krainaksiazek god is pro choice 20111074

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The Britten - Pears Collect - 2839302249

399,99 zł

The Britten - Pears Collect Decca


1. Peter Grimes, Op.33 (Original Version) 2. Britten, Benjamin - Peter Grimes! (Prologue) 3. Britten, Benjamin - Peter Grimes, I Here Advise Y 4. Britten, Benjamin - The Truth...the Pity... (Pro 5. Britten, Benjamin - Interlude I: On The Beach (Pro 6. Britten, Benjamin - Oh, Hang At Open Doors (Act 7. Britten, Benjamin - Hi! Give Us A Hand (Act 1) 8. Britten, Benjamin - The Carter Goes From Pub To Pu 9. Britten, Benjamin - Look, The Storm Cone! (Act 1 10. Britten, Benjamin - Interlude Ii: The Storm (Act 1 11. Britten, Benjamin - Past Time To Close! (Act 1) 12. Britten, Benjamin - Get The Brandy, Aunt! (Act 1) 13. Britten, Benjamin - Old Joe Has Gone Fishing (Ac 14. Britten, Benjamin - The Bridge Is Down, We Half S 15. Britten, Benjamin - Interlude Iii: Sunday Morning 16. Britten, Benjamin - Glitter Of Waves (Act 2) 17. Britten, Benjamin - Child, You're Not Too Young To 18. Britten, Benjamin - Fool To Let It Come To This! 19. Britten, Benjamin - We Planned That Their Lives 20. Britten, Benjamin - Swallow! Shall We Go (Act 2) 21. Britten, Benjamin - From The Gutter (Act 2) 22. Britten, Benjamin - Interlude Iv: Passacaglia (Act 23. Britten, Benjamin - Go There! (Act 2) 24. Britten, Benjamin - Peter Grimes! Nobody Here? ( 25. Britten, Benjamin - Interlude V: Evening (Act 3) 26. Britten, Benjamin - Assign Your Prettiness To Me 27. Britten, Benjamin - Is The Boat In? (Act 3) 28. Britten, Benjamin - Mr.swallow! (Act 3) 29. Britten, Benjamin - Interlude Vi: Fog (Act 3) 30. Britten, Benjamin - Grimes! Grimes! (Act 3) 31. Britten, Benjamin - To Those Who Pass The Borough 32. Not Applicable - Britten: Peter Grimes - Closing C 101. Not Applicable - Britten: Billy Budd - Opening Cre 102. Billy Budd - Opera In 2 Acts, Op.50 (Original Vers 103. Britten, Benjamin - I Am An Old Man (Act 1) 104. Britten, Benjamin - Pull, My Bantams! (Act 1) 105. Britten, Benjamin - Boat Ahoy! (Act 1) 106. Britten, Benjamin - I Heard, Your Honour! (Act 1) 107. Britten, Benjamin - Christ, The Poor Chap! (Act 1) 108. Britten, Benjamin - Boy! My Compliments To Mr. Red 109. Britten, Benjamin - Any Danger Of French Notions S 110. Britten, Benjamin - We Are, Sir. Claggart Is An Ab 111. Britten, Benjamin - Land On The Port Bow, Sir (Act 112. Britten, Benjamin - Blow Her Away, Blow Her To Hil 113. Britten, Benjamin - Come Along Dansker & Sing (Act 114. Britten, Benjamin - O Beauty, Handsomeness Goodnes 115. Britten, Benjamin - Come Here. Remember Your Promi 116. Britten, Benjamin - Billy! Hist! Billy Budd! (Act 117. Britten, Benjamin - Dansker, Old Friend, Glad To S 118. Britten, Benjamin - I Don't Like The Look Of The M 119. Britten, Benjamin - This Is Our Moment (Act 2) 120. Britten, Benjamin - There You Are Again, Master-at 121. Britten, Benjamin - O This Cursed Mist (Act 2) 122. Britten, Benjamin - Claggart, John Claggart, Bewar 123. Britten, Benjamin - The Mists Have Cleared (Act 2) 124. Britten, Benjamin - William Budd, You Are Accused 125. Britten, Benjamin - I Accept Their Verdict (Act 2) 126. Britten, Benjamin - Look! Through The Port (Act 2) 127. Britten, Benjamin - Here! Baby! Dansker, Old Frien 128. Britten, Benjamin - Interlude (Act 2) 129. Britten, Benjamin - According To The Articles Of W 130. Britten, Benjamin - We Committed His Body To The D 131. Not Applicable - Britten: Billy Budd - Closing Cre 201. Owen Wingrave, An Opera In 2 Acts, Op.85 (Original 202. Britten, Benjamin - Prelude (Act 1) 203. Britten, Benjamin - You've Got Your Maps There? (A 204. Britten, Benjamin - Is It? Is Glory Everything? (A 205. Britten, Benjamin - Oh! I Thought I Knew Them All 206. Britten, Benjamin - Interlude 1 (Act 1) 207. Britten, Benjamin - At Last It's Out (Act 1) 208. Britten, Benjamin - Interlude 2 . ..war Is The Sta 209. Britten, Benjamin - Your Sherry, Mrs. Coyle (Act 1 210. Britten, Benjamin - Owen, You Can't Mean It (Act 1 211. Britten, Benjamin - Interlude 3 (Act 1) 212. Britten, Benjamin - Oh, How Unforeseen (Act 1) 213. Britten, Benjamin - & Now To Face Them (Act 1) 214. Britten, Benjamin - Sirrah! How Dare You! (Act 1) 215. Britten, Benjamin - Coyle, I Wish I Had Not Come ( 216. Britten, Benjamin - Ah! Owen (Act 1) 217. Britten, Benjamin - Interlude 4 (Act 1) 218. Britten, Benjamin - May God Bless The Queen (Act 1 219. Britten, Benjamin - There Was A Boy, A Wingrave Bo 220. Britten, Benjamin - They Called For Him To Toll Th 221. Britten, Benjamin - I Envy You, This Fine Old Hous 222. Britten, Benjamin - Aha! (Act 2) 223. Britten, Benjamin - It's Over, I'm Disinherited (A 224. Britten, Benjamin - & With His Friend Young Lechme 225. Britten, Benjamin - Now You May Save Your Scornful 226. Britten, Benjamin - Ah, Owen, What Shall I Do? (Ac 227. Britten, Benjamin - Is That You, Coyle? (Act 2) 228. Britten, Benjamin - Ah, Owen, Owen You've Gone (Ac 229. Extracts From Music Now 230. Not Applicable - The Place Is Snape, In Suffolk... 231. Not Applicable - Colin, Would It Be Possible For Y 232. Not Applicable - Peter, You're Multi-parted In Thi 233. Not Applicable - Ben, What Was It That First Attra 301. Not Applicable - Gay/britten: The Beggar's Opera - 302. The Beggar's Opera (Realised By Benjamin Britten) 303. John Gay - If Poverty Be A Title To Poetry (Prolog 304. John Gay - Overture (Prologue) 305. John Gay - Through All The Employments Of Life (Ac 306. John Gay - 'Tis Woman Seduces All Mankind (Act 1) 307. John Gay - A Register Of The Gang (Act 1) 308. John Gay - Women Are Bitter Bad Judges...if Any We 309. John Gay - Yonder Comes My Husband...virgins Are L 310. John Gay - Our Polly Is A Sad Slut (Act 1) 311. John Gay - The Girl Shows...o Polly, You Might Hav 312. John Gay - What Is A Jointure...the Turtle Dove Th 313. John Gay - Now I Am A Wretch Indeed...pretty Polly 314. John Gay - My Heart Was So Free (Act 1) 315. John Gay - Sure, My Dear...were I Laid On Greenlan 316. John Gay - The Miser Thus A Shilling Sees (Act 1) 317. John Gay - But The Present Time Is Ours (Act 1) 318. John Gay - Fill Ev'ry Glass (Act 1) 319. John Gay - It's Now High Time...let Us Take The Ro 320. John Gay - If The Heart Of A Man (Act 1) 321. John Gay - Mrs Coaxer...youth's The Season Made Fo 322. John Gay - It's Your Own Choice...before The Barn- 323. John Gay - But To Be Sure, Sir...the Gamesters & L 324. John Gay - Constables, The Tree I Shall 325. John Gay - Noble Captain, You Are Welcome (Act 2) 326. John Gay - To See You Tortured...thus When A Good 327. John Gay - You Know, Lucy...the First Time At The 328. John Gay - Is Then His Fate Decreed, Sir? (Act 2) 329. John Gay - I Will Not! Happy Could I Be With 330. John Gay - Really, Miss Peachum, You Expose Yourse 331. John Gay - Why How Now, Madam Flirt? (Act 2) 332. John Gay - No Pow'r On Earth Can E'er Divide (Act 333. John Gay - To Be Sure, Wench (Act 3) 334. John Gay - Dear, Sir, Mention Not My Education...w 335. John Gay - Thus Gamesters United In Friendship (Ac 336. John Gay - Look Ye, Mrs. Jenny (Act 3) 337. John Gay - Slippery Sam...the Modes Of The Court ( 338. John Gay - Keep A Watchful Eye On Polly...what Gud 339. John Gay - In The Days Of My Youth (Act 3) 340. John Gay - Jealousy, Rage, Love & Fear...i'm Like 341. John Gay - A Curse Attends A Woman's Love (Act 3) 342. John Gay - Come, Sweet Lass, Let's Banish Sorrow ( 401. Not Applicable - Mozart: Idomeneo: Introduction 402. Idomeneo Kv 366 403. Mozart, Wolfgang Amadeus - Overture (English Versi 404. Idomeneo Kv 366 (English Version) 405. Mozart, Wolfgang Amadeus - When Will The Gods Have 406. Mozart, Wolfgang Amadeus - Bring The Trojan Captai 407. Mozart, Wolfgang Amadeus - These Are The Wretched 408. Mozart, Wolfgang Amadeus - Hear Me, My Lord (Act 1 409. Mozart, Wolfgang Amadeus - Ye Gods, Save Them!! (A 410. Mozart, Wolfgang Amadeus - Safe From The Storm At 411. Giovanni Battista Varesco - Ah, What Do I See? (Ac 412. Mozart, Wolfgang Amadeus - To Neptune Sing Praises 413. Not Applicable - Mozart: Idomeneo: Introduction, A 414. Idomeneo Kv 366 (English Version) 415. Mozart, Wolfgang Amadeus - Larghetto From K.367 - 416. Mozart, Wolfgang Amadeus - Come, My Gentle Princes 417. Mozart, Wolfgang Amadeus - Who Can Explain The Mea 418. Mozart, Wolfgang Amadeus - What Greater Joy Than T 419. Mozart, Wolfgang Amadeus - Prince, We Must Part No 420. Mozart, Wolfgang Amadeus - Oh, Portent O'erwhelmin 501. Not Applicable - Mozart: Idomeneo: Introduction, A 502. Idomeneo Kv 366 (English Version) 503. Mozart, Wolfgang Amadeus - Gentle Zephrs, Soft Car 504. Mozart, Wolfgang Amadeus - O Princess, Forgive Me 505. Mozart, Wolfgang Amadeus - What Do I See Here? (Ac 506. Mozart, Wolfgang Amadeus - My Lord, Outside The Ga 507. Mozart, Wolfgang Amadeus - Look Around Here, I Pra 508. Mozart, Wolfgang Amadeus - March - Great Neptune, 509. Mozart, Wolfgang Amadeus - The Hero Victorious Tri 510. Mozart, Wolfgang Amadeus - Idomeneo Shall Reign No 511. Mozart, Wolfgang Amadeus - Here Me Now (Act 3) 512. Mozart, Wolfgang Amadeus - God Of Love, Be Thou Am 513. Not Applicable - Mozart: Idomeneo: Closing Credits 601. Not Applicable - Schubert: Winterreise - Opening C 602. Winterreise D 911 603. Schubert, Franz - 1. Gute Nacht 604. Schubert, Franz - 2. Die Wetterfahne 605. Schubert, Franz - 3. Gefrorne Traenen 606. Schubert, Franz - 4. Erstarrung 607. Schubert, Franz - 5. Der Lindenbaum 608. Schubert, Franz - 6. Wasserflut 609. Schubert, Franz - 7. Auf Dem Flusse 610. Schubert, Franz - 8. Rueckblick 611. Schubert, Franz - 9. Irrlicht 612. Schubert, Franz - 10. Rast 613. Schubert, Franz - 11. Fruehlingstraum 614. Schubert, Franz - 12. Einsamkeit 615. Schubert, Franz - 13. Die Post 616. Schubert, Franz - 14. Der Greise Kopf 617. Schubert, Franz - 15. Die Kraehe 618. Schubert, Franz - 16. Letzte Hoffnung 619. Schubert, Franz - 17. Im Dorfe 620. Schubert, Franz - 18. Der Stuermische Morgen 621. Schubert, Franz - 19. Taeuschung 622. Schubert, Franz - 20. Der Wegweiser 623. Schubert, Franz - 21. Das Wirtshaus 624. Schubert, Franz - 22. Mut 625. Schubert, Franz - 23. Die Nebensonnen 626. Schubert, Franz - 24. Der Leiermann 627. Not Applicable - Schubert: Winterreise - Closing C 628. The Mock Marriage 629. Henry Purcell - Man Is For The Woman Made (Arr. Br 630. Britten, Benjamin - The Foggy Foggy Dew 631. Britten, Benjamin - O Waly Waly 632. Britten, Benjamin - Sweet Polly Oliver 633. Britten, Benjamin - Sally In Our Alley 634. Britten, Benjamin - Tom Bowling 635. Britten, Benjamin - The Lincolnshire Poacher 636. Britten, Benjamin - The Plough Boy 637. Britten, Benjamin - Oliver Cromwell 638. Peter Pears & Benjamin Britten Discuss Winterreise 639. Not Applicable - Fruehlingstraum (Original Version 640. Winterreise D 911 641. Schubert, Franz - 17. Im Dorfe 642. Peter Pears & Benjamin Britten Discuss Winterreise 643. Not Applicable - Der Leiermann (Original Version)


The Common Law - 2837116070

74,09 zł

The Common Law Dover Publications

Książki / Literatura obcojęzyczna

LECTURE I. EARLY FORMS OF LIABILITY. Object of the book Origin of Legal Procedure in the Composition for Vengeance "Subject of this Lecture, Indirect Liability for Servants, Animals &c." A. Mosaic Law B. Greek Law C. Roman Law (a.) Noxa deditio (b.) Personal Liability D. Early German Law E. AngloSaxon Law F. The Common Law: (a.) Master and Servant (b.) Animals (c.) Inanimate things Deodand the Ship and the Admiralty Law G. Conclusion LECTURE II. THE CRIMINAL LAW. A. Vengeance : (a.) As Source of the Criminal Law (b.) As one Object still B. Theories of Punishment : (a.) Reformation (b.) Retribution (c.) Prevention C. "Preventive Theory shows Penal Liability not measured by actual Blameworthiness alone, but by Nonconformity to external Standard based on what would be wrong in average Man" D. Murder Malice = Knowledge of Facts making the Conduct dangerous Exceptional Cases where Man must know at his Peril Murder and Manslaughter E. Manslaughter Provication F. "Malicious Mischief, why actual Malice" G. Arson H. Attempts Intent as making a harmful Result probable from Act otherwise innocent Limit to this I. Larceny is Attempt to deprive Man of his Property permanently K. Burglary Conclusion LECTURE III TORTS.-TRESPASS AND NEGLIGENCE. A. Introduction The Question Two Theories (a.) Liability confined to moral Shortcoming (b.) A Man acts at his Peril Neither sound B. Latter Theory considered : (a.) Argument for a. Analogy ß. Theory ?. Pleading d. Precedent (b.) Argument against a. Analogy ß. Principle and Policy "?. Trespasses upon Land, &c." d Pleading e. Precedent C. Negligence not Judged by personal or moral Standard D. Liability for unintended Harm is determined by what would be Blameworthy in average Man "i. e. by Standard external to the Individual, which tends to become more specific, and to take form of concrete Rules of Conduct" (a.) Process of Specification illustrated a. Statute ß. Decisions "?. Policy apart from Negligence, Rylands v. Fletcher" d Cattle (b.) Bailment (c.) "Evidence of Negligence" (d.) Function of Jury LECTURE IV. "FRAUD, MALICE, AND INTENT.-THE THEORY OF TORTS." Preliminaries A. Moral Element in Wrongs called Intentional : (a.) Deceit (b.) Slander (c.) Malicious Prsecution (d.) Conspiracy (e.) Trover B. Moral Standards adopted only so far as to give Opportunity to avoid inflicting Harm (a.) Some Harms may be done "Risk of others must be taken, but most Cases between these Extremes " (b.) Common Ground of Liability in Tort : Knowledge of Circumstances making conduct dangerous (c.) "What these Circumstances are, determined by Experience" (d.) Function of the Jury C. Examples in which the Circumstances which must be known have been worked out : Trespass to Property Fierce animals "Cattle, &c." "Slander, &c." D. Proximity of Choice to Harm complained of E. Summary of Law of Torts LECTURE V. THE BAILEE AT COMMON LAW. Law of Bailment is Test of theory of Possession A. Early German Law B. English Law after the Conquest closely resembles it (a.) Remedy for converted Chattels is possessory (b.) Transfer by Bailee binds Owner (c.) Inverted Explanation of Bailee's right of Action (d.) True Explanation that our Law regards him as Possessor (e.) Bailee answerable to Bailor if Goods are stolen C. Common Carriers. Survival of ancient Law (a.) "Under Elizabeth, Carriers like other Bailees" (b.) "Change from Detinue to Case introduces Allegation of Assumpsit or Common Calling, even where Ground of Liability is Bailment" (c.) The Custom of the Realm (d.) The Cases examined from Southcote's Case (A. D. 1601) to coggs v. Bernard (A. D. 1703) (Effect of Assumpsit and common Calling) (e.) Bailee's Liability diminished one Way increased another (f.) Public Enemy and the Act of God (g.) Meaning of Lord Holt's View as to Public Calling (h.) Later Changes (i.) Conclusion LECTURE VI. POSSESSION AND OWNERSHIP. A. Why protected B. Fact or Right ? C. Analysis of (a.) Power over Object (b.) Intent a. Criteria of Roman Law rejected ß. Intent to exclude ?. Servants. Digression as to Agents (c.) Power as to Third Persons D. Continuance of possessory Rights E. Possession of Rights F. Consequences of Possession (i. e. Nature of possessory Rights) G. Ownership LECTURE VII. CONTRACT. -I. HISTORY. A. Early Forms of Contract (a.) Promissory Oath (b.) Suretyship and Bail (c.) Debt (d.) Origin of Action B. Consideration (a.) Origin in Debt (b.) "Started from Procedure, and the Nature of the Cases for which the Secta or Witness Proof was provided" (c.) "Magna Charta required Secta for Parol Debts, and thus forbade suits for such Debts except within the traditional Limits of the secta" (d.) "Quid pro quo, Doctrine invented to fit existing Limits of Parol Debt, but applied to other Parol Contracts and in Equity" C. Covenants D. Assumpsit (a.) Transit from Tort on Contract on Ground of Defendant's having intermeddled (b.) New Doctrine of Consideration (c.) Later Influence of Assumpsit on the substantive Law LECTURE VIII. CONTRACT. C. Conditions as to making good the Representations or Undertakings contained in the Contract (a.) Regarding present Facts ; Warranties ; Void and Voidable (b.) Promises LECTURE X. SUCCESSIONS. -I. AFTER DEATH. -II. INTER VIVOS. The Problem, How are Rights or Obligations transferred, when the Facts from which they spring cannot be True of the Transferee (i.e. when the Situation of Fact is not a continuing one capable of Possession) ? It is by a fictitious Identification of the Transferee with his Transferror. I. Successions after Death A. The Executor (a.) The Roman Heir (b.) "The Executor a univeral Successor, "represents Person of Testator" B. The Heir (a.) "At first universal, then singular Successor, "represents Person of Ancestor" (b.) This Persona is the Estate II. Successions Inter Vivos. A. Standing in Seller's Shoes not a necessary Incident on Conveyance B. Early German and Anglo-Saxon Law; Alienability extended by Analogy of Inheritance C. "Roman Law ; Consequences of Identification of Heir with Ancestor extended to Buyer and Seller, to acquire prescriptive Right" D. English Law. Prescription E. Devise LECTURE XI. Successions. -II. INTERVIVOS. A. Warranty (a.) "Direct Benefit of, extended to Assign by Fiction that Assign was quasi Heres" (b.) "Analagy of, extended to modern Covenants for Title" B. Easement (a.) Roman Law (b.) English Law (c.) "The Type of Rights which pass, irrespective of Succession, upon a conflicting Principle" C. Rents (a.) "When Parcel of a Manor, like Easement" (b.) "But contractual Remedies for, only passed by Succession" D. "Prescriptive Rights analogous to Contract, which followed Law of Easement" E. Land bound to Warranty F. "Necessary Meeting and Conflict between Principle of B, C, D, and E and that of A (Succession), illustrated by the Cases" G. Modern Law ; (a.) "The Confusion as to "Covenants running with the Land" due to losing Sight of the Conflict, and to the Attempt to apply both Principles" (b.) Results H. "Other Cases of Successions : Uses, and Trusts"


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