krainaksiazek something new every day 20125172
- znaleziono 102 produkty w 9 sklepach
Every Day, Every Hour CHATTO & WINDUS
Książki / Literatura obcojęzyczna
Dora and Luka are inseparable: ever since he fainted at the sight of her - walking into the classroom with her new schoolbag - and she woke him with a chaste kiss, it has been love at first sight. 'There's something in the air when the two of them are together. You can't call it calm, you can't call it storm.' Theirs is a friendship made of chocolate and mandarin oranges; of shape-shifting clouds and coloured canvases; and, as Dora's family leave Croatia for Paris, of farewells and memories. It is not until years later, when a promising artist faints at the familiar sight of a young actress entering a Parisian gallery on his opening night, that Luka and Dora are reunited. But just as chance brings them together, fateful choices and forces bigger than themselves conspire to keep the couple apart. Will they ever truly be able to find or forget one another? Bursting with drama and ardour, at turns heartbreaking and exhilarating, and told with the same overwhelming intensity as the bond it describes, this is a dazzling tour de force of a very special love affair.
Książki & Multimedia > Książki
Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23
Książki / Literatura obcojęzyczna
Make something new every day of the year! "Craft-a-Day" is your guide to simple fun handmade projects. It offers daily inspiration, along with fun weekly themes to kick-start your imagination. January brings Snowflake Week, February features Groundhog Week, and March offers Hexagon Week - there's truly something for everyone. Author Sarah Goldschadt provides whimsical ideas for basic crafts that require no advanced skills or crazy crafting tools; these projects are as fun and easy to make as they are to admire. Complete with handy patterns and more than 400 photographs, "Craft-a-Day" challenges you to make something special, each and every day.
An Away Day SALARIYA BOOK COMPANY
Książki / Literatura obcojęzyczna
An Away Day is the new title in the fantastic new The Dad With 10 Children series: a series of charming picture story books about a single father's fun and frantic daily life. Every day, the dad who had 10 children counted 10 little t-shirts, 10 cups on the table, 10 bowls of spaghetti and 10 goodnight kisses...until one day he finally needed a rest! Leaving his 10 children with Grandma, he set off on an 'away day' from counting. But after just 1 peaceful day and 1 quiet night, he discovers that something is definitely missing! In this delightful tale of the often overwhelming days and nights of modern parenthood, An Away Day demonstrates that, however hectic, family life is more fun when it's all for one and one for ten!
I Love You More Each Day! Little Tiger Press
Książki / Literatura obcojęzyczna
Each day is bright and beautiful, Each day holds something new, And every day is magical When it is shared with you. This wonderful book full of humour and warmth is perfect for sharing with your child. A lovely gentle bedtime read with gorgeous illustrations by Tina Macnaughton (co-creator of Little Hedgehog). The perfect book to share on Valentine's Day, Mother's Day or Father's Day.
New Words for Old Michael O'Mara Books Ltd
Książki / Literatura obcojęzyczna
As our world constantly changes, so too do our words and language. With new inventions and trends emerges a need for a new word with which to speak about them. Aspirin, television, selfie - there was a time when these things didn't exist, and so neither did these words. Modern life is full of new words, often recycled and adapted from words already used. New Words for Old looks at the story behind these words we use every day and the way their meanings have changed over time. From technology and fashion to politics and music, our language displays centuries of imagination and creativity, so often taken for granted. Tracing the development of green from the days when it was just a colour, web when it was something spiders made and trolls when they were nothing more threatening than the baddies in fairy tales, this is a fascinating tour through the history of the words we use every day.
New Directions Anthology of Classical Chinese Poetry ANVIL PRESS POETRY
Książki / Literatura obcojęzyczna
This rich compendium of translations is the first to look at Chinese poetry through its enormous influence on American poetry. Starting with Ezra Pound's "Cathay" (1915), it includes translations by three other American poets (William Carlos Williams, Kenneth Rexroth, Gary Snyder) and a translator-scholar-poet (David Hinton), all long associated with "New Directions", the great New York literary publishing house founded just over 70 years ago.The collection gathers some 200 poems by nearly 40 poets, from the anonymous early poetry to the great masters of the T'ang and Sung dynasties. Also included are previously uncollected translations by Pound, a selection of essays (some also not previously collected) by all five translators and biographical notes that are a collage of poems and comments by both the American translators and the Chinese poets themselves. "New Directions" was founded by James Laughlin, then a Harvard undergraduate, in 1936 after Ezra Pound told him to do something more "useful" than write poetry. Ever since "New Directions" has been dedicated to publishing (and keeping in print) the writers who are experimental, challenging, offbeat, and curiously classic both in English and in translation. Every day ND tries to keep language "new".
Under the Duvet Penguin
Powieści i opowiadania
'When people ask me what I do for a crust and I tell them that I'm a novelist, they immediately assume that my life is a non-stop carousel of limos, television appearances, hair-dos, devoted fans, stalkers and all the glitzy paraphernalia of being a public figure. It's time to set the record straight. I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me ...' Her novels are adored by millions around the world
1. The Girl Next Door 2. They Can't Take That Away From Me 3. Violets For Your Furs 4. Someone To Watch Over Me 5. My One And Only Love 6. Little Girl Blue 7. Like Someone In Love 8. A Foggy Day 9. It Worries Me 10. I Can Read Between The Lines 11. I Get A Kick Out Of You 12. My Funny Valentine 13. Jeepers Creepers 14. Taking A Chance On Love 15. Wrap Your Troubles In Dreams 16. Lean Baby 17. I Love You 18. I'm Gonna Sit Right Down And Write Myself A Letter 19. Get Happy 20. All Of Me 21. How Could You Do A Thing Like That To Me? 22. Why Should I Cry Over You? 23. Sunday 24. Just One Of Those Things 101. In The Wee Small Hours Of The Morning 102. Mood Indigo 103. Glad To Be Unhappy 104. I Get Along Without You Very Well 105. Deep In A Dream 106. I See Your Face Before Me 107. Can't We Be Friends? 108. When Your Lover Has Gone 109. What Is This Thing Called Love? 110. Last Night When We Were Young 111. I'll Be Around 112. Ill Wind 113. It Never Entered My Mind 114. Dancing On The Ceiling 115. I'll Never Be The Same 116. This Love Of Mine 117. I've Got The World On A String 118. From Here To Eternity 119. South Of The Border 120. Don't Worry 'Bout Me 121. Anytime, Anywhere 122. Three Coins In The Fountain 123. Rain (Falling From The Skies) 124. The Gal That Got Away 125. Young At Heart 201. You Make Me Feel So Young 202. It Happened In Monterey 203. You're Getting To Be A Habit With Me 204. You Brought A New Kind Of Love To Me 205. Too Marvellous For Words 206. Old Devil Moon 207. Pennies From Heaven 208. Love Is Here To Stay 209. I've Got You Under My Skin 210. I Thought About You 211. We'll Be Together Again 212. Makin' Whoopee 213. Swingin' Down The Lane 214. Anything Goes 215. How About You? 216. Half As Lovely (Twice As True) 217. You, My Love 218. I Could Have Told You 219. When I Stop Loving You 220. Love And Marriage 221. Learnin' The Blues 222. (Love Is) The Tender Trap 223. You Forgot All The Words (While I Still Remember The Tune) 224. Look To Your Heart 225. Not As A Stranger 301. Close To You 302. P.s. I Love You 303. Love Locked Out 304. Everything Happens To Me 305. It's Easy To Remember (And So Hard To Forget) 306. Don't Like Goodbyes 307. With Every Breath I Take 308. Blame It On My Youth 309. It Could Happen To You 310. I've Had My Moments 311. I Couldn't Sleep A Wink Last Night 312. The End Of A Love Affair 313. Our Town 314. Same Old Saturday Night 315. Fairy Tale 316. The Impatient Years 317. If I Had Three Wishes 318. I'm Gonna Live Till I Die 319. (How Little It Matters) How Little We Know 320. Wait For Me 321. Hey! Jealous Lover 322. You're Cheatin' Yourself (If You're Cheatin' On Me) 401. Night And Day 402. I Wish I Were In Love Again 403. I Got Pleny O' Nuttin' 404. I Guess I'll Have To Change My Plan 405. Nice Work If You Can Get It 406. Stars Fell On Alabama 407. No One Ever Tells You 408. I Won't Dance 409. The Lonesome Road 410. At Long Last Love 411. You'd Be So Nice To Come Home To 412. I Got It Bad (And That Ain't Good) 413. From This Moment On 414. If I Had You 415. Oh! Look At Me Now 416. Crazy Love 417. So Long, My Love 418. All The Way 419. Witchcraft 420. Chicago 421. The Lady Is A Tramp 422. Something Wonderful Happens In Summer 423. Everybody Loves Somebody 501. Where Are You? 502. The Night We Called It A Day 503. I Cover The Waterfront 504. Maybe You'll Be There 505. Laura 506. Lonely Town 507. Autumn Leaves 508. I'm A Fool To Want You 509. I Think Of You 510. Where Is The One? 511. There's No You 512. Baby Won't You Please Come Home 513. You'll Always Be The One I Love 514. Time After Time 515. If You Are But A Dream 516. It's The Same Old Dream 517. I Believe 518. Put Your Dreams Away (For Another Day) 519. Sleep Warm 520. Monique 521. Mr. Success 601. Jingle Bells 602. The Christmas Song 603. Mistletoe And Holly 604. I'll Be Home For Christmas 605. The Christmas Waltz 606. Have Yourself A Merry Little Christmas 607. The First Noel 608. Hark! The Herald Angels Sing 609. O Little Town Of Bethlehem 610. Adeste Fideles (O Come All Ye Faithful) 611. It Came Upon The Midnight Clear 612. Silent Night 701. Come Fly With Me 702. Around The World 703. Isle Of Capri 704. Moonlight In Vermont 705. Autumn In New York 706. On The Road To Mandalay 707. Let's Get Away From It All 708. April In Paris 709. London By Night 710. Brazil 711. Blue Hawaii 712. It's Nice To Go Trav'ling 713. High Hopes 714. Talk To Me 715. French Foreign Legion 716. All My Tomorrows 717. They Came To Cordura 718. River, Stay 'Way From My Door 719. This Was My Love 720. Ol' Macdonald 721. To Love And Be Loved 722. It's Over, It's Over, It's Over 801. Only The Lonely 802. Angel Eyes 803. What's New? 804. It's A Lonesome Old Town 805. Willow Weep For Me 806. Goodbye 807. Blues In The Night 808. Guess I'll Hang My Tears Out To Dry 809. Ebb Tide 810. Spring Is Here 811. Gone With The Wind 812. One For My Baby (And One More For The Road) 813. The Moon Was Yellow 814. Sentimental Baby 815. The Nearness Of You 816. Hidden Persuasion 817. I Love Paris 818. Love Looks So Well On You 819. I Gotta Right To Sing The Blues 901. Come Dance With Me 902. Something's Gotta Give 903. Just In Time 904. Dancing In The Dark 905. Too Close For Comfort 906. I Could Have Danced All Night 907. Saturday Night (Is The Loneliest Night Of The Week) 908. Day In, Day Out 909. Cheek To Cheek 910. Baubles, Bangles & Beads 911. The Song Is You 912. The Last Dance 913. When No One Cares 914. A Cottage For Sale 915. Stormy Weather 916. Where Do You Go? 917. I Don't Stand A Ghost Of A Chance With You 918. Here's That Rainy Day 919. I Can't Get Started 920. Why Try To Change Me Now? 921. Just Friends 922. I'll Never Smile Again 923. None But The Lonely Heart 1001. Nice 'N' Easy 1002. That Old Feeling 1003. How Deep Is The Ocean? 1004. I've Got A Crush On You 1005. You Go To My Head 1006. Fools Rush In (Where Angels Fear To Tread) 1007. Nevertheless 1008. She's Funny That Way 1009. Try A Little Tenderness 1010. Embraceable You 1011. Mam'selle 1012. Dream 1013. When You're Smiling (The Whole World Smiles With You) 1014. Blue Moon 1015. S'posin' 1016. It All Depends On You 1017. It's Only A Paper Moon 1018. My Blue Heaven 1019. Should I 1020. September In The Rain 1021. Always 1022. I Can't Believe You're In Love With Me 1023. I Concentrate On You 1024. You Do Something To Me 1101. Day By Day 1102. Sentimental Journey 1103. Almost Like Being In Love 1104. Five Minutes More 1105. American Beauty Rose 1106. Yes Indeed! 1107. On The Sunny Side Of The Street 1108. Don't Take Your Love From Me 1109. That Old Black Magic 1110. Lover 1111. Paper Doll 1112. I've Heard That Song Before 1113. (Ah, The Apple Trees) When The World Was Young 1114. I'll Remember April 1115. September Song 1116. A Million Dreams Ago 1117. I'll See You Again 1118. There Will Never Be Another You 1119. Somewhere Along The Way 1120. It's A Blue World 1121. These Foolish Things (Remind Me Of You) 1122. As Time Goes By 1123. I'll Be Seeing You 1124. Memories Of You
Natasha's Dance Penguin
Powieści i opowiadania
Consolations of Philosophy Penguin
Alain de Botton, best-selling author of How Proust can Change Your Life, has set six of the finest minds in the history of philosophy to work on the problems of everyday life. Here then are Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche on some of the things that bother us all; lack of money, the pain of love, inadequacy, anxiety, the fear of failure and the pressure to conform.
Shadow of the Sun Penguin
'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In a study that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on the mosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft. The Beginning: Collision, Ghana 1958 More than anything, one is struck by the light. Light everywhere. Brightness everywhere. Everywhere, the sun. Just yesterday, an autumnal London was drenched in rain. The airplane drenched in rain. A cold, wind, darkness. But here, from the morning
Letter from America Penguin
Powieści i opowiadania
When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except
Globalization & its Discontents Penguin
Our world is changing. Globalization is not working. It is hurting those it was meant to help. And now, the tide is turning
Last Policeman Quirk Books
Książki / Literatura obcojęzyczna
In THE LAST POLICEMAN, Edgar Award winner and New York Times bestselling author Ben H. Winters, offers readers something they've never seen before: A police procedural set on the brink of an apocalypse. What's the point in solving murders when we're going to die soon, anyway? Hank Palace, a homicide detective in Concord, New Hampshire, asks this question every day. Most people have stopped doing whatever it is they did before the asteroid 2011L47J hovered into view. Stopped selling real estate; stopped working at hospitals; stopped slinging hash or driving cabs or trading high-yield securities. A lot of folks spend their days on bended knee, praying to Jesus or Allah or whoever they think might save them. Others have gone the other way, roaming the streets, enjoying what pleasures they can before the grand finale. Government services are beginning to slip into disarray, crops are left to rot. When it first appeared, 2011L47J was just a speck, somewhere beyond Jupiter's orbit. By mid-October it revealed itself to be seven kilometers in diameter, and on a crash course with the Earth. Now it's March, and sometime in September, 2011L47J will slam into our planet and kill half the population immediately, and most of the rest in the miserable decades that follow. All of humanity now, every person in the world - we're like a bunch of little kids, in deep, deep trouble, just waiting till our dad gets home. So what do I do while I wait? I work. Today, Hank Palace is working the case of Peter Zell, an insurance man who has comitted suicide. To his fellow police officers, it's just one more death-by-hanging in a city that sees a dozen of suicides every week. But Palace senses something wrong. There's something odd about the crime scene. Something off. Palace becomes convinced that it's murder. And he's the only one who cares. What's the difference, Palace? We're all gonna die soon, anyway. As Palace digs deeper, we are drawn into his world. We meet his sister Nico and her screwup boyfriend, Derek, who are trying to beam S.O.S messages into outer space; we meet Erik Littlejohn, a spiritual advisor helping his clients through these difficult times. Palace's investigation plays out under the long shadow of 2011L47J, forcing everyone in the book - and those reading it - to confront hard questions way beyond who-dunn-it. What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?
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