krainaksiazek electronic and experimental music technology music and culture 20112277

- znaleziono 9 produktów w 5 sklepach

Electronic Music - 2852758035

150,23 zł

Electronic Music Cambridge University Press

Książki / Literatura obcojęzyczna

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early electrical instruments and recording technology, to the most recent electronica, sound art and multimedia performances, this book is an exciting guide to many different eras and musical works.

Sklep: Libristo.pl

Material Culture And Electronic Sound - 2849923351

379,99 zł

Material Culture And Electronic Sound

Książki Obcojęzyczne>Angielskie>Society & social sciences>Society & culture: general>Cultural studies>Material cultureKsiążki Obcojęzyc...

Music As We Know It Today Owes Much To The Electronic Revolution Of Technology. In This Collection Of Essays Featuring A Foreword By Renown British Producer Brian Eno, Material Culture And Electronic Sound Examines What Has Happened Because Technology And Music Crossed Paths.

Sklep: Gigant.pl

Toontrack Electronic EZX - 2822283331

233,00 zł

Toontrack Electronic EZX Toontrack

Oprogramowanie

W ciągu ostatnich dziesięciu lat zespół Toontrack Music stworzył i wprowadził na rynek uznawane za najlepsze w swojej kategorii instrumenty perkusyjne, które można usłyszeć w niezliczonej ilości hitów filmowych, programów telewizyjnych, gier video, koncertów i platynowych albumów. Twórcy z Toontrack nagrali wiele bibliotek dźwiękowych wykorzystując do tego setki najlepszych instrumentów, bębnów i talerzy, z których powstało ponad 200 gigabajtów materiału, na który złożyło się ponad 1,000,000 plików dźwiękowych...do tej pory w 100% były to próbki akustyczne. Nadeszła pora, włożyć wtyczkę do kontaktu, włączyć zasilanie i zaprezentować światu zupełnie nową kolekcję zestawów perkusyjnych. Z niezwykłą ekscytacją prezentujemy Electronic EZX - nowoczesną kolekcję klasycznych, przerabianych (circuit bent) oraz przetworzonych, elektronicznych brzmień perkusyjnych, które sprawdzą się w wielu rozmaitych stylach muzycznych. Do produkcji tego, niezwykle gorącego zestawu elektronicznych bębnów wykorzystano najlepsze z klasyków, przerobione urządzenia o brzmieniu nie-z-tej-ziemi, jak i szumiące cuda, o których każdy marzy, by mieć je w swoim posiadaniu. W tej kolekcji EZX znalazły się 33 drobiazgowo dopracowane, pełne zestawy i dodatkowe banki z najbardziej pożądanymi elektronicznymi brzmieniami stopy oraz werbli. Dzięki funkcji przetwarzania przez efekty w trybie równoległym, można uzyskać nieskończoną liczbę wariantów brzmieniowych. Dostępne próbki idealnie nadają się do wykorzystania we wszystkich, popularnych i dopiero rodzących się gatunkach muzyki elektronicznej. Czy tworzysz...House, Dub, Techno, Progressive, Pop, Hip-Hop, Rap, Electro, Grime, Jungle, DnB, RnB, Dub-Step, Trip-Hop, Acid, Disco, Electro-Crunk, Ghetto-Tech, Baile Funk, Industrial, Garage, Experimental, Noise-core, Hard-core, Minimal, Glitch, Gabba, Ambient, Trance, Miami Bass, 2 Step, lub coś innego... tutaj znajdziesz wszystkie potrzebne brzmienia! Główny projektant Richard Devine to wielokrotnie nagradzany artysta elektroniczny, należący do wąskiej elity pionierów muzyki współczesnej. Mistrz syntezy, wirtuoz sekwencji i legendarna postać w elektronicznym undergroundzie, słynąca z improwizowanych występów live, podczas których swobodnie łączy rozwiązania sprzętowe z technologiami programowymi. Richard szanowany jest także za to, że w ciągu ostatnich kilkunastu lat stworzył niezliczoną ilość brzmień, jakie znalazły się w najpopularniejszych sprzętowych i programowych syntezatorach, a także dźwięków do gier video i reklam. Tworzy remiksy i projektuje brzmienia dla wielu

Sklep: Sklep Pro-Audio

Politics and technology - 2836774690

120,63 zł

Politics and technology Books LLC, Reference Series

Książki / Literatura obcojęzyczna

Source: Wikipedia. Pages: 107. Chapters: Blog, Hacktivism, Joseph J. Romm, Monochrom, E-democracy, David Gewirtz, Internet activism, Social peer-to-peer processes, Flash mob, Steal This Film, Gucci Gang controversy, Electronic Frontier Foundation, Open source governance, History of blogging, The Grey Album, GetUp!, Sunlight Foundation, Electronic Privacy Information Center, Joe Trippi, Collaborative e-democracy, E-Petitioner, E-participation, Unity08, Netroots Nation, Transformational Government, Gregoire Seither, Public Netbase, Lead21, Electronic civil disobedience, Open Rights Group, Hacktivismo, Intervasion of the UK, Technocracy, Open source political campaign, Internet petition, Scientists and Engineers for America, E-Government of Korea, 1984 Network Liberty Alliance, Sunshine Review, Code for America, MySociety, Local eGovernment, Information Kerala Mission, Emergent democracy, Digital Rights Ireland, A2LL, ParoleWatch, Center for Democracy and Technology, Arse Elektronika, TRUSTe, Institute for New Culture Technologies/t0, Access to knowledge movement, Good Roads Movement, Electronic services delivery, Putt's Law and the Successful Technocrat, E-Authentication, Interactive Democracy, E-Government Unit, MEETin, Joyce Aboussie, Garden Networks, IT-Political Association of Denmark, Global Network Initiative, E-GIF, Online consultation, Online deliberation, Students for Democracy, M-government, How does one patch KDE2 under FreeBSD?, Semantic Interoperability Centre Europe, Meetup, Ricardo Dominguez, Patent Busting Project, Media hacker, Nathaniel Pearlman, Digital Copyright Canada, Egovernment factsheets, Electronic Frontier Canada, Association Electronique Libre, Hacktivismo Enhanced-Source Software License Agreement, Benton Foundation, Trans Atlantic Consumer Dialogue, ERulemaking, Voting Advice Application, IP Justice, 19 September Network against Coup d'Etat, Electronic Frontier Finland, National Institute for Smart Government, Participatory Politics Foundation, Golden Projects, Interactive Public Docket, Internet democracy, Virtual sit-in, Future of Privacy Forum, Quintessenz, GovTalk, Bits of Freedom. Excerpt: A blog (a blend of the term web log) is a type of website or part of a website. Blogs are usually maintained by an individual with regular entries of commentary, descriptions of events, or other material such as graphics or video. Entries are commonly displayed in reverse-chronological order. Blog can also be used as a verb, meaning to maintain or add content to a blog. Most blogs are interactive, allowing visitors to leave comments and even message each other via widgets on the blogs and it is this interactivity that distinguishes them from other static websites. Many blogs provide commentary or news on a particular subject; others function as more personal online diaries. A typical blog combines text, images, and links to other blogs, Web pages, and other media related to its topic. The ability of readers to leave comments in an interactive format is an important part of many blogs. Most blogs are primarily textual, although some focus on art (art blog), photographs (photoblog), videos (video blogging), music (MP3 blog), and audio (podcasting). Microblogging is another type of blogging, featuring very short posts. As of 16 February 2011), there were over 156 million public blogs in existence. The term "weblog" was coined by Jorn Barger on 17 December 1997. The short form, "blog," was coined by Peter Merholz, who joki...

Sklep: Libristo.pl

Goa Culture 12 - 2839509633

31,99 zł

Goa Culture 12 YELLOW SUNSHINE

Muzyka>Electronica>Trance

1. Rocky & Ace Ventura - Serotonin Overdose-protoni 2. Osher & Avshi - Music Of Yourself-avshi Rmx 3. Unseen Dimensions - One Life-zyce Rmx 4. Middle Mode - Click & Fly 5. Egorythmia & E-clip - Highest Technology-2013 Ed 6. Roger Rabbit - Brainstorming 7. Lifeforms - Illumination 8. Side Effects - Black Hole 9. Rocky - Drum Selected 101. Suntree - The Future 102. Loopstep - Spreading Envelops 103. Redrosid - Vigilante 104. Avshi - Sunset Blues 105. Ritree - The Power 106. Infinity - Cold Heart Breaker 107. Space Hypnose Vs.static Movement - Massive Attac 108. Roger Rabbit Vs.egorythmia - Spiritual Science 109. Lifeforms - Dream Catcher

Sklep: Gigant.pl

Spalona Żywcem Wyd. Kieszonkowe - Souad - 2846246553

11,15 zł

Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

Sklep: InBook.pl

Listening Through the Noise - 2826812700

105,27 zł

Listening Through the Noise Oxford University Press

Książki / Literatura obcojęzyczna

Contemporary electronic music has splintered into a dizzying assortment of genres and subgenres, communities and subcultures. Given the ideological differences among academic, popular and avant-garde electronic musicians, is it possible to derive an aesthetic theory that accounts for this variety? And is there even a place for aesthetics in twenty-first-century culture? Listening through the Noise explores genres ranging from techno to electroacoustic music, from glitch to drone music, and from dub to drones, and maintains that culturally and historically informed aesthetic theory is not only possible but indispensable for understanding electronic music. The abilities of electronic music to use preexisting sounds and to create new sounds are widely known. Author Joanna Demers proceeds from this starting point to consider how electronic music is changing the way we listen not only to music, but to sound itself. The common trait among all variants of recent experimental electronic music is a concern with whether sound, in itself, bears meaning. The use in recent works of previously undesirable materials like noise, field recordings, and extremely quiet sounds has contributed to electronic music's destruction of the "musical frame," the conventions that used to set apart music from the outside world. In the void created by the disappearance of the musical frame, different philosophies for listening have emerged. Some electronic music genres insist upon the inscrutability and abstraction of sound. Others maintain that sound functions as a sign pointing to concepts or places beyond the work. But all share an approach towards listening that departs fundamentally from the expectations that have governed music listening in the West for the previous five centuries.

Sklep: Libristo.pl

Dub in Babylon - 2852758408

119,83 zł

Dub in Babylon Equinox Publishing

Książki / Literatura obcojęzyczna

Dub reggae and the techniques associated with it have, since the late-1980s, been used widely by producers of dance and ambient music. However, the term was originally applied to a remixing technique pioneered in Jamaica as far back as 1967. Recording engineers produced reggae tracks on which the efforts of the producer were often more evident than those of the musicians - these heavily engineered tracks were termed 'versions'. The techniques used to produce versions quickly evolved into what is now known as 'dub'. The term, in this sense, arrived in 1972 and was largely the result of experiments by the recording engineer Osbourne Ruddock/King Tubby. Over the decades, not only has dub evolved, but it has done so especially in the UK. Indeed, much contemporary music, from hip hop to trance and from ambient soundscapes to experimental electronica and drum 'n' bass is indebted to the 'remix culture' principally informed by dub techniques. However, while obviously an important genre, its significance is rarely understood or acknowledged. Part One of the book examines the Jamaican background, necessary for understanding the cultural significance of dub, and Part Two analyses its musical, cultural and political importance for both African-Caribbean and, particularly, white communities in the United Kingdom during the late-1970s and early 1980s. Particular attention is given to the subcultures surrounding the genre, especially its relationship with Rastafarian culture - the history and central beliefs of which are related to reggae and examined. There is also analysis of its cultural and musicological influence on punk and post-punk, the principal political music in late-1970s Britain. Finally, moving into the period of the decline of post-punk and, indeed, British dub in the early 1980s, there will be an examination of what can be understood as the postmodern turn in dub. In summary, the book is a confluence of several lines of thought. Firstly, it provides a cultural and musical history of dub from its early days in Jamaica to the decline of post-punk in early-1980s Britain. Secondly, it examines the religio-political ideas it carried and traces these through to the ideologies informing the subcultures of the late-1970s and, finally, to their transformation and, arguably, neutralisation in the postmodern pastiche of post-punk dub. Thirdly, with reference to these lines of thought, it looks at dub's and roots reggae's contribution to race relations in 1970s Britain. Finally, it analyses the aesthetic and arguably 'spiritual' significance of dub, looking at, for example, its foregrounding of bass and reverb.

Sklep: Libristo.pl

User - 2212824802

82,20 zł

User MIT Press Massachusets Institute of Tech nology

Informatyka

In these essays, Peter Lunenfeld does theory and criticism "in real time," looking at (among other subjects) art, video games, book design, "techno-masturbation," The Matrix, and life extension diets. "Readers will have to determine for themselves," he writes, "if this range is symptomatic of pluralism or promiscuity." User illuminates the patterns and repetitions that link -- for example -- nanotechnology to electronic music, artist/archivist Harry Smith to architect/superstar Rem Koolhaas, Pontiacs to open source software. And User offers a reading experience that is more vivid than most: Mieke Gerritzen's bold visuals create a book that is also a designed object -- a compact matrix of words and image as potent as a smart bomb. User is not a manifesto. Lunenfeld means these essays -- which were written originally for the international magazine artext -- to be translator utilities, bridging the gap between the art world and the design establishment, between journalism and the seminar room. Pondering the "permanent present" of today's visual culture, Lunenfeld blames the twenty-first century's inability to imagine the future on a movie and an interface: the too-influential aesthetic of Blade Runner and the ubiquitous desktop of nested files, icons, trash cans, and cascading windows, he argues, have become impediments to our thinking beyond the present. Lunenfeld writes about Euro-Disney, Matthew Barney, the VHS pornucopia that killed off Betamax, the computer as a "solitude enhancement machine," our embarrassing Y2K hysteria (when TEOTWAWKI -- The End of the World As We Know It -- didn't happen), and other faces of what he calls "that overwhelming diversity which for lack of a better term we call the present." Peter Lunenfeld is the author of Snap to Grid: A User's Guide to Digital Arts, Media & Cultures (MIT Press, 2000), editor of The Digital Dialectic: New Essays on New Media (MIT Press, 1999), and editorial director of the Mediawork series. He is a professor in the graduate Media Design Program at Art Center College of Design in Pasadena, CA, and director of the Institute for Technology and Aesthetics (ITA).

Sklep: Albertus.pl

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