krainaksiazek gay all night long 20041032

- znaleziono 9 produktów w 5 sklepach

Spalona Żywcem Wyd. Kieszonkowe - Souad - 2854922647

11,15 zł

Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

Sklep: InBook.pl

Letter from America - 2212824618

40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

Sklep: Albertus.pl

Rimsky - Korsakov Edition - 2842799694

679,92 zł

Rimsky - Korsakov Edition Brilliant Classics

Muzyka>Klasyczna

CD 1: SCHEHERAZADE Op.35 - SYMPHONIC SUITE AFTER A THOUSAND AND ONE NIGHTS 1 I. The Sea And Sinbad's Ship 9'26 2 II. The Story Of The Kalendar Prince 12'20 3 III. The Young Prince And The Young Princess 10'22 4 IV. Festival At Baghdad - The Sea - Shipwreck - Conclusion 11'27 5 Sadko - Musical Picture Op.5 11'26 6 Sadko - Song Of India 3'30 Total Time: 58'35 Armenian Philharmonic Orchestra - Loris Tjeknavorian CD 2: THE TSAR'S BRIDE - OVERTURE - FANTASIA ON SERBIAN THEMES SYMPHONIES NOS. 1 & 2 'ANTAR' 1 The Tsar's Bride - Overture 6'18 2 Fantasia On Serbian Themes Op.6 7'11 SYMPHONY NO.1 IN E MINOR Op.1 3 I. Largo Assai - Allegro 9'19 4 II. Andante Tranquillo 8'28 5 III. Scherzo: Vivace 5'02 6 IV. Allegro Assai 6'54 SYMPHONY NO.2 Op.9 'ANTAR' 7 I. Largo - Allegro Giocoso 11'59 8 II. Allegro - Molto Allegro - Allargando 5'11 9 III. Allegro Risoluto Alla Marcia 5'35 10 IV. Allegretto Vivace 8'51 Total Time: 75'15 Philharmonia Orchestra - Yondani Butt CD 3: 1 OVERTURE ON THREE RUSSIAN THEMES Op.28* 11'40 SYMPHONY NO.3 IN C Op.32 2 I. Moderato Assai - Allegro 12'06 3 II. Scherzo: Vivo 4'58 4 III. Andante 8'00 5 IV. Allegro Con Spirito 5'06 6 SKAZKA Op.29 (Fairytale) 15'54 Total Time: 58'06 London Symphony Orchestra *Philharmonia Orchestra - Yondani Butt CD 4: THE GOLDEN COCKEREL - SUITE (arr. Alexander Glazunov & Maximilian Steinberg) 1 I. King Dodon In His Palace 10'05 2 II. King Dodon On The Battlefield 3'52 3 III. King Dodon And The Queen Of Shemakha 7'02 4 IV. The Marriage Feast And Lamentable End Of King Dodon 5'17 TALE OF TSAR SALTAN - SUITE OP.57 5 I. The Tsar's Farewell And Departure 4'51 6 II. The Tsarina In A Barrel At Sea 5'27 7 III. The Three Wonders 8'00 8 Flight Of The Bumblebee (Tale Of Tsar Saltan) 1'13 Christmas Eve - Suite 9 I. Holy Night 5'40 10 II. Games And Dances Of The Stars - Mazurka - 5'49 The Sixth Comet - Csardas And Rain Of The Falling Stars 11 III. The Devil's Christmas 5'50 12 IV. Polonaise 6'07 13 V. Procession To Midnight Mass And Carols 6'05 Total Time: 76'00 Armenian Philharmonic Orchestra Loris Tjeknavorian CD 5: THE LEGEND OF THE INVISIBLE CITY OF KITEZH - SUITE 1 I. Prelude - Hymn To Nature 4'29 2 II. Bridal Procession 3'27 3 III. Tartar Invasion And The Battle Of Kerzenets 4'24 4 IV. Death Of Frevronya And Apotheosis 10'44 PAN VOYEVODA - SUITE Op.59 5 I. Introduction 3'30 6 II. Krakowiak 3'26 7 III. Nocturne 4'30 8 IV. Mazurka 4'53 9 V. Polonaise 6'23 PIANO CONCERTO IN C SHARP MINOR Op.30 10 I. Moderato - Allegretto Quasi Polacca - 6'17 11 II. Andante Mosso 4'11 12 III. Allegro 3'52 Total Time: 60'22 Leningrad Philharmonic Orchestra / Evgeny Mravinsky (1-4) Bolshoi Theatre Orchestra / Evgeny Svetlanov (5-9) Sviatoslav Richter Piano Moscow Youth Symphony Orchestra / Kirill Kondrashin (10-12) CD 6: PIANO TRIO IN C MINOR (completed In 1939 By Maximilian Steinberg) 1 I. Allegro 10'35 2 II. Allegro 4'25 3 III. Adagio 9'17 4 IV. Adagio - Allegro Assai 12'51 QUINTET IN B FLAT 5 I. Allegro Con Brio 7'29 6 II. Andante 8'13 7 III. Rondo: Allegretto 9'42 Total Time: 62,42 Oistrakh Trio (1-4) David Oistrakh Violin Sviatoslav Knushevitsky Cello Lev Oborin Piano Felicja Blumental Piano (5-7) Members Of The New Philharmonia Wind Ensemble, London Gareth Morris Flute John McCaw Clarinet Nicolas Busch Horn Gwydion Brook Bassoon CD 7: 4 SONGS Op.2 1 1. Lean Thy Cheek To Mine 1'04 Heine, Trans. M. Mikhaylov 2 2. Eastern Song: Enslaved By The Rose, The Nightingale A. Kol'tsov 3 3. Lullaby L. May 4 4. From My Tears Heine, Trans. Mikhaylov 4 SONGS Op.3 5 1. The Pine And The Palm Heine, Trans. Mikhaylov 6 2. Southern Night N. Shcherbina 7 3. The Golden Cloud Has Slept Lermontov 8 4. On The Hills Of Georgia Pushkin 4 SONGS Op.4 9 1. What Is My Name To Thee? Pushkin 10 2. The Messenger Heine, Trans. Mikhaylov 11 3. In The Dark The Nightingale Is Silent I. Nikitin 12 4. Quietly Evening Falls A. Fet 4 SONGS Op.7 13 1. My Voice For Thee Is Sweet And Languid Pushkin 14 2. Hebrew Song L. Mey 15 3. The Mermaid Of Lake Switez A. Mickiewicz, Trans. Mey 16 4. Thy Glance Is Radiant As The Heavens Lermontov 6 SONGS Op.8 17 1. Where Thou Art, My Thought Flies To Thee Unknown 18 2. Night A. Pleshcheyev 19 3. The Secret After Chamisso 20 4. Arise, Come Down Mey 21 5. In The Kingdom Of Roses And Wine 22 6. I Believe, I Am Loved Pushkin 2 SONGS Op.25 Heine, Trans. Mikhaylov 23 1. To My Song 24 2. When I Gaze Into Thy Eyes 4 SONGS Op.26 25 1. In Moment To Delight Devoted Byron, Trans. I. Kozlov 26 2. Evocation Pushkin 27 3. For The Shores Of Thy Native Land Pushkin 28 4. Zuleika's Song Byron, Trans. I. Kozlov Total Time: 63'43 Natalia Gerasimova Soprano Vladimir Skanavi Piano (2, 3, 12, 15, 19) Marina Choutova Mezzo-soprano Elena Tcheglakova Piano (5-6, 13-14, 17-18, 28) Alexei Martinov Tenor Aristote Konstantinidi Piano (4, 8, 9, 11, 21, 24-25) Mikhail Lanskoi Baritone Ilya Scheps Piano (1, 16, 20, 22, 26-27) Sergei Baikov Bass Ilya Scheps Piano (7, 10, 23) CD 8: 4 SONGS Op.27 1 1. Softly The Spirit Flew Up To Heaven A.K. Tolstoy 2 2. Echo F. Coppee, Trans. S. Andreyevsky 3 3. Thou And You Pushkin 4 4. Forgive! Remember Not These Tearful Days N. Nekrasov 4 SONGS Op.39 A.K. Tolstoy 5 1. Oh, If Thou Couldst For One Moment 6 2. The West Dies Out In The Pallid Rose 7 3. Silence Descends On The Golden Cornfields 8 4. Sleep, My Poor Friend 4 SONGS Op.40 9 1. When The Golden Cornfield Waves Lermontov 10 2. Across The Midnight Sky Lermontov 3'08 11 3. Of What I Dream In The Quiet Night A. Maykov 12 4. I Waited For Thee In The Grotto At The Appointed Hour A. Maykov 4 SONGS Op.41 13 1. Sun Of The Sleepless A.K. Tolstoy After Byron 14 2. I Am Unhappy Lermontov 15 3. I Love Thee, Moon (Melody From The Banks Of The Ganges) Maykov 16 4. Look In Thy Garden Maykov 4 SONGS Op.42 17 1. A Whisper, A Gentle Breath Fet 18 2. I Have Come To Greet Thee Fet 19 3. The Clouds Begin To Scatter (Elegy) Pushkin 20 4. My Spoiled Darling Mickiewicz, Trans. Mey 4 SONGS Op.43 'Vesnoy' (In Spring) 21 1. The Lark Sings Louder A.K. Tolstoy 22 2. Not The Wind, Blowing From The Heights A.K. Tolstoy 23 3. Cool And Fragrant Is Thy Garland Fet 24 4. Early Spring A.K. Tolstoy Total Time: 52'14 Natalia Gerasimova Soprano Vladimir Skanavi Piano (1, 4, 11, 19, 21-22) Alexei Martinov Tenor Aristote Konstantinidi Piano (3, 13, 15-18, 20, 23-24) Mikhail Lanskoi Baritone Ilya Scheps Piano Sergei Baikov Bass Ilya Scheps Piano CD 9: FIVE SONGS Op.45 'Poetu' (To The Poet) 1 1. The Echo Pushkin 2 2. Art Maykov 3 3. The Octave Maykov 4 4. Doubt Maykov 5 5. The Poet Pushkin 5 SONGS Op.46 'U Morya' (By The Sea) A.K. Tolstoy 6 1. The Wave Breaks Into A Spray 7 2. Not A Sound From The Sea 8 3. The Sea Is Tossing 9 4. Do Not Believe Me, Friend 10 5. The Waves Rise Up Like Mountains 4 SONGS Op.50 Maykov, After Modern Greek Poems 11 1. The Maiden And The Sun 12 2. The Singer 13 3. Quiet Is The Deep Blue Sea 14 4. I Am Still Filled, Dear Friend 5 SONGS Op.51 Pushkin 15 1. Slowly Drag My Days 16 2 Do Not Sing To Me, O Lovely One 17 3. Withered Flower 18 4. The Beauty 19 5. The Rainy Day Has Waned 4 SONGS Op.55 20 1. Awakening Pushkin 21 2. To A Grecian Girl Pushkin 22 3. The Dream Pushkin 23 4. I Died From Happiness L. Uhland, Trans. V. Zhukovsky 2 SONGS Op.56 Maykov 24 1. The Nymph 25 2. Summer Night's Dream Total Time: 55'07 Natalia Gerasimova Soprano Vladimir Skanavi Piano (3, 4, 11, 15, 17, 24-25) Alexei Martinov Tenor Aristote Konstantinidi Piano (1, 2, 5, 9, 12-14, 16, 18, 20-23) Mikhail Lanskoi Baritone Ilya Scheps Piano - Sergei Baikov Bass Ilya Scheps Piano CD 10: CHORAL WORKS 1 Poem About Aleksey, The Man Of God Op.20 For Chorus And Orchestra 2 Song Of Oleg The Wise Op.58 For Two Male Soloists, Male Chorus And Orchestra (Pushkin) 3 From Homer Op.60 Prelude-cantata For Three Voices, Female Chorus And Orchestra 4 Switezianka Op.44 (The Mermaid Of Lake Switez) Cantata For Two Solo Voices, Chorus And Orchestra (L.A. Mey After Mickiewicz) Total Time: 51'03 Dmitri Kortchak Tenor Nikolai Didenko Bass Svetlana Sizova Mezzo-soprano Tatiana Fedotova Soprano - Elena Mitrakova Soprano Dmitri Kortchak Tenor (4) Chorus Of The Moscow Academy Of Choral Art - Victor Popov - Moscow Symphony Orchestra - Vladimir Ziva CD 11: MAY NIGHT - OPERA IN THREE ACTS Libretto By Rimsky-Korsakov After Nikolai Gogol 1 Overture (Orchestra) Act One: 2 No.1: Round Of The Millet (Chorus) 3 No.2: Serenade (Levko) 4 No.3: Duet (Levko/Hanna) 5 No.4: Tale (Levko) 6 No.5: Recitative And Spring-Song (Hanna/Chorus Of Girls) 7 No.6: Hopak Scene (Kalenik/Chorus Of Girls) 8 No.7: Trio (Mayor/Levko/Hanna) 9 No.8: Recitative And Song About The Mayor (Levko/Chorus Of Youths) Act Two - Scene 1 10 No.9: Trio (Mayor/Distiller/Sister-in-Law) 11 No.10: Scene With Kalenik And The Distiller's Tale (Kalenik/Mayor/Distiller/Sister-in-Law 12 No.11: Song About The Mayor, Scene And Trio Beginning Total Time: 65'08 Levko: VITALY TARASCHENKO Hanna: NATALIA ERASOVA Pannochka: MARINA LAPINA The Mayor: VYACHESLAV POCHAPSKY The Distiller: ALEXANDER ARKHIPOV The Clerk: PIOTR GLUBOKY The Mayor's Sister-in-Law: ELENA OKOLYCHEVA Kalenik, The Village Drunkard: NIKOLAI RESHETNIAK Sveshnikov Academic Choir Chorus Master Evgeny Tytianko BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 12: MAY NIGHT (conclusion) - Opera In Three Acts Libretto By Rimsky-Korsakov After Nikolai Gogol 1 No.11: Song About The Mayor, Scene And Trio Conclusion 7'03 (Sister-in-law/Mayor/Distiller/Levko/Chorus/Clerk) Scene 2 2 No.12: Finale 6'20 (Mayor/Clerk/Distiller/Sister-in-Law, Chorus/Kalenik) Act Three 3 No.13: Scene Of The Rusalki 33'15 (Chorus/Queen Of The Water Nymphs/Levko) 4 No.14: Scene And Ritual Songs 6'16 (Mayor/Levko/Clerk/Distiller/Chorus/Hanna) 5 No.15: Finale 5'30 (Hanna/Levko/Chorus Of Youths/Mayor/Clerk/Distiller/Chorus/Kalenik/Sister-in-Law) Total Time: 58'30 Levko: VITALY TARASCHENKO Hanna: NATALIA ERASOVA Pannochka: MARINA LAPINA The Mayor: VYACHESLAV POCHAPSKY The Distiller: ALEXANDER ARKHIPOV The Clerk: PIOTR GLUBOKY The Mayor's Sister-in-Law: ELENA OKOLYCHEVA Kalenik, The Village Drunkard: NIKOLAI RESHETNIAK Sveshnikov Academic Choir Chorus Master Evgeny Tytianko BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 13: THE SNOW MAIDEN - OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij Prologue 1 Scene 1. Winter Is Over! The Cocks Have Crowed (Forest Spirit) 2 Recitative: At The Appointed Hour (Spring Fairy) 3 Aria: Where Are Those Lovely Lands Of Sunshine? (Spring Fairy) 4 Recitative: Dear Birds Of Mine (Spring Fairy) 5 Song And Dance Of The Birds (Chorus Of Birds/Spring Fairy) 6 Ah, It Is Snowing! (Chorus Of Birds/Spring Fairy) 7 Scene 2. When The Cold Cracks The Roofs And Walls (King Frost) 8 Recitative: Your Holiday Has Lasted Long Enough (Spring Fairy/King Frost) 9 Scene 3. Hello... Poor Little Child (Snow Maiden/Spring Fairy/King Frost) 10 Aria: To Go Berry-picking In The Woods (Snow Maiden) Recitative: This Handsome Lel (King Frost/Snow Maiden/Spring Fairy) 11 Arietta: I Heard All Of The Loveliest Songs (Snow Maiden) 12 Trio: Do You Hear? (Snow Maiden/ Spring Fairy/King Frost) Appearance Of The Forest Spirit (Forest Spirit/Chorus) 13 Scene 4. Carnival Procession (Chorus) 14 This Summer Soon Will Pass (Carnival Puppet/Chorus) 15 Wait! Is It Already Over? (Cottager & Wife/ Puppet/Snow Maiden/Chorus Of Berendeyans) Act One 16 Introduction (Orchestra) 17 Scene 1. For Your Kind Welcome, Lel Can Offer Nothing (Lel/Cottager/Snow Maiden) 18 Lel's First Song (Lel) 19 Lel's Second Song (Lel) 20 Lel, Handsome Lel (Chorus Of Girls/Snow Maiden) Total Time: 63'55 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRa & CHORUS / STOYAN ANGELOV CD 14: THE SNOW MAIDEN - (PART 2) OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij 1 Scene 2. Arietta: Ah, How I Suffer (Snow Maiden) 2 Scene 3. The Snow Maiden Is All Alone (Kupava/Snow Maiden) 3 Scene 4. Wedding Ritual: Young Maidens, Dear Friends (Kupava/ Misgir/Chorus Of Girls) 4 Scene 5. Without Lel, The Snow Maiden Will Be Sad (Kupava/Misgir/ Snow Maiden/Cottager & Wife/Lel) 5 Scene 6. Friends, Aid Me In My Distress (Kupava/Lel/Misgir/Chorus) Act Two 6 Introduction (Orchestra) 7 Scene 1. The Vibrant Tone Of The Gusli (Chorus Of Blind Psalteries) 8 Scene 2. O Beloved Tsar... (Bermyata/Tsar/Page) 9 Scene 3. Duet: O Tsar, My Father! (Kupava/Tsar) 10 Scene 4. Hark My Words, Valiant And Noble Gentlemen (First & Second Criers) 11 Ceremonial Procession Of Tsar Berendey (Orchestra) 12 Hymn (Berendeyans/Kupava/Lel/First & Second Criers/Chorus) 13 Scene 5. I Thank You! (Kupava/Tsar/Misigir/Bermyata/Chorus) 14 Scene 6. Cavatina: Nature Is Almighty (Tsar) 15 My Child... O Great Tsar 7'49 (Tsar/Snow Maiden/Bermyata/Lel/Chorus) 16 Final Chorus: Almighty, All-wise Tsar (Chorus) Total Time: 66'36 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRA & CHORUS / STOYAN ANGELOV CD 15: THE SNOW MAIDEN - (PART 3) OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij Act Three: 1 Scene 1. Dance And Song Of The Beaver: Ah, A Linden-tree Grows In The Field (Chorus/Snow Maiden/Lel/Cottager) What Merry Festivities! (Tsar) 2 Cavatina: The Happy Day Fades (Tsar) 3 Recitative: Another Amusement (Tsar) 4 Dance Of The Tumblers (Orchestra) 5 Lel's Third Song (Lel) 6 Recitative: Thank You, Handsome Lel... O Father, Tsar (Tsar/Snow Maiden/Chorus) 7 Scene 2. How Is It, Lel, That Your Heart Is So Cold? (Snow Maiden/Misgir) 8 Andantino: On A Warm Blue Sea (Misgir/Snow Maiden) Wait, Do Not Hurry! (Forest Spirit) 9 Transformation Of The Forest Spirit: All Night He Shall Pursue Her Shadow (Forest Spirit/Misgir) 10 Scene 3. At Last, I Find You (Lel/Kupava/Snow Maiden) Act Four 11 Introduction (Orchestra) 12 Scene 1. O Mother, My Eyes Are Full Of Tears (Snow Maiden/Spring Fairy) 13 Flowers Of The Springtide Dawn(Spring Fairy/Chorus Of Flowers) 14 Oh Mother, What A Miracle (Snow Maiden/Spring Fairy) 15 Scene 2. Duet: Wait, Wait For Me, Snow Maiden (Misgir/Snow Maiden) 16 Scene 3. Finale (Snow Maiden/Misgir/Tsar/Chorus) 17 Hymn Of Praise To The Sun-god Yarilo: Life-giving Yarilo (Chorus) Total Time: 78'46 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRA & CHORUS / STOYAN ANGELOV CD 16: MOZART AND SALIERI Op.48 Opera In One Act Libretto By Alexander Pushkin 1 Introduction 2 Scene 1 3 Scene 2 Total Time: 40'49 Mozart: ALEXEI MASLENNIKOV Salieri: EVGENY NESTERENKO BOLSHOI THEATRE SYMPHONY ORCHESTRA - GENNADY ROZHDESTVENSKY CD 17: THE NOBLEWOMAN VERA SHELOGA Op.54 - Opera In One Act Libretto By Rimsky-Korsakov After Lev Alexandrovich Mey 1 Overture (Orchestra) Scene 1 2 Look Boyarishnya, Dear, What A Fine String Of Beads! (Vlas'yevna) 3 Lullaby: Lulla, Lullaby, Lulla, Lulla... (Vera) Scene 2 4 Did Olenka Fall Asleep To Your Song (Nadezhda) 5 Who Is It, Then?... Do Not Ask, Nadezhda! (Nadezhda/Vera) 6 I Thought I Heard A Cuckoo... (Vera) Scene 3 7 Stop!... Were You Not Expecting Other Guests? (Vera/Boyar Sheloga) Total Time: 49'13 Vera: STEVKA EVSTATIEVA Nadezhda: ALEXANDRINA MILCHEVA Vlas'yevna: STEFKA MINEVA Boyar Sheloga: PETER BAKARDZHIEV Prince Tokmakov: DIMITER STANCHEV BULGARIAN RADIO SYMPHONY ORCHESTRA- STOYAN ANGELOV CD 18: THE TSAR'S BRIDE - OPERA IN FOUR ACTS Libretto: Il'ya Tyumenev After Lev Mey 1 Overture (Orchestra) Act One 2 Scene 1. Could I Somehow Forget (Gryaznoy) 3 Scene 2. Here Are My Guests! 4 Scene 3. Dear Host! May We Hear (Gryaznoy/Malyuta-Skuratov/Likov/Bomelius) 5 Song Of The Hops (Malyuta-Skuratov/Gryzanoy/Bomelius) 6 Scene 4. Hello, My Beautiful Child! (Gryaznoy/Malyuta-Skuratov/Lyubasha) 7 Scene 5. Bomelius... (Gryaznoy/Bomelius/Lyubasha) 8 Scene 6. What Do You Want? (Lyubasha/Gryaznoy) Act Two 9 Scene 1. There, The End Of The Vespers Has Arrived (Chorus) 10 Scene 2. How Calming This Autumn Evening Is (Marfa/Dunyasha/Petrovna) 11 Scene 3. Ah, What Is Wrong With Me, Why Am I Trembling So? (Marfa/Dunyasha/Likov/Sobakin) Total Time: 75'33 Marfa: EKATERINA KUDRIAVCHENKO Ivan Likov: ARKADY MISHENKIN Grigory Gryaznoy: VLADISLAV VERESTNIKOV Lyubasha: NINA TERENTIEVA Bomelius: VLADIMIR KUDRIASHOV Vasily Sobakin: PYOTR GLUBOKY Dunyasha: ELENA OKOLYSHEVA Saburova: IRINA UDALOVA Grigory Malyuta-Skuratov: NIKOLAI NIZIENKO Servant: NINA LARIONOVA Petrovna: TATIANA PECHURIA Coachman: VLADISLAV PASHINSKY Young Lad: YURI MARKELOV Sveshnikov Academic Choir - BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 19: THE TSAR'S BRIDE - (PART 2) OPERA IN FOUR ACTS Libretto: Il'ya Tyumenev After Lev Mey 1 Symphonic Intermezzo (Orchestra) 2 Scene 4. Finally, I Have Managed To Find His Turtledove! (Lyubasha/Bomelius) 3 Scene 5. Ah, My God Forgive Me, Grigory! (Lyubasha/Likov/Sobakin/Bomelius) Act Three 4 Prelude (Orchestra) 5 Scene 1. I Must Thank God, Ivan Sergeyevich! (Likov/Gryaznoy/Sobakin) 6 Scene 2. Tell Me, Please, What Would You Do (Likov/Gryaznoy) 7 Scene 3. My Good Friends, Taste This Wine! (Likov/Gryaznoy/Sobakin/Saburova) 8 Dunishia Pleases The Prince? Not Possible! (Lyubasha/Bomelius) 9 Scenes 4 & 5. This Glass Is For You (Marfa/Dunyasha/Likov/Gryaznoy/Sobakin) Act Four 10 Prelude & Scene 1. A Long Sleep Will Restore The Strength (Sobakin/Saburova/Servant/Coachman) 11 Scene 2. Receive My Prayers, Powerful Boyar (Sobakin/Gryaznoy/Marfa/Saburova/Dunyasha) 12 Ah! (Marfa/Gryaznoy/Dunyasha/ Saburova/Sobakin) 13 Come To The Garden, Ivan Sergeyevich (Marfa) 14 Scene 3. No, No, This Is Enough (Gryaznoy/Lyubasha/Marfa/Malyuta-Skuratov/Saburova) Total Time: 70'41 Marfa: EKATERINA KUDRIAVCHENKO Ivan Likov: ARKADY MISHENKIN Grigory Gryaznoy: VLADISLAV VERESTNIKOV Lyubasha: NINA TERENTIEVA Bomelius: VLADIMIR KUDRIASHOV Vasily Sobakin: PYOTR GLUBOKY Dunyasha: ELENA OKOLYSHEVA Saburova: IRINA UDALOVA Grigory Malyuta-Skuratov: NIKOLAI NIZIENKO Servant: NINA LARIONOVA Petrovna: TATIANA PECHURIA Coachman: VLADISLAV PASHINSKY Young Lad: YURI MARKELOV Sveshnikov Academic Choir - BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 20: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA Opera In Four Acts Libretto: Vladimir Belsky Act One: 1 Introduction: In Praise Of The Wilderness 2 Ah, You Forest, My Forest, Beautiful Wilderness (Fevroniya) 3 Oh Lord, What Is The Meaning Of This? (Prince Vsevolod/Fevroniya) 4 Whose Child Are You? Where Have You Come From? (Prince Vsevolod/Fevroniya) 5 Tell Me, Fair Maiden, Do You Go To Pray In God's Church? (Prince Vsevolod/Fevroniya) 6 Well Spoken, Fair Maiden! (Prince Vsevolod/Fevroniya) 7 Hail To Thee, Lips Of Honey (Prince Vsevolod/Fevroniya) 8 As Soon As The Marksmen Came Out Into The Open Field (Chorus/Prince Vsevolod/Fevroniya/Poyarok) Act Two: 9 Show Them, Mikhaylushka, Show Them Playful Bear (Bear Leader/Chorus/ Gusli Player/Well-off People) 10 So What Is That To Us? (Kuterma/ Well-off People/Chorus) 11 Hey Lads! I Can Hear Some Bells (Chorus/Poyarok/Well-off People) 12 Get Away, Clear Off, You Dog! (Chorus/Fevroniya/Poyarok/Kuterma) 13 Over The Bridges Of Guelder-tree (Chorus) 14 Gayda! Gay! Gayda! (Tatars/Bedyay/ Burunday/Chorus/Kuterma/Fevroniya) 15 Gayda! Gay! Stop, You Godless Heathens (Chorus/Kuterma) Total Time: 65'48 Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN CD 21: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA (PART 2) Opera In Four Acts Libretto: Vladimir Belsky Act Three: 1 Scene 1. Good Fortune To You, Citizens Of Kitezh (Poyarok/Chorus/Prince Vsevolod) 2 Oh Glory, Vain Wealth! (Prince Yury) 3 Wondrous Queen Of Heaven, Our Holy Protectress! (Poyarok/Prince Yury/ Chorus/Page) 4 Kitezh Looted And Us Taken Alive As A Tribute (Prince Yury/Chorus/Prince Vsevolod) 5 What Are We Standing About For, Sisters? (Chorus/Page/Prince Yury/ Poyarok) 6 Entr'acte To The Second Scene: The Battle Near Kerzhenets 7 Scene 2. Here Is The Oak Grove, And Here Is The Lake (Kuterma/Burunday/Bedyay/Chorus) 8 Oh, You Tartar Murzas! I Don't Need The Gold Or Silver (Burunday/Bedyay/Chorus) 9 Ah, My Dear Husband, My Hope! (Fevroniya) 10 Hear Me, Maiden... Lovely Princess! (Kuterma/Fevroniya) 11 Go, Servant Of The Lord! (Fevroniya/Kuterma/Chorus) Total Time: 62'36 Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN CD 22: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA (PART 3) Act Four: 1 Scene 1. Oh, I Can't Go On, Grishenka (Fevroniya/Kuterma) 2 Earth, Our Merciful Mother! (Fevroniya/Kuterma) 3 Grishenka!... He Will Not Listen (Fevroniya) 4 The Free Birds Are Toning Up Their Voices (Fevroniya/Voice Of Alkonost) 5 Is That You, Radiant Light Of My Eyes? (Fevroniya/Ghost) 6 The Bridegroom Has Come (Voice Of Sirin/Fevroniya/Ghost) 7 Entr'acte To The Second Scene 8 Scene 2. The Doors Of Paradise Have Opened For You (Alkonost/Sirin/Chorus) 9 Radiant Kingdom! O God! (Fevroniya/Chorus/Prince Vsevolod) 10 May The Grace Of God Be With You! (Prince Yury/Fevroniya/Prince Vsevolod/ Sirin/Alkonost) 11 Stay With Us Here For Ever More (Chorus/Fevroniya/Sirin/Alkonost/Prince Vsevolod/Prince Yury) 12 Grishenka, Even Though You Are Feeble In Mind (Fevroniya/Poyarok/Prince Yury/Chorus) Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN ROMANCES 13 The Rainy Day Has Waned Op.51 No.5 Pushkin 14 The Clouds Begin To Scatter Op.42 No.3 Pushkin 15 Oh, If Thou Couldst For One Moment Op.39 No.1 Tolstoy 16 Not The Wind, Blowing From The Heights Op.43 No.2 Tolstoy 17 The Octave Op.45 No.3 Maykov 18 The Messenger Op.4 No.2 Heine 19 The Upas Tree Op.49 No.1 Pushkin Total Time: 78'41 Ivan Petrov Bass - S. Stuchevsky Piano CD 23: THE GOLDEN COCKEREL - OPERA IN A PROLOGUE, THREE ACTS AND AN EPILOGUE Libretto By Vladimir Belsky After Alexander Pushkin Prologue: 1 Introduction: I Am The Master Magician (Astrologer) Act One: 2 The King's Monologue: I Have Summoned You Here (King Dodon) 3 Guidon's Plan: Great Father (Guidon/King Dodon/Chorus Of Boyars) 4 Afron's Plan (King Dodon/Boyars/Afron/Polkan/Guidon) 5 Hail, Majesty! Sire! (Astrologer) Oh, That's A Fairy Tale! (King Dodon/The Golden Cockerel) 6 Cock-a-doodle-do! The Coast Is Clear - The Parrot Scene (The Golden Cockerel/King Dodon/Amelfa) 7 Dodon's Siesta - Cock-a-doodle-do! Beware! (Chorus Of The People/Amelfa/The Golden Cockerel) Our King! Father Of The People! (Polkan/King Dodon/Afron/Chorus Of Boyars/Guidon) 8 King Dodon's Dream (The Golden Cockerel/King Dodon/Amelfa/Chorus) 9 The Cockerel's Sccene: Cock-a-doodle-do!... Oh! What Misfortune! (The Golden Cockerel/Chorus Of The People/Polkan/King Dodon) Total Time: 46'17 King Dodon: NIKOLAI STOILOV Prince Guidon: LYUBOMIR BODOUROV Afron: EMIL UGRINOV Polkan: KOSTA VIDEV Astrologer: LYUBOMIR DYAKOVSKI Queen Of Shemakha: ELENA STOYANOVA The Golden Cockerel: YAVORA STOILOVA Amelfa: EVGENIA BABACHEVA / SOFIA NATIONAL OPERA ORCHESTRA / DIMITER MANOLOV CD 24: THE GOLDEN COCKEREL - (PART 2) OPERA IN A PROLOGUE, THREE ACTS AND AN EPILOGUE Libretto By Vladimir Belsky After Alexander Pushkin Act Two: 1 Soldiers' Chorus: The Silent Night Is Whispering Fearful Things (Chorus Of Soldiers) What Terrible Sight Is This? - Behold, A Tent! (King Dodon/Polkan/Chorus Of Soldiers) 2 The Queen Of Shemakha's Entrance: Hail, O Ray Of Morning Sun (Queen Of Shemakha/King Dodon/Polkan) 3 Whose Heart Rich In Love (Queen Of Shemakha/King Dodon) 4 Dance Of The Queen Of Shemakha: At First I Shall Dance With A Lowered Veil (Queen Of Shemakha/King Dodon) 5 Sisters, Who Limps Beside The Resplendent Beauty? (Chorus Of Slaves) Ho! Polkan! Sound The Trumpets In Victory (King Dodon/Chorus Of Soldiers) 6 It Is Terrible, Brothers (Chorus Of The People/Amelfa) 7 Who Is That Stranger Standing There? (Queen Of Shemakha/King Dodon) Great King, It Is I (Astrologer) 8 King Dodon's Death: Ha, Ha, Ha! (Queen Of Shemakha) I've Beaten Him To Death (King Dodon/The Golden Cockerel/Chorus Of The People) Epilogue: 9 There, My Story's Ended! (Astrologer) Total Time: 72'24 King Dodon: NIKOLAI STOILOV Prince Guidon: LYUBOMIR BODOUROV Afron: EMIL UGRINOV Polkan: KOSTA VIDEV Astrologer: LYUBOMIR DYAKOVSKI Queen Of Shemakha: ELENA STOYANOVA The Golden Cockerel: YAVORA STOILOVA Amelfa: EVGENIA BABACHEVA / SOFIA NATIONAL OPERA ORCHESTRA / DIMITER MANOLOV CD 25: Historical Recordings SYMPHONY NO.3 IN C Op.32 1 I. Moderato Assai - Allegro 12'51 2 II. Scherzo: Vivo 6'01 3 III. Andante 8'22 4 IV. Allegro Con Spirito 6'18 SCHEHERAZADE Op.35 'Symphonic Suite After A Thousand And One Nights' 5 I. The Sea And Sinbad's Ship 10'09 6 II. The Story Of The Kalendar Prince 11'43 7 III. The Young Prince And The Young Princess 10'53 8 IV. Festival At Baghdad - The Sea - Shipwreck - Conclusion 11'16 Total Time: 77'38 USSR State TV And Radio Symphony Orchestra - Gennady Rozhdestvensky (1-4) David Oistrakh Violin - Bolshoi Theatre Symphony Orchestra - Nikolai Golovanov (5-8

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Fairy Queen - 2839779583

55,99 zł

Fairy Queen Harmonia Mundi

Muzyka>Klasyczna

1. Prelude 2. Hornpipe 3. Air 4. Rondeau 5. Overture 6. Come, Let Us Leave The Town 7. Fill Up The Bowl 8. First Act Tune: Jig 9. Come All Ye Songsters 10. Prelude 11. May The God Of Wit Inspire 12. Echo 13. Now Join Your Warbling Voices All, Sing While We Trip It 14. See, Even Night Herself Is Here 15. I Am Come To Lock All Fast 16. One Charming Night Gives More Delight 17. Dance Of The Followers Of Night 18. Second Act Tune: Air 19. If Love's A Sweet Passion 20. Symphony While The Swans Come Forward 21. Dance For The Fairies 22. Dance For The Green Men 23. Ye Gentle Spirits Of The Air 24. Dialogue Between Coridon And Mopsa 25. When I Have Often Heard Young Maids Complaining 26. Dance For The Haymakers 27. A Thousand, Thousand Ways 28. Third Act Tune: Hornpipe 101. Symphony 102. Now The Night Is Chased Away - Let The Fifes And The Clarions 103. Entry Of Phoebus 104. When A Cruel Long Winter - Hail! Great Parent Of Us All 105. Thus The Ever Grateful Spring 106. Here's The Summer, Sprightly, Gay 107. See, See My Many Colour'd Fields 108. Next Winter Comes Slowly 109. Fourth Act Tune: Air 110. Prelude 111. Thrice Happy Lovers 112. O Let Me Weep! 113. Entry Dance 114. Symphony 115. Thus The Gloomy World 116. Thus Happy And Free 117. Yes, Daphne 118. Monkey's Dance 119. Hark! How All Things With One Sound Rejoice 120. Hark! The Echoing Air A Triumph Sings 121. Sure The Dull God Of Marriage Does Not Hear 122. Prelude - See, I Obey 123. Turn The Thine Eyes 124. My Torch Indeed Will From Such Brightness Shine 125. They Shall Be As Happy As They Are Fair 126. Chaconne 127. They Shall Be As Happy As They Are Fair

Sklep: Gigant.pl

Year in London - 2854216271

50,23 zł

Year in London SURVIVAL BOOKS

Książki / Literatura obcojęzyczna

Welcome to A Year in London, an exhaustive guide to 365 days in the most exciting, inspiring, beguiling, engaging city in the world! London is a vast, sprawling collage of a city that's like no other, with so much to thrill, fascinate, divert and intrigue you. What began as a Roman trading port 2,000 years ago has swallowed up a thousand villages, hamlets and settlements, and now covers an area of more than 600 square miles with a population of over 8 million. London wasn't planned as a grand design but evolved piecemeal over many centuries to become what it is today: a chaotic and haphazard ever-changing metropolis with a wealth of attractions, both ancient and modern. London is a world leader in many fields, including architecture, art, business, design, fashion, film, gastronomy, music, publishing, shopping, sport, theatre, television and much more. It's also (officially) the world's most cosmopolitan and racially diverse city, which adds immeasurably to its cultural and culinary wealth (in London you can literally eat your way around the world). Its social scene is a lot like the city itself - vibrant, diverse and in a constant state of flux - blending traditional and cutting-edge, world-class and run-of-the-mill, brilliant and bizarre, grimy and glorious. Above all, London is a cool city that doesn't take itself too seriously. London is also the world's leading tourist destination - attracting over 30 million visitors a year - with more world-class attractions than any other city: fascinating museums and galleries; beautiful parks and gardens; majestic palaces and grand houses; superb restaurants and bars; innovative theatre, cinema and comedy; pioneering music and dance; and much more. While A Year in London doesn't neglect the star attractions, it also takes you off the beaten track to many lesser-known but no less worthy places - the 'secret' hidden corners beloved by long-time Londoners. Whether your idea of a good time is a stroll around an art gallery or a frenzied dance at a hip nightspot, an evening at the theatre or a night in a pub downing pints of real ale, you'll find it in London. Whether you're nine or 90, a drinker or a thinker, gay or straight, night owl or early bird - you'll never lack things to do in this charismatic capital. From refined to hair-raising, laid-back to frantic, arty to artless, we've included activities that will add a bit of spice to anyone's life. The variety and number of London's leisure opportunities is boundless - conservative estimates put it at over 1,500 events every week - and A Year in London can only provide a snapshot of the possibilities. Nevertheless, we've tried to include something for everyone - singles and couples, families and kids, the young and young at heart, and everyone in between. There are two suggestions for every day of the year - contrasting or complementary - adding up to around 750 activities, so there's no shortage of inspiration. As the great man of letters Samuel Johnson famously said, "When a man is tired of London, he is tired of life; for there is in London all that life can afford", a sentiment that's even more relevant today than when Johnson voiced it in 1777. In London there's always something new, unexpected or unexplored to capture your imagination and fire your enthusiasm. So when you're seeking something to prise you off the sofa on a Sunday afternoon or a diversion to keep the kids amused, entertaining an out-of-town friend or trying to impress a special date, you're bound to find something interesting to do in London. All you need is a sense of adventure, an open mind - and this book!

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Party Classics Top 100 - 2845970526

134,99 zł

Party Classics Top 100 Universal Music

Muzyka>Pop

1. Barry White - You're The First, The Last, My Everything 2. The Pointer Sisters - I'm So Excited 3. Clouseau - En Dans 4. Simple Minds - Don't You (Forget About Me) 5. Unlimited - No Limit 6. Village People - Y.m.c.a. 7. Dr. Alban - Sing Hallelujah 8. Melissa Etheridge - Like The Way I Do 9. Earth, Wind & Fire And The Emotions - Boogie Wonderland 10. Billy Paul - Your Song 11. Soulsisters - The Way To Your Heart 12. Gloria Estefan - Conga 13. 2 Belgen - Lena 14. Chick - Le Freak 15. The Communards - Don't Leave Me This Way 16. Shakira - Waka Waka (This Time For Africa) 17. Snap! - Rhythm Is A Dancer 18. Aha - Take On Me 19. The Kinks - Lola (Live) 20. Kiss - I Was Made For Lovin' You 101. Aretha Franklin - Think 102. Sister Sledge - We Are Family 103. Faithless - God Is A Dj 104. James Brown - Sex Machine 105. Iggy Pop - Lust For Life 106. Cyndi Lauper - Girls Just Want To Have Fun 107. John Denver - Thank God I'm A Country Boy 108. Alcazar - Crying At The Discoteque 109. Dolly Dots - Love Me Just A Little Bit More 110. Bat Kaell - Zeil Je Voor Het Eerst 111. Kenny Loggins - Footloose 112. New Order - Blue Monday 113. The Temptations - Papa Was A Rollin' Stone 114. Nena - 99 Luftballons 115. Tc Matic - Oh La La La 116. Robbie Williams - Rock Dj 117. Adamski Feat. Seal - Killer 118. Tom Jones With Mousse T. - Sexbomb 119. Liquido - Narcotic 120. Frans Bauer - Heb Je Even Voor Mij 201. Technotronic - Pump Up The Jam 202. Dan Hartman - Relight My Fire 203. The Human League - Don't You Want Me 204. Billy Ocean - Love Really Hurts Without You 205. Orchestral Manoeuvres In The Dark - Enola Gay 206. Natalia - I've Only Begun To Fight 207. Lionel Richie - All Night Long (All Night) 208. Europe - The Final Countdown 209. Alana Dante - Take Me For A Ride 210. Patrick Hernandez - Born To Be Alive 211. Art Of Noise Feat. Tom Jones - Kiss 212. Culture Club - Karma Chameleon 213. Safri Duo - Played-a-live (The Bongo Song) 214. Tom Waes - Dos Cervezas 215. Duran Duran - The Reflex 216. Kc & The Sunshine Band - That's The Way (I Like It) 217. Lipps Inc. - Funkytown 218. Doe Maar - Sinds 1 Dag Of 2 (32 Jaar) 219. Roxette - The Look 220. The Jacksons - Can You Feel It 301. The Black Eyed Peas - I Gotta Feeling 302. Jermaine Jackson Ft. P. Zadora - When The Rain Begins To Fal 303. Chubby Checker - The Twist 304. Anouk - Girl 305. Hot Chocolate - You Sexy Thing 306. Cheap Trick - I Want You To Want Me (Live) 307. Golden Earring - Radar Love 308. Diana Ross - Upside Down 309. Michel Delpech - Pour Un Flirt 310. Sugerhill Gang - Rapper's Delight 311. Shocking Blue - Venus 312. Zz Top - Gimme All Your Lovin' 313. Righeira - Vamos A La Playa 314. Lou Bega - Mambo No 5 (A Little Bit Of...) 315. Rob De Nijs - Banger Hart 316. Electric Light Orchestra - Don't Bring Me Down 317. Falco - Rock Me Amadeus 318. Boney M - Belfast 319. Los Lobos - La Bamba 320. Marco Borsato - Rood 401. The Bangles - Walk Like An Egyptian 402. The Trammps - Disco Inferno 403. The Scene - Blauw 404. Gloria Gaynor - I Will Survive 405. Kool & The Gang - Celebration 406. Meat Loaf - Paradise By The Dashboard Light 407. The Romantics - What I Like About You 408. De Kreuners - Ik Wil Je 409. Mc Hammer - U Can't Touch This 410. Paul Young - Love Of The Common People 411. Frankie Goes To Hollywood - Relax 412. Survivor - Eye Of The Tiger 413. Los Del Rio - Macarena 414. Anita Meyer - Why Tell Me Why 415. Cher - Believe 416. Alphabeat - Fascination 417. Britney Spears - Baby One More Time 418. Wham - Wake Me Up Before You Go Go 419. Ike & Tina Turner - Nutbush City Limits 420. Sam Sparro - Happiness (The Magician Remix)

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Owen Meredith - Lucile - 2859223649

142,29 zł

Owen Meredith - Lucile Books LLC, Reference Series

Książki / Literatura obcojęzyczna

Excerpt: ... sense of silence, and horror, and distance: A strange sort of faint-footed fear,-like a mouse That comes out, when 'tis dark, in some old ducal house Long deserted, where no one the creature can scare, And the forms on the arras are all that move there. In Rome,-in the Forum,-there open'd one night A gulf. All the augurs turn'd pale at the sight. In this omen the anger of Heaven they read. Men consulted the gods: then the oracle said:- "Ever open this gulf shall endure, till at last That which Rome hath most precious within it be cast." The Romans threw in it their corn and their stuff, But the gulf yawn'd as wide. Rome seem'd likely enough To be ruin'd ere this rent in her heart she could choke. Then Curtius, revering the oracle, spoke: "O Quirites! to this Heaven's question is come: What to Rome is most precious? The manhood of Rome." He plunged, and the gulf closed. The tale is not new; But the moral applies many ways, and is true. How, for hearts rent in twain, shall the curse be destroy'd? 'Tis a warm human one that must fill up the void. Through many a heart runs the rent in the fable; But who to discover a Curtius is able? XVII. Back she came from her long hiding-place, at the source Of the sunrise; where, fair in their fabulous course, Run the rivers of Eden: an exile again, To the cities of Europe-the scenes, and the men, And the life, and the ways, she had left: still oppress'd With the same hungry heart, and unpeaceable breast. The same, to the same things! The world she had quitted With a sigh, with a sigh she re-enter'd. Soon flitted Through the salons and clubs, to the great satisfaction Of Paris, the news of a novel attraction. The enchanting Lucile, the gay Countess, once more, To her old friend, the World, had reopen'd her door; The World came, and shook hands, and was pleased and amused With what the World then went away and abused. From the woman's fair fame it in naught could detract: 'Twas the...

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Gry i konsole / Gry na konsole / Gry PlayStation3

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