krainaksiazek first time ooh la la 20096393

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De Visee: La Musique de la Chambre du Roy - 2825810333

22,40 z³

De Visee: La Musique de la Chambre du Roy Brilliant Classics

Nagrania muzyczneMuzyka powa¿na

Little is known about Robert de Visée's life. The facts that have survived, however, reveal an illustrious career: as well as playing the guitar, lute, theorbo and viola da gamba, the Frenchman was also a singer and composer, and in 1680 he entered the court of Louis XIV as a chamber musician -- a role that eventually led to his appointment as the king's guitar master in 1719.This recording is based on a selection of works taken from De Visee's collection of suites published in 1716, the Pieces de Théorbe et de Luth mises en partition, dessus et basses -- music which, for its time and place, was typically stylish, embodying the particular qualities of gentility, grace and elegance. The release forms an engaging counterpart to the first volume in the series (94154), and the trio of Italian musicians are here joined by harpsichordist Manual Tomadin, whose fine continuo playing adds another timbral dimension to the intimate scoring of recorder, theorbo and viola da gamba.Other information:- New recording, recorded in June 2012, Ancelle della Carita, Rome.- Robert de Visée (1655-1733) spent most of his musical life at the court of Versailles, where he was a chamber musician for Louis XIV (the Sun King) and the court guitarist for Louis XV (he had to play the guitar when the King went to bed..).- De Visée wrote extensively for the lute and the theorbe, a selection from his 'Pieces de Theorbe et de Lute mises en partition, dessus et basse' is presented on this recording. The writing for several voices and basso continuo invites for the use of several instruments (not specified in the score), to embellish and 'pimp up' the single bass and treble line, with recorders, theorbo, viola da gamba and harpsichord.- Excellent performances by the Early Music ensemble around Manuel Staropoli, who received much praise for their earlier De Visée recording for Brilliant Classics (94154), among others a 5-star in Diapason.- Including liner notes written by a specialist musicologist, artist biographies and information on the instruments used.

Sklep: Booknet.net.pl

De Visee: La musique de la chambre du roy - 1897913939

22,62 z³

De Visee: La musique de la chambre du roy brilliant classics

Ksi±¿ki naukowe>Sztuka>Muzyka, ¶piew i taniec>Muzyka powa¿na

Little is known about Robert de Visée's life. The facts that have survived, however, reveal an illustrious career: as well as playing the guitar, lute, theorbo and viola da gamba, the Frenchman was also a singer and composer, and in 1680 he entered the court of Louis XIV as a chamber musician -- a role that eventually led to his appointment as the king's guitar master in 1719.This recording is based on a selection of works taken from De Visee's collection of suites published in 1716, the Pieces de Théorbe et de Luth mises en partition, dessus et basses -- music which, for its time and place, was typically stylish, embodying the particular qualities of gentility, grace and elegance. The release forms an engaging counterpart to the first volume in the series (94154), and the trio of Italian musicians are here joined by harpsichordist Manual Tomadin, whose fine continuo playing adds another timbral dimension to the intimate scoring of recorder, theorbo and viola da gamba.Other information:- New recording, recorded in June 2012, Ancelle della Carita, Rome.- Robert de Visée (1655-1733) spent most of his musical life at the court of Versailles, where he was a chamber musician for Louis XIV (the Sun King) and the court guitarist for Louis XV (he had to play the guitar when the King went to bed..).- De Visée wrote extensively for the lute and the theorbe, a selection from his 'Pieces de Theorbe et de Lute mises en partition, dessus et basse' is presented on this recording. The writing for several voices and basso continuo invites for the use of several instruments (not specified in the score), to embellish and 'pimp up' the single bass and treble line, with recorders, theorbo, viola da gamba and harpsichord.- Excellent performances by the Early Music ensemble around Manuel Staropoli, who received much praise for their earlier De Visée recording for Brilliant Classics (94154), among others a 5-star in Diapason.- Including liner notes written by a specialist musicologist, artist biographies and information on the instruments used....

Sklep: Madbooks.pl

De Visee: La Musique de la Chambre du Roy - 1635780848

24,00 z³

De Visee: La Musique de la Chambre du Roy brilliant classics

Nagrania>Nagrania muzyczne

Little is known about Robert de Visée's life. The facts that have survived, however, reveal an illustrious career: as well as playing the guitar, lute, theorbo and viola da gamba, the Frenchman was also a singer and composer, and in 1680 he entered the court of Louis XIV as a chamber musician -- a role that eventually led to his appointment as the king's guitar master in 1719.This recording is based on a selection of works taken from De Visee's collection of suites published in 1716, the Pieces de Théorbe et de Luth mises en partition, dessus et basses -- music which, for its time and place, was typically stylish, embodying the particular qualities of gentility, grace and elegance. The release forms an engaging counterpart to the first volume in the series (94154), and the trio of Italian musicians are here joined by harpsichordist Manual Tomadin, whose fine continuo playing adds another timbral dimension to the intimate scoring of recorder, theorbo and viola da gamba.Other information:- New recording, recorded in June 2012, Ancelle della Carita, Rome.- Robert de Visée (1655-1733) spent most of his musical life at the court of Versailles, where he was a chamber musician for Louis XIV (the Sun King) and the court guitarist for Louis XV (he had to play the guitar when the King went to bed..).- De Visée wrote extensively for the lute and the theorbe, a selection from his 'Pieces de Theorbe et de Lute mises en partition, dessus et basse' is presented on this recording. The writing for several voices and basso continuo invites for the use of several instruments (not specified in the score), to embellish and 'pimp up' the single bass and treble line, with recorders, theorbo, viola da gamba and harpsichord.- Excellent performances by the Early Music ensemble around Manuel Staropoli, who received much praise for their earlier De Visée recording for Brilliant Classics (94154), among others a 5-star in Diapason.- Including liner notes written by a specialist musicologist, artist biographies and information on the instruments used....

Sklep: Bonusmedia

First Time - 2839221751

61,99 z³

First Time Stunt Records

Muzyka>Jazz

1. First Time 2. White Clown 3. Leloland 4. La Danza Della Zanzarra / Mosquito Dance 5. Soundtrack To Denmark 6. Now 7. It's Raining 8. In The Morning Part I 9. In The Morning Part II 10. Don't Hit 11. Kathrine 12. Don't Hit II 13. Hope

Sklep: Gigant.pl

La Stravaganza Op.4 - 2842752540

26,90 z³

La Stravaganza Op.4 Brilliant Classics

Nagrania muzyczneMuzyka powa¿na

The latest in Brilliant Classics? selection of Vivaldi releases, this vivid and inventive collection can be considered the first true example of the genre later to be connected so strongly with the ?Prete Rosso?: the violin concerto. La Stravaganza gains its extravagant title from its bold modulations, subtle melodies and unusual intervals. Having set the precedent himself with L?Estro Armonico (Op.3), the music in La Stravaganza goes far beyond these compositions of some five years earlier (though it could well be that they were in fact composed in the period preceding the publication of Op.3); Vivaldi fully exploits the potential of the slow movements, extending them from a few sustained chords into a dramatic interplay between the soloist and tutti players. For the first time too, he moves further away from the concerto grosso form, with the soloist increasingly taking the starring role, supported only minimally by the other players, who at times fall silent, allowing the violin to play with continuo alone. Add to this some of the most elaborate embellishments ever written ? an innovative practice for players at the time who were used to improvising the ornamentation themselves ? and the concertos really do live up to their extravagant title.First released as part of Brilliant Classics? authoritative Vivaldi Edition in 2014, this album is part of a new series of Vivaldi collections by the Italian group L?Arte dell?Arco, led by acclaimed violinist Federico Guglielmo. Experts in authentic Baroque performance, the group?s previous release of Vivaldi?s Ottone in Villa (BC94105) was praised by Gramophone magazine for its "sustained lyricism" and "warm sound". Playing on original instruments, with just one player per part, L?Arte dell?Arco produces a compact but vibrant tone, fully embodying the Italian sound of the Red Priest.The 12 violin concertos which Antonio Vivaldi published as ?La Stravaganza? do full justice to their title: the range of expression is enormous, from the tender lyricism of the slow movements to the wild and tempestuous fast movements, where the solo violin revels in wild leaps and brilliant virtuosity.Exceptionally vivid and energetic performances by maestro Federico Guglielmo and his L?Arte dell?Arco, playing original instruments in Historically Informed Performance Practice, never a dull moment here!Booklet contains extensive liner notes and information on the instruments used.Recorded in 2014 in Padua, Italy.

Sklep: Booknet.net.pl

Agatha Ruiz De La Prada - 2826706381

92,97 z³

Agatha Ruiz De La Prada TF Editores

Ksi±¿ki / Literatura obcojêzyczna

Agatha Ruiz de la Prada began her career in fashion in Madrid in 1981, with the presentation of her first collection in Local, a Design Centre. In the early '80s she opened her studio-store in Madrid, located at No.8, Marques de Riscal Street. During this decade she held her first fashion shows in Barcelona and exhibited painted outfits and drawings in a number of art galleries in the Spanish capital. A leading figure in Madrid's trendy set, Agatha was involved in a vast number of cultural events during these years, including the rock concert-fashion show entitled 'Agatha for President', held at Madrid's Railway Museum. In 1986 she participated in her first collective fashion show in France, and also began to design a range of accessories including espadrilles and tights. In 1988 she participated in Madrid's fashion week Pasarela Cibeles for the first time ever and also presented her collection at Milan's Fashion Show. Early in 1990, Agatha presented her series entitled Trajes Inacabados (Unfinished Outfits) in Berlin and Madrid, before going on to Osaka to present an original collection of Agatha-style kimonos which she called Lady from Spain. Agatha's designs reflect a point of view full of love, humour and optimism, with extraordinary colours and forms as a basis for this world she has created. With this combination she obtains unique and organic components in all her artworks: textiles, furniture, crockery, technology, childcare, etc. Agatha Ruiz de la prada believes in a concept of life focused on the smallest details and a world composed of vitality.

Sklep: Libristo.pl

La Vision chez Platon et Aristote - 2843293583

214,82 z³

La Vision chez Platon et Aristote Academia Verlag GmbH

Ksi±¿ki / Literatura obcojêzyczna

Ni les considérations aristotéliciennes ni les considérations platoniciennes sur la vision ne se bornent à répondre à la question comment voit-on?, mais dans l'élaboration même de cette réponse dépassent cette question vers une autre, plus fondamentale: qu'est-ce que voir? La première de ces questions relève d'une enquête scientifique qui vise à expliquer un phénomène par la description de son mécanisme. Elle est pleinement prise en compte par Platon et Aristote, qui proposent tous deux un exposé particulier des causes conduisant à la formation de la sensation visuelle. Ces exposés diffèrent nettement dans leur contenu, mais se trouvent en fait relativement à égalité quant à leur pertinence scientifique: à la fois quant à leur capacité de rendre compte du phénomène qu'ils se proposent d'expliquer, et quant à l'économie des moyens mis en ouvre pour parvenir à cette explication. oe la différence, la question qu'est-ce que voir? déborde la simple intention de rendre compte du fonctionnement d'un phénomène, et inscrit la vision dans des problématiques qui touchent l'être de ce qui voit, l'être de ce qui est vu et du monde dans lequel ce processus a lieu; ou qui touchent aussi bien l'ontologie que l'éthique, le fondement de la connaissance que l'esthétique ou même la théologie. La théorie de Platon révèle sa profondeur quand on saisit que la vision sensible est celle d'une âme divine qui vit sur terre en exil, tandis que les intentions d'Aristote sont prioritairement épistémologiques; sa théorie permet de garantir la vérité du sens visuel, la réalité de la couleur, mais aussi la présence immédiate et authentique de l'astre divin solaire au sein du lieu soumis à la génération et à la corruption. *** Neither Aristotle nor Plato content themselves with answering the question: How do we see?. In their examination of this scientific issue, they go further, and answer the more fundamental question: What is seeing? The first question pertains to scientific enquiry, which seeks to explain a phenomenon by describing its mechanism. Both Aristotle and Plato give an accurate account of the causes that produce visual sensation. Their accounts differ, but are quite similar with regard to their scientific relevance; they have quite the same capacities and the same failures in their explanation of vision, achieved by equally economical means. The other question - What is seeing? - transcends the mere intention of giving an account of a mechanism, and considers vision from the viewpoint of problems concerning the being of the seer, of what is seen, and of the world in which this process takes place; and it touches upon issues concerning ontology as well as ethics, epistemology and aesthetics, and even theology. Plato's theory reveals its depth when we grasp that sensible vision is that of a divine soul that lives on earth as in exile. Through vision, this soul may seek to escape from its condition, and recover its genuine nature; for vision is the only sense by which we can reach the stars, which, for Plato, feature the same harmony as that of the soul when it was first formed by the demiurge. Yet vision can also plunge the soul further down into its exile. Hence, the Platonic conception of mirror images, which he defines as real bodies, resulting from the coalescence between two fires; they actually occur at the surface of the mirror, without there being any reflection in the modern sense of the term. In this way, Plato refuses to endorse the idea that the mirror image is mere indirect vision, or something virtual, thereby saving the image in the proper sense. Thus, through vision, the soul can encounter inferior realities, which drag it further and further way from the things that are genuine and true. Aristotle's concerns are primary epistemological. His theory provides a guarantee of the truth and reliability of the sense of sight, whereas Plato's theory defined the vision of color as pure sensation, without there being any particular reality in the observed body itself. In Aristotle's theory, the act of vision becomes instantaneous, so that the vision of a color is strictly simultaneous with the state of the body in which the color is observed. This instantaneity is the condition by which, in the Aristotelian physical system, the oneness of time itself can be attained. Moreover, Aristotle's concept of light provides the basis for the immediate and authentic presence of the divine solar star in the midst of the place that is subject to generation and to corruption. Yet Aristotle's theory, as set forth in the De anima and the De sensu, so closely related to the problem of truth, was to prove helpless once the philosopher is forced to explain peculiar phenomena (such as the halo, or the rainbow), which Greek optics had already considered to be formed by visual reflection. Aristotle will then temporarily forget his own theory, and adopt precisely the one he had previously condemned.

Sklep: Libristo.pl

Georges de La Tour - 2837117341

252,26 z³

Georges de La Tour Flammarion

Ksi±¿ki / Literatura obcojêzyczna

Georges de La Tour ranks with Vermeer and the Le Nain brothers among those seventeenth-century painters whose unmistakable talent is matched only by the aura of mystery that surrounds the artists themselves. Jacques Thuillier's groundbreaking monograph, first published in 1993, places La Tour's oeuvre in the specific context of the Lorraine region where he lived and worked, but also repositions La Tour alongside the greatest European masters. Available for the first time in paperback, this beautifully designed volume, complete with an illustrated catalogue raisonné and translations of key documentary sources, remains the essential reference work on this important and fascinating artist.

Sklep: Libristo.pl

Lo Scarabeo Tarot/Tarot Lo Scarabeo: The Art of Divining Begins a New Chapter/El Arte de La Adivinacion Abre Un Capitulo Nuevo - 2834136199

121,05 z³

Lo Scarabeo Tarot/Tarot Lo Scarabeo: The Art of Divining Begins a New Chapter/El Arte de La Adivinacion Abre Un Capitulo Nuevo LLEWELLYN PUBN

Ksi±¿ki / Literatura obcojêzyczna

For the first time, three tarot traditions

Sklep: Libristo.pl

Coule la Seine. Die schwarzen Wasser der Seine, französische Ausgabe - 2826770094

29,67 z³

Coule la Seine. Die schwarzen Wasser der Seine, französische Ausgabe Editions J'ai lu

Ksi±¿ki / Literatura obcojêzyczna

Die drei hier zum ersten Mal zusammen veröffentlichten Kriminalerzählungen zeigen den bekannten Kommissar Adamsberg in drei verschiedenen Stadien seiner Karriere und seiner persönlichen Entwicklung. Three stories published for the first time in a single volume show Inspector Adamsberg in three different stages of his career and personal development.

Sklep: Libristo.pl

L'Art De La Simplicite - 2846351012

42,04 z³

L'Art De La Simplicite Orion (an Imprint of The Orion Publishing Group...

Ksi±¿ki / Literatura obcojêzyczna

If simplicity is an art, then Dominique Loreau is a master. Having lived in Japan for many years and inspired by oriental philosophy, Dominique Loreau discovered the beauty of a life well lived through the art of simplicity. Her lifestyle rests on the principle of 'less is more', and imbues all areas of existence, from the material to the spiritual. She captured her philosophy in the ground-breaking L'art de la Simplicité, which was an massive bestseller in her native France and is now available in the English language for the first time. Simplify your home, empty your wardrobe, abandon compulsive purchases, eat more frugally but better, take care of your body and mind. From the art of feeling well in your home to the art of feeling well in your body, this compelling and elegant book will transform your life and take you on an empowering journey to happiness. You will feel energised, more confident and free. You will discover the essence of being truly alive and how to live a more centred life. One full of real pleasure, clarity and satisfaction.

Sklep: Libristo.pl

Walter de la Mare, Short Stories for Children - 2826844717

100,75 z³

Walter de la Mare, Short Stories for Children Giles De La Mare Publishers

Ksi±¿ki / Literatura obcojêzyczna

The publication of "Short Stories for Children" celebrates the fiftieth anniversary of Walter de la Mare's death. It is also the culmination of a major literary enterprise. For many people, Walter de la Mare (1873-1956) is as great a writer of fiction as of poetry. But, the majority of his short stories, of which there are a hundred, have long been unavailable. "Short Stories" brings them all together in three volumes in the first comprehensive collection to be published. The third and last volume, "Short Stories for Children", starts with "Broomsticks and Other Tales" of 1925, with its twelve stories, and continues with "The Lord Fish" of 1933 with seven stories. It includes three distinctive stories, 'Pigtails, Ltd', 'The Thief' and 'A Nose', that have never been reprinted since they originally appeared in Broomsticks. Quirky, disparate, unpredictable, acutely observed, sometimes frightening, and often preoccupied with states of mind and personal identity, these stories have much in common with the adult stories. Some of them are peopled with giants, witches, kind elves, evil and spiteful fairies, and imprisoned maidens in castles, but most are not. We find ourselves in railway trains, a mansion in the City of London, another Elizabethan one in a mysterious tract of country, a remote farm house near the sea, a waterlogged forest, a drawing-room being watched by a fly; and, among other things, we encounter a wise monkey, a haunted cat, a fish magician, a baron transmogrified into a donkey, a thief desperate to be burgled, a man who believes he has a wax nose, and a godmother celebrating her 350th birthday. As in de la Mare's poems, everyday reality may at any time become undercut by disturbing uncertainty and dark, though not always malign, forces. A full understanding of the poems and stories is impossible without knowledge of both. Vivid and timeless, Bold's original woodcut designs and Rex Whistler's original engravings have been used to illustrate the two parts of the book.

Sklep: Libristo.pl

Camino de La Meditacion - 2826783880

86,78 z³

Camino de La Meditacion Convivium Press

Ksi±¿ki / Literatura obcojêzyczna

The practice of meditation is not only found in the spiritual disciplines of the East, but also in the Christian tradition. It involves imageless and silence prayer through repetition of a Mantra: Maranatha. This word centers the whole subject in the presence of Christ. The tradition of Western monasticism was assumed by Main from its roots, walking towards a contemporary Theology of meditation based on St. Paul's letters, who understands the real presence of the risen Christ in human heart. Convivium Press is honored to publish for the first time in Spanish his last writing: Moment of Christ. The path of meditation, including a Prologue written by Laurence Freeman osb, current Director of the World Community for Christian Meditation.

Sklep: Libristo.pl

Dictionnaire De La Leibstandarte - 2826643277

159,45 z³

Dictionnaire De La Leibstandarte Editions Heimdal

Ksi±¿ki / Literatura obcojêzyczna

The 2 volume Dictionnaire de la Leibstandarte offers detailed portraits and biographies of the principal members of Hitler's Leibstandarte. Compiled together for the first time, the 600 photographs provide rare images of the men who served in this army, along with the uniforms they wore and related objects in their possession.

Sklep: Libristo.pl

L'Art De La Simplicite - 2826639582

69,01 z³

L'Art De La Simplicite Orion (an Imprint of The Orion Publishing Group...

Ksi±¿ki / Literatura obcojêzyczna

If simplicity is an art, then Dominique Loreau is a master. Having lived in Japan for many years and inspired by oriental philosophy, Dominique Loreau discovered the beauty of a life well lived through the art of simplicity. Her lifestyle rests on the principle of 'less is more', and imbues all areas of existence, from the material to the spiritual. She captured her philosophy in the ground-breaking L'art de la Simplicite, which was an massive bestseller in her native France and is now available in the English language for the first time. Simplify your home, empty your wardrobe, abandon compulsive purchases, eat more frugally but better, take care of your body and mind. From the art of feeling well in your home to the art of feeling well in your body, this compelling and elegant book will transform your life and take you on an empowering journey to happiness. You will feel energised, more confident and free. You will discover the essence of being truly alive and how to live a more centred life. One full of real pleasure, clarity and satisfaction.

Sklep: Libristo.pl

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