krainaksiazek first time ooh la la 20096392

- znaleziono 267 produktów w 19 sklepach

Magnum: La Premiere Fois: The First Time - 2856083591

140,44 zł

Magnum: La Premiere Fois: The First Time

Książki

Sklep: KrainaKsiazek.pl

De Visee: La Musique de la Chambre du Roy - 2857674816

22,40 zł

De Visee: La Musique de la Chambre du Roy Brilliant Classics

Nagrania muzyczneMuzyka poważna

Little is known about Robert de Visée's life. The facts that have survived, however, reveal an illustrious career: as well as playing the guitar, lute, theorbo and viola da gamba, the Frenchman was also a singer and composer, and in 1680 he entered the court of Louis XIV as a chamber musician -- a role that eventually led to his appointment as the king's guitar master in 1719.This recording is based on a selection of works taken from De Visee's collection of suites published in 1716, the Pieces de Théorbe et de Luth mises en partition, dessus et basses -- music which, for its time and place, was typically stylish, embodying the particular qualities of gentility, grace and elegance. The release forms an engaging counterpart to the first volume in the series (94154), and the trio of Italian musicians are here joined by harpsichordist Manual Tomadin, whose fine continuo playing adds another timbral dimension to the intimate scoring of recorder, theorbo and viola da gamba.Other information:- New recording, recorded in June 2012, Ancelle della Carita, Rome.- Robert de Visée (1655-1733) spent most of his musical life at the court of Versailles, where he was a chamber musician for Louis XIV (the Sun King) and the court guitarist for Louis XV (he had to play the guitar when the King went to bed..).- De Visée wrote extensively for the lute and the theorbe, a selection from his 'Pieces de Theorbe et de Lute mises en partition, dessus et basse' is presented on this recording. The writing for several voices and basso continuo invites for the use of several instruments (not specified in the score), to embellish and 'pimp up' the single bass and treble line, with recorders, theorbo, viola da gamba and harpsichord.- Excellent performances by the Early Music ensemble around Manuel Staropoli, who received much praise for their earlier De Visée recording for Brilliant Classics (94154), among others a 5-star in Diapason.- Including liner notes written by a specialist musicologist, artist biographies and information on the instruments used.

Sklep: Booknet.net.pl

De Visee: La musique de la chambre du roy - 1897913939

22,62 zł

De Visee: La musique de la chambre du roy brilliant classics

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna

Little is known about Robert de Visée's life. The facts that have survived, however, reveal an illustrious career: as well as playing the guitar, lute, theorbo and viola da gamba, the Frenchman was also a singer and composer, and in 1680 he entered the court of Louis XIV as a chamber musician -- a role that eventually led to his appointment as the king's guitar master in 1719.This recording is based on a selection of works taken from De Visee's collection of suites published in 1716, the Pieces de Théorbe et de Luth mises en partition, dessus et basses -- music which, for its time and place, was typically stylish, embodying the particular qualities of gentility, grace and elegance. The release forms an engaging counterpart to the first volume in the series (94154), and the trio of Italian musicians are here joined by harpsichordist Manual Tomadin, whose fine continuo playing adds another timbral dimension to the intimate scoring of recorder, theorbo and viola da gamba.Other information:- New recording, recorded in June 2012, Ancelle della Carita, Rome.- Robert de Visée (1655-1733) spent most of his musical life at the court of Versailles, where he was a chamber musician for Louis XIV (the Sun King) and the court guitarist for Louis XV (he had to play the guitar when the King went to bed..).- De Visée wrote extensively for the lute and the theorbe, a selection from his 'Pieces de Theorbe et de Lute mises en partition, dessus et basse' is presented on this recording. The writing for several voices and basso continuo invites for the use of several instruments (not specified in the score), to embellish and 'pimp up' the single bass and treble line, with recorders, theorbo, viola da gamba and harpsichord.- Excellent performances by the Early Music ensemble around Manuel Staropoli, who received much praise for their earlier De Visée recording for Brilliant Classics (94154), among others a 5-star in Diapason.- Including liner notes written by a specialist musicologist, artist biographies and information on the instruments used....

Sklep: Madbooks.pl

De Visee: La Musique de la Chambre du Roy - 1635780848

24,00 zł

De Visee: La Musique de la Chambre du Roy brilliant classics

Nagrania>Nagrania muzyczne

Little is known about Robert de Visée's life. The facts that have survived, however, reveal an illustrious career: as well as playing the guitar, lute, theorbo and viola da gamba, the Frenchman was also a singer and composer, and in 1680 he entered the court of Louis XIV as a chamber musician -- a role that eventually led to his appointment as the king's guitar master in 1719.This recording is based on a selection of works taken from De Visee's collection of suites published in 1716, the Pieces de Théorbe et de Luth mises en partition, dessus et basses -- music which, for its time and place, was typically stylish, embodying the particular qualities of gentility, grace and elegance. The release forms an engaging counterpart to the first volume in the series (94154), and the trio of Italian musicians are here joined by harpsichordist Manual Tomadin, whose fine continuo playing adds another timbral dimension to the intimate scoring of recorder, theorbo and viola da gamba.Other information:- New recording, recorded in June 2012, Ancelle della Carita, Rome.- Robert de Visée (1655-1733) spent most of his musical life at the court of Versailles, where he was a chamber musician for Louis XIV (the Sun King) and the court guitarist for Louis XV (he had to play the guitar when the King went to bed..).- De Visée wrote extensively for the lute and the theorbe, a selection from his 'Pieces de Theorbe et de Lute mises en partition, dessus et basse' is presented on this recording. The writing for several voices and basso continuo invites for the use of several instruments (not specified in the score), to embellish and 'pimp up' the single bass and treble line, with recorders, theorbo, viola da gamba and harpsichord.- Excellent performances by the Early Music ensemble around Manuel Staropoli, who received much praise for their earlier De Visée recording for Brilliant Classics (94154), among others a 5-star in Diapason.- Including liner notes written by a specialist musicologist, artist biographies and information on the instruments used....

Sklep: Bonusmedia

Poema heroyco hispano-latino panegyrico de la fundación, y grandezas de la muy noble, y leal ciudad de Lima - 2854522593

313,55 zł

Poema heroyco hispano-latino panegyrico de la fundación, y grandezas de la muy noble, y leal ciudad de Lima Lang, Peter

Książki / Literatura obcojęzyczna

Poema heroyco hispano-latino (1687), a national chronicle or "epic poem," commemorates the founding and greatness of Lima, Peru. Its unique rhymed quatrains can be read in either Latin or Spanish with equal meaning, and its insightful marginal notes interpret the city's cultural history. Valdés (1609-1682) underscores the decadence of peninsular Spanish letters in contrast to the compositions of New World writers. The poem is a tribute to the superiority, versatility, and interchangeability of Spanish and Latin as instruments of power that led to Spain's world dominance, and to Lima as the locus of marvels and a quasi biblical garden of delights. Lima has occupied without exception a privileged space within the colonial situation, as a metaphorical sovereign of new-world experiences and potentialities. Influenced by the spirit of Baroque sensibilities and Creole pride in his patria, Valdés bequeathed to Lima a staged panegyric that served as King Charles II's introduction to the bounty of his American colony. Valdés, acting as commentator, guides the reader through a journey that spans centuries of Peru's illustrious history. Working within the classical tradition of laus urbis or the praise of cities, Valdés depicts America as a paradise found with Lima at its center. In tracing the poem's relationship to the genre of classical panegyrics, Messer and Williams argue its literary merits and elucidate how it enriches the colonial family of Latin American texts. Republished for the first time, this critical edition introduces Valdés to students and scholars of Ibero-American letters.

Sklep: Libristo.pl

Spalona Żywcem Wyd. Kieszonkowe - Souad - 2854922647

11,15 zł

Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

Sklep: InBook.pl

Sąd ostateczny - Anna Klejzerowicz - 2836982440

24,13 zł

Sąd ostateczny - Anna Klejzerowicz

Książki & Multimedia > Książki

Opis - Charyzmatyczny, obdarzony nieprzeciętną intuicją dziennikarz w pojedynku z naśladowcą Hansa Memlinga. Emil Żądło, który zrezygnował z pracy w policji na rzecz dziennikarstwa, przeżywa kryzys. Kryzys wieloraki: związany z pracą, z brakiem natchnienia na nowy artykuł, z finansami, z uczuciami, z życiem w ogóle... Za ostatnie pieniądze kupuje alkohol i papierosy, nie ma siły wstać z łóżka i wziąć się w garść, a na dodatek jego była żona utrudnia mu kontakty z synem i męczy o zaległe alimenty. Wszystko się zmienia, gdy któregoś razu w nocnym pubie spotyka córkę swojej starej sąsiadki, Dorotę. Młoda kobieta i jej narzeczony tej samej nocy zostają brutalnie zamordowani w niejasnych okolicznościach. Zaintrygowany Emil postanawia pomóc policji w śledztwie. "Emil Żądło to świetnie skonstruowana postać, która od pierwszej chwili wzbudziła moją sympatię." Agnieszka Lingas-Łoniewska, autorka m. in. trylogii Zakręty losu, Szóstego, Łatwopalnych i Brudnego świata Nazwa - Sąd ostateczny Autor - Anna Klejzerowicz Oprawa - Miękka Wydawca - Replika Kod ISBN - 9788376742878 Kod EAN - 9788376742878 Wydanie - 1 Rok wydania - 2014 Język - polski Format - 13.0x20.0cm Ilość stron - 316 Podatek VAT - 5% Premiera - 2014-05-06

Sklep: InBook.pl

Agatha Ruiz De La Prada - 2854192760

86,88 zł

Agatha Ruiz De La Prada TF Editores

Książki / Literatura obcojęzyczna

Agatha Ruiz de la Prada began her career in fashion in Madrid in 1981, with the presentation of her first collection in Local, a Design Centre. In the early '80s she opened her studio-store in Madrid, located at No.8, Marques de Riscal Street. During this decade she held her first fashion shows in Barcelona and exhibited painted outfits and drawings in a number of art galleries in the Spanish capital. A leading figure in Madrid's trendy set, Agatha was involved in a vast number of cultural events during these years, including the rock concert-fashion show entitled 'Agatha for President', held at Madrid's Railway Museum. In 1986 she participated in her first collective fashion show in France, and also began to design a range of accessories including espadrilles and tights. In 1988 she participated in Madrid's fashion week Pasarela Cibeles for the first time ever and also presented her collection at Milan's Fashion Show. Early in 1990, Agatha presented her series entitled Trajes Inacabados (Unfinished Outfits) in Berlin and Madrid, before going on to Osaka to present an original collection of Agatha-style kimonos which she called Lady from Spain. Agatha's designs reflect a point of view full of love, humour and optimism, with extraordinary colours and forms as a basis for this world she has created. With this combination she obtains unique and organic components in all her artworks: textiles, furniture, crockery, technology, childcare, etc. Agatha Ruiz de la prada believes in a concept of life focused on the smallest details and a world composed of vitality.

Sklep: Libristo.pl

La Stravaganza Op.4 - 2857805086

26,90 zł

La Stravaganza Op.4 Brilliant Classics

Nagrania muzyczneMuzyka poważna

The latest in Brilliant Classics? selection of Vivaldi releases, this vivid and inventive collection can be considered the first true example of the genre later to be connected so strongly with the ?Prete Rosso?: the violin concerto. La Stravaganza gains its extravagant title from its bold modulations, subtle melodies and unusual intervals. Having set the precedent himself with L?Estro Armonico (Op.3), the music in La Stravaganza goes far beyond these compositions of some five years earlier (though it could well be that they were in fact composed in the period preceding the publication of Op.3); Vivaldi fully exploits the potential of the slow movements, extending them from a few sustained chords into a dramatic interplay between the soloist and tutti players. For the first time too, he moves further away from the concerto grosso form, with the soloist increasingly taking the starring role, supported only minimally by the other players, who at times fall silent, allowing the violin to play with continuo alone. Add to this some of the most elaborate embellishments ever written ? an innovative practice for players at the time who were used to improvising the ornamentation themselves ? and the concertos really do live up to their extravagant title.First released as part of Brilliant Classics? authoritative Vivaldi Edition in 2014, this album is part of a new series of Vivaldi collections by the Italian group L?Arte dell?Arco, led by acclaimed violinist Federico Guglielmo. Experts in authentic Baroque performance, the group?s previous release of Vivaldi?s Ottone in Villa (BC94105) was praised by Gramophone magazine for its "sustained lyricism" and "warm sound". Playing on original instruments, with just one player per part, L?Arte dell?Arco produces a compact but vibrant tone, fully embodying the Italian sound of the Red Priest.The 12 violin concertos which Antonio Vivaldi published as ?La Stravaganza? do full justice to their title: the range of expression is enormous, from the tender lyricism of the slow movements to the wild and tempestuous fast movements, where the solo violin revels in wild leaps and brilliant virtuosity.Exceptionally vivid and energetic performances by maestro Federico Guglielmo and his L?Arte dell?Arco, playing original instruments in Historically Informed Performance Practice, never a dull moment here!Booklet contains extensive liner notes and information on the instruments used.Recorded in 2014 in Padua, Italy.

Sklep: Booknet.net.pl

Embroidery Pour La Maison - 2852638129

44,68 zł

Embroidery Pour La Maison Harper Collins

Książki / Literatura obcojęzyczna

This delightful little craft book from French artist Sylvie Blondeau presents more than 100 projects for adding charm to your everyday things. With decorating ideas for things you use all the time, such as your aprons, your bags, your recipe and address books, this easy-to-follow embroidery book teaches personalisation ideas for both first-time and experienced sewers. Using step-by-step text and illustrations, readers will learn twenty-one embroidery methods - les secrets de la broderie - so they can easily embroider every project in the book and add charm to objects in every room of the house - kitchen, bedroom, bathroom, living room, laundry room, office. In no time they'll be adding cupcakes to their dishtowels, teapots to cozies, telephones to address books, bubbles to bathrobes, baguettes and macarons to their shopping bags. At a very affordable GBP8.99, this is the perfect impulse buy, present, and home decorating companion. It is part of a new Harper Design embroidery series and is dolled up in a petit and colorful package, with each project inside looking as if it has been hand-stitched directly into the book. For the ever-growing world of crafters - the mothers, grandmothers, and new generation of crafters on Etsy and Pinterest, the women personalizing things for themselves and gifts for their loved ones - the books they flock to are the most charming ones, and no other embroidery book is as deliciously charming, as inspire et enchante, and as easy-to-follow as this one.

Sklep: Libristo.pl

His Master's Voice/La Voce del Padrone - 2854223088

356,91 zł

His Master's Voice/La Voce del Padrone Greenwood Press

Książki / Literatura obcojęzyczna

This discography provides, for perhaps the first time, a complete numerical catalogue of Italian gramophone recordings made by the Gramophone Company Ltd. Kelly has effectively used the archives and registers of EMI Limited (The Gramophone Company) to offer a richly detailed picture of recording activity during the years 1898 to 1929. The Gramophone Company was established in London in 1898 and by 1899 six branches had been set up in Europe, among them Milan, Italy. In each branch, matrixes were numbered serially and coded to indicate recorder, making it possible to identify not only the first Gramophone record to be made in Italy--Bice Adami singing Voi lo sapete with piano accompaniment--but to follow the course of the company's activities. The main catalogue is divided into three sections: recordings issued on the Gramophone label; recordings issued on the Zonophone label, including the Trento-Trieste Supplement; and recordings issued on the Gramophone Green label. Most entries include the following information: the original catalogue number; the matrix (serial) number of the recording in its correct form; the date of recording; the name of the artist(s) involved in making the recording, including the accompaniast where known; the title of the piece; and alternate issue numbers. Kelly's introduction gives an overview of the company's history and cataloging practices. Kelly not only examines the history of the Italian Gramophone Company, but added to the discographical record of the Victor Talking Machine Company, of which Gramophone was the European, Asian, and African partner. His discography will be welcomed by anyone interested in the international history of recorded music. Record collectors will also find it a valuable resource.

Sklep: Libristo.pl

La Vision chez Platon et Aristote - 2857421279

214,14 zł

La Vision chez Platon et Aristote Academia Verlag GmbH

Książki / Literatura obcojęzyczna

Ni les considérations aristotéliciennes ni les considérations platoniciennes sur la vision ne se bornent ŕ répondre ŕ la question comment voit-on?, mais dans l'élaboration męme de cette réponse dépassent cette question vers une autre, plus fondamentale: qu'est-ce que voir? La premičre de ces questions relčve d'une enquęte scientifique qui vise ŕ expliquer un phénomčne par la description de son mécanisme. Elle est pleinement prise en compte par Platon et Aristote, qui proposent tous deux un exposé particulier des causes conduisant ŕ la formation de la sensation visuelle. Ces exposés diffčrent nettement dans leur contenu, mais se trouvent en fait relativement ŕ égalité quant ŕ leur pertinence scientifique: ŕ la fois quant ŕ leur capacité de rendre compte du phénomčne qu'ils se proposent d'expliquer, et quant ŕ l'économie des moyens mis en ouvre pour parvenir ŕ cette explication. oe la différence, la question qu'est-ce que voir? déborde la simple intention de rendre compte du fonctionnement d'un phénomčne, et inscrit la vision dans des problématiques qui touchent l'ętre de ce qui voit, l'ętre de ce qui est vu et du monde dans lequel ce processus a lieu; ou qui touchent aussi bien l'ontologie que l'éthique, le fondement de la connaissance que l'esthétique ou męme la théologie. La théorie de Platon révčle sa profondeur quand on saisit que la vision sensible est celle d'une âme divine qui vit sur terre en exil, tandis que les intentions d'Aristote sont prioritairement épistémologiques; sa théorie permet de garantir la vérité du sens visuel, la réalité de la couleur, mais aussi la présence immédiate et authentique de l'astre divin solaire au sein du lieu soumis ŕ la génération et ŕ la corruption. *** Neither Aristotle nor Plato content themselves with answering the question: How do we see?. In their examination of this scientific issue, they go further, and answer the more fundamental question: What is seeing? The first question pertains to scientific enquiry, which seeks to explain a phenomenon by describing its mechanism. Both Aristotle and Plato give an accurate account of the causes that produce visual sensation. Their accounts differ, but are quite similar with regard to their scientific relevance; they have quite the same capacities and the same failures in their explanation of vision, achieved by equally economical means. The other question - What is seeing? - transcends the mere intention of giving an account of a mechanism, and considers vision from the viewpoint of problems concerning the being of the seer, of what is seen, and of the world in which this process takes place; and it touches upon issues concerning ontology as well as ethics, epistemology and aesthetics, and even theology. Plato's theory reveals its depth when we grasp that sensible vision is that of a divine soul that lives on earth as in exile. Through vision, this soul may seek to escape from its condition, and recover its genuine nature; for vision is the only sense by which we can reach the stars, which, for Plato, feature the same harmony as that of the soul when it was first formed by the demiurge. Yet vision can also plunge the soul further down into its exile. Hence, the Platonic conception of mirror images, which he defines as real bodies, resulting from the coalescence between two fires; they actually occur at the surface of the mirror, without there being any reflection in the modern sense of the term. In this way, Plato refuses to endorse the idea that the mirror image is mere indirect vision, or something virtual, thereby saving the image in the proper sense. Thus, through vision, the soul can encounter inferior realities, which drag it further and further way from the things that are genuine and true. Aristotle's concerns are primary epistemological. His theory provides a guarantee of the truth and reliability of the sense of sight, whereas Plato's theory defined the vision of color as pure sensation, without there being any particular reality in the observed body itself. In Aristotle's theory, the act of vision becomes instantaneous, so that the vision of a color is strictly simultaneous with the state of the body in which the color is observed. This instantaneity is the condition by which, in the Aristotelian physical system, the oneness of time itself can be attained. Moreover, Aristotle's concept of light provides the basis for the immediate and authentic presence of the divine solar star in the midst of the place that is subject to generation and to corruption. Yet Aristotle's theory, as set forth in the De anima and the De sensu, so closely related to the problem of truth, was to prove helpless once the philosopher is forced to explain peculiar phenomena (such as the halo, or the rainbow), which Greek optics had already considered to be formed by visual reflection. Aristotle will then temporarily forget his own theory, and adopt precisely the one he had previously condemned.

Sklep: Libristo.pl

Fear and Loathing in La Liga - 2826907738

53,91 zł

Fear and Loathing in La Liga YELLOW JERSEY PRESS

Książki / Literatura obcojęzyczna

It's Messi vs Ronaldo, it's Catalonia vs Castilla. It's the nation against the state, freedom fighters vs Franco's fascists. It's majestic goals and mesmerising skills, red cards and bench brawls. It's the best two teams on the planet going face to face and toe to toe. It's more than a game. It's a war. It's Barcelona vs Real Madrid...Only, it's not that simple. From the wounds left by the civil war to the teams' recent global domination, historian and expert on Spanish football, Sid Lowe lifts the lid on sport's greatest rivalry. Lowe has spoken to the biggest names and the forgotten heroes who defined their clubs. Men like Alfredo Di Stefano and Johan Cruyff as well as the only survivor of the most politically charged game in history, the Barcelona striker who knocked Madrid out of the European Cup for the first time ever, and the president who celebrated his club's defining moment by taking a midnight dip in the Thames. By exploring the history, politics, culture, economics and language, while never forgetting the drama on the pitch, Lowe demonstrates the symbiotic nature of the relationship between these two football giants. In doing so he reveals the human story behind this explosive rivalry.

Sklep: Libristo.pl

L'Art De La Simplicite - 2826639582

64,46 zł

L'Art De La Simplicite Orion (an Imprint of The Orion Publishing Group...

Książki / Literatura obcojęzyczna

If simplicity is an art, then Dominique Loreau is a master. Having lived in Japan for many years and inspired by oriental philosophy, Dominique Loreau discovered the beauty of a life well lived through the art of simplicity. Her lifestyle rests on the principle of 'less is more', and imbues all areas of existence, from the material to the spiritual. She captured her philosophy in the ground-breaking L'art de la Simplicite, which was an massive bestseller in her native France and is now available in the English language for the first time. Simplify your home, empty your wardrobe, abandon compulsive purchases, eat more frugally but better, take care of your body and mind. From the art of feeling well in your home to the art of feeling well in your body, this compelling and elegant book will transform your life and take you on an empowering journey to happiness. You will feel energised, more confident and free. You will discover the essence of being truly alive and how to live a more centred life. One full of real pleasure, clarity and satisfaction.

Sklep: Libristo.pl

Dictionnaire De La Leibstandarte - 2826643277

165,68 zł

Dictionnaire De La Leibstandarte Editions Heimdal

Książki / Literatura obcojęzyczna

The 2 volume Dictionnaire de la Leibstandarte offers detailed portraits and biographies of the principal members of Hitler's Leibstandarte. Compiled together for the first time, the 600 photographs provide rare images of the men who served in this army, along with the uniforms they wore and related objects in their possession.

Sklep: Libristo.pl

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