krainaksiazek never too busy 20053852
- znaleziono 52 produkty w 7 sklepach
Never Too Busy to Cure Clutter HarperCollins US
Książki / Literatura obcojęzyczna
An organizational daily devotional guaranteed to kickstart your home cleaning project whether you have 30 seconds, 15 minutes, or an entire weekend to get the job done.
Never Too Busy SUNSHINE ENTERPRISES
1. Intro 2. Someday 3. Make It Happen 4. The City 5. Bling Bling 6. Change Your Ways 7. Get Out 8. Breakdown 9. Not Me 10. Waste My Time 11. Final Words 12. The City Pt.2 13. Never Too Busy 14. Everything Changes
Książki Obcojęzyczne>Angielskie>Health & personal development>Self-help & personal development>Green lifestyle & self-sufficiencyKsiążki O...
Książki Obcojęzyczne>Angielskie>Health & personal development>Self-help & personal development>Green lifestyle & self-sufficiencyKsiążki O...
Agatha Raisin and the Busy Body CONSTABLE & ROBINSON
Książki / Literatura obcojęzyczna
Agatha Raisin has never been one for enforced holiday cheer, but her friendly little village of Carsely has always prided itself on its traditional Christmas festivities. But this year the bells will not be ringing out "Silent Night" as Mr. John Sunday, an officer with the Cotswold Health and Safety Board, has chosen Christmas as the time to crack down what he sees as gross misconduct by every man, woman, and child in the vicinity. The village shop is told it can no longer have wooden shelves which have been there since the time of Queen Victoria 'in case someone is inflicted with a splinter.' The village school is ordered to leave lights on at night 'to prevent unauthorized intruders from tripping in the dark.' And children are warned to not play with 'counterfeit banknotes' after passing around toy money in the playground. But finally Mr. Sunday goes too far when he rules that there cannot be a Christmas tree atop the church tower this year. Soon after the decree and just before Christmas, Agatha is sipping a cup of tea and trying to stay awake as minute by minute of the Carsely Ladies Society meeting at the vicarage drones on when a sudden scream wakes her from her stupor. The ladies rush out of the building and into the garden to find Sunday lying face down in the petunias, very much dead. Agatha is instantly on the case, but with so many people having threatened the life of the victim, it's almost impossible to know where to start! Praise for the Agatha Raisin series: 'M.C Beaton has created a national treasure...Agatha Raisin is the strongest link' - Anne Robinson. 'M.C Beaton's imperfect heroine is an absolute gem' - "Publishers Weekly." 'Clever red herrings and some wicked unfinished business guarantees that the listener will pant for a sequel' - "The Times audiobook review." 'The Miss Marple-like Agatha is a refreshingly sensible, wonderfully eccentric, thoroughly likeable heroine' - "Booklist."
Going Back Warner Music
1. Girl (Why You Wanna Make Me Blue) 2. (Love Is Like A) Heatwave 3. Uptight (Everything's Alright) 4. Some Of Your Lovin' 5. Ain't Too Proud To Beg 6. In My Lonely Room 7. Take Me In Your Arms (Rock Me For A Little While) 8. Blame It On The Sun 9. Papa Was A Rolling Stone 10. Never Dreamed You'd Leave In Summer 11. Standing In The Shadows Of Love 12. You've Been Cheatin' 13. Don't Look Back 14. You Really Got A Hold On Me 15. Do I Love You 16. Jimmy Mack 17. Something About You 18. Love Is Here & Now You're Gone 19. Loving You Is Sweeter Than Ever 20. Ain't That Peculiar 21. Going To A Go-go 22. Nowhere To Run 23. Talkin About My Baby 24. Dancing In The Street 25. Going Back 101. Going Back...the Home Movie 102. A Conversation With Phil Collins 103. (Love Is Like A) Heatwave 104. Going Back 105. Girl (Why You Wanna Make Me Blue) 106. (Love Is Like A) Heatwave 107. Uptight (Everything's Alright) 108. Some Of Your Lovin' 109. Ain't Too Proud To Beg 110. In My Lonely Room 111. Take Me In Your Arms (Rock Me For A Little While) 112. Blame It On The Sun 113. Papa Was A Rolling Stone 114. Never Dreamed You'd Leave In Summer 115. Standing In The Shadows Of Love 116. You've Been Cheatin' 117. Don't Look Back 118. Too Many Fish In The Sea 119. You Really Got A Hold On Me 120. Do I Love You 121. Jimmy Mack 122. Something About You 123. Love Is Here & Now You're Gone 124. Loving You Is Sweeter Than Ever 125. Ain't That Peculiar 126. You Keep Me Hangin' On 127. Going To A Go-go 128. Nowhere To Run 129. Talkin About My Baby 130. Dancing In The Street 131. Tears Of A Clown 132. Too Busy Thinking About My Baby 133. Going Back Pierwszy Od Ośmiu Lat Studyjny Album Phila Collinsa To Dzieło Wyjątkowe. Wokalista Postanowił Złożyć Hołd Wykonawcom, Którzy Wpłynęli Na Jego Postrzeganie Muzyki. Nagrał Własne Wersje Standardów Soul Z Wytwórni Motown. Są Wśród Nich Utwory Rozsławione Przez The Temptations ("Papa Was A Rolling Stone"), Steviego Wondera ("Blame It On The Sun"), The Supremes ("Love Is Here") Czy Dusty Springfield ("Going Back"). Artysta Mówi, że Nie Chciał Tworzyć Czegoś Nowego, Tylko Odtworzyć Dźwięki I Uczucia, Jakich Doznał, Gdy Po Raz Pierwszy Usłyszał Te Piosenki. Dla Uzyskania Odpowiedniego Efektu Zaprosił Tzw. The Funk Brothers - Oryginalnych Muzyków Sesyjnych (Bob Babbitt, Eddie Willis, Ray Monette), Którzy Nagrywali Dla Motown W Złotym Okresie Tej Legendarnej Wytwórni. Wersja Z DVD:1. GOING BACK...the Home Movie 2. A Conversation With Phil Collins 3. (Love Is Like A) Heatwave 4. Going Back 5. Girl (Why You Wanna Make Me Blue) 6. (Love Is Like A) Heatwave 7. Uptight (Everything's Alright) 8. Some Of Your Lovin' 9. Ain't Too Proud To Beg 10. In My Lonely Room 11. Take Me In Your Arms (Rock Me For A Little While) 12. Blame It On The Sun 13. Papa Was A Rolling Stone 14. Never Dreamed You'd Leave In Summer 15. Standing In The Shadows Of Love 16. You've Been Cheatin' 17. Don't Look Back 18. Too Many Fish In The Sea 19. You Really Got A Hold On Me 20. Do I Love You 21. Jimmy Mack 22. Something About You 23. Love Is Here And Now You're Gone 24. Loving You Is Sweeter Than Ever 25. Ain't That Peculiar 26. You Keep Me Hangin' On 27. Going To A Go-Go 28. Nowhere To Run 29. Talkin About My Baby 30. Dancing In The Street 31. Tears Of A Clown 32. Too Busy Thinking About My Baby 33. Going Back
Saving Charlotte Dog Ear Publishing
Książki / Literatura obcojęzyczna
"We drove away in an unlicensed car that we did not legally own, complete with a bashed in front end, a badly cracked windshield, and a headlight propped in with duct tape, a tree branch and a piece of foam found lying on the ground. It was not an encouraging way to start our 3,000 mile journey!" Ever dream of buying a one-way airline ticket to purchase a sight-unseen, salvage titled automobile and drive it home 3,000 miles? Join Kat and Ned as they "rescue" Charlotte, an unlicensed, reluctant, but endearing VW Syncro bus who drags her wheels at first, but eventually really gets rolling. Kat and Ned had a vision of building up a Syncro into a cool, capable overland adventure vehicle, dreaming of the advantages of "bus living." But would the dream turn into a nightmare? The adventures and mis-adventures are hilarious, turning a four day drive from Connecticut to Nevada into a two week escapade of mysterious mechanical issues, cop-dodging, heat waves, torrential thunderstorms, missing credit cards, and Mississippi mud baths. Can't get out of Hartford...Can't get out of Buffalo...Can't get out of Elkhart...you can't imagine what can go wrong on a trip like this! Charlotte balks, spits, sputters and lurches but never stalls, while Kat and Ned persevere, finding that, in spite of her VW idiosyncrasies, Charlotte has a truly endearing soul. They also find that their dream of "bus living" has become an addictive reality. "Only in a VW Bus would somebody attempt something like this...and get away with it! What a great story! A must-read not only for the VW Bus crowd-but for the wanna-be's too!" S. Lucas Valdes - GoWesty Campers
Letter from America Penguin
Powieści i opowiadania
When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except
Shadow of the Sun Penguin
'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In a study that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on the mosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft. The Beginning: Collision, Ghana 1958 More than anything, one is struck by the light. Light everywhere. Brightness everywhere. Everywhere, the sun. Just yesterday, an autumnal London was drenched in rain. The airplane drenched in rain. A cold, wind, darkness. But here, from the morning
Książki & Multimedia > Książki
Opis - In his international bestseller The Power of Habit, Pulitzer Prize-winner Charles Duhigg explained why we do what we do. Now he applies the same relentless curiosity and masterful analysis to the question: how can each of us achieve more? Drawing on the very latest findings in neuroscience, psychology and behavioural economics, he demonstrates the eight simple principles that govern productivity. He demonstrates how the most dynamic and effective people - from CEOs to film-makers to software entrepreneurs - deploy them. And he shows how you can, too. Charles has some wonderful advice for increasing productivity...The tips he highlights have most definitely played a huge part in helping me to build the Virgin brand. In Smarter Faster Better Duhigg finds provocative answers to a riddle of our age: how to become more productive (by two times, or even ten times) and less busy.(Jim Collins). There are valuable lessons in Smarter Faster Better...I never felt like putting it down. (Financial Times). Nazwa - Smarter Faster Better The Secrets of Being Productive Autor - Charles Duhigg Oprawa - Miękka Wydawca - Random House Kod ISBN - 9781847947437 Kod EAN - 9781847947437 Rok wydania - 2017 Język - angielski Format - 12.9x19.8cm Ilość stron - 400 Podatek VAT - 5% Premiera - 2017-02-28
The Original Quartet, Sextet & Septet With Russ Freeman. Complete 1953 - 1954 Studio Recordings Definitive Records
1. Isn't It Romantic 2. The Lamp Is Low 3. This Time The Dream's On Me 4. Maid In Mexico 5. Imagination 6. Russ Job 7. Batter Up 8. Easy To Love 9. Long Ago And Far Away 10. Carson City Stage 11. No Ties 12. All The Things You Are 13. The Thrill Is Gone 14. Band Aid 15. Bea's Flat 16. Moon Love 17. Happy Little Sunbeam 18. I Fall In Love Too Easily 19. Winter Wonderland 20. The Thrill Is Gone 21. Long Ago And Far Away 22. No Ties 23. The Thrill Is Gone 24. Moon Love 25. Happy Little Sunbeam 26. Winter Wonderland 101. But Not For Me 102. Time After Time 103. I Get Along Without You Very Well 104. There Will Never Be Another You 105. Look For The Silver Lining 106. My Funny Valentine 107. I Fall In Love Too Easily 108. Headline 109. Bockhanal 110. Ergo 111. A Dandy Line 112. Pro Defunctus 113. Little Old Lady 114. Moonlight Becomes You 115. Goodbye 116. Dot's Groovy 117. Tommy Hawk 118. The Half Dozens 119. Little Man, You've Had A Busy Day 120. Stella By Starlight 121. I'm Glad There's You 122. There Will Never Be Another You 123. Little Old Lady
Mummy's Boy CORONET
Książki / Literatura obcojęzyczna
Acting wasn't a long-held childhood dream for Larry Lamb, instead his childhood memories are filled with recollections of his parents continuously fighting. His mother and father were totally mismatched, the only thing they shared in common was their children and life in the Lamb household veered from laughter and happy moments to hysterical outbursts and terrifying episodes. Larry, the eldest of three children was only too often caught in the middle and found himself at the centre of his father's raging anger, tormented by a man who struggled with the enormity of fatherhood. When his parents' marriage finally broke down, Larry's mother moved out along with her baby daughter and as they grew up, Larry and his brother, Wesley, lived with their father, seeing their mother and sister only in rushed meetings at bus stops and in public parks. For years Larry didn't know where his mum lived and he didn't dare talk of her at home, his mother's presence left a gaping hole. As soon as Larry was old enough, he left home. Putting as much distance as he could between himself and his volatile childhood, he set off on a journey that would take him to work as an encyclopaedia salesman in Germany, in the oil business in Libya and Nova Scotia until he found himself starring on Broadway. In time it would take him to Hollywood too and bring him leading roles on the Square in Eastenders and in Billericay in the much-loved comedy Gavin and Stacey. Along the way Larry wasn't just trying to make his own way in the world, he was seeking the close female companionship he'd missed out on with his mother too. After a series of relationships, he found himself back in England and father to George. Facing fatherhood was a pivotal moment, so easily he could have fallen into the ways of his own father but whilst his marriage to George's mother didn't last, he couldn't let the same mistakes be repeated again and he vowed to have the relationship with his son that he'd never been able to have with his father. Mummy's Boy is by turns heartrending as Larry recalls the relationship broken beyond repair with his father, searingly honest as he describes the effect his childhood had in later life and hugely entertaining as he tells captivating tales of making it as an actor, breaking out from his little world in Essex and finding himself in a new life on stage and screen. 'What a life! I loved it. Almost as good as sitting with him and listening to his stories.' Rob Brydon 'A wonderful story of survival against the odds told with compassion and humour. This is so much more than a showbiz autobiography.' Anne Robinson 'Mummy's Boy manages to be touching, funny and uniquely warm all at once. A must-read.' Best
Gents In Jazz Membran
1. Torme, Mel - From This Moment On 2. Cole, Nat King - Straighten Up & Fly Right 3. Williams, Joe - Every Day I Have The Blues 4. Henderson, Bill - The Song Is You 5. Hartman, Johnny - Birth Of The Blues 6. Dennis, Matt - There's A Small Hotel 7. Murphy, Mark - Exactly Like You 8. Baker, Chet - That Old Feeling 9. Armstrong, Louis - Let's Fall In Love 10. Crosby, Bing - On The Sunny Side Of The Street 11. Waller, Fats - Us On A Bus 12. Gaillard, Slim - Yip Roc Heresy 13. King Pleasure - All Of Me 14. Paris, Jackie - You're So Right For Me 15. Rich, Buddy - It's Only A Paper Moon 16. Eckstine, Billy - You're Driving Me Crazy (What Di 17. Allison, Mose - Baby, Please Don't Go 101. Armstrong, Louis - Blues In The Night 102. Turner, Joe - Sun Risin' Blues 103. Williams, Joe - My Baby Upsets Me 104. Eckstine, Billy - How High The Moon? 105. Hartman, Johnny - Blue Skies 106. King Pleasure - Moody's Mood For Love 107. Wolf, Tommy - It Isn't A Secret 108. Peterson, Oscar - I Hear Music 109. Torme, Mel - That Old Black Magic 110. Gonzales, Babs - St. Louis Blues 111. Cole, Nat King / Mercer, Johnny - My Baby Likes To 112. Murphy, Mark - You Mustn't Kick It Around 113. Scott, Bobby - On The Street Where You Live 114. Allison, Mose - Deed I Do 115. Baker, Chet - My Buddy 116. Scott, Little Jimmy - I've Been A Fool (Thinking Y 117. Crosby, Bing / Boswell, Connie - Yes, Indeed 118. Nicholas Brothers - Alright, Ok, You Win 201. Murphy, Mark - I Got Rhythm 202. Armstrong, Louis - Moon Song 203. Herman, Woody - Makin' Whoopee 204. Greco, Buddy - Yes Sir, That's My Baby 205. Wolf, Tommy - I'm Alright Til You Touch Me 206. Hartman, Johnny - The Lamp Is Low 207. Crosby, Bing - Blue Room 208. Cole, Nat King - Walkin' 209. Witherspoon, Jimmy - I Don't Know Why (Why Do I Lo 210. Turner, Joe - It's The Same Old Story 211. Waller, Fats - I'm Crazy 'Bout My Baby 212. Calloway, Cab - Boog It 213. Nicholas Brothers - I Can't Give You Anything But 214. Eckstine, Billy - Caravan 215. Gonzales, Babs - Stompin' At The Savoy 216. Williams, Joe - The Comeback 217. Hibbler, Al - Dedicated To You 218. Oliver, Sy - Dream Of You 301. Baker, Chet - My Funny Valentine 302. Astaire, Fred - Night & Day 303. Dennis, Matt - Lush Life 304. Hibbler, Al - This Is Always 305. Armstrong, Louis - There's No You 306. Bennett, Tony - Skylark 307. Scott, Little Jimmy - Solitude 308. Mooney, Joe - That's All 309. Hartman, Johnny - Tenderly 310. Peterson, Oscar - I'm Glad There Is You 311. King Pleasure - Parker's Mood 312. Murphy, Mark - If I Could Be With You (One Hour To 313. Torme, Mel - Blue Moon 314. Cole, Nat King - Sweet Lorraine 315. Dorham, Kenny - I Remember Clifford 316. Eckstine, Billy - That Ole Devil Called Love 317. Davis, Sammy Jr. - September Song 318. Herman, Woody - As Time Goes By 401. Henderson, Bill - Senor Blues 402. Cole, Nat King - (Get Your Kicks On) Route 66 403. Nicholas Brothers - Frim Fram Sauce 404. Calloway, Cab - Minnie The Moocher 405. Waller, Fats - S'posin 406. Crosby, Bing - I Ain't Got Nobody 407. Armstrong, Louis - Blueberry Hill 408. Williams, Joe - Teach Me Tonight 409. Torme, Mel - Jeepers Creepers 410. Murphy, Mark - Lullaby In Rhythm 411. Gonzales, Babs - Round Midnight 412. Jordan, Louis - Is You Is Or Is You Ain't (My Baby 413. Gaillard, Slim - Oh, Lady Be Good 414. Eckstine, Billy / Herman, Woody - Life Is Just A B 415. Hartman, Johnny - I Get A Kick Out Of You 416. Salvador, Henri - Stompin' At The Savoy 417. Baker, Chet - Someone To Watch Over Me 501. Hartman, Johnny - That Old Black Magic 502. Murphy, Mark - Crazy Rhythm 503. Wolf, Tommy - Season In The Sun 504. Nicholas Brothers - Esto Es Lo Ultimo 505. Escoto, Bobby - El Manisero (Peanut Vendor) 506. Eckstine, Billy - Babalu 507. Gaillard, Slim - Yo Yo Yo 508. Torme, Mel - Nina 509. Gainsbourg, Serge - L'eau A La Bouche 510. Murphy, Mark - Let Yourself Go 511. Charles, Ray - Mary Ann 512. Jordan, Louis - Run Joe 513. Gonzales, Babs - The Continental 514. Gaillard, Slim - Meshugana Mambo 515. Calloway, Cab - Tarzan Of Harlem 516. Eckstine, Billy - I Left My Hat In Haiti 517. Hartman, Johnny - Wild 518. Sinatra, Frank - The Coffee Song 519. Torme, Mel - Baia 601. Eckstine, Billy - Taking A Chance On Love 602. Hartman, Johnny - I Concentrate On You 603. Torme, Mel - Old Devil Moon 604. Cole, Nat King - Gee Baby, Ain't I Good To You 605. Murphy, Mark - Give It Back To The Indians 606. Baker, Chet - But Not For Me 607. Wolf, Tommy - It Will Only Hurt A Minute 608. Dorham, Kenny - Autumn Leaves 609. Jordan, Louis - I'm Gonna Move To The Outskirts Of 610. Rushing, Jimmy - Every Day 611. Witherspoon, Jimmy - Goin' Down Slow 612. Herman, Woody - My Melancholy Baby 613. Bennett, Tony - I Didn't Know What Time It Was 614. Peterson, Oscar - Too Marvelous For Words 615. Salvador, Henri - Salvador Plays The Blues 616. Crosby, Bing - Moonburn 617. Murphy, Mark - Elmer's Tune 701. Hibbler, Al - Song Of The Wanderer 702. Williams, Joe - My Baby Just Cares For Me 703. Armstrong, Louis - I Was Doing All Right 704. King Pleasure - Tomorrow Is Another Day 705. Hartman, Johnny - Sunday 706. Cole, Nat King - Beale Street Blues 707. Allison, Mose - City Home 708. Wolf, Tommy - Say Cheese 709. Baker, Chet - Look For The Silver Lining 710. Murphy, Mark - Robbin's Nest 711. Torme, Mel - Just In Time 712. Eckstine, Billy - Zing! Went The Strings Of My Hea 713. Crosby, Bing - They All Laughed 714. Calloway, Cab - Don't Falter At The Altar 715. Mooney, Joe - Nina Never Knew 716. Nordine, Ken - I Used To Think My Right Hand 717. Peterson, Oscar - Autumn In New York 801. Herman, Woody - If I Could Be With You 802. Cole, Nat King - I Just Can't See For Lookin' 803. Peterson, Oscar - The Things We Did Last Summer 804. Hibbler, Al - Travelin' Light 805. Davis, Sammy Jr. - Easy To Love 806. Sinatra, Frank - It Happened In Monterey 807. Crosby, Bing - Personality 808. Torme, Mel - Too Darn Hot 809. Dennis, Matt - Hi-fi Baby 810. Murphy, Mark - The Lady In Red 811. Williams, Joe - I'm Beginning To See The Light 812. Gaillard, Slim - My Blue Heaven 813. Salvador, Henri - Petite Fleur 814. Armstrong, Louis - Willow Weep For Me 815. Eckstine, Billy - If You Could See Me Now 816. Bennett, Tony - I'm Through With Love 901. King Pleasure - Little Boy, Don't Get Scared 902. Murphy, Mark - Pick Yourself Up 903. Baker, Chet - I Fall In Love Too Easily 904. Sinatra, Frank - Swingin' Down The Lane 905. Williams, Joe - Come Rain Or Come Shine 906. Davis, Sammy Jr. - Glad To Be Unhappy 907. Peterson, Oscar - Spring Is Here 908. Hartman, Johnny - While We're Young 909. Torme, Mel - Get Out Of Town 910. Scott, Little Jimmy - Everybody's Somebody's Fool 911. Hibbler, Al - After The Lights Go Down Low 912. Herman, Woody - After You've Gone 913. Rich, Buddy - It's All Right With Me 914. Salvador, Henri - Don't Blame Me 915. Ravens, The - Tea For Two 916. Cole, Nat King / Mercer, Johnny - Harmony 917. Oliver, Sy - Four Or Five Times 918. Crosby, Bing / Armstrong, Louis - Gone Fishin'
The Clarke, Hicks & Nash Years (1963 - 68) Warner Music
1. Whole World Over (1997 Digital Remaster) 2. (Ain't That) Just Like Me (1997 Digital Remaster) 3. Hey What's Wrong With Me (1997 Digital Remaster) 4. Now's The Time (1997 Digital Remaster) 5. Little Lover 6. Zip A Dee Doo Dah (Song Of The South) (2011 - Rema 7. I Understand (2011 - Remaster) 8. Searchin' (2003 Digital Remaster) 9. Stay (1997 Digital Remaster) 10. Poison Ivy (Takes 10-12) (1997 Digital Remaster) 11. Memphis 12. Talkin' 'Bout You 13. It's Only Make Believe 14. Lucille 15. Baby Don't Cry 16. Do You Love Me 17. Mr Moonlight 18. You Better Move On 19. Whatcha Gonna Do 'Bout It 20. What Kind Of Girl Are You 21. Rockin' Robin 22. Keep Off That Friend Of Mine (1997 Digital Remaste 23. Just One Look (2003 Digital Remaster) 24. Candy Man 25. When I'm Not There (2011 - Remaster) 26. What Kind Of Love (2011 - Remaster) 27. Here I Go Again (2003 Remaster) 28. Baby That's All (1997 Digital Remaster) 101. Time For Love (1997 Digital Remaster) 102. Don't You Know (1997 Digital Remaster) 103. You'll Be Mine (1997 Digital Remaster) 104. It's In Her Kiss (Mono) (1997 Digital Remaster) 105. Come On Home (1997 Digital Remaster) 106. Too Much Monkey Business (1997 Digital Remaster) 107. I Thought Of You Last Night (1997 Digital Remaster 108. Come On Back (1997 Digital Remaster) 109. Set Me Free (1997 Digital Remaster) 110. Please Don't Feel Too Bad (1997 Digital Remaster) 111. What Kind Of Boy (1997 Digital Remaster) 112. We're Through (Alternative Arrangement) (1997 Digi 113. We're Through (1997 Digital Remaster) 114. To You My Love (1997 Digital Remaster) 115. Nitty Gritty/something's Got A Hold On Me (1997 Di 116. Put Yourself In My Place (1997 Digital Remaster) 117. She Said Yeah 118. Yes I Will (Alternate Version) (2011 - Remaster) 119. When I Come Home To You (1997 Digital Remaster) 120. Nobody (1997 Digital Remaster) 121. You Know He Did (1997 Digital Remaster) 122. Yes I Will 123. Mickey's Monkey (1997 Digital Remaster) 124. That's My Desire (1997 Digital Remaster) 125. The Very Last Day (1997 Digital Remaster) 126. Honey & Wine (2003 Digital Remaster) 201. Listen Here To Me (Bell Studios Demo) 202. So Lonely (Bell Studios Demo) 203. Bring Back Your Love To Me (Bell Studios Demo) 204. I'm Alive (2003 Digital Remaster) 205. Look Through Any Window 206. Lawdy Miss Clawdy (1997 Digital Remaster) 207. You Must Believe Me (1997 Digital Remaster) 208. Little Bitty Pretty One (2011 - Remaster) 209. Down The Line (1997 Digital Remaster) 210. Fortune Teller (1997 Digital Remaster) 211. Too Many People (1997 Digital Remaster) 212. So Lonely (1997 Digital Remaster) 213. I've Been Wrong (1997 Digital Remaster) 214. Stewball (1998 Digital Remaster) 215. She Gives Me Everything I Want (2011 - Remaster) 216. I Can't Get Nowhere With You (2011 - Remaster) 217. I've Got A Way Of My Own (2003 Digital Remaster) 218. You In My Arms (2011 - Remaster) 219. Don't Ever Think About Changing (1999 Digital Rema 220. If I Needed Someone 221. Running Through The Night (2011 - Remaster) 222. Don't You Even Care (What's Gonna Happen To Me?) ( 223. I Can't Let Go (1997 Digital Remaster) 224. Oriental Sadness (1998 Digital Remaster) 225. Stewball (French Lyric Version) 226. Look Through Any Window (French Lyric Version) (20 227. You Know He Did (French Lyric Version) 228. We're Through (French Lyric Version) 301. I Take What I Want (1998 Digital Remaster) 302. Hard Hard Year (Mono) (1998 Digital Remaster) 303. A Taste Of Honey (2011 - Remaster) 304. That's How Strong My Love Is (1998 Digital Remaste 305. Take Your Time (1998 Digital Remaster) 306. Fifi The Flea (1998 Digital Remaster) 307. Sweet Little Sixteen (1998 Digital Remaster) 308. I Am A Rock (Mono) (1998 Digital Remaster) 309. After The Fox (2011 - Remaster) 310. Don't Run & Hide (2011 - Remaster) 311. Bus Stop (2003 Digital Remaster) 312. Peculiar Situation (1999 Digital Remaster) 313. Suspicious Look In Your Eyes (1999 Digital Remaste 314. Stop Stop Stop 315. Tell Me To My Face (Stereo) (1999 Digital Remaster 316. Pay You Back With Interest (1999 Digital Remaster) 317. Clown (Stereo) (1999 Digital Remaster) 318. It's You (1999 Digital Remaster) 319. Crusader (1999 Digital Remaster) 320. What's Wrong With The Way I Live (1999 Digital Rem 321. What Went Wrong (1999 Digital Remaster) 322. High Classed (1999 Digital Remaster) 323. All The World Is Love (2011 - Remaster) 324. When Your Light Turned On (1999 Digital Remaster) 325. Have You Ever Loved Somebody (1999 Digital Remaste 326. Non Prego Per Me (Stereo Version) 327. Devi Aver Fiducia In Me (Stereo Version) 401. Lullaby To Tim (1999 Digital Remaster) 402. On A Carousel 403. We're Alive (2003 Digital Remaster) 404. Kill Me Quick (2003 Digital Remaster) 405. Leave Me (1999 Digital Remaster) 406. The Games We Play (1999 Digital Remaster) 407. Schoolgirl 408. Rain On The Window (1999 Digital Remaster) 409. Then The Heartaches Begin (1999 Digital Remaster) 410. Ye Olde Toffee Shoppe (1999 Digital Remaster) 411. You Need Love (1999 Digital Remaster) 412. Stop Right There (1999 Digital Remaster) 413. Water On The Brain (1999 Digital Remaster) 414. Heading For A Fall (1999 Digital Remaster) 415. Carrie Anne (2003 Digital Remaster) 416. Signs That Will Never Change (2003 Digital Remaste 417. King Midas In Reverse (2003 Digital Remaster) 418. Try It (1999 Digital Remaster) 419. Everything Is Sunshine (2003 Digital Remaster) 420. Wishyouawish (1999 Digital Remaster) 421. Postcard (Stereo) (1999 Digital Remaster) 422. Step Inside (Stereo) (1999 Digital Remaster) 423. Pegasus (1999 Digital Remaster) 424. Dear Eloise (1999 Digital Remaster) 501. Elevated Observations (1999 Digital Remaster) 502. Would You Believe (1999 Digital Remaster) 503. Away Away Away (Stereo) (1999 Digital Remaster) 504. Charlie & Fred (1999 Digital Remaster) 505. Butterfly (1999 Digital Remaster) 506. Maker (1999 Digital Remaster) 507. Open Up Your Eyes (2011 - Remaster) 508. Wings (2003 Digital Remaster) 509. Jennifer Eccles 510. Tomorrow When It Comes (2011 - Remaster) 511. Relax (2003 Digital Remaster) 512. Do The Best You Can (2011 - Remaster) 513. Like Every Time Before (2003 Digital Remaster) 514. Man With No Expression (Horses Through A Rainstorm 515. Blowin' In The Wind (Nash Version) (2003 Digital R 516. A Taste Of Honey 517. Listen To Me 518. Stop Stop Stop (Live At Lewisham Odeon) 519. Look Through Any Window (Live At Lewisham Odeon) 520. The Times They Are A Changin' (Live At Lewisham Od 521. On A Carousel (Live At Lewisham Odeon) 522. King Midas In Reverse (Live At Lewisham Odeon) 523. Butterfly (Live At Lewisham Odeon) 524. Jennifer Eccles (Live At Lewisham Odeon) 525. Carrie Anne (Live At Lewisham Odeon)
Going Back Atlantic US
Muzyka -> Pop, Dance
Pierwszy od ośmiu lat studyjny album Phila Collinsa to dzieło wyjątkowe. Wokalista postanowił złożyć hołd wykonawcom, którzy wpłynęli na jego postrzeganie muzyki. Nagrał własne wersje standardów soul z wytwórni Motown. Są wśród nich utwory rozsławione przez The Temptations ("Papa Was A Rolling Stone"), Steviego Wondera ("Blame It On The Sun"), The Supremes ("Love Is Here") czy Dusty Springfield ("Going Back"). Artysta mówi, że nie chciał tworzyć czegoś nowego, tylko odtworzyć dźwięki i uczucia, jakich doznał, gdy po raz pierwszy usłyszał te piosenki. Dla uzyskania odpowiedniego efektu zaprosił tzw. The Funk Brothers oryginalnych muzyków sesyjnych (Bob Babbitt, Eddie Willis, Ray Monette), którzy nagrywali dla Motown w złotym okresie tej legendarnej wytwórni.
szukaj w Kangoo krainaksiazek never too busy 20053852
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Szukaj w sklepach lub całym serwisie
t1=0.103, t2=0, t3=0, t4=0.015, t=0.103