krainaksiazek joy a play on the letter i 20093263
- znaleziono 96 produktów w 15 sklepach
Candy Man Blues 2CDCD 11. Missisippi John Hurt - Candy Man Blues2. Big Joe Williams - Highway 493. Muddy Waters - I Be's Troubled4. Robert Johnson - When You Got A Good Friend5. Lightin' Hopkins - Down Baby6. Bessie Smith - Lady Luck Blues7. Leadbelly - Good Morning Blues8. Muddy Waters - Country Blues9. John Lee Hooker - Stomp Boogie10. Big Joe Williams - Brother James11. Leadbelly - New York City12. Lightin' Hopkins - L.A. Blues13. Blind Boy Fuller, Sonny Terry - Train Whistle Blues14. Muddy Waters - Burr Clover Farm Blues15. John Lee Hooker - Alberta16. Billie Holiday - Guess Who17. Memphis Minnie - Frisco Town18. Muddy Waters - Country Blues #219. Ma Rainey - Stormy Sea Blues20. Arthur "big Boy" Crudup - Mean Old Frisco BluesCD 21. Muddy Waters - Little Geneva2. Billie Holiday - I'm A Low-down Groove3. John Lee Hooker - Please Don't Go4. Kokomo Arnold - Cryin' Blues5. Leadbelly - Death Letter Blues6. Peter Chatman - Beer Drikin Women7. Muddy Waters - Rollin' & Tumblin'8. T-bone Walker - Sail On Boogie9. Billie Holiday - Am I Blue10. Big Joe Williams - Stack 'o' Dollars11. Leadbelly - John Hardy12. Mississippi John Hurt - Frankie13. Lightin' Hopkins - Come Back Baby14. Arthur "big Boy" Crudup - Gonna Follow My Baby15. Bog Joe Williams - Peach Orchard Mama16. Robert Johnson - Stop Breakin' Down Blues17. Bessie Smith - Keeps On A Rainin'18. Ma Rainey - Toad Frog Blues19. John Lee Hooker - War Is Over (Goodbye California)20. Memphis Minnie - Me And My Chauffeur Blues ...
Christmas with Frank & BingCD 11. Jingle Bells2. O Come All Ye Faithful3. Have Yourself A Merry Little Christmas4. Mistletoe And Holly5. While The Angelus Was ringing6. Santa Claus Is Coming To Town7. Hark The Herald Angels Sing8. The Christmas Song9. Medley: O Little Town Of Bethlehem / Joy To The World / White Christmas10. Over The Rainbow11. Ave Maria12. Lets Start The New Year Right13. The Lord's Prayer14. Christmas Dreaming (A Little Early This Year)15. Light A Candle In The Chapel16. It Came Upon A Midnight Clear17. Winter Wonderland18. White ChristmasCD 21. White Christmas2. Adeste Fideles (O Come All Ye Faithful)3. Silver Bells4. Medley: Deck The Halls With Boughs Of Holly / Away In A Manger / O Little Town Of Bethlehem / The First Noel5. Silent Night6. Rudolph The Red-Nosed Reindeer7. God Rest Ye Merry Gentlemen8. Sleigh Ride9. I'll Be Home For Christmas10. Faith In Out Fathers11. Santa Claus Is Coming To Town (feat. The Andrews Sisters)12. Here Comes Santa Claus13. Happy Holidays14. Jingle Bells15. You're All I Want For Christmas16. The First Noel17. Twelve Days Of Christmas18. Let's Start The New Year Right ...
Christmas with Frank & BingCD 11. Jingle Bells2. O Come Alle Ye Faithful3. Have Yourself A Merry Little Christmas4. Mistletoe and Holly5. While The Angelus Was Ringing6. Santa Claus Is Coming To Town7. Hark The Herald Angels Sing8. The Christmas Song9. Medley: O Little Town Of Betlehem Joy To The World White Christmas10. Over The Rainbow11. Ave Maria12. Let's Start the New Year Right13. The Lord's Prayer14. Christmas Dreaming15. Light A Candle In the Chapel16. It Came Upon A Midnight Clear17. Winter Wonderland18. White ChristmasCD 21. White Christmas2. Adeste Fielis3. Silver Bells4. Medley: Deck the Halls with Bouhgs of Holly Away in a Manger O Little Twon of Bethelehem The First Noel5. Silent Night6. Rudoplh the Red Nosed Reindeer7. God Rest Ye Merry Gentlemen8. Sleigh Ride in July9. I'll be Home for Christmas10. Faith in our Fathers11. Santa Claus is coming to town12. Here Comes Santa Claus13. Happy Holiday14. Jingle Bells15. You're All I Want For Christmas16. The First Noel17. Twelve Days of Christmas18. Let's Start The New Year Right...
Książki Obcojęzyczne>Angielskie>Literature & literary studies>Plays, playscripts
I Sent a Letter to My Love Parthian Books
Książki / Literatura obcojęzyczna
Tells the story of Amy Evans' bold play for happiness, and her dangerous success.
Książki / Literatura obcojęzyczna
This title presents the life of "I'm Sorry I Haven't A Clue's Humphrey Lyttelton" - in his own words - and as heard on BBC Radio 4. Humph - bandleader, cartoonist, writer, chairman of BBC Radio 4's "I'm Sorry I Haven't A Clue", president of the Society for Italic Handwriting and doyen of jazz trumpeters. In conversation with June Knox-Mawer, Humphrey Lyttelton reflects on his extraordinary life; from schooldays at Eton and playing out Roll Out the Barrel outside Buckingham Palace on VE Day, to the formation of his band in 1948 and his emergence as 'the godfather of British jazz'. In his incredibly varied career he was a cartoonist for the "Daily Mail", a journalist for "Punch" and even formed his own record company. In this recording he shares his joy of music with his beloved humour. It's a wry, witty and wonderful story told in his characteristically urbane style and peppered with some of his own great jazz favourites.
Joy of Living (Es Lebe Das Leben) Forgotten Books
Książki / Literatura obcojęzyczna
Excerpt from The Joy of Living (Es Lebe Das Leben): A Play in Five Acts The translation of dramatic dialogue is attended with special difficulties, and these are peculiarly marked in translating from German into English. The German sentence carries more ballast than English readers are accustomed to, and while in translating narrative one may, by means of subordinate clauses, follow the conformation of the original, it is hard to do so in rendering conversation, and virtually impossible when the conversation is meant to be spoken on the stage. To English and American spectators the long German speeches are a severe strain on the attention, and even in a translation intended only for the "closet" a too faithful adherence to German construction is not the best way of doing justice to the original. Herr Sudermann's dialogue is more concise than that of many other German dramatists; yet in translation his sentences and speeches need to be divided and recast: to preserve the spirit, the letter must be modified. This is true not only of the construction of his dialogue but also of his forms of expression. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Letter from America Penguin
Powieści i opowiadania
When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except
Play The Hip Hits STAX
Muzyka>Rhythm & Blues / Soul
1. Baby, Scratch My Back 2. Harlem Shuffle 3. Hi-heel Sneakers 4. Downtown 5. I Was Made To Love Her 6. Georgia On My Mind 7. Wade In The Water 8. Fannie Mae 9. Day Tripper 10. You Left The Water Running 11. Every Beat Of My Heart 12. Ain't That Peculiar 13. You Can't Do That 14. Wang Dang Doodle 15. On A Saturday Night 16. The Letter 17. Oo Wee Baby, I Love You 18. Spoonful 19. I Hear A Symphony 20. You're So Fine 21. Raunchy 22. You Are My Sunshine 23. Soul Man 24. Gimme Some Lovin' 25. When Something Is Wrong With My Baby
I Hear Music: A Celebra. . Salvo/USM
1. Good Old Wagon Blues 2. Mop Mop 3. Second Eleven 4. Lightly Politely 5. Don't Blame Me 6. Easy Living 7. The Very Thought Of You 8. Mr. And Mississippi 9. Lush Life 10. Bopscotch 11. Leon Bismarck 12. The Slider 13. I Hear Music 14. Strictly Confidential 15. Younger Every Day 16. Bugle Call Rag 17. Perdido 18. Indiana 19. Memories Of You 101. Experiments With Mice 102. Firth Of Fourths 103. Don't Get Around Much Anymore 104. Royal Ascot 105. Tomorrow's World 106. African Waltz 107. Weller Never Did 108. Ghosts 109. Little Nell 110. 111. Madonna 112. Theme: Way With The Stars 113. Sagittarius 114. Modesty Blaise (Theme) 115. Darling (Theme) 116. All Gone (Theme From The Servant) 117. Fighting The Flab 118. Brass Roots (From Lifeline Suite) 119. Winter Scene 201. Let's Slip Away 202. You'll Answer To Me 203. You've Done Something To My Heart 204. It Was A Lover And His Lass 205. Shall I Compare Thee To A Summer's Day 206. O Tell Me The Truth About Love 207. Peel Me A Grape 208. Bill 209. If 210. Summertime 211. Bess, You Is My Woman 212. He Was Beautiful 213. I'm Gonna Sit Right Down And Write Myself A Letter 214. Just A-sittin' And A-rockin' 215. Walkin' Shoes 216. Thieving Boy 217. Born On A Friday 218. On A Clear Day 219. Ridin' High 220. Play It Again, Sam 301. Woman Talk 302. No One Is Alone 303. Son Of Sparky 304. Wond'rin' A Little 305. Emily 306. The Maggot 307. A Child Is Born 308. Around The Track 309. Jelly Mould Blues 310. Sinner's Rue 311. Once Upon A Time 312. Over Hill, Over Dale 313. Don't Mention It 314. Dreams Of Castilla 315. Los Cuatro Muleros
'I Hope I Don't Intrude' Oxford University Press
Książki / Literatura obcojęzyczna
'I Hope I Don't Intrude' takes its title from the catch-phrase of the eponymous hero of the 1825 play Paul Pry, which was an immense success on the London stage and then rapidly in New York and around the English-speaking world. It tackles the complex, multi-faceted subject of privacy in nineteenth-century Britain by examining the way in which the tropes, language, and imagery of the play entered public discourse about privacy in the rest of the century. The volume is not just an account of a play, or of late Georgian and Victorian theatre. Rather it is a history of privacy, showing how the play resonated through Victorian society and revealed its concerns over personal and state secrecy, celebrity, gossip and scandal, postal espionage, virtual privacy, the idea of intimacy, and the evolution of public and private spheres. After 1825 the overly inquisitive figure of Paul Pry appeared everywhere - in songs, stories, and newspapers, and on everything from buttons and Staffordshire pottery to pubs, ships, and stagecoaches - and 'Paul-Prying' rapidly entered the language. 'I Hope I Don't Intrude' is an innovative kind of social history, using rich archival research to trace this cultural artefact through every aspect of its consumer context, and using its meanings to interrogate the largely hidden history of privacy in a period of major transformations in the role of the home, mass communication (particularly the new letter post, which delivered private messages through a public service), and the state. In vivid and entertaining detail, including many illustrations, David Vincent presents the most thorough account yet attempted of a recreational event in an era which saw a decisive shift in consumer markets. His study casts fresh light on the perennial tensions between curiosity and intrusion that were captured in Paul Pry and his catchphrase. Giving a new account of the communications revolution of the period, it re-evaluates the role of the state and the market in creating a new regime of privacy. And its critique of the concept and practice of surveillance looks forward to twenty-first-century concerns about the invasion of privacy through new technologies.
Książki & Multimedia > Książki
Opis - Dzieje II Rzeczypospolitej zostały dokładnie opisane przez polskich historyków. Z reguły badania dotyczą spraw politycznych, gospodarczych czy wojskowych. Dominuje opis dokonań, sukcesów, natomiast unika się ukazywania "mroczniejszych" obszarów dziejów II RP. Czy nie jest to zacieranie prawdy historycznej? Przecież w dwudziestoleciu międzywojennym odnotowywano nie tylko sukcesy, ale zachodziła też wydarzenia prowadzące do osłabienia bezpieczeństwa Polski, zarówno zewnętrznego, jak i wewnętrznego. Zaliczyć do nich można próby zamachów stanu, brutalną walką polityczną o władzę, strajki i wystąpienia brutalnie pacyfikowane przez siły porządkowe, działania niezgodne z ustawą zasadniczą, próby siłowej polonizacji mniejszości narodowych. Mieliśmy do czynienia także z inspiracją zewnętrzną zjawisk kryzysowych ze strony sąsiadów. W publikacji m.in. z którymi nie do końca były uregulowane sprawy graniczne, rewizjonistycznych dążeń Niemców. Nazwa - Konflikty narodowe i wewnętrzne w II Rzeczypospolitej Autor - Lech Wyszczelski Oprawa - Twarda Wydawca - Bellona Kod ISBN - 9788311139435 Kod EAN - 9788311139435 Rok wydania - 2015 Język - polski Format - 13.0x20.0cm Ilość stron - 336 Podatek VAT - 5% Premiera - 2015-10-30
Książki & Multimedia > Książki
Opis - Na łamach tej książki, jej autor oficer-mechanik, od 39 lat pracujący na statkach morskich, z których ostatnich 23 spędził na jednostkach obcych bander, wprowadza Czytelników w zanikający już marynarski świat odległych, egzotycznych portów z ich specyficznym klimatem i znajdującymi się w nich tawernami i innymi przybytkami marynarskiej infrastruktury. Największymi jednak atutami książki są autentyczny, marynarski język, a także wierne oddanie atmosfery statku jako miejsca pracy, a przede wszystkim pływającego domu oraz problemów, filozofii życia, rozterek itp. jego mieszkańców " marynarzy. Zawarte w niej opowiadania, anegdoty, dialogi kipią nie tylko humorem, ale przede wszystkim skłaniają do zadumy, a nadto pełne są autentycznej morskiej wiedzy. Dodajmy, że opisywany przez Stanisława M. Szczepańskiego marynarski świat, jest już w zaniku. Dzisiaj uchował się on jedynie na niewielkich konwencjonalnych statkach, zawijających do małych, peryferyjnych portów. Tym większa chwała autorowi książki, że resztki tego specyficznego, marynarskiego klimatu, który przed laty był inspiracją dla wielu pisarzy " marynistów, stara się również dzisiaj zaprezentować Czytelnikom i uchronić od zapomnienia. Nazwa - Pikantne Zapiski z Tropików Kod EAN - 9788362022830 Wydawca - Pomorska Oficyna Podatek VAT - 5%
Everything I've Ever Learned About Love HAY HOUSE PUBLISHING
Książki / Literatura obcojęzyczna
Continuing on from Everything I've Ever Done that Worked, this work is a love letter to life in the form of a book about love. In this beautiful collection of memoirs, insights, anecdotes and observations, Lesley maps her lifelong personal relationship with Love. Everyone who reads this book will find their idea of love expanded and transformed. Through the prism of her own life, Lesley Garner reflects on the love of family, lovers, children, parents, friends, work, nature, art and landscape. She celebrates all love's moods, from agony and ecstasy, despair to joy. This is a book about her, but it is also a book about you. Read it and your awareness will be changed forever.
Kategorie > Srebrne i złote monety Euro
Seria: "Opowieści i legendy Austrii" Kraj: Austria Emitent: Narodowy Bank Austrii Producent: Mennica Austrii (Austrian Mint) Stan zachowania monety: I (menniczy) Nominał: 10 Euro (10
szukaj w Kangoo krainaksiazek joy a play on the letter i 20093263
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