krainaksiazek like water on stone 20129549

- znaleziono 42 produkty w 10 sklepach

Water Like a Stone - 2853632230

32,80 zł

Water Like a Stone PAN BOOKS

Kryminał. Literatura detektywistycznaPowieść zagraniczna

When Superintendent Duncan Kincaid takes his partner, Inspector Gemma James, and their sons Kit and Toby to his childhood home in Cheshire for Christmas, he hopes that they`ll be able to spend time together - as a family.

Sklep: Booknet.net.pl

Crossing the Water - 2837899079

50,97 zł

Crossing the Water Harper Collins

Książki / Literatura obcojęzyczna

Wuthering Heights The horizons ring me like fag-gots, Tilted and disparate, and always unstable. Touched by a match, they might warm me, And their fine lines singe The air to orange Before the distances they pin evaporate, Weighting the pale sky with a solider color. But they only dissolve and dissolve Like a series of promises, as I step forward. There is no life higher than the grasstops Or the hearts of sheep, and the wind Pours by like destiny, bending Everything in one direction. I can feel it trying To funnel my heat away. If I pay the roots of the heather Too close attention, they will invite me To whiten my bones among them. The sheep know where they are, Browsing in their dirty wool-clouds, Grey as the weather. The black slots of their pupils take me in. It is like being mailed into space, A thin, silly message. They stand about in grandmotherly disguise, All wig curls and yellow teeth And hard, marbly baas. I come to wheel ruts, and water Limpid as the solitudes That flee through my fingers. Hollow doorsteps go from grass to grass; Lintel and sill have unhinged themselves. Of people the air only Remembers a few odd syllables. It rehearses them moaningly: Black stone, black stone. The sky leans on me, me, the one upright Among all horizontals. The grass is beating its bead distractedly. It is too delicate For a life in such company; Darkness terrifies it. Now, in valleys narrow And black as purses, the house lights Gleam like smallchange.

Sklep: Libristo.pl

Story of the Stone - 2842738621

79,79 zł

Story of the Stone Penguin

Książki / Literatura obcojęzyczna

"The Story of the Stone" (c. 1760), also known as "The Dream of the Red Chamber", is one of the greatest novels of Chinese literature. The fifth part of Cao Xueqin's magnificent saga, "The Dreamer Awakes", was carefully edited and completed by Gao E some decades later. It continues the story of the changing fortunes of the Jia dynasty, focussing on Bao-yu, now married to Bao-chai, after the tragic death of his beloved Dai-yu. Against such worldly elements as death, financial ruin, marriage, decadence and corruption, his karmic journey unfolds. Like a sleepwalker through life, Bao-yu is finally awakened by a vision, which reveals to him that life itself is merely a dream, 'as moonlight mirrored in the water'.

Sklep: Libristo.pl

Story of the Stone - 2842738623

74,91 zł

Story of the Stone Penguin

Książki / Literatura obcojęzyczna

"The Story of the Stone" (c. 1760), also known as "The Dream of the Red Chamber", is one of the greatest novels of Chinese literature. The fifth part of Cao Xueqin's magnificent saga, "The Dreamer Awakes", was carefully edited and completed by Gao E some decades later. It continues the story of the changing fortunes of the Jia dynasty, focussing on Bao-yu, now married to Bao-chai, after the tragic death of his beloved Dai-yu. Against such worldly elements as death, financial ruin, marriage, decadence and corruption, his karmic journey unfolds. Like a sleepwalker through life, Bao-yu is finally awakened by a vision, which reveals to him that life itself is merely a dream, 'as moonlight mirrored in the water'.

Sklep: Libristo.pl

Natasha's Dance - 2212836413

54,10 zł

Natasha's Dance Penguin

Powieści i opowiadania

Orlando Figes

Sklep: Albertus.pl

Technique - 2836096426

87,93 zł

Technique Dover Publications

Książki / Literatura obcojęzyczna

PREFATORY NOTE TABLE OF CONTENTS LIST OF ILLUSTRATIONS INTRODUCTORY ESSAY OF ARCHITECTURE CHAPTER I. 1. The Author's object in the Discussion of Architecture 2. "Of the working of hard stones, and first of Porphyry" 3. Of Serpentine 4. Of Cipollaccio 5. "Of Breccia ('Mischio,' Conglomerate)" 6. Of Granite 7. Of Paragon (Touchstone) 8. Of Transparent Marbles for filling window openings 9. Of Statuary Marbles 10. Of Cipollino Marble 11. Of White Pisan Marble 12. Of Travertine 13. Of Slates 14. Of Peperino 15. Of the Stone from Istria 16. Of Pietra Serena 17. Of Pietra Forte 18. Conclusion of Chapter CHAPTER II. The Description of squared Ashlar-work (lavoro di quadro) and of carved Ashlar-work (lavoro di quadro intagliato) 19. The work of the Mason CHAPTER III. "Concerning the five Orders of Architecture, Rustic, Doric, Ionic, Corinthian, Composite, and also German Work" 20. Rusticated masonry and the Tuscan Order 21. The Doric Order 22. A constructive device to avoid charging architraves 23. The proportions and parts of the Doric Order 24. The Ionic Order 25. The Corinthian Order 26. The Composite Order 27. Of Terminal figures 28. German Work (the Gothic Style) CHAPTER IV. "On forming Vaults in Concrete, to be impressed with Enrichment: when the Centerings are to be removed, and how to mix the Plaster" 29. The Construction of enriched Stucco Vaults 30. Stucco made with Marble Dust CHAPTER V. "How Rustic Fountains are made with Stalactites and Incrustations from water, and how Cockle Shells and Conglomerations of vitrified stone are built into the Stucco" 31. Grottoes and Fountains of 'Rocaille' work CHAPTER VI. On the manner of making Pavements of Tesselated Work 32. Mosaic pavements 33. "Pictorial Mosaics for Walls, etc." CHAPTER VII. "How one is to recognize if a Building have good Proportions, and of what Members it should generally be composed" 34. The Principles of Planning and Design 35. An Ideal Palace NOTES ON 'INTRODUCTION' TO ARCHITECTURE PORPHYRY AND PROPHYRY QUARRIES "THE SASSI, DELLA VALLE, AND OTHER COLLECTIONS OF ANTIQUES OF THE EARLY PART OF THE SIXTEENTH CENTURY" THE 'PORPHYRY TAZZA OF THE SALA ROTONDA OF THE VATICAN "FRANCESCO DEL TADDA, AND THE REVIVAL OF SCULPTURE IN PORPHYRY" "THE CORTILE OF THE BELVEDERE IN THE VATICAN, IN THE SIXTEENTH CENTURY" PARAGON (TOUCHSTONE) AND OTHER STONES ASSOCIATED WITH IT BY VASARI TUSCAN MARBLE QUARRIES "THE ROUND TEMPLE ON THE PIAZZA S. LUIGI DEI FRANCESI, AND 'MAESTRO GIAN'" RUSTICATED MASONRY VASARI'S OPINION ON MEDIAEVAL ARCHITECTURE EGG-SHELL MOSAIC IDEAL ARCHITECTURE; AN IDEAL PALACE OF SCULPTURE CHAPTER I. (VIII.) "What Sculpture is; how good works of Sculpture are made, and what qualities they must possess to be esteemed perfect" 36. The Nature of Sculpture 37. Qualities necessary for Work in the Round 38. Works of Sculpture should be treated with a view to their destined position 39. The Proportions of the Human Figure 40. Artists must depend on their Judgement rather than on the Measuring Rule CHAPTER II. (IX.) ############################################################################################################################################################################################################################################################### 41. The small Sketch-Model in Wax of Clay 42. The Preparation of Wax 43. Polychrome Wax Effigies 44. The Manipulation of Wax over an Armature 45. The Small Model in Clay 46. The Full-sized Model in Clay 47. Drapery on the Clay Model 48. Transference of the Full-sized Model to the Marble Black 49. Danger of dispensing with the Full-sized Model 50. The Tools and Materials used in Marble Carving CHAPTER III. (X.) "Of Low and Half Reliefs, the difficulty of making them an how to bring them to perfection" 51. The Origin of Reliefs 52. Pictorial or Perspective Reliefs 53. Low Reliefs (Bassi Rilievi) 54. Flat Reliefs (Stiacciati Rilievi) CHAPTER IV. (XI.) ############################################################################################################################################################################################################################################################### 55. The Full-sized Model for Bronze 56. The Piece-Mould in Plaster 57. The Construction of the Core 58. The Piece-Mould lined with a Skin of Wax 59. This Skin of Wax applied over the Core 60. The fire-resisting Envelope applied over the Wax 61. The External Armature 62. The Vents 63. The Wax melted out 64. The Mould in the Casting-pit 65. The Composition of the Bronze 66. Making up Imperfections 67. A simpler Method of Casting small Figures and Reliefs 68. Chasing the Cast and Colouring the Bronze 69. Modern Tours de Force in small Castings CHAPTER V. (XII.) Concerning Steel Dies for making Medals of bronze or other metals and how the latter are formed from these metals ############################################################################################################################################################################################################################################################### 80. On Colouring CHAPTER V. (XIX.) 81. The Fresco process CHAPTER VI. (XX.) "Of Painting in Tempera, or with egg, on Panel or Canvas, and how it is employed on the wall which is dry" 82. Painting in Tempera CHAPTER VII. (XXI.) Of Painting in Oil on Panel or Canvas 83. "Oil Painting, its Discovery and Early History" 84. How to Prime the Panel or Canvas 85. "Drawing, by transfer or directly" CHAPTER VIII. (XXII.) Of Painting in Oil on a Wall which is dry 86. Mural Painting in Oil 87. Vasari's own Method CHAPTER IX. (XXIII.) 88. Painting on Canvas CHAPTER X. (XXIV.) "Of painting in Oil on Stone, and what stones are good for the purpose" 89. Oil painting on Stone CHAPTER XI. (XXV.) "Of Painting on the wall in Monochrome with various earths: how objects in bronze are imitated: and of groups for Triumphal Arches or festal structures, done with powdered earths mixed with size, which process is called Gouache and Tempera" 90. Imitative Paintings for Decorations CHAPTER XII. (XXVI.) Of the Sgraffiti for house decoration which withstand water; that which is used in their production; and how Grotesques are worked on the wall 91. Sgraffito-work 92. "Grotesque, or Fanciful Devices, painted or modelled on Walls" CHAPTER XIII. (XXVII.) How Grotesques are worked on the Stucco CHAPTER XIV. (XVIII.) "Of the manner of applying Gold on a Bolus, or with a Mordant, and other methods" 93. Methods of Gilding CHAPTER XV. (XXIX.) Of Glass Mosaic and how it is recognized as good and praise-worthy 94. Glass Mosaics 95. The Preparation of the Mosaic Cubes 96. The Fixing of the Mosaic Cubes CHAPTER XVI. (XXX.) Concerning the Compositions and Figures made in Inlaid Work on Pavements in imitation of objects in Monochrome 97. Pavements in Marble Mosaic and Monochrome 98. Pavements in Variegated Tiles 99. Pavements in Breccia Marble CHAPTER XVII. (XXXI.) "Of Mosaic in Wood, that is, of Tarsia; and of the Compositions that are made in Tinted Woods, fitted together after the manner of a picture" 100. Inlays in Wood CHAPTER XVIII. (XXXII.) On Painting Glass Windows and how they are put together with Leads and supported with Irons so as not to interfere with the view of the figures 101. "Stained Glass Windows, their Origin and History" 102. The Technique of the Stained Glass Window CHAPTER XIX. (XXXIII.) "Of Niello, and how by this process we have Copper Prints; and how Silver is engraved to make Enamels over Bas-relief, and in like manner how Gold and Silver Plate is chased" 103. Niello Work 104. The Origin of Engraving 105. Enamels over Reliefs CHAPTER XX. (XXXIV.) "Of Tausia, that is, work called Damascening" 106. Metal Inlays CHAPTER XXI. (XXXV.) "Of Wood Engraving and the method of executing it and concerning its first Inventor: how Sheets which appear to be drawn by hand and exhibit Lights and Half-tones and Shades, are produced with three Blocks of Wood" 107. Chiaroscuro Wood Engravings 108. Dependence on Design of the Decorative Arts NOTES ON 'INTRODUCTION' TO PAINTING FRESCO PAINTING TEMPERA PAINTING OIL PAINTING ENRICHED FAÇADES STUCCO 'GROTESQUES' "TARSIA WORK, OR WOOD INLAYS" THE STAINED GLASS WINDOW VASARI'S DESCRIPTION OF ENAMEL WORK INDEX

Sklep: Libristo.pl

Craftsman's Handbook - 2826737420

39,57 zł

Craftsman's Handbook DOVER PUBLICATIONS

Książki / Literatura obcojęzyczna

Preface I I The first chapter of the first section of this book II "How some enter the profession through loftiness of spirit, and some, for profit" III Fundamental provisions for anyone who enters this profession IIII How the schedule shows you into how many sections and branches the occupations are divided V How you begin drawing on a little panel; and the system for it VI How to draw on several kinds of panels VII What kind of bone is good for treating the panels VIII "How you should start drawing with a style, and by what light" VIIII "How you should give the system of lighting, light or shade, to your figures, endowing them with a system of relief" X "The method and system for drawing on sheep parchment and on paper, and shading with washes" XI How you may draw with a leaden style XII "How, if you have made a slip in drawing with leaden style, you my erase it, and by what means" XIII How you should practice drawing with a pen XIIII How to learn to cut the quill for drawing XV How you should advance to drawing on tinted paper XVI How the green tint is made on paper for drawing; and the way to temper it XVII "How you should tint kid parchment, and by which method you burnish it" XVIII How you should tint paper turnsole color XVIIII How you should tint paper with an indigo tint XX "How you should tint papers with reddish color, or almost peach color" XXI How you should tint papers with flesh color XXII "How you should tint papers greenish gray, or drab" XXIII How you may obtain the essence of a good figure or drawing with tracing paper XXIIII The first way to learn how to make a clear tracing paper XXV A second way to make tracing paper: with glue XXVI How to make tracing paper out of paper XXVII How you should endeavor to copy and draw after as few masters as possible XXVIII How you should regulate your life in the interests of decorum and the condition of your hand; and in what company; and what method you should first adopt for copying a figure from high up XXX "How you should first start drawing on paper with charcoal, and take the measurement of the figure, and fix it with a silver style" XXXI "How you should draw and shade with washes on tinted paper, and then put lights on with white lead" XXXII How you may put on lights with washes of white lead just as you shade with washes of ink XXXIII How to make good and perfect and slender coals for drawing XXXIIII About a stone which has the character of charcoal for drawing. This ends the first section of this book II XXXV The second section of this book: bringing you to the working up of the colors XXXVI "This shows you the natural colors, and how you should grind black" XXXVII How to make various sorts of black XXXVIII On the character of the red color called sinoper XXXVIIII "How to make the red called cinabrese, for doing flesh on the wall; and about its character" XL On the character of the red called vermilion; and how it should be worked up XLI On the character of a red called red lead XLII On the character of a red called hematite XLIII On the character of a red called dragonsblood XLIIII On the character of a red called lac XLV On the character of a yellow color called ocher XLVI On the character of a yellow color called giallorino XLVII On the character of a yellow called orpiment XLVIII On the character of a yellow called realgar XLVIIII On the character of a yellow called saffron L On the character of a yellow called arzica LI On the character of a green called terre-verte LII On the character of a green called malachite LIII How you make a green with orpiment and indigo LIIII How you make a green with blue and giallorino LV How you make a green with ultramarine blue LVI On the character of a green called verdigris LVII How you make a green with white lead and terre-verte; or lime white LVIII On the character of lime white LVIIII On the character of white lead LX On the character of azurite LXI To make an imitation of azurite with other colors LXII "On the character of ultramarine blue, and how to make it" LXIII The importance of knowing how to make brushes LXIIII How to make minever brushes LXV "How you should make bristle brushes, and in what manner" LXVI How to keep minever tails from getting moth-eaten. This ends the second section of this book; begins the third III LXVII "The method and system for working on a wall, that is, in fresco; and on painting and doing flesh for a youthful face" LXVIII The method for painting an aged face in fresco LXVIIII The method for painting various kinds of beards and hair in fresco LXX The proportions which a perfectly formed man's body should possess LXXI The way to paint a drapery in fresco LXXII The way to paint on a wall in secco; and the temperas for it LXXIII How to make a violet color LXXIIII To execute a violet color in fresco LXXV To try to imitate an ultramarine blue for use in fresco LXXVII To paint a shot green drapery in fresco LXXVIII To paint in fresco a drapery shot with ash gray LXXVIIII To paint one in secco shot with lac LXXX To paint one in fresco or in secco shot with each other LXXXI To paint a greenish-gray costume in fresco or in secco LXXXII "To paint a costume, in fresco and in secco, of a greenish-gray color like the color of wood" LXXXIII "To make a drapery, or a mantle for Our Lady, with azurite or ultramarine blue" LXXXIIII "To make a black drapery for a monk's or friar's robe, in fresco and in secco" LXXXV "On the way to paint a mountain, in fresco or in secco" LXXXVI "The way to paint trees and plants and foliage, in fresco and in secco" LXXXVII "How buildings are to be painted, in fresco and in secco" LXXXVIII The way to copy a mountain from nature. This ends the third section of this book IV LXXXVIIII "How to paint in oil on a wall, on panel, on iron, and where you please" LXXXX How you should start for working in oil on a wall LXXXXI "How you are to make oil, good for a tempera, and also for mordants, by boiling with fire" LXXXXII How good and perfect oil is made by cooking in the sun LXXXXIII "How you should work up the colors with oil, and employ them on the wall" LXXXXIIII "How you should work in oil on iron, on panel, on stone" LXXXXV The way to embellish with gold or with tin on a wall LXXXXVI How you should always make a practice of working with fine gold and with good colors LXXXXVII "How you should cut the golden tin, and embellish" LXXXXVIII How to make green tin for embellishing LXXXXVIIII "How to make the golden tin, and how to lay fine gold with this vermeil" C "How to fashion or cut out the stars, and put them on the wall" CI How you can make the diadems of the saints on the wall with this tin gilded with fine goldCII How you should model up a diadem in lime mortar on a wall CIII How from the wall you enter upon panel-painting. This ends the fourth section of the book V CIIII The system by which you should prepare to acquire the skill to work on panel CV How you make batter or flour paste CVI How you should make cement from mending stones CVII How to make cement for mending dishes of glass CVIII "How fish glue is used, and how it is tempered" CVIIII "How goat glue is made, and how it is tempered; and how many purposes it will serve" CX A perfect size for tempering gessos for anconas or panels CXI A size which is good for tempering blues and other colors CXII To make a glue out of lime and cheese. This ends the fifth section of this book VI CXIII How you should start to work on a panel or anconas CXIIII How you should put cloth on a panel CXV How the flat of a panel should be gessoed with the slice with gesso grosso CXVI How to gesso sottile for gessoing panels CXVII How to gesso an ancona with gesso sottile; and how to temper it CXVIII How you may gesso with gesso sottile without having gessoes with gesso grosso first CXVIIII How you should temper and grind gesso sottile for modeling CXX How you should start to scrape down an ancona flat gessoed with gesso sottile CXXI "How the gesso sottile on the flats should be scraped down, and what these scrapings are good for" CXXII "How to draw on panel with charcoal, to begin with, and to fix it with ink" CXXIII How you should mark out the outlines of the figures for gilding the grounds CXXIIII "How to model on a panel with gesso sottile, and how to mount precious stones" CXXV How you should cast a relief for embellishing areas of anconas CXXVI How to plaster reliefs on a wall CXXVII How to model with mortar on a wall the say you model with gesso on panel CXXVIII "How to take reliefs from a stone mold, and how they are good on wall and on panel" CXXVIIII How you may model on a wall with varnish CXXX How you may model on a wall with wax CXXXI "How to lay bole on panel, and how to temper it" CXXXII "Another way to temper bole on panel, for gilding" CXXXIII How you may gild on panel with terre-verte CXXXIIII How to gild on panel CXXXV What stones are good for burnishing this gilding CXXXVI How to prepare the stone for burnishing gold CXXXVII "How you should burnish the gold, or mend matters in case it could not get burnished" CXXXVIII "Now I will show you how to burnish, and in what direction, especially a flat" CXXXVIIII "What gold is good for burnish and mordant gilding, and what thickness" CXL "How you should begin swinging the diadems and do stamping on the gold, and mark out the outlines of the figures" CXLI How to design gold brocades in various colors CXLII How to execute gold or silver brocades CXLIII Several rules for cloths of gold and silver CXLIV "How to do velvet, wool, and silk" CXLV How to paint on panel CXLVI How to make draperies in blue and purple CXLVII How to paint faces CXLVIII How to paint a dead man CXLVIX How to paint wounds CL How to paint water VII CLI "A short section on mordant gilding. How to make a standard mordant, and how to gild with it" CLII How to control the drying of the mordant CLIII How to make a mordant out of garlic VIII CLIV Introduction to a short section on varnishing CLV When to varnish CLVI How to make a painting look as if it were varnished IX CLVII "A short section on illuminating: first, how to gild on parchment" CLVIII Another kind of size: for grounds only CLIX How to make and use mosaic gold CLX How to grind gold and silver for use as colors CLXI Colors for use on parchment X CLXII "A section dealing with work on cloth: first, painting and gilding" CLXIII Various ways to do hangings CLXIV How to draw for embroiderers CLXV "How to work on silk, on both sides" CLXVI How to paint and gild on velvet CLXVII How to lay gold and silver on woolen cloth CLXVIII How to make devices out of gilded paper CLXIX How to model crests or helmets CLXX How to do caskets or chests XI CLXXI "A short section on operations with glass: first, for windows" CLXXII How to gild for reliquary ornaments CLXXII Arrangements for drawing on this glass CLXXII How to draw on the gilded glass CLXXII How to scrape the gold off the backgrounds CLXXII How to back up the drawing with colors XII CLXXII "Part of a section dealing with mosaic: first, a fragment from the end of a chapter otherwise lost" CLXXII Mosaic of quill cuttings CLXXII "Mosaic of crushed eggshells, painted" CLXXII Mosaic of paper or foil CLXXII "Mosaic of eggshells, gilded" XIII CLXXIII "A section dealing with miscellaneous incidental operations: first, block printing on cloth" CLXXIV How to gild a stone figure CLXXV The dangers of a wet wall for fresco CLXXV Preliminary precautions against moisture CLXXV Waterproofing with boiled oil CLXXVI Waterproofing with pitch CLXXVI Waterproofing with liquid varnish CLXXVII How to distemper inside walls with green CLXXVIII How to varnish terre-verte CLXXIX How to clean off the paint after you have made up a face CLXXX The perils of indulgence in cosmetics CLXXXI "The final section, devoted to methods of casting, begins here" CLXXXII How to take a life mask CLXXXIII The breathing tubes CLXXXIV The operations of casting the matrix CLXXXIV How to cast this waste mold CLXXXV How to cast whole figures CLXXXVI How to make a cast of your own person CLXXXVII Castings in gesso for use on panel CLXXXVIII How to cast medals CLXXXIX How to make a mold from a seal or coin Index

Sklep: Libristo.pl

Legendarne przeboje rocka - 2824240803

50,90 zł

Legendarne przeboje rocka G+J Gruner+Jahr Polska

NaukaMuzyka

Każde pokolenie myśli, że urodziło się, żeby prowadzić szalone życie i każde może uznać Born to be Wild za swój hymn.John Kay wokalista zespołu Steppenwolf Rockowy singiel to szczyt ewolucji gatunku. Nie ma nic trudniejszego i zawiera się w nim esencja rock and rolla: jest żywiołowy, krótki i wpada w ucho, czy mówimy o Sex Pistols, Nirvanie, Pixies, Beatlesach, The Who, czy Stonesach. BonoOsiemdziesiąt opisanych w tej książce utworów dowodzi niewątpliwej potęgi singla. Ta kolekcja jest hołdem złożonym rewolucyjnemu potencjałowi rock and rolla i utalentowanym kompozytorom. Są tu wspomnienia największych osiągnięć muzyki popularnej. Wiele z wymienionych przez autora utworów zapoczątkowało długie kariery, sukcesu innych nie udało się już nigdy powtórzyć, a niektóre ocierają się wręcz o banał. Nie sposób znaleźć motywu tekstowego, który łączyłby te wszystkie utwory. Chodzi tu raczej o emocje, o wywołanie reakcji, o coś, z czym słuchacze mogą się identyfikować, o genialną opowieść, której nie da się zpomnieć. Te osiemdziesiąt piosenek to najlepsze z najlepszych.Rock Around the Clock * Hound Dog * Jailhouse Rock * Whole Lotta Shakin

Sklep: NaszaSzkolna.pl

Legendarne przeboje rocka - 2825097583

59,90 zł

Legendarne przeboje rocka g+j gruner+jahr polska

Kultura. Sztuka. >Muzyka Taniec Śpiew

Każde pokolenie myśli, że urodziło się, żeby prowadzić szalone życie i każde może uznać Born to be Wild za swój hymn.John Kay wokalista zespołu Steppenwolf Rockowy singiel to szczyt ewolucji gatunku. Nie ma nic trudniejszego i zawiera się w nim esencja rock and rolla: jest żywiołowy, krótki i wpada w ucho, czy mówimy o Sex Pistols, Nirvanie, Pixies, Beatlesach, The Who, czy Stonesach. BonoOsiemdziesiąt opisanych w tej książce utworów dowodzi niewątpliwej potęgi singla. Ta kolekcja jest hołdem złożonym rewolucyjnemu potencjałowi rock and rolla i utalentowanym kompozytorom. Są tu wspomnienia największych osiągnięć muzyki popularnej. Wiele z wymienionych przez autora utworów zapoczątkowało długie kariery, sukcesu innych nie udało się już nigdy powtórzyć, a niektóre ocierają się wręcz o banał. Nie sposób znaleźć motywu tekstowego, który łączyłby te wszystkie utwory. Chodzi tu raczej o emocje, o wywołanie reakcji, o coś, z czym słuchacze mogą się identyfikować, o genialną opowieść, której nie da się zpomnieć. Te osiemdziesiąt piosenek to najlepsze z najlepszych.Rock Around the Clock * Hound Dog * Jailhouse Rock * Whole Lotta Shakin

Sklep: Prolibri.pl

Legendarne przeboje rocka - 2846772008

42,83 zł

Legendarne przeboje rocka G+J Gruner+Jahr PL

Literatura / Muzyka

Każde pokolenie myśli, że urodziło się, żeby prowadzić szalone życie i każde może uznać Born to be Wild za swój hymn.John Kay wokalista zespołu Steppenwolf Rockowy singiel to szczyt ewolucji gatunku. Nie ma nic trudniejszego i zawiera się w nim esencja rock and rolla: jest żywiołowy, krótki i wpada w ucho, czy mówimy o Sex Pistols, Nirvanie, Pixies, Beatlesach, The Who, czy Stonesach.BonoOsiemdziesiąt opisanych w tej książce utworów dowodzi niewątpliwej potęgi singla. Ta kolekcja jest hołdem złożonym rewolucyjnemu potencjałowi rock and rolla i utalentowanym kompozytorom. Są tu wspomnienia największych osiągnięć muzyki popularnej. Wiele z wymienionych przez autora utworów zapoczątkowało długie kariery, sukcesu innych nie udało się już nigdy powtórzyć, a niektóre ocierają się wręcz o banał. Nie sposób znaleźć motywu tekstowego, który łączyłby te wszystkie utwory. Chodzi tu raczej o emocje, o wywołanie reakcji, o coś, z czym słuchacze mogą się identyfikować, o genialną opowieść, której nie da się zpomnieć. Te osiemdziesiąt piosenek to najlepsze z najlepszych.Rock Around the Clock, Hound Dog, Jailhouse Rock, Whole Lotta Shakin

Sklep: Booksnet.pl

Gold - 2839320947

58,99 zł

Gold Deja Vu

Muzyka>Reggae

1. Trench Town Rock 2. Soul Rebel 3. Kaya 4. Go Tell It On The Mountain 5. Try Me It's Alright 6. No Sympathy 7. No Water 8. Rainbow Country 9. There She Goes 10. Mellow Mood 11. Treat You Right 12. Chances Are 13. Hammer 14. Touch Me 15. Caution 16. Soul Captives 17. Can't You See 18. Reaction 19. 400 Years 101. Natural Mystic 102. Lively Up Yourself 103. Soul Shakedown Party 104. Soon Come 105. Cheer Up 106. Back Out 107. Do It Twice 108. Keep On Moving 109. Don't Rock My Boat 110. Put It On 111. Fussing & Fighting 112. Duppy Conqueror 113. Small Axe 114. Riding High 115. African Herbsman 116. Stand Alone 117. Sun Is Shining 118. Mr.brown 119. Stir It Up 120. Stop That Train 201. Keep On Skanking 202. Brain Washing 203. Corner Stone 204. All In One 205. Man To Man (Who The Cap Fit) 206. Wisdom 207. Mr Chatterbox 208. One In All 209. Dreamland 210. Run For Cover 211. I Like It Like This 212. Turn Me Loose 213. Brand New Second Hand 214. This Train 215. There She Goes 216. How Many Times 217. Treat Your Right 218. Love Light Shining 219. Rebels Hop 220. Satisfy My Soul 301. Picture On The Wall 302. Shocks Of Mighty 303. Shocks Of Mighty Part 2 304. My Cup 305. Adam & Eve 306. Downpresser 307. Long, Long Winter 308. Thank You, Lord 309. Tell Me 310. Soul Almighty 311. Send Me That Love 312. Make Up 313. Concrete Jungle 314. Screw Faces 315. Love Life 316. Nice Time 317. Power & More Power 318. Redder Than Red 319. Hypocrites 320. All In One/one Love 401. Sun Is Shining-dub Version 402. No Sympathy-dub Version 403. Kaya-dub Version 404. Concrete Jungle-dub Version 405. Soul Rebels-dub Version 406. No Water-dub Version 407. 400 Years-dub Version 408. Don't Rock My Boat-dub Version 409. Corner Stone-dub Version 410. Soul Almighty-dub Version 411. Rebels Hop-dub Version 412. It's Alright-dub Version 413. Try Me-dub Version 414. Keep On Movin'-dub Version 415. Rainbow Country-dub Version 416. Satisfy My Soul-dub Version 417. Fussing & Fightin'-dub Version 418. African Herbsman-dub Version 419. Duppy Conqueror-dub Version 420. Dracula Mr Brown-dub Version

Sklep: Gigant.pl

Legendarne przeboje rocka - 1897911277

44,88 zł

Legendarne przeboje rocka g+j gruner+jahr polska

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka rozrywkowa

Każde pokolenie myśli, że urodziło się, żeby prowadzić szalone życie i każde może uznać Born to be Wild za swój hymn.John Kay wokalista zespołu Steppenwolf Rockowy singiel to szczyt ewolucji gatunku. Nie ma nic trudniejszego i zawiera się w nim esencja rock and rolla: jest żywiołowy, krótki i wpada w ucho, czy mówimy o Sex Pistols, Nirvanie, Pixies, Beatlesach, The Who, czy Stonesach. BonoOsiemdziesiąt opisanych w tej książce utworów dowodzi niewątpliwej potęgi singla. Ta kolekcja jest hołdem złożonym rewolucyjnemu potencjałowi rock and rolla i utalentowanym kompozytorom. Są tu wspomnienia największych osiągnięć muzyki popularnej. Wiele z wymienionych przez autora utworów zapoczątkowało długie kariery, sukcesu innych nie udało się już nigdy powtórzyć, a niektóre ocierają się wręcz o banał. Nie sposób znaleźć motywu tekstowego, który łączyłby te wszystkie utwory. Chodzi tu raczej o emocje, o wywołanie reakcji, o coś, z czym słuchacze mogą się identyfikować, o genialną opowieść, której nie da się zpomnieć. Te osiemdziesiąt piosenek to najlepsze z najlepszych.Rock Around the Clock * Hound Dog * Jailhouse Rock * Whole Lotta Shakin

Sklep: Madbooks.pl

Legendarne przeboje rocka - 1635778361

53,00 zł

Legendarne przeboje rocka g+j gruner+jahr polska

Sztuka>Muzyka. Śpiew. Taniec>Muzyka rozrywkowa

Każde pokolenie myśli, że urodziło się, żeby prowadzić szalone życie i każde może uznać Born to be Wild za swój hymn.John Kay wokalista zespołu Steppenwolf Rockowy singiel to szczyt ewolucji gatunku. Nie ma nic trudniejszego i zawiera się w nim esencja rock and rolla: jest żywiołowy, krótki i wpada w ucho, czy mówimy o Sex Pistols, Nirvanie, Pixies, Beatlesach, The Who, czy Stonesach. BonoOsiemdziesiąt opisanych w tej książce utworów dowodzi niewątpliwej potęgi singla. Ta kolekcja jest hołdem złożonym rewolucyjnemu potencjałowi rock and rolla i utalentowanym kompozytorom. Są tu wspomnienia największych osiągnięć muzyki popularnej. Wiele z wymienionych przez autora utworów zapoczątkowało długie kariery, sukcesu innych nie udało się już nigdy powtórzyć, a niektóre ocierają się wręcz o banał. Nie sposób znaleźć motywu tekstowego, który łączyłby te wszystkie utwory. Chodzi tu raczej o emocje, o wywołanie reakcji, o coś, z czym słuchacze mogą się identyfikować, o genialną opowieść, której nie da się zpomnieć. Te osiemdziesiąt piosenek to najlepsze z najlepszych.Rock Around the Clock * Hound Dog * Jailhouse Rock * Whole Lotta Shakin

Sklep: Bonusmedia

Legendarne przeboje rocka - 2853504982

53,30 zł

Legendarne przeboje rocka G+j Gruner + Jahr Polska

Wydawnictwa naukowe i popularno-naukoweMuzyka rozrywkowa

Każde pokolenie myśli, że urodziło się, żeby prowadzić szalone życie i każde może uznać Born to be Wild za swój hymn.John Kay wokalista zespołu Steppenwolf Rockowy singiel to szczyt ewolucji gatunku. Nie ma nic trudniejszego i zawiera się w nim esencja rock and rolla: jest żywiołowy, krótki i wpada w ucho, czy mówimy o Sex Pistols, Nirvanie, Pixies, Beatlesach, The Who, czy Stonesach. BonoOsiemdziesiąt opisanych w tej książce utworów dowodzi niewątpliwej potęgi singla. Ta kolekcja jest hołdem złożonym rewolucyjnemu potencjałowi rock and rolla i utalentowanym kompozytorom. Są tu wspomnienia największych osiągnięć muzyki popularnej. Wiele z wymienionych przez autora utworów zapoczątkowało długie kariery, sukcesu innych nie udało się już nigdy powtórzyć, a niektóre ocierają się wręcz o banał. Nie sposób znaleźć motywu tekstowego, który łączyłby te wszystkie utwory. Chodzi tu raczej o emocje, o wywołanie reakcji, o coś, z czym słuchacze mogą się identyfikować, o genialną opowieść, której nie da się zpomnieć. Te osiemdziesiąt piosenek to najlepsze z najlepszych.Rock Around the Clock * Hound Dog * Jailhouse Rock * Whole Lotta Shakin? Goin? On * Johnny B. Goode * Summertime Blues * What?d I Say * Surfin? USA * You Really Got Me * The House of the Rising Sun * My Generation * Yesterday * Like a Rolling Stone * I Got You (I Feel Good) * (I Can?t Get No) Satisfaction * The Sound of Silence * Respect * Mr. Tambourine Man * California Dreamin? * Wild Thing * Hey Joe * Light my Fire * Somebody to Love * I?m Waiting for the Man * Purple Haze * Hey Jude * Sunshine of Your Love * Born to be Wild * Sympathy for the Devil * I Heard it Through the Grapevine * Proud Mary * Whole Lotta Love * Black Magic Woman * Paranoid * Me & Bobby McGee * Stairway to Heaven * Imagine * Tiny Dancer * Maggie May * Changes * Heart of Gold * School?s Out * Smoke on the Water * Knockin? on Heaven?s Door * Living for the City * La Grange * Get Up, Stand Up * Search and Destroy * Born to Run * Sweet Emotion * Bohemian Rhapsody * Blitzkrieg Bop * Anarchy in the U.K. * We Will Rock You * Dancing Barefoot * Catholic Girls * Highway to Hell * Sultans of Swing * London Calling * Heart of Glass * Comfortably Numb * Radio Free Europe * Every Breath You Take * Billie Jean * Pride and Joy * Holiday * Jump * When Doves Cry * Sweet Child O? Mine * Like a Prayer * Enter Sandman * Smells Like Teen Spirit * Under the Bridge * One * Wonderwall * Paranoid Android * Maps * 7 Nation Army * American Idiot * Fix YouNathan Brackett jest zastępcą redaktora naczelnego ?Rolling Stone?. W latach 2007-2009 był redaktorem RollingStone.com i redagował wydaną przez ?Rolling Stone? książkę 500 Greatest Songs of All Time (2010). Jako dziennikarz muzyczny pojawiał się w ABC?s Good Morning America, CNN, MSNBC, Inside Edition, VH1, MTV i wielu innych stacjach. Mieszka na Brooklynie z żoną i dwójką dzieci.

Sklep: Booknet.net.pl

Shadow of the Sun - 2212824581

40,80 zł

Shadow of the Sun Penguin

Literatura faktu

'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In a study that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on the mosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft. The Beginning: Collision, Ghana 1958 More than anything, one is struck by the light. Light everywhere. Brightness everywhere. Everywhere, the sun. Just yesterday, an autumnal London was drenched in rain. The airplane drenched in rain. A cold, wind, darkness. But here, from the morning

Sklep: Albertus.pl

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