krainaksiazek black white cinema a short history 20126653

- znaleziono 32 produkty w 5 sklepach

Spalona Żywcem Wyd. Kieszonkowe - Souad - 2854922647

11,15 zł

Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23


Women's Experimental Cinema - 2854333087

104,86 zł

Women's Experimental Cinema Duke University Press

Książki / Literatura obcojęzyczna

Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, interpreting a significant number of individual films, and examining the development of the filmmaker's corpus. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. Whether discussing how Menken used film as a way to rethink the transition from abstract expressionism to pop art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her outrageous "sexperimental" film Christmas on Earth (1963), or how Dunye uses film to explore her own identity as a black lesbian artist, taken together the essays highlight the diversity in the filmmakers' forms and methods. At the same time, they reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume's final essay focuses explicitly on teaching women's experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.


Fred Zinnemann and the Cinema of Resistance - 2854360153

154,22 zł

Fred Zinnemann and the Cinema of Resistance University Press of Mississippi

Książki / Literatura obcojęzyczna

Fred Zinnemann directed some of the most acclaimed and controversial films of the twentieth century, yet he has been a shadowy presence in Hollywood history. In "Fred Zinnemann and the Cinema of Resistance," J. E. Smyth reveals the intellectual passion behind some of the most powerful films ever made about the rise and resistance to fascism and the legacy of the Second World War, from "The Seventh Cross" and "The Search to High Noon, From Here to Eternity," and "Julia." Smyth's book is the first to draw upon Zinnemann's extensive papers at the Academy of Motion Picture Arts and Sciences and brings Fred Zinnemann's vision, voice, and film practice to life. In his engagement with the defining historical struggles of the twentieth century, Zinnemann fought his own battles with the Hollywood studio system, the critics, and a public bent on forgetting. Zinnemann's films explore the role of women and communists in the antifascist resistance, the West's support of Franco after the Spanish Civil War, and the darker side of America's national heritage. Smyth reconstructs a complex and conflicted portrait of Zinnemann's cinema of resistance, examining his sketches, script annotations, editing and production notes, and personal letters. Illustrated with seventy black-and-white images from Zinnemann's collection, "Fred Zinnemann and the Cinema of Resistance" discusses the director's professional and personal relationships with Spencer Tracy, Montgomery Clift, Audrey Hepburn, Vanessa Redgrave, and Gary Cooper; the critical reaction to his revisionist Western, "High Noon"; his battles over the censorship of "From Here to Eternity, The Nun's Story," and "Behold a Pale Horse"; his unrealized history of the communist Revolution in China, "Man's Fate"; and the controversial study of political assassination, "The Day of the Jacka"l. In this intense, richly textured narrative, Smyth enters the mind of one of Hollywood's master directors, redefining our knowledge of his artistic vision and practice.


Latin American Cinema - 2854210175

101,87 zł

Latin American Cinema REAKTION BOOKS

Książki / Literatura obcojęzyczna

This book provides a succinct and comprehensive history of Latin American cinema from its origins in 1896 to the award-winning cinema of the present day. It analyses landmark films - including El Megano (1955), Black God, White Devil (1964), The Official Version (1984), Central Station (1998), Amores Perros (2000), City of God (2002) and Babel (2006) and Gravity (2013) - while tracing the broad contours of and connections between major historical developments. Stephen Hart guides us through the story of how Hollywood dominance succumbed to the emergence of the nuevo cine Latinoamericano and how this in turn led to the twenty-first century's 'New' New Latin American Cinema. He provides a fresh analysis of Latin American cinema as seen through the prism of the major changes in film technology, looking closely at the films themselves and examining how their messages - through techniques and tricks of the trade - are expressed. We see how paradigm shifts such as the move to digital media at the close of the twentieth century led to new cinematographic techniques and visions, as well as how the decision by a group of Latin American directors to film in English led to the creation of a new globalized filmic idiom, enhancing the global visibility of Latin American cinema. Providing original views on major films and featuring mini-biographies of the central film directors, this is a clear and concise guide to the history of Latin American cinema.


Historical Dictionary of Italian Cinema - 2854332805

562,20 zł

Historical Dictionary of Italian Cinema Scarecrow Press

Książki / Literatura obcojęzyczna

The Italian cinema is regarded as one of the great pillars of world cinema. Films like Ladri di biciclette (1948), La dolce vita (1960), and Nuovo cinema Paradiso (1988) attracted unprecedented international acclaim and a reputation, which only continue to grow. Italian cinema has produced such acting legends as Sophia Loren and Roberto Benigni, as well as world-renowned filmmakers like Federico Fellini, Sergio Leone, Mario Bava, Dario Argento, and Lina Wertmuller, the first woman to ever be nominated for the Best Director award. The Historical Dictionary of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology.


Oxford History of the Twentieth Century - 2826669937

246,31 zł

Oxford History of the Twentieth Century Oxford University Press

Książki / Literatura obcojęzyczna

Victoria still ruled over the British Empire, the imperial Manchu dynasty over China, and the Romanov Tsars over Russia. The cinema was in its infancy, with radio and television still to be developed. The earliest cars were on the road, but air travel was yet to come. Before antibiotics and effective vaccines against many common diseases, death rates were high. Over the course of the twentieth century, the human population of the world has tripled, space travel has left the realms of science fiction and become reality, two cataclysmic world wars and a host of other conflicts have been fought, the internal combustion engine has replaced the horse as the basic means of transport, computer technology has revolutionized communications. In this ambitious book, some of the most distinguished historians in the world survey the momentous events and the significant themes of recent and contemporary times, with a look forward to what the future might bring. They trace the continuities which have persisted over a hundred years and analyse the changes which have marked the century's progress.Early chapters take a global overview of the century as a whole, from a variety of perspectives -- demographic, scientific, economic, and cultural. Further chapters chart the century's course continent by continent and region by region, all written by acknowledged experts. Beautifully illustrated with both colour and black and white plates, and with a detailed chronology, suggestions for further reading, and a full index, The Oxford History of the Twentieth Century is a valuable repository of information, offering unparalleled insights into the century we live in.


Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art - 2854255725

224,61 zł

Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art The MIT Press

Książki / Literatura obcojęzyczna

This book documents a short but intense artistic experiment that took place in Yugoslavia fifty years ago but has been influential far beyond that time and place: the "little-known story" of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the "thinking machine" was adopted as an artistic tool and medium. Pursuing the idea of "art as visual research," the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture. With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb--already one of the most vibrant artistic centers in Yugoslavia--into an international meeting place where artists, engineers, and scientists from both sides of the Iron Curtain gathered around the then-new technology. For a brief moment in time, Zagreb was the epicenter of explorations of the aesthetic, scientific, and political potential of the computer. This volume documents that exhilarating period. It includes new essays by Jerko Denegri, Darko Fritz, Margit Rosen, and Peter Weibel; many texts that were first published in New Tendencies exhibition catalogs and Bit International magazine; and historic documents. More than 650 black-and-white and color illustrations testify to the astonishing diversity of the exhibited artworks and introduce the movement's protagonists. Many of the historic photographs, translations, and documents are published here for the first time. Taken together, the images and texts offer the long overdue history of the New Tendencies experiment and its impact on the art of the twentieth century.


David Malin: Ancient Light: A Portrait of the Universe - 2822174785

149,00 zł

David Malin: Ancient Light: A Portrait of the Universe Wydawnictwo: Phaidon

WYDAWNICTWA ALBUMOWE > Fotografia > Tematyczna > Natura

ISBN: 9780714849324 Autor: Malin David     Rok wydania: 2009-04-01 Ilość stron: 128 Oprawa: twarda Format: 250 x 290 mm This book brings together the finest collection available of star clusters, galaxies, nebulae and other such spectacular phenomena caught on film. Each beautiful image, made from a series of delicate yet rich platinum prints, is accompanied by a clear and engaging caption. Malin's short texts (approximately 100 words) describe the depicted phenomena and some of the mythology surrounding them. The book is divided into nine sections, using the constellations as a framework to identify the positions of the images in the sky. Each section is introduced by a short text describing the featured constellations and a celestial map. In his introductory essay, Malin outlines the history and importance of photographing the night sky, describing how very long exposures taken with a telescope reveal stars and distant galaxies too faint to be seen by the eye. By studying galaxies, we learn about our origins and perhaps our destiny and, the origins of the ingredients of life and the destinies of stars like the Sun and the planets associated with them. Much of our current knowledge on these subjects was gleaned from black and white photographs like those in this book, which were originally taken for scientific purposes. Using the world's most sophisticated telescopes and his own revolutionary techniques, Malin brings us awe-inspiring images of distant worlds and amazing phenomena. He is a pioneer of space photography and has invented new ways of capturing the unseen universe on photographic plates, leading to the discovery of two new types of galaxies. His photographs capture light that has travelled immense distances, sometimes thousands of light years, to reach us.


Complexion of Race - 2854265941

124,89 zł

Complexion of Race BERTRAMS

Książki / Literatura obcojęzyczna

The Complexion of Race Categories of Difference in Eighteenth-Century British Culture Roxann Wheeler "A substantial contribution to the investigation of the concept of 'race' as a determinant of identity in the eighteenth century. Wheeler convincingly demonstrates that the contemporary inclination to frame questions of personal and social identity in terms of a binary opposition of white and black has been anachronistically applied to the eighteenth century, when 'multiplicity'--the use of overlapping or even competing categories--was common practice."--Vincent Carretta, University of Maryland "Wheeler's book charts the emergence of skin color as the distinguishing feature of 'race' in Britain and the British empire. She identifies the 1770s as the time when the old distinction between heathen and Christian gave way to the new dominant distinction between black and white. Although she touches on what might now be seen as anthropological sources, her concentration is on historical narratives, travelogue, and fiction, and on the comparison of these latter sources to the anthropology or natural history of the time and, at times, to the politics of abolition and emancipation." --Eighteenth-Century Life "The Complexion of Race marks a decisive break with literary history's binary version of eighteenth-century British radical thought."--Journal of Social History In the 1723 Journal of a Voyage up the Gambia, an English narrator describes the native translators vital to the expedition's success as being "Black as Coal." Such a description of dark skin color was not unusual for eighteenth-century Britons--but neither was the statement that followed: "here, thro' Custom, (being Christians) they account themselves White Men." The Complexion of Race asks how such categories would have been possible, when and how such statements came to seem illogical, and how our understanding of the eighteenth century has been distorted by the imposition of nineteenth and twentieth century notions of race on an earlier period. Wheeler traces the emergence of skin color as a predominant marker of identity in British thought and juxtaposes the Enlightenment's scientific speculation on the biology of race with accounts in travel literature, fiction, and other documents that remain grounded in different models of human variety. As a consequence of a burgeoning empire in the second half of the eighteenth century, English writers were increasingly preoccupied with differentiating the British nation from its imperial outposts by naming traits that set off the rulers from the ruled; although race was one of these traits, it was by no means the distinguishing one. In the fiction of the time, non-European characters could still be "redeemed" by baptism or conversion and the British nation could embrace its mixed-race progeny. In Wheeler's eighteenth century we see the coexistence of two systems of racialization and to detect a moment when an older order, based on the division between Christian and heathen, gives way to a new one based on the assertion of difference between black and white. Roxann Wheeler teaches English at Ohio State University. New Cultural Studies 2000 | 384 pages | 6 1/8 x 9 1/4 ISBN 978-0-8122-3541-8 | Cloth | $69.95s | GBP45.50 ISBN 978-0-8122-1722-3 | Paper | $32.50s | GBP21.50 World Rights | Cultural Studies, History, Anthropology Short copy: "The Complexion of Race marks a decisive break with literary history's binary version of eighteenth-century British radical thought." --Journal of Social History


Natasha's Dance - 2212836413

54,10 zł

Natasha's Dance Penguin

Powieści i opowiadania

Orlando Figes


Women's Radical Reconstruction - 2854323215

99,28 zł

Women's Radical Reconstruction University of Pennsylvania Press

Książki / Literatura obcojęzyczna

Women's Radical Reconstruction The Freedmen's Aid Movement Carol Faulkner "Important for its contribution to redefining women's activism."--Choice "A pioneering account of the work for and by freedmen."--Journal of American History "Faulkner's fascinating and important book focuses on the role of Northern black and white women in the freedmen's aid movement from roughly 1861 to 1877. She brilliantly captures a moment in U.S. history when these working relationships were possible."--Journal of Southern History "Women's Radical Reconstruction will appeal to historians concerned with gender issues, abolition and slavery, philanthropy, and education. Faulkner draws upon rich primary sources from archives, historical societies, and rare book and manuscript collections to bolster her argument."--History of Education Quarterly "The author sheds light on the conflicted character of the freedmen's aid movement, offering vivid glimpses of the struggles that shaped the period more broadly...She makes an important case for exploring further the role gender played in shaping a radical moment in the history of the United States." --Washington Times In this first critical study of female abolitionists and feminists in the freedmen's aid movement, Carol Faulkner describes these women's radical view of former slaves and the nation's responsibility to them. Moving beyond the image of the Yankee schoolmarm, Women's Radical Reconstruction demonstrates fully the complex and dynamic part played by Northern women in the design, implementation, and administration of Reconstruction policy. This absorbing account illustrates how these activists approached women's rights, the treatment of freed slaves, and the federal government's role in reorganizing Southern life. Like Radical Republicans, black and white women studied here advocated land reform, political and civil rights, and an activist federal government. They worked closely with the military, the Freedmen's Bureau, and Northern aid societies to provide food, clothes, housing, education, and employment to former slaves. These abolitionist-feminists embraced the Freedmen's Bureau, seeing it as both a shield for freedpeople and a vehicle for women's rights. But Faulkner rebuts historians who depict a community united by faith in free labor ideology, describing a movement torn by internal tensions. The author explores how gender conventions undermined women's efforts, as military personnel and many male reformers saw female reformers as encroaching on their territory, threatening their vision of a wage labor economy, and impeding the economic independence of former slaves. She notes the opportunities afforded to some middle-class black women, while also acknowledging the difficult ground they occupied between freed slaves and whites. Through compelling individual examples, she traces how female reformers found their commitment to gender solidarity across racial lines tested in the face of disagreements regarding the benefits of charity and the merits of paid employment. Carol Faulkner is Associate Professor of History at SUNY, Geneseo. 2003 | 208 pages | 6 x 9 | 6 illus. ISBN 978-0-8122-3744-3 | Cloth | $59.95s | GBP39.00 ISBN 978-0-8122-1970-8 | Paper | $24.95s | GBP16.50 ISBN 978-0-8122-0391-2 | Ebook | $24.95s | GBP16.5 0 World Rights | American History, Women's/Gender Studies Short copy: Carol Faulkner offers a vivid social history of the way the women's radical reform movement shaped government policy toward former slaves in the Civil War and Reconstruction era.


Sunday Night Movies - 2854220003

61,89 zł

Sunday Night Movies Drawn & Quarterly

Książki / Literatura obcojęzyczna

Ethereal illustrations expand on a "New York Times" series by an acclaimed author and artist "Sunday Night Movies "features Leanne Shapton's watercolors of resonant moments in black-and-white cinema. Selecting a brief fragment of each chosen film, she creates an indelible image that is both a hand-painted movie still and a personal response to a fleeting celluloid moment. Together, the seventy-eight paintings create a valentine to the world of cinema. Shapton's journey through film history becomes a wistful celebration of the subtle moments in stories, which can often slip by unnoticed. What could be a simple title, still life, or portrait of an actor becomes both illusive and allusive through the medium of these personal paintings. Shapton's bestselling Petit Livre book "The Native Trees of Canada" took a decades-old government catalogue and reimagined it, employing bold colors and stark shapes to represent familiar trees in their majestic glory. The book was a sleeper hit and went through multiple printings. With "Sunday Night Movies" she brings her love of film to light, and the effect is restrained and fanciful, familiar and all new.


Rockabilly Cowboys (Ger) - 2839727277

97,49 zł

Rockabilly Cowboys (Ger) IMPORTS


1. Cry, Cry, Cry 2. Go Away Hound Dog 3. Watch Dog 4. Honky Tonk Hardwood Floor 5. Catty Town 6. Smoke Along The Track 7. Muleskinner Blues 8. Who Shot Sam 9. Salty Dog Blues 10. Ugly And Slouchy 11. Servant Of Love 12. Mister Blues 13. Flat Feet 14. Look What You Done To Me 15. Breaking Hearts 16. Move It On Over 17. Sweet Sweet Girl 18. White Bucks And Saddle Shoes 19. Everybody's Rockin' But Me 20. I Don't Want To Cry Over You 21. Rockin' In The Congo 22. Be Bop Baby 23. You're My Big Baby Now 24. Rocky Road Of Love 25. This Is It 101. Mean Mama Blues 102. Tally Ho 103. Baby Don't Go 104. Jambalaya 105. Rock It 106. Done Gone 107. You're Gonna Have To Bawl, That's All 108. I'm Coming Home 109. Where The Rio De Rosa Flows 110. Get Rhythm 111. I'm Movin On 112. Feel Sorry For Me 113. I'm Stuck 114. False Hearted Girl (With. Ella Mae Morse) 115. I Can't Find The Doorknob 116. Bop-a-hula 117. Teenage Boogie 118. Granddaddy's Rockin' 119. Sag, Drag And Fall 120. White Lightnin' 121. Oakie Boogie 122. Rompin' And Stompin' 123. Freight Train Boogie 124. Chili Dippin' Baby 125. Uh Uh Mm 201. All Over Again 202. How Come It 203. Tennessee Toddy 204. Kissin' Bug Boogie 205. Hot And Cold 206. Find A New Woman 207. I Ain't Never 208. Brown Eyed Girl 209. Honky Tonk Man 210. Ice Water 211. Hillbilly Rock 212. Rock And Roll Riot 213. Billy Boy 214. Till I Waltz Again With You 215. Rock To The Music 216. You're Humbuggin' Me 217. Pretty Mama 218. Crazy Little Guitar Man 219. Shake Baby Shake 220. Sixteen Tons Of Rock 'N' Roll 221. I'm A One Woman Man 222. Sittin' On Top 223. Mean Eyed Cat 224. Hot Dog 225. The Shot Gun Boogie 301. Cherokee Boogie 302. Hey Mister Porter 303. Time Will Tell 304. Long Tall Sally 305. Juke Box Boogie 306. Hula Rock 307. History 308. Pan American 309. If It's Lovin' That You Want 310. Needle In A Haystack 311. Is There No Love For Me, Love? 312. Crazy Mixed Up Blues 313. The Blues Walked Away 314. Box Car Blues 315. All Because Of You 316. Pretty Moon 317. Honky Tonk Mind 318. I Dreamed I Was Elvis 319. Hot Dog 320. I Feel Like A Million 321. Bumble Rumble 322. Rock And Roll World 323. Rock 'N' Roll Baby 324. Maybelline 325. Hey Boy 401. Blue Days, Black Nights 402. Rock Everybody 403. Track Down Baby 404. Heart Throb 405. Goin' Strong 406. Rocky Road Blues 407. Mobile, Alabama 408. Hey Baby 409. The Blues Keep Knocking 410. Wampus Cat 411. Hot Rod Shotgun Boogie No.2 412. I'll Pay You Back 413. Have You Heard The Gossip 414. Play The Music Louder 415. Cravin' 416. Only To Me And You 417. Linda Lou 418. Whoa Boy 419. Greenback Dollar 420. All She Wants To Do Is Rock 421. Rockin' And Knockin' 422. Where'd You Stay Last Night? 423. Cattin' Around 424. Teenage Sweetie 425. Move Over Rover 501. Shove Off Short Stuff 502. Liza Jane Bop 503. Hi-tone Poppa 504. Rockin' And Rollin' 505. Sweet Love On My Mind 506. Mean Woman Married Man Blues 507. Go Boy, Go 508. Come Back Big Bertha 509. I Cried Like A Baby 510. Mean, Mean Baby 511. No Help Wanted 512. Throw A Little Wood On The Fire 513. Honey Stop 514. When I Found You 515. You Better Not Go 516. Cash On The Barrelhead 517. My Little Baby 518. Smokey Mountain Boogie 519. Black Cat 520. Cool Down Mama 521. He's My Baby 522. Lost John 523. Jump Rope Boogie 524. Sebbin' Come Elebbin' 525. When It Rains, It Pours 601. A Six Pack To Go 602. My Gal Gertie 603. Mister Whizz 604. I Can't Dance 605. Everybody's Talkin' 606. Hey Mister Cottonpicker 607. Don't Push Me Too Far 608. Red Hen Hop 609. Move It On Over 610. My Baby Done Left Me 611. Jeopardy 612. Draggin' The River 613. Baby Buggie Boogie 614. Go Ahead On 615. Merle's Boogie Woogie 616. Juke Box Boogie 617. Too Hot To Handle 618. You've Got That Touch 619. Everybody Needs A Little Lovin' 620. Deep Elem Blues 621. Diggin' 'N' Datin' 622. Lover Boy 623. Last Night At A Party 624. Blackberry Boogie 625. You Make It, They Take It 701. Chew Tobacco Rag 702. Rebound 703. Alone With You 704. Ernie 705. You're There 706. Loretta 707. Rockin' Baby 708. Louisiana Boogie 709. Make Up Your Mind Baby 710. Dirty Dog 711. Raw Deal 712. End Of The Road 713. Rockin' In Baghdad 714. Gonna Romp And Stomp 715. Ten Cats Down 716. I Walk The Line 717. Boppin' Wigwam Willie 718. I Love My Baby 719. Chew Tobacco Rag No.2 720. Bop With Me Baby 721. Rock The Bop 722. Wondering If You Still Care 723. Crazy Arms 724. All Night Long 725. Ride Jessie Ride 801. Flat Top Box 802. Pink Cadillac 803. Red Bobby Sox 804. Hillbilly Rock 805. High Steppin' 806. Black Train 807. You Let The Moon Break Your Heart 808. Don't Mess Up My Hair 809. The Dirty Bird Song 810. Lamie Wore To A Frazzel 811. Clocking My Card 812. I'm Gonna Let You Go 813. Go Slow Fatso 814. Wild Man Rock 815. Big City 816. Grandpa's Twist 817. Childhood Boogie 818. Wiggie Walkin' Boogie 819. Ooh-eee (What You Do To Me) 820. It Was You 821. Come To The Party 822. Gonna Be Better Times 823. Tiger Lily 824. Gonna Take My Guitar 825. Lies, Lies, Lies 901. Big Foot Annie 902. Lamie Sunset Blues 903. I'm Lost Without Your Love 904. Buzz, Buzz, Buzz 905. High Stepping Daddy 906. Juke Box Pearl 907. Hey Baby 908. Music To My Ears 909. Night Club Rock And Roll 910. Juke Box Boogie 911. Long John's Flagpole Rock 912. I Ain't Gonna Rock Tonight 913. Shaken And A Shuttern 914. I'm Gonna Rock Some Too 915. Waitin' For My Baby (Rock, Rock) 916. Tom Cat Boogie 917. All Alone At Night 918. Juke Box Cannonball 919. Solid Rock 920. She Loves Me Better 921. Have You Seen Mabel 922. Blues Around My Door 923. Crazy Blues 924. She's Gone 925. Gee Whiz, Miss Liz


WWI in Cartoons - 2845104058

50,69 zł


Książki / Literatura obcojęzyczna

In an age before TV and radio the impact and importance of cartoon art was immense, especially when the only sources of information were silent cinema newsreels, posters, newspapers and books - all largely black and white. The cartoon had an immediacy and universal accessibility, giving a message words could not convey. So, not surprisingly, the Great War proved an extraordinarily fertile time for cartoonists. When Zeppelins blackened the sky and U-boats challenged the Royal Navy's supremacy at sea, it was Heath Robinson's crazy cartoons and the antics of Bairnsfather's immortal 'Old Bill' that kept the British upper lip resolutely stiff. And who could take Kasier Bill, the Red Baron and all the mighty Prussians at all seriously when H.M. Bateman and Bert Thomas cocked a snook at all they held dear and the pages of Punch, Bystander, London Opinion, Le Rire, Le Canard Enchaine and such US journals as Puck, Judge and Life kept everyone amused? But not all the cartoons were lighthearted. Indeed, the vicious drawings of Louis Raemakers were powerful enough to call Holland's neutrality into question and hard-hitting cartoons by such committed artists as Dyson, the American Art Young and David Low caused considerable embarrassment to their respective governments. The Central Powers also had a wealth of talent labouring to counteract the Allies' propaganda machine and prewar satirical journals such as Kladderadatsch, Simplicissimus and Jugend rose to the challenge, producing some of the best work by such enduring artists as Johnson, Gulbransson and Grosz amongst others. Following on from the success of Grub Street's World War II in Cartoons, also by Mark Bryant, this book examines cartoons from both sides of the conflict, both in colour and black-and-white, and skilfully blends them with text to produce this unique and significant visual history of the First World War.


Hollywood Fantasies of Miscegenation - 2854320228

200,60 zł

Hollywood Fantasies of Miscegenation Princeton University Press

Książki / Literatura obcojęzyczna

Hollywood Fantasies of Miscegenation analyzes white fantasies of interracial desire in the history of popular American film. From the first interracial screen kiss of 1903, through the Production Code's nearly thirty-year ban on depictions of "miscegenation," to the contemplation of mixed marriage in Guess Who's Coming to Dinner (1967), this book demonstrates a long, popular, yet underexamined record of cultural fantasy at the movies. With ambitious new readings of well-known films like D.W. Griffith's 1915 epic The Birth of a Nation and of key forgotten films and censorship documents, Susan Courtney argues that dominant fantasies of miscegenation have had a profound impact on the form and content of American cinema. What does it mean, Courtney asks, that the image of the black rapist became a virtual clich, while the sexual exploitation of black women by white men under slavery was perpetually repressed? What has this popular film legacy invited spectators to remember and forget? How has it shaped our conceptions of, and relationships to, race and gender? Richly illustrated with more than 140 images, Hollywood Fantasies of Miscegenation carefully attends to cinematic detail, revising theories of identity and spectatorship as it expands critical histories of race, sex, and film. Courtney's new research on the Production Code's miscegenation clause also makes an important contribution, inviting us to consider how that clause was routinely interpreted and applied, and with what effects.


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