5'05 9 Agnus Dei 3'56 10 Salve Intemerata 15'54 Czas Całkowity: 71'51 Chapelle Du Roi Alistair Dixon CD2 Music At The Reformation 1 Magnificat 10'06 2 Nunc Dimittis 3'12 3 Sancte Deus 5'58 4 Conditor Kyrie 2'24 Mass For Four Voices 5 Gloria 5'17 6 Credo 6'40 7 Sanctus 3'00 8 Benedictus 2'54 9 Agnus Dei 4'14 10 Remember Not, O Lord God 3'11 11 Hear The Voice And Prayer 3'15 12 If Ye Love Me 2'13 13 A New Commandment 2'50 14 Benedictus 6'25 15 Te Deum For Meanes 8'55 Czas Całkowity: 70'32 Chapelle Du Roi Alistair Dixon CD3 Music For Queen Mary 1 Beati Immaculati 3'58 2 Introit: Puer Natus Est Nobis 3'06 3 Kyrie: Deus Creator 2'31 Mass: Puer Natus Est Nobis 4 Gloria 7'45 5 Gradual: Viderunt Omnes 3'35 6 Alleluia: Dies Sanctificus 1'57 7 Sequence: Celeste Organum 3'41 8 Sanctus 3'42 9 Benedictus 2'41 10 Agnus Dei 5'55 11 Communion: Viderunt Omnes 0'40 12 Suscipe Quaeso 7'55 13 Gaude Gloriosa 17'11 Czas Całkowity: 64'45 CD4 Music For The Divine Office 1 1 Hodie Nobis Caelorum 4'00 2 Salvator Mundi 4'28 3 Quod Chorus Vatum 4'44 4 Videte Miraculum 9'11 5 In Pace In Idipsum 6'11 6 Dum Transisset Sabbatum 7'02 7 Jesu Salvator Saeculi 4'00 8 Sermone Blando 5'31 9 Jam Christus Astra Ascenderat 5'16 10 Loquebantur Variis Linguis 4'15 11 Magnificat 11'56 Czas Całkowity: 66'41 Chapelle Du Roi Alistair Dixon CD5 Music For The Divine Office 2 1 Audivi Vocem De Coelo 3'29 2 Candidi Facti Sunt 4'32 3 Honor Virtus Et Potestas 5'49 4 Homo Quidam Fecit Coenam 5'05 5 Te Lucis Ante Terminum (ferial) 1'35 6 Te Lucis Ante Terminum (festal) 2'07 7 Natus Est Nobis Hodie 0'52 8 Veni Redemptor Genitum 7'35 9 Jam Lucis Orto Sidere 4'04 10 Ecce Tempus Idoneum 4'12 11 Ex More Docti Mistico 7'13 12 Clarifica Me Pater 4'33 13 Clarifica Me Pater (II) 1'03 14 Clarifica Me Pater (III) 1'10 15 Gloria Tibi Trinitas 1'50 16 1ste Confessor 5'05 17 Alleluia: Per Te Dei Genitrix 5'01 18 Felix Namque (II) 12'29 Czas Całkowity: 77'53 Andrew Benson-Wilson, Organ Chapelle Du Roi Alistair Dixon CD6 Music For A Reformed Church 1 Christ Rising Again From The Dead 4'39 2 Preces (1st Set) 1'08 3 Venite 3'28 4 Te Deum 4'39 5 Benedictus 3'42 6 Responses And Collects For Easter Matins 4'48 7 Commandments 5'31 8 Credo 3'40 9 Offertory Sentence 0'40 10 Sanctus 0'34 11 Gloria 1'47 12 Preces (2nd Set) 1'07 13 Wherewithal Shall A Young Man 2'16 14 O Do Well Unto Thy Servant 2'29 15 My Soul Cleaveth To The Dust 2'47 16 Magnificat 3'10 17 Nunc Dimittis 1'46 18 Responses And Collects For Christmas Eve Evensong 4'47 19 O Lord, Give Thy Holy Spirit 2'05 20 Purge Me, O Lord 1'48 21 Verily, Verily I Say Unto You 1'42 22 Remember Not, O Lord God 4'34 23 O Lord, In Thee Is All My Trust 2'42 24 Out From The Deep 1'54 Tunes For Archbishop Parker's Psalter 25 Man Blest No Doubt 0'59 26 Let God Arise In Majesty 0'44 27 Why Fum'th In Fight 0'51 28 O Come In One To Praise The Lord 1'20 29 E'en Like The Hunted Hind 0'52 30 Expend, O Lord, My Plaint 1'19 31 Why Brag'st In Malice High 0'39 32 God Grant With Grace 1'10 33 Ordinal 0'42 Czas Całkowity: 76'20 Chapelle Du Roi Alistair Dixon CD7 Music For Queen Elizabeth 1 Salvator Mundi I 2'12 2 O Sacrum Convivium 3'09 3 In Manus Tuas 1'44 4 O Nata Lux De Lumine 1'49 5 Absterge Domine 5'13 6 Discomfort Them O Lord 4'28 7 Domine, Quis Habitabit 8'22 8 Laudate Dominum 3'59 9 Miserere Nostri 2'13 10 Salvator Mundi II 2'16 11 Mihi Autem Nimis 2'08 12 O Salutaris Hostia 2'32 13 In Ieiunio Et Fletu (Low) 3'46 14 In Ieiunio Et Fletu (High) 3'16 15 Derelinquat Impius 3'42 16 Spem In Alium 10'08 Czas Całkowity: 61'09 Chapelle Du Roi Alistair Dixon Tracks 1-15: Elizabeth Franklin-Kitchen, Emma Preston Dunlop, Sopranos William Missin, David Bates, William Towers, Richard Poyser, Altos Benjamin Rayfield, Daniel Ludford-Thomas, Ben Hulett, Tenors Francis Brett, Eamonn Dougan, Cheyney Kent, Chris Adams, Basses Track 16: Emma Preston Dunlop, Angela Henckel, Sarah Probert, Alicia Carroll, Andrea Brown, Ghislaine Morgan, Natalie Clifton-Griffith, Lisa Beckley, Sopranos Ashley Stafford, William Towers, Stephen Carter, Ben Turner, Lucy Ballard, Edward Breen, Richard Poyser, Ian Aitkenhead, Altos Benjamin Rayfield, Mark Dobell, David Barclay, Julian Stocker, Greg Moore, Gerry O'Bierne, Daniel Ludford-Thomas, Andrew Hewitt, Tenors Ben Davies, Robert Rice, Andrew Hope, Eamonn Dougan, Robert Evans, Sam Evans, Edward Wickham, Graham Trew, Baritones Francis Brett, Nick Warden, Cheyney Kent, Jonathan Arnold, Paul Brough, Julian Empett, Paul Charrier, Adrian Hutton, Basses CD8 The Lamentations And Contrafacta 1 Lamentations Of Jeremiah I 7'48 2 Lamentations Of Jeremiah II 12'20 3 Wipe Away My Sins 5'17 4 Forgive Me, Lord, My Sin 5'39 5 Blessed Are Those That Be Undefiled 4'16 6 Arise, O Lord, And Hear 2'23 7 With All Our Hearts 2'29 8 I Call And Cry To Thee 3'05 9 O Sacred And Holy Banquet 3'06 10 When Jesus Went Into Simon The Pharisee's House 2'26 11 Blessed Be Thy Name 2'21 12 O Praise The Lord II 2'33 13 Sing And Glorify Heaven's High Majesty 9'36 Czas Całkowity: 63'22 Chapelle Du Roi Alistair Dixon CD9 Instrumental Music And Songs 1 1 In Nomine I (a) 2'03 2 In Nomine II (a) 3'32 3 A Solfing Song (a) 2'10 4 Salvator Mundi (trio) (a) 1'58 5 Fantasia (a) 4'20 6 Felix Namque II (b) 12'10 7 Felix Namque I (c) 10'46 8 When Shall My Sorrowful Sighing Slack (d) 1'40 9 Like As The Doleful Dove (d) 1'40 10 O Ye Tender Babes (c) 1'32 11 Purge Me, O Lord (d) 1'26 12 Per Haec Nos (c) 1'48 13 A Point (c) 0'37 14 Lesson: Two Partes In One (d) 5'24 15 Remember Not, O Lord God (d) 3'19 16 Per Haec Nos (e) 1'19 17 A Point (e) 0'38 18 Lesson: Two Partes In One (e) 5'24 19 Tu Nimirum (b,f) 2'00 20 When Shall My Sorrowful Sighing Slack (b,f) 4'35 21 Like As The Doleful Dove (b,f) 1'40 22 O Ye Tender Babes (b,f) 1'36 23 Ye Sacred Muses (Byrd) (a,f) 3'26 Czas Całkowity: 75'15 Charivari Agr
Educational Gymnastic Play for Little Folks (Classic Reprint) Forgotten Books
Książki / Literatura obcojęzyczna
Excerpt from Educational Gymnastic Play for Little Folks A vacancy seems to exist in physical education between the play of the kindergarten and the regular gymnastic work of the school, and it is in the hope that this little book will help to furnish the needed connection that it has been prepared by the authors. The Swedish system of educational gymnastics, as set forth in "Special Kinesiology," by Baron Nils Posse, forms the basis of our work, but Baron Posse's further teaching, concerning exercises for little folks, and our own experience, have led us to diverge somewhat from the order which he adopts in his progressive lists and to intersperse other exercises. We present here only those classes of movements that correspond to the stage of development through which the child is passing during his first two years in the primary school, and have culled from those classes the gymnastic exercises best suited to the needs of the little child. With the technical name of each movement we have furnished a description, to aid the uninitiated, and also the name of an animal, object, or action which the movement suggests. Little children should forget their bodies while performing physical exercises, and to induce this forgetfulness they must have in mind a picture of something extraneous to themselves which they are to represent. These representations appeal to the imagination of the little ones who are perfectly happy while playing they are ducks, chickens or statues. Left to themselves, children will play at being all of these things and a thousand more, the difference in this directed play being, that the teacher has a definite purpose in the selection of movements, the sequence of these in the day's lesson, and their progression from one lesson to another. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
History Of Theatre Naxos AudioBooks
Książki>Nauka języków>Język AngielskiKsiążki>Książki Audio / Słuchowiska
2. Prologue 3. The Greek Drama 4. Greek Tragedy 5. Greek Theatres 6. Oedipus: 'Torment, Torment...' 7. Greek Acting 8. Greek Comedy 9. Kinesias: It's O, So Long Since You And I Have Known The Rites Of Love! - Won't You Come Back, My Ow 10. Roman Theatre 11. The Medieval Theatre: Its Origins 12. '1st. Voice: While The Third Lesson Is Being Chanted Let 4 Brethren Vest Themselves...' 13. Growth And Development Of Mystery Plays 14. 'The Effect Associated With Heaven And Hell Were Veritably Prodigious' Description Of Stage Machiner 15. 'God: Ego Sum Alpha Et Omega, Vita, Via, Veritas, Primus En Nouissimus.' 16. Development Of Miracle And Morality Plays 17. The Italian Commedia Dell'arte 18. The Elizabethan Theatre 19. The Structure Of A Playhouse - Description Of Burbage's Acting By Richard Flecknoe 20. '...think When We Talk Of Horses That You See Them Printing Their Proud Hoofs I' The Receiving Earth 21. An Attack On The Theatre By John Stockwood 1587 22. Christopher Marlowe And His Contemporaries 23. Tamburlaine: 'Forsake Thy King, And Do But Join With Me, And We Will Triumph Over All The World' 124. Faustus: 'The Stars Move Still, Time Runs, The Clock Will Strike, The Devil Will Come, And Faustus M 125. William Shakespeare (1546-1616) And His Plays 126. Excerpts From Shakespeare's Plays: As You Like It - Romeo & Juliet - Henry V - Henry IV Pt. 1 - A Mi 127. The Jacobean Theatre (1603-1642) 128. Duchess: 'Now What You Please, What Death? Bosola: Strangling: Here Are Your Executioners.' 129. Development Of The Private Theatre - Description Of A Private Audience By John Marstoni (1601) 130. Ben Jonson (1572-1637) 131. Ursula: Hang 'Em, Rotten, Roguy Cheaters, I Hope To See 'Em Plagued One Day (Poxed They Are Already, 132. Spanish Theatre In The Renaissance 133. Sigismund: 'The Rich Man Dreams His Riches, Dreams His Cares 134. The French Theatre In The Seventeenth Century 135. Phedre: 'There Love Will Always Live. Even As I Speak, Ah Cruel, Deadly Thought! They Flout The Fury 136. The Structure Of French Theatres 137. Moliere (1622-1673) (Jean-baptiste Poquelin) 138. Mr Jordan: ...and Now I Must Tell You A Secret. I'm In Love With A Lady Of Quality And I Want You To 139. Elmire: What? Is There No Avoiding Your Pursuit. Will You Not Give Me Time To Breathe? 140. The English Restoration Theatre (1660-1700) 141. Thomas Jordan's Prologue To The Moor Of Venice (1660) 142. The Development Of Restoration Comedy 143. Harriet: 'I Was Informed You Used To Laugh At Love, And Not Make It.' 144. Lord Foppington: ...my Life, Madam, Is A Perpetual Stream Of Pleasure, That Glides Thro' Such A Vari 145. Mrs. Pinchwife: 'Dear Sweet Mr. Horner' ...so...' 146. From A Short View Of The Immorality And Profaneness Of The English Stage. 147. Millamant: Positively, Mirabell, I'll Lie A-bed In A Morning As Long As I Please. Mirabell: Then I'l 148. From The Diary Of Samuel Pepys (1667) 149. European Theatre In The Eighteenth Century 250. German Theatre In The 18th Century 251. Elizabeth: Say Then, What Surety Can Be Offer'd Me, Should I Magnanimously Loose Your Bonds? 252. The English Theatre In The Early Eighteenth Century 253. The Development Of English Pantomime 254. The Introduction Of The Theatre Licensing Act In England (1737) 255. David Garrick (1717-1779) And The English Theatre In The Late Eighteenth Century 256. Description Of Garrick As Abel Drugger In The Alchemist 257. The Programme Of An Eighteenth Century English Theatre 258. An Eighteenth Century Audience 259. Sir Anthony: Why, Mrs. Malaprop, In Moderation, Now, What Would You Have A Woman Know? 260. Beaumarchais (1732-1799) And The French Theatre In The Late Eighteenth Century 261. The Count: With Your Brains And Character You Could Hope For Advancement In The Service. Figaro: Bra 262. The Development Of The Theatre In America (1800-1860s) 263. Romantic Melodrama In Nineteenth Century Europe 264. The Development Of Farce 265. Henry Irving (1838-1905), And English Theatre In The Late Nineteenth Century 266. Description Of Irving In The Bells By Edward Gordon-craig 267. The Biginning Of The Theatre Of Ideas And Realism 268. Henrik Ibsen (1828-1906) 269. Helmer: To Forsake Your Home, Your Husband, And Your Children! And Only Think What People Will Say A 270. George Bernard Shaw 271. Higgins: Say Your Alphabet Liza: I Know My Alphabet. Do You Think I Know Nothing? 272. Anton Chekhov (1860-1904) 373. The Seagull By Anton Chekhov 374. Nina: The Horses Are Waiting For Me At The Gate. Don't See Me Off, I'll Go By Myself... 375. Stanislavsky And The Moscow Arts Theatre 376. From The Writings Of Stanislavsky 377. The Growth Of Ensemble Companies 378. Lady Bracknell: ...now To Minor Matters. Are Your Parents Living? Jack: I Have Lost Both My Parents. 379. Theatrical Experiments In The Early Twentieth Century 380. The Theatre Of Luigi Pirandello (1867-1936) 381. The Political Theatre Of Bertolt Brecht (1898-1956) 382. American Theatre In The Early Twentieth Century And Eugene O'neill 383. A Long Day's Journey Into Night (Act Iv) 384. European Theatre In The 1930s & 1940s Federico Garcia Lorca (1898-1935) 385. The London Theatre, And Noel Coward (1899-1973) 386. Amanda: We Won't Talk About Ourselves Any More, We'll Talk About Outside Things, Anything You Like, 387. Post-war British Theatre And John Osborne (1929-1989) 388. Alison: (Softly) All I Want Is A Little Peace Jimmy: Peace ! God ! She Wants Peace! 389. Theatre Of The Absurd And Samuel Beckett (1906-1989) 390. Vladimir: 9sententiously) To Every Man His Little Cross (He Sighs) And Sits On The Mound Till He Die 391. Harold Pinter (1930- ) 392. Aston: I...i Think It's About Time You Found Somewhere Else. I Don't Think We're Hitting It Off. Da 393. British Theatre In The 1960s And Joe Orton (1933-1967) 394. Post-war American Theatre, Tennessee Williams (1911-1983), Arthur Miller (1915- ) And David Mamet (1 395. Willy: '...when I Was A Boy - Eighteen, Nineteen - I Was Already On The Road.' 396. Blanche: 'When I Think Of How Divine It Is Going To Be To Have Such A Thing As Privacy Once More - I 397. Experimental Theatre In The 1960s And 1970s 398. Developments In The Theatre From 1970-1990 399. Epilogue
1. Karotte - All She Wants Is 2. Daniele Papini - Hidden Source 3. Ozgur Can - Turn The Page, (Namito Remix) 4. Tube & Berger - Favela Girl, (Ante Perry & Colombo 5. Harada & Jerl - Sunday Bells, (Phunklarique Remix) 6. Sebo K & Metro - Saxtrack, (Reboot Twisted Fist Re 7. Oliver Klein & Peter Juergens - Let S Take It, (Or 8. Jean Claude Ades - Harlem, (Gorge Remix) 9. Super Flu - Shine 10. Luetzenkirchen - Munich Clubbing Supreme 11. Patric La Funk - Restless, (Norman Zube A Mix) 12. Daniel Strauss - Privatefiction, (Original Mix) 13. Ida Engberg & David West - Supercluster, (Tiger St 14. Arcade Robot & Frank Sonic - Hot Summer Nights, (F 15. Chris Hope & Andre Walter - Fallout, (Original Mix 101. Marc Depulse - Ps. You Rock, (Spektre Remix) 102. Oliver Huntemann - Lousy Night 103. Koen Groeneveld - Go Around, (Koen S Brace For Imp 104. Pig & Dan - New Bound, (Original Mix) 105. Spektre - Cheyenne, (Uto Karem Remix) 106. Nvg - C-731, (Arcade Robot & Frank Sonic Remix) 107. Citizen Kain & Phuture Traxx - Cameleon, (Pfirter 108. Andre Walter - Malphas 109. Chris Hope & Andre Walter - Orgasm, (Original Mix) 110. Citizen Kain & Phuture Traxx - Tan Guapa, (Abnorma 111. Luomo - Tessio, (Spektre Remix) 112. Da Hool - Wankers On Duty 2009, (Niels Van Gogh Vs 113. Signore Diti-atty Mezcal - The Lesson, (Original M 114. Wehbba & Ryo Peres - La Luna En Allela, (Original 115. Arcade Robot & Frank Sonic - Took A Shit & Died, ( 201. Thomas Schillinger - Let Alpes 202. Kaoz & S.ewe - Snareshow 203. Kratzer - Baby 204. Arron The Pimp - Clubs Pubs Drugs Parties 205. Queaver & Versis - Speckheuler 206. Torsten Kanzler - Teschno 207. Null Forge - Die Kuh Sagt Muh 208. Carsten Rechenberger & Recall - Der Sinuskonflikt 209. Brachiale Musikgestalter - Bleib Sauber 210. Cannibal Cooking Club - Miffi 301. Reche & Recall - Lasse Rein Bong 302. Stephan Strube - My Gorl 303. Rdr - Headcleaner 304. Davoodi - Gimme Head 305. Fin Phranklin - Ride Ya! 306. Dj Drops - Bang That Shit Up 307. Paul Langley - Addicted To Pleasure 308. Copy & Paste - Saaschbixx 309. Torsten Kanzler - Stand By Me, My Princess 310. Queaver & Versis - Shaker Baby, (Exclusive Track) 401. Aaron The Pimp - Stomp, (Arkus P. Remix) 402. Quick & Smart - Shakler 403. Electric Delight - Da Bang 404. Dvk Vs. Alexander Weinstein - Sell Me Your Soul 405. Jamie Ball - Dawn Of The Dreads 406. Surfing Bernard - Snake A Shake, (Reche & Recall R 407. Reche & Recall - Bass Buzz Two 408. Nk - Fuckin Da Bass 409. Ndk - Ravenough 410. Reche & Recall - Bounce, (Exclusive Track)
Brecht Collected Plays METHUEN DRAMA
Książki / Literatura obcojęzyczna
The most comprehensive and authoritative editions of Brecht's plays in the English language Volume Three of Brecht's Collected Plays includes St Joan of the Stockyards - a play which recasts St Joan as Joan Dark springing hope into the hearts of factory workers at the mercy of meatpacker king Pierpont Mauler threatening cuts in the Depression; and the Lehrstucke or short 'didactic' pieces written during the years 1929 to 1933, are some of his most experimental work. Lindbergh's Flight, The Baden-Baden Lesson on Consent, He Said Yes / He Said No, The Decision,The Exception and the Rule, and The Horatians and the Curiatians reject conventional theatre; they are spare and highly formalised, drawing on traditional Japanese and Chinese forms. They show Brecht in collaboration with the composers Hindemith, Weill and Eisler, influenced by the new techniques of montage in the visual arts and seeking new means of expression. Also included is The Mother, based on Gorky's novel about the progress of a factory strike in Tver and the journey of a peasant mother from illiteracy to card-carrying communism.The translators include H R Hays (The Horatians and the Curiatians), Ralph Manheim (St Joan of the Stockyards), Tom Osborn (The Exception and the Rule), Geoffrey Skelton (The Baden-Baden Lesson on Consent), John Willett (Lindbergh's Flight;The Decision;The Mother) and Arthur Waley (He Said Yes / He Said No). The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.
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