krainaksiazek the first and the last a drama in three scenes 20093669

- znaleziono 40 produkty w 8 sklepach

At Last - 2847579749

38,08 zł

At Last Forgotten Books

Książki / Literatura obcojęzyczna

Excerpt from At Last: A Temperance Drama, in Three Acts Scene First - Royal street - first grooves - the sign "Grape Vine" prominent - enter Scranton, L., whistling, and toying with his watch chain, in a careless manner at C. - looks down the street - whistles very loud - whistle is answered - lights a cigar, as he does so Morgan enters L., smoking. Scran. Howd'y do, Bill, feeling well this morning? Mor. (yawns) Why, yes, I believe I do. Scran. Havn't seen any thing of Wren, have you? Mor. No, that is not since last night. Scran. Wish I could see him. Mor. If I see him, I'll make it a point to tell him that you wish to see him. Scran. I'd be much obliged to you, Bill, if you would. Mor. Do you wish to see him particularly? Scran. No. Mor. If you did, why, I would say that you would not have long to wait, for as the old saying is, "speak of the devil and -" Enter Wren, R. Wren. Good morning, gentlemen. Scran. Mor. Good morning. Wren. Rather cool this morning. Mor. Yes, rather chilly. Wren. Let's have a drink. Scran. Just what I was about to propose. Mor. I'm agreeable. Wren. Come on then. (exeunt R. - scene changes to Scene Second - Interior of the Grape Vine - table with four chairs around it, R. - ditto, L. - Hans behind counter, R., wiping glasses and smoking a huge pipe. Hans. Mine gootnsss alive, what ish der matter mit der fellers in dis town, anyhow? I vash coomed here tinkin' I vas makes my fortune, und I don't make so much as my meat. Dey vas told me, dem rebs vas drink like a camel; but I don't can see why dey vas say so. Dey don't coom here, I vonder vats der matter? Enter Scranton, Morgan and Wren, R. How you vas, shentlemen. (flies around smartly) Vat can I do for der shentlemens dis morning. (Scranton and party seat themselves at table, R. Mor. Here old lager-head, bring us a bottle of wine, and be quick about it, I'm as dry as - Hans. Now you big fools, look here, I yoost tole you dat my name ish not lauger-head; but Hans Christopher. Mor. Why, you infer - Hans. Und if you vas call me oud from my name, I vas yoost throw you der sidewalk oud. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Sklep: Libristo.pl

The personal development of Arnold Schwarzenegger and how he changed from a killing machine to a family man with moral values - 2838465123

61,72 zł

The personal development of Arnold Schwarzenegger and how he changed from a killing machine to a family man with moral values GRIN Verlag

Książki / Literatura obcojęzyczna

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, printed single-sided, grade: 1,7, University of Freiburg, course: Proseminar (Terrorism in Hollywood Movies), 9 entries in the bibliography, language: English, abstract: Christian Metz stated that a film is difficult to explain because it is easy to understand. (qtd. inBuckland & Elsaesser: 1). I will analyse the film Collateral Damage, directed by AndrewDavis, in terms of its context and how it is portrayed technically. My aim is to show ArnoldSchwarzenegger s development, how Collateral Damages represents a turning point in thehistory of action movies Arnold took part in, and how he has changed from a muscle shirtwearing daredevil and killing machine to a family man with moral values. Therefore, I willstart to look at a couple of important action movies in which Arnold Schwarzenegger plays aleading role and after that, I will compare the differences of the former Arnold and the Arnoldwe see in Collateral Damage. To realise this, I will focus on Schwarzenegger s behaviour andthe way, Andrew Davis represents the fire-fighter and his emotions. In the end, I will give ashort conclusion regarding Arnold s rise from rags to riches and how he represents anirreplaceable icon not only in the history of action movies during the last three decades.Everybody knows the Australian guy Arnie alias Arnold Schwarzenegger. The first role inthe movie Hercules in New York owes Arnold his career as a bodybuilder and his enormoussize. Released in 1970, Arnold at this time known as Arnold Strong plays a mythologicaltoga clad Hercules. Arnold takes part in a weight-lifting competition; he becomes a wrestler,rides his chariot through Times Square, descends into hell and gets mixed up with gangsters.In contrast to Collateral Damage, Arthur Allan Seidelman, the director of Hercules in NewYork, focuses on Schwarzenegger s muscle mass.In 1982, John Milius creates the fantasy action movie Conan the Barbarian. Here, Arnoldportrays a bulldog and beefy giant who survives as sole human the strain of bondage. Conanin the role of an invincible gladiator and snake killer, sweetened by two fisted action,spectacular fighting scenes and amours turn Arnold into the James Bond of the Middle Ages.In the first third of the film, Conan knocks out a camel with an aimed bash (0:38:02). Hiscruelty peaks out when he decollates Thulsa in front of his followers and raises his head like atrophy. Unlike Collateral Damage, Arnold takes much pleasure in fights and he seems to be alittle bit sadistic at this time.His most famous role is storied [...]

Sklep: Libristo.pl

Skins A-Z - 2826622878

50,29 zł

Skins A-Z BLAKE PUBLISHING

Książki / Literatura obcojęzyczna

A is for...Awards - This hit teen drama has won a host of media awards, including the Philips Audience Award at the BAFTAs. B is for...Bristol - Skins is filmed almost entirely around Bristol and the location gives the show much of its identity. The characters are often seen meeting on College Green. C is for...Cassie - A much-loved character from the first cast, Cassie, who struggles to hide her eating disorders from her friends and family. If you love E4's hit show Skins, then this is the book for you! Find out about the characters from all three casts of the show; discover the behind-the-scenes gossip from the hotly anticipated Skins film and learn about what inspired the writers to create the programme in the first place.

Sklep: Libristo.pl

"Ally McBeal". Critique Of A Prime Time Network Television Program - 2826713437

36,01 zł

"Ally McBeal". Critique Of A Prime Time Network Television Program GRIN Verlag

Książki / Literatura obcojęzyczna

Seminar paper from the year 1998 in the subject Communications - Movies and Television, grade: 1 (A), Ohio University (School of Telecommunication), course: Broadcast & Cable Programming, 16 entries in the bibliography, language: English, comment: Television critique 99 KB , abstract: If there was one show in the last year almost everybody talked about, it was certainly Fox Network s new series Ally McBeal . The show tells the story of a young woman working for a Boston law firm, trying to be successful in the courtroom as well as in her love life, succeeding in the former rather than the latter. On her first day in the new job for example she finds out that her ex-boyfriend Billy (Gil Bellows) works there as well as his new wife, the smart and beautiful Georgia (Courtney Thorne-Smith of Melrose Place ). Since Ally (Calista Flockhart) still has feelings for Billy, treating him and Georgia as colleagues of course isn t quite so easy and the three find themselves in a lot of awkward situations.§§Trying to figure out what genre Ally McBeal belongs to, is not so easy. On the first look it might appear to be a courtroom drama due to its hour-long format and trials taking place in every episode. But there is also a comedy side to Ally McBeal . Her struggle with life is shown in a humorous (often even slapstick) way and other characteristics of a comedy, like childish behavior of the protagonist or lack of experience with the other sex (Kaminsky 1985, p. 137-139) can be found as well.§Although the show won two Golden Globes in the comedy categories in 1997, Ally McBeal should rather be labeled as a dramedy due to its mixture of humor and serious issues. The genre of dramedy is a combination of drama and comedy and had its (short) heyday during the 1980s when it was praised as a fresh recipe to address an upscale audience. Ally McBeal does a very good job in reviving this genre, making its audience laugh as well as reflect or even cry.

Sklep: Libristo.pl

Rimsky - Korsakov Edition - 2842799694

679,92 zł

Rimsky - Korsakov Edition Brilliant Classics

Muzyka>Klasyczna

CD 1: SCHEHERAZADE Op.35 - SYMPHONIC SUITE AFTER A THOUSAND AND ONE NIGHTS 1 I. The Sea And Sinbad's Ship 9'26 2 II. The Story Of The Kalendar Prince 12'20 3 III. The Young Prince And The Young Princess 10'22 4 IV. Festival At Baghdad - The Sea - Shipwreck - Conclusion 11'27 5 Sadko - Musical Picture Op.5 11'26 6 Sadko - Song Of India 3'30 Total Time: 58'35 Armenian Philharmonic Orchestra - Loris Tjeknavorian CD 2: THE TSAR'S BRIDE - OVERTURE - FANTASIA ON SERBIAN THEMES SYMPHONIES NOS. 1 & 2 'ANTAR' 1 The Tsar's Bride - Overture 6'18 2 Fantasia On Serbian Themes Op.6 7'11 SYMPHONY NO.1 IN E MINOR Op.1 3 I. Largo Assai - Allegro 9'19 4 II. Andante Tranquillo 8'28 5 III. Scherzo: Vivace 5'02 6 IV. Allegro Assai 6'54 SYMPHONY NO.2 Op.9 'ANTAR' 7 I. Largo - Allegro Giocoso 11'59 8 II. Allegro - Molto Allegro - Allargando 5'11 9 III. Allegro Risoluto Alla Marcia 5'35 10 IV. Allegretto Vivace 8'51 Total Time: 75'15 Philharmonia Orchestra - Yondani Butt CD 3: 1 OVERTURE ON THREE RUSSIAN THEMES Op.28* 11'40 SYMPHONY NO.3 IN C Op.32 2 I. Moderato Assai - Allegro 12'06 3 II. Scherzo: Vivo 4'58 4 III. Andante 8'00 5 IV. Allegro Con Spirito 5'06 6 SKAZKA Op.29 (Fairytale) 15'54 Total Time: 58'06 London Symphony Orchestra *Philharmonia Orchestra - Yondani Butt CD 4: THE GOLDEN COCKEREL - SUITE (arr. Alexander Glazunov & Maximilian Steinberg) 1 I. King Dodon In His Palace 10'05 2 II. King Dodon On The Battlefield 3'52 3 III. King Dodon And The Queen Of Shemakha 7'02 4 IV. The Marriage Feast And Lamentable End Of King Dodon 5'17 TALE OF TSAR SALTAN - SUITE OP.57 5 I. The Tsar's Farewell And Departure 4'51 6 II. The Tsarina In A Barrel At Sea 5'27 7 III. The Three Wonders 8'00 8 Flight Of The Bumblebee (Tale Of Tsar Saltan) 1'13 Christmas Eve - Suite 9 I. Holy Night 5'40 10 II. Games And Dances Of The Stars - Mazurka - 5'49 The Sixth Comet - Csardas And Rain Of The Falling Stars 11 III. The Devil's Christmas 5'50 12 IV. Polonaise 6'07 13 V. Procession To Midnight Mass And Carols 6'05 Total Time: 76'00 Armenian Philharmonic Orchestra Loris Tjeknavorian CD 5: THE LEGEND OF THE INVISIBLE CITY OF KITEZH - SUITE 1 I. Prelude - Hymn To Nature 4'29 2 II. Bridal Procession 3'27 3 III. Tartar Invasion And The Battle Of Kerzenets 4'24 4 IV. Death Of Frevronya And Apotheosis 10'44 PAN VOYEVODA - SUITE Op.59 5 I. Introduction 3'30 6 II. Krakowiak 3'26 7 III. Nocturne 4'30 8 IV. Mazurka 4'53 9 V. Polonaise 6'23 PIANO CONCERTO IN C SHARP MINOR Op.30 10 I. Moderato - Allegretto Quasi Polacca - 6'17 11 II. Andante Mosso 4'11 12 III. Allegro 3'52 Total Time: 60'22 Leningrad Philharmonic Orchestra / Evgeny Mravinsky (1-4) Bolshoi Theatre Orchestra / Evgeny Svetlanov (5-9) Sviatoslav Richter Piano Moscow Youth Symphony Orchestra / Kirill Kondrashin (10-12) CD 6: PIANO TRIO IN C MINOR (completed In 1939 By Maximilian Steinberg) 1 I. Allegro 10'35 2 II. Allegro 4'25 3 III. Adagio 9'17 4 IV. Adagio - Allegro Assai 12'51 QUINTET IN B FLAT 5 I. Allegro Con Brio 7'29 6 II. Andante 8'13 7 III. Rondo: Allegretto 9'42 Total Time: 62,42 Oistrakh Trio (1-4) David Oistrakh Violin Sviatoslav Knushevitsky Cello Lev Oborin Piano Felicja Blumental Piano (5-7) Members Of The New Philharmonia Wind Ensemble, London Gareth Morris Flute John McCaw Clarinet Nicolas Busch Horn Gwydion Brook Bassoon CD 7: 4 SONGS Op.2 1 1. Lean Thy Cheek To Mine 1'04 Heine, Trans. M. Mikhaylov 2 2. Eastern Song: Enslaved By The Rose, The Nightingale A. Kol'tsov 3 3. Lullaby L. May 4 4. From My Tears Heine, Trans. Mikhaylov 4 SONGS Op.3 5 1. The Pine And The Palm Heine, Trans. Mikhaylov 6 2. Southern Night N. Shcherbina 7 3. The Golden Cloud Has Slept Lermontov 8 4. On The Hills Of Georgia Pushkin 4 SONGS Op.4 9 1. What Is My Name To Thee? Pushkin 10 2. The Messenger Heine, Trans. Mikhaylov 11 3. In The Dark The Nightingale Is Silent I. Nikitin 12 4. Quietly Evening Falls A. Fet 4 SONGS Op.7 13 1. My Voice For Thee Is Sweet And Languid Pushkin 14 2. Hebrew Song L. Mey 15 3. The Mermaid Of Lake Switez A. Mickiewicz, Trans. Mey 16 4. Thy Glance Is Radiant As The Heavens Lermontov 6 SONGS Op.8 17 1. Where Thou Art, My Thought Flies To Thee Unknown 18 2. Night A. Pleshcheyev 19 3. The Secret After Chamisso 20 4. Arise, Come Down Mey 21 5. In The Kingdom Of Roses And Wine 22 6. I Believe, I Am Loved Pushkin 2 SONGS Op.25 Heine, Trans. Mikhaylov 23 1. To My Song 24 2. When I Gaze Into Thy Eyes 4 SONGS Op.26 25 1. In Moment To Delight Devoted Byron, Trans. I. Kozlov 26 2. Evocation Pushkin 27 3. For The Shores Of Thy Native Land Pushkin 28 4. Zuleika's Song Byron, Trans. I. Kozlov Total Time: 63'43 Natalia Gerasimova Soprano Vladimir Skanavi Piano (2, 3, 12, 15, 19) Marina Choutova Mezzo-soprano Elena Tcheglakova Piano (5-6, 13-14, 17-18, 28) Alexei Martinov Tenor Aristote Konstantinidi Piano (4, 8, 9, 11, 21, 24-25) Mikhail Lanskoi Baritone Ilya Scheps Piano (1, 16, 20, 22, 26-27) Sergei Baikov Bass Ilya Scheps Piano (7, 10, 23) CD 8: 4 SONGS Op.27 1 1. Softly The Spirit Flew Up To Heaven A.K. Tolstoy 2 2. Echo F. Coppee, Trans. S. Andreyevsky 3 3. Thou And You Pushkin 4 4. Forgive! Remember Not These Tearful Days N. Nekrasov 4 SONGS Op.39 A.K. Tolstoy 5 1. Oh, If Thou Couldst For One Moment 6 2. The West Dies Out In The Pallid Rose 7 3. Silence Descends On The Golden Cornfields 8 4. Sleep, My Poor Friend 4 SONGS Op.40 9 1. When The Golden Cornfield Waves Lermontov 10 2. Across The Midnight Sky Lermontov 3'08 11 3. Of What I Dream In The Quiet Night A. Maykov 12 4. I Waited For Thee In The Grotto At The Appointed Hour A. Maykov 4 SONGS Op.41 13 1. Sun Of The Sleepless A.K. Tolstoy After Byron 14 2. I Am Unhappy Lermontov 15 3. I Love Thee, Moon (Melody From The Banks Of The Ganges) Maykov 16 4. Look In Thy Garden Maykov 4 SONGS Op.42 17 1. A Whisper, A Gentle Breath Fet 18 2. I Have Come To Greet Thee Fet 19 3. The Clouds Begin To Scatter (Elegy) Pushkin 20 4. My Spoiled Darling Mickiewicz, Trans. Mey 4 SONGS Op.43 'Vesnoy' (In Spring) 21 1. The Lark Sings Louder A.K. Tolstoy 22 2. Not The Wind, Blowing From The Heights A.K. Tolstoy 23 3. Cool And Fragrant Is Thy Garland Fet 24 4. Early Spring A.K. Tolstoy Total Time: 52'14 Natalia Gerasimova Soprano Vladimir Skanavi Piano (1, 4, 11, 19, 21-22) Alexei Martinov Tenor Aristote Konstantinidi Piano (3, 13, 15-18, 20, 23-24) Mikhail Lanskoi Baritone Ilya Scheps Piano Sergei Baikov Bass Ilya Scheps Piano CD 9: FIVE SONGS Op.45 'Poetu' (To The Poet) 1 1. The Echo Pushkin 2 2. Art Maykov 3 3. The Octave Maykov 4 4. Doubt Maykov 5 5. The Poet Pushkin 5 SONGS Op.46 'U Morya' (By The Sea) A.K. Tolstoy 6 1. The Wave Breaks Into A Spray 7 2. Not A Sound From The Sea 8 3. The Sea Is Tossing 9 4. Do Not Believe Me, Friend 10 5. The Waves Rise Up Like Mountains 4 SONGS Op.50 Maykov, After Modern Greek Poems 11 1. The Maiden And The Sun 12 2. The Singer 13 3. Quiet Is The Deep Blue Sea 14 4. I Am Still Filled, Dear Friend 5 SONGS Op.51 Pushkin 15 1. Slowly Drag My Days 16 2 Do Not Sing To Me, O Lovely One 17 3. Withered Flower 18 4. The Beauty 19 5. The Rainy Day Has Waned 4 SONGS Op.55 20 1. Awakening Pushkin 21 2. To A Grecian Girl Pushkin 22 3. The Dream Pushkin 23 4. I Died From Happiness L. Uhland, Trans. V. Zhukovsky 2 SONGS Op.56 Maykov 24 1. The Nymph 25 2. Summer Night's Dream Total Time: 55'07 Natalia Gerasimova Soprano Vladimir Skanavi Piano (3, 4, 11, 15, 17, 24-25) Alexei Martinov Tenor Aristote Konstantinidi Piano (1, 2, 5, 9, 12-14, 16, 18, 20-23) Mikhail Lanskoi Baritone Ilya Scheps Piano - Sergei Baikov Bass Ilya Scheps Piano CD 10: CHORAL WORKS 1 Poem About Aleksey, The Man Of God Op.20 For Chorus And Orchestra 2 Song Of Oleg The Wise Op.58 For Two Male Soloists, Male Chorus And Orchestra (Pushkin) 3 From Homer Op.60 Prelude-cantata For Three Voices, Female Chorus And Orchestra 4 Switezianka Op.44 (The Mermaid Of Lake Switez) Cantata For Two Solo Voices, Chorus And Orchestra (L.A. Mey After Mickiewicz) Total Time: 51'03 Dmitri Kortchak Tenor Nikolai Didenko Bass Svetlana Sizova Mezzo-soprano Tatiana Fedotova Soprano - Elena Mitrakova Soprano Dmitri Kortchak Tenor (4) Chorus Of The Moscow Academy Of Choral Art - Victor Popov - Moscow Symphony Orchestra - Vladimir Ziva CD 11: MAY NIGHT - OPERA IN THREE ACTS Libretto By Rimsky-Korsakov After Nikolai Gogol 1 Overture (Orchestra) Act One: 2 No.1: Round Of The Millet (Chorus) 3 No.2: Serenade (Levko) 4 No.3: Duet (Levko/Hanna) 5 No.4: Tale (Levko) 6 No.5: Recitative And Spring-Song (Hanna/Chorus Of Girls) 7 No.6: Hopak Scene (Kalenik/Chorus Of Girls) 8 No.7: Trio (Mayor/Levko/Hanna) 9 No.8: Recitative And Song About The Mayor (Levko/Chorus Of Youths) Act Two - Scene 1 10 No.9: Trio (Mayor/Distiller/Sister-in-Law) 11 No.10: Scene With Kalenik And The Distiller's Tale (Kalenik/Mayor/Distiller/Sister-in-Law 12 No.11: Song About The Mayor, Scene And Trio Beginning Total Time: 65'08 Levko: VITALY TARASCHENKO Hanna: NATALIA ERASOVA Pannochka: MARINA LAPINA The Mayor: VYACHESLAV POCHAPSKY The Distiller: ALEXANDER ARKHIPOV The Clerk: PIOTR GLUBOKY The Mayor's Sister-in-Law: ELENA OKOLYCHEVA Kalenik, The Village Drunkard: NIKOLAI RESHETNIAK Sveshnikov Academic Choir Chorus Master Evgeny Tytianko BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 12: MAY NIGHT (conclusion) - Opera In Three Acts Libretto By Rimsky-Korsakov After Nikolai Gogol 1 No.11: Song About The Mayor, Scene And Trio Conclusion 7'03 (Sister-in-law/Mayor/Distiller/Levko/Chorus/Clerk) Scene 2 2 No.12: Finale 6'20 (Mayor/Clerk/Distiller/Sister-in-Law, Chorus/Kalenik) Act Three 3 No.13: Scene Of The Rusalki 33'15 (Chorus/Queen Of The Water Nymphs/Levko) 4 No.14: Scene And Ritual Songs 6'16 (Mayor/Levko/Clerk/Distiller/Chorus/Hanna) 5 No.15: Finale 5'30 (Hanna/Levko/Chorus Of Youths/Mayor/Clerk/Distiller/Chorus/Kalenik/Sister-in-Law) Total Time: 58'30 Levko: VITALY TARASCHENKO Hanna: NATALIA ERASOVA Pannochka: MARINA LAPINA The Mayor: VYACHESLAV POCHAPSKY The Distiller: ALEXANDER ARKHIPOV The Clerk: PIOTR GLUBOKY The Mayor's Sister-in-Law: ELENA OKOLYCHEVA Kalenik, The Village Drunkard: NIKOLAI RESHETNIAK Sveshnikov Academic Choir Chorus Master Evgeny Tytianko BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 13: THE SNOW MAIDEN - OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij Prologue 1 Scene 1. Winter Is Over! The Cocks Have Crowed (Forest Spirit) 2 Recitative: At The Appointed Hour (Spring Fairy) 3 Aria: Where Are Those Lovely Lands Of Sunshine? (Spring Fairy) 4 Recitative: Dear Birds Of Mine (Spring Fairy) 5 Song And Dance Of The Birds (Chorus Of Birds/Spring Fairy) 6 Ah, It Is Snowing! (Chorus Of Birds/Spring Fairy) 7 Scene 2. When The Cold Cracks The Roofs And Walls (King Frost) 8 Recitative: Your Holiday Has Lasted Long Enough (Spring Fairy/King Frost) 9 Scene 3. Hello... Poor Little Child (Snow Maiden/Spring Fairy/King Frost) 10 Aria: To Go Berry-picking In The Woods (Snow Maiden) Recitative: This Handsome Lel (King Frost/Snow Maiden/Spring Fairy) 11 Arietta: I Heard All Of The Loveliest Songs (Snow Maiden) 12 Trio: Do You Hear? (Snow Maiden/ Spring Fairy/King Frost) Appearance Of The Forest Spirit (Forest Spirit/Chorus) 13 Scene 4. Carnival Procession (Chorus) 14 This Summer Soon Will Pass (Carnival Puppet/Chorus) 15 Wait! Is It Already Over? (Cottager & Wife/ Puppet/Snow Maiden/Chorus Of Berendeyans) Act One 16 Introduction (Orchestra) 17 Scene 1. For Your Kind Welcome, Lel Can Offer Nothing (Lel/Cottager/Snow Maiden) 18 Lel's First Song (Lel) 19 Lel's Second Song (Lel) 20 Lel, Handsome Lel (Chorus Of Girls/Snow Maiden) Total Time: 63'55 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRa & CHORUS / STOYAN ANGELOV CD 14: THE SNOW MAIDEN - (PART 2) OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij 1 Scene 2. Arietta: Ah, How I Suffer (Snow Maiden) 2 Scene 3. The Snow Maiden Is All Alone (Kupava/Snow Maiden) 3 Scene 4. Wedding Ritual: Young Maidens, Dear Friends (Kupava/ Misgir/Chorus Of Girls) 4 Scene 5. Without Lel, The Snow Maiden Will Be Sad (Kupava/Misgir/ Snow Maiden/Cottager & Wife/Lel) 5 Scene 6. Friends, Aid Me In My Distress (Kupava/Lel/Misgir/Chorus) Act Two 6 Introduction (Orchestra) 7 Scene 1. The Vibrant Tone Of The Gusli (Chorus Of Blind Psalteries) 8 Scene 2. O Beloved Tsar... (Bermyata/Tsar/Page) 9 Scene 3. Duet: O Tsar, My Father! (Kupava/Tsar) 10 Scene 4. Hark My Words, Valiant And Noble Gentlemen (First & Second Criers) 11 Ceremonial Procession Of Tsar Berendey (Orchestra) 12 Hymn (Berendeyans/Kupava/Lel/First & Second Criers/Chorus) 13 Scene 5. I Thank You! (Kupava/Tsar/Misigir/Bermyata/Chorus) 14 Scene 6. Cavatina: Nature Is Almighty (Tsar) 15 My Child... O Great Tsar 7'49 (Tsar/Snow Maiden/Bermyata/Lel/Chorus) 16 Final Chorus: Almighty, All-wise Tsar (Chorus) Total Time: 66'36 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRA & CHORUS / STOYAN ANGELOV CD 15: THE SNOW MAIDEN - (PART 3) OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij Act Three: 1 Scene 1. Dance And Song Of The Beaver: Ah, A Linden-tree Grows In The Field (Chorus/Snow Maiden/Lel/Cottager) What Merry Festivities! (Tsar) 2 Cavatina: The Happy Day Fades (Tsar) 3 Recitative: Another Amusement (Tsar) 4 Dance Of The Tumblers (Orchestra) 5 Lel's Third Song (Lel) 6 Recitative: Thank You, Handsome Lel... O Father, Tsar (Tsar/Snow Maiden/Chorus) 7 Scene 2. How Is It, Lel, That Your Heart Is So Cold? (Snow Maiden/Misgir) 8 Andantino: On A Warm Blue Sea (Misgir/Snow Maiden) Wait, Do Not Hurry! (Forest Spirit) 9 Transformation Of The Forest Spirit: All Night He Shall Pursue Her Shadow (Forest Spirit/Misgir) 10 Scene 3. At Last, I Find You (Lel/Kupava/Snow Maiden) Act Four 11 Introduction (Orchestra) 12 Scene 1. O Mother, My Eyes Are Full Of Tears (Snow Maiden/Spring Fairy) 13 Flowers Of The Springtide Dawn(Spring Fairy/Chorus Of Flowers) 14 Oh Mother, What A Miracle (Snow Maiden/Spring Fairy) 15 Scene 2. Duet: Wait, Wait For Me, Snow Maiden (Misgir/Snow Maiden) 16 Scene 3. Finale (Snow Maiden/Misgir/Tsar/Chorus) 17 Hymn Of Praise To The Sun-god Yarilo: Life-giving Yarilo (Chorus) Total Time: 78'46 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRA & CHORUS / STOYAN ANGELOV CD 16: MOZART AND SALIERI Op.48 Opera In One Act Libretto By Alexander Pushkin 1 Introduction 2 Scene 1 3 Scene 2 Total Time: 40'49 Mozart: ALEXEI MASLENNIKOV Salieri: EVGENY NESTERENKO BOLSHOI THEATRE SYMPHONY ORCHESTRA - GENNADY ROZHDESTVENSKY CD 17: THE NOBLEWOMAN VERA SHELOGA Op.54 - Opera In One Act Libretto By Rimsky-Korsakov After Lev Alexandrovich Mey 1 Overture (Orchestra) Scene 1 2 Look Boyarishnya, Dear, What A Fine String Of Beads! (Vlas'yevna) 3 Lullaby: Lulla, Lullaby, Lulla, Lulla... (Vera) Scene 2 4 Did Olenka Fall Asleep To Your Song (Nadezhda) 5 Who Is It, Then?... Do Not Ask, Nadezhda! (Nadezhda/Vera) 6 I Thought I Heard A Cuckoo... (Vera) Scene 3 7 Stop!... Were You Not Expecting Other Guests? (Vera/Boyar Sheloga) Total Time: 49'13 Vera: STEVKA EVSTATIEVA Nadezhda: ALEXANDRINA MILCHEVA Vlas'yevna: STEFKA MINEVA Boyar Sheloga: PETER BAKARDZHIEV Prince Tokmakov: DIMITER STANCHEV BULGARIAN RADIO SYMPHONY ORCHESTRA- STOYAN ANGELOV CD 18: THE TSAR'S BRIDE - OPERA IN FOUR ACTS Libretto: Il'ya Tyumenev After Lev Mey 1 Overture (Orchestra) Act One 2 Scene 1. Could I Somehow Forget (Gryaznoy) 3 Scene 2. Here Are My Guests! 4 Scene 3. Dear Host! May We Hear (Gryaznoy/Malyuta-Skuratov/Likov/Bomelius) 5 Song Of The Hops (Malyuta-Skuratov/Gryzanoy/Bomelius) 6 Scene 4. Hello, My Beautiful Child! (Gryaznoy/Malyuta-Skuratov/Lyubasha) 7 Scene 5. Bomelius... (Gryaznoy/Bomelius/Lyubasha) 8 Scene 6. What Do You Want? (Lyubasha/Gryaznoy) Act Two 9 Scene 1. There, The End Of The Vespers Has Arrived (Chorus) 10 Scene 2. How Calming This Autumn Evening Is (Marfa/Dunyasha/Petrovna) 11 Scene 3. Ah, What Is Wrong With Me, Why Am I Trembling So? (Marfa/Dunyasha/Likov/Sobakin) Total Time: 75'33 Marfa: EKATERINA KUDRIAVCHENKO Ivan Likov: ARKADY MISHENKIN Grigory Gryaznoy: VLADISLAV VERESTNIKOV Lyubasha: NINA TERENTIEVA Bomelius: VLADIMIR KUDRIASHOV Vasily Sobakin: PYOTR GLUBOKY Dunyasha: ELENA OKOLYSHEVA Saburova: IRINA UDALOVA Grigory Malyuta-Skuratov: NIKOLAI NIZIENKO Servant: NINA LARIONOVA Petrovna: TATIANA PECHURIA Coachman: VLADISLAV PASHINSKY Young Lad: YURI MARKELOV Sveshnikov Academic Choir - BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 19: THE TSAR'S BRIDE - (PART 2) OPERA IN FOUR ACTS Libretto: Il'ya Tyumenev After Lev Mey 1 Symphonic Intermezzo (Orchestra) 2 Scene 4. Finally, I Have Managed To Find His Turtledove! (Lyubasha/Bomelius) 3 Scene 5. Ah, My God Forgive Me, Grigory! (Lyubasha/Likov/Sobakin/Bomelius) Act Three 4 Prelude (Orchestra) 5 Scene 1. I Must Thank God, Ivan Sergeyevich! (Likov/Gryaznoy/Sobakin) 6 Scene 2. Tell Me, Please, What Would You Do (Likov/Gryaznoy) 7 Scene 3. My Good Friends, Taste This Wine! (Likov/Gryaznoy/Sobakin/Saburova) 8 Dunishia Pleases The Prince? Not Possible! (Lyubasha/Bomelius) 9 Scenes 4 & 5. This Glass Is For You (Marfa/Dunyasha/Likov/Gryaznoy/Sobakin) Act Four 10 Prelude & Scene 1. A Long Sleep Will Restore The Strength (Sobakin/Saburova/Servant/Coachman) 11 Scene 2. Receive My Prayers, Powerful Boyar (Sobakin/Gryaznoy/Marfa/Saburova/Dunyasha) 12 Ah! (Marfa/Gryaznoy/Dunyasha/ Saburova/Sobakin) 13 Come To The Garden, Ivan Sergeyevich (Marfa) 14 Scene 3. No, No, This Is Enough (Gryaznoy/Lyubasha/Marfa/Malyuta-Skuratov/Saburova) Total Time: 70'41 Marfa: EKATERINA KUDRIAVCHENKO Ivan Likov: ARKADY MISHENKIN Grigory Gryaznoy: VLADISLAV VERESTNIKOV Lyubasha: NINA TERENTIEVA Bomelius: VLADIMIR KUDRIASHOV Vasily Sobakin: PYOTR GLUBOKY Dunyasha: ELENA OKOLYSHEVA Saburova: IRINA UDALOVA Grigory Malyuta-Skuratov: NIKOLAI NIZIENKO Servant: NINA LARIONOVA Petrovna: TATIANA PECHURIA Coachman: VLADISLAV PASHINSKY Young Lad: YURI MARKELOV Sveshnikov Academic Choir - BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 20: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA Opera In Four Acts Libretto: Vladimir Belsky Act One: 1 Introduction: In Praise Of The Wilderness 2 Ah, You Forest, My Forest, Beautiful Wilderness (Fevroniya) 3 Oh Lord, What Is The Meaning Of This? (Prince Vsevolod/Fevroniya) 4 Whose Child Are You? Where Have You Come From? (Prince Vsevolod/Fevroniya) 5 Tell Me, Fair Maiden, Do You Go To Pray In God's Church? (Prince Vsevolod/Fevroniya) 6 Well Spoken, Fair Maiden! (Prince Vsevolod/Fevroniya) 7 Hail To Thee, Lips Of Honey (Prince Vsevolod/Fevroniya) 8 As Soon As The Marksmen Came Out Into The Open Field (Chorus/Prince Vsevolod/Fevroniya/Poyarok) Act Two: 9 Show Them, Mikhaylushka, Show Them Playful Bear (Bear Leader/Chorus/ Gusli Player/Well-off People) 10 So What Is That To Us? (Kuterma/ Well-off People/Chorus) 11 Hey Lads! I Can Hear Some Bells (Chorus/Poyarok/Well-off People) 12 Get Away, Clear Off, You Dog! (Chorus/Fevroniya/Poyarok/Kuterma) 13 Over The Bridges Of Guelder-tree (Chorus) 14 Gayda! Gay! Gayda! (Tatars/Bedyay/ Burunday/Chorus/Kuterma/Fevroniya) 15 Gayda! Gay! Stop, You Godless Heathens (Chorus/Kuterma) Total Time: 65'48 Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN CD 21: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA (PART 2) Opera In Four Acts Libretto: Vladimir Belsky Act Three: 1 Scene 1. Good Fortune To You, Citizens Of Kitezh (Poyarok/Chorus/Prince Vsevolod) 2 Oh Glory, Vain Wealth! (Prince Yury) 3 Wondrous Queen Of Heaven, Our Holy Protectress! (Poyarok/Prince Yury/ Chorus/Page) 4 Kitezh Looted And Us Taken Alive As A Tribute (Prince Yury/Chorus/Prince Vsevolod) 5 What Are We Standing About For, Sisters? (Chorus/Page/Prince Yury/ Poyarok) 6 Entr'acte To The Second Scene: The Battle Near Kerzhenets 7 Scene 2. Here Is The Oak Grove, And Here Is The Lake (Kuterma/Burunday/Bedyay/Chorus) 8 Oh, You Tartar Murzas! I Don't Need The Gold Or Silver (Burunday/Bedyay/Chorus) 9 Ah, My Dear Husband, My Hope! (Fevroniya) 10 Hear Me, Maiden... Lovely Princess! (Kuterma/Fevroniya) 11 Go, Servant Of The Lord! (Fevroniya/Kuterma/Chorus) Total Time: 62'36 Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN CD 22: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA (PART 3) Act Four: 1 Scene 1. Oh, I Can't Go On, Grishenka (Fevroniya/Kuterma) 2 Earth, Our Merciful Mother! (Fevroniya/Kuterma) 3 Grishenka!... He Will Not Listen (Fevroniya) 4 The Free Birds Are Toning Up Their Voices (Fevroniya/Voice Of Alkonost) 5 Is That You, Radiant Light Of My Eyes? (Fevroniya/Ghost) 6 The Bridegroom Has Come (Voice Of Sirin/Fevroniya/Ghost) 7 Entr'acte To The Second Scene 8 Scene 2. The Doors Of Paradise Have Opened For You (Alkonost/Sirin/Chorus) 9 Radiant Kingdom! O God! (Fevroniya/Chorus/Prince Vsevolod) 10 May The Grace Of God Be With You! (Prince Yury/Fevroniya/Prince Vsevolod/ Sirin/Alkonost) 11 Stay With Us Here For Ever More (Chorus/Fevroniya/Sirin/Alkonost/Prince Vsevolod/Prince Yury) 12 Grishenka, Even Though You Are Feeble In Mind (Fevroniya/Poyarok/Prince Yury/Chorus) Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN ROMANCES 13 The Rainy Day Has Waned Op.51 No.5 Pushkin 14 The Clouds Begin To Scatter Op.42 No.3 Pushkin 15 Oh, If Thou Couldst For One Moment Op.39 No.1 Tolstoy 16 Not The Wind, Blowing From The Heights Op.43 No.2 Tolstoy 17 The Octave Op.45 No.3 Maykov 18 The Messenger Op.4 No.2 Heine 19 The Upas Tree Op.49 No.1 Pushkin Total Time: 78'41 Ivan Petrov Bass - S. Stuchevsky Piano CD 23: THE GOLDEN COCKEREL - OPERA IN A PROLOGUE, THREE ACTS AND AN EPILOGUE Libretto By Vladimir Belsky After Alexander Pushkin Prologue: 1 Introduction: I Am The Master Magician (Astrologer) Act One: 2 The King's Monologue: I Have Summoned You Here (King Dodon) 3 Guidon's Plan: Great Father (Guidon/King Dodon/Chorus Of Boyars) 4 Afron's Plan (King Dodon/Boyars/Afron/Polkan/Guidon) 5 Hail, Majesty! Sire! (Astrologer) Oh, That's A Fairy Tale! (King Dodon/The Golden Cockerel) 6 Cock-a-doodle-do! The Coast Is Clear - The Parrot Scene (The Golden Cockerel/King Dodon/Amelfa) 7 Dodon's Siesta - Cock-a-doodle-do! Beware! (Chorus Of The People/Amelfa/The Golden Cockerel) Our King! Father Of The People! (Polkan/King Dodon/Afron/Chorus Of Boyars/Guidon) 8 King Dodon's Dream (The Golden Cockerel/King Dodon/Amelfa/Chorus) 9 The Cockerel's Sccene: Cock-a-doodle-do!... Oh! What Misfortune! (The Golden Cockerel/Chorus Of The People/Polkan/King Dodon) Total Time: 46'17 King Dodon: NIKOLAI STOILOV Prince Guidon: LYUBOMIR BODOUROV Afron: EMIL UGRINOV Polkan: KOSTA VIDEV Astrologer: LYUBOMIR DYAKOVSKI Queen Of Shemakha: ELENA STOYANOVA The Golden Cockerel: YAVORA STOILOVA Amelfa: EVGENIA BABACHEVA / SOFIA NATIONAL OPERA ORCHESTRA / DIMITER MANOLOV CD 24: THE GOLDEN COCKEREL - (PART 2) OPERA IN A PROLOGUE, THREE ACTS AND AN EPILOGUE Libretto By Vladimir Belsky After Alexander Pushkin Act Two: 1 Soldiers' Chorus: The Silent Night Is Whispering Fearful Things (Chorus Of Soldiers) What Terrible Sight Is This? - Behold, A Tent! (King Dodon/Polkan/Chorus Of Soldiers) 2 The Queen Of Shemakha's Entrance: Hail, O Ray Of Morning Sun (Queen Of Shemakha/King Dodon/Polkan) 3 Whose Heart Rich In Love (Queen Of Shemakha/King Dodon) 4 Dance Of The Queen Of Shemakha: At First I Shall Dance With A Lowered Veil (Queen Of Shemakha/King Dodon) 5 Sisters, Who Limps Beside The Resplendent Beauty? (Chorus Of Slaves) Ho! Polkan! Sound The Trumpets In Victory (King Dodon/Chorus Of Soldiers) 6 It Is Terrible, Brothers (Chorus Of The People/Amelfa) 7 Who Is That Stranger Standing There? (Queen Of Shemakha/King Dodon) Great King, It Is I (Astrologer) 8 King Dodon's Death: Ha, Ha, Ha! (Queen Of Shemakha) I've Beaten Him To Death (King Dodon/The Golden Cockerel/Chorus Of The People) Epilogue: 9 There, My Story's Ended! (Astrologer) Total Time: 72'24 King Dodon: NIKOLAI STOILOV Prince Guidon: LYUBOMIR BODOUROV Afron: EMIL UGRINOV Polkan: KOSTA VIDEV Astrologer: LYUBOMIR DYAKOVSKI Queen Of Shemakha: ELENA STOYANOVA The Golden Cockerel: YAVORA STOILOVA Amelfa: EVGENIA BABACHEVA / SOFIA NATIONAL OPERA ORCHESTRA / DIMITER MANOLOV CD 25: Historical Recordings SYMPHONY NO.3 IN C Op.32 1 I. Moderato Assai - Allegro 12'51 2 II. Scherzo: Vivo 6'01 3 III. Andante 8'22 4 IV. Allegro Con Spirito 6'18 SCHEHERAZADE Op.35 'Symphonic Suite After A Thousand And One Nights' 5 I. The Sea And Sinbad's Ship 10'09 6 II. The Story Of The Kalendar Prince 11'43 7 III. The Young Prince And The Young Princess 10'53 8 IV. Festival At Baghdad - The Sea - Shipwreck - Conclusion 11'16 Total Time: 77'38 USSR State TV And Radio Symphony Orchestra - Gennady Rozhdestvensky (1-4) David Oistrakh Violin - Bolshoi Theatre Symphony Orchestra - Nikolai Golovanov (5-8

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Delius: 150th Anniversary (Limited) - 2839282157

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Delius: 150th Anniversary (Limited) Warner Music

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1. Beecham, Sir Thomas - Winter Night (Sleigh Ride) 2. Beecham, Sir Thomas - Marche Caprice (Bearb. Von B 3. Beecham, Sir Thomas - Over The Hills & Far Away 4. Beecham, Sir Thomas - Tanz-rhapsodie Nr. 2 5. Beecham, Sir Thomas - Tanz-rhapsodie Nr. 1 6. Lento 7. Comodo 8. Vivo 9. Piu Lento Tranquillo 10. Molto Adagio 11. Beecham, Sir Thomas - Paa Vidderne (On The Mountai 12. Beecham, Sir Thomas - Acknowledgement Of Underwrit 13. Beecham, Sir Thomas - Introductory Mention Of A V 14. Beecham, Sir Thomas - Delius's Background & Person 15. Beecham, Sir Thomas - The Development Of Delius's 16. Beecham, Sir Thomas - Delius's Operas & His Style 101. Barbirolli, Sir John - A Village Romeo & Juliet (O 102. The Walk To The Paradise Garden (Bearb. Von Beecha 103. Barbirolli, Sir John - A Song Of Summer 104. Barbirolli, Sir John - Irmelin (Oper In 3 Akten) ( 105. Prelude 106. Barbirolli, Sir John - Late Swallows (Bearb. Von F 107. Barbirolli, Sir John - Rehearsing Appalachia 108. Barbirolli, Sir John - Appalachia (Variationen Ueb 109. Introduction: Molto Moderato - Tranquillo - Poco P 110. Theme: Andante 111. Variation 1 112. Variation 2: Moderato 113. Variation 3: Piu Vivo 114. Variation 4: Molto Moderato 115. Variation 5: Con Moto 116. Variation 6: Giocoso. Allegro Moderato 117. Variation 7: Lento E Molto Tranquillo 118. Variation 8: Misterioso 119. Variation 9: Andante Con Grazia 120. Variation 10: Lento Sostenuto E Tranquillo 121. Variation 11: Allegro Alla Marcia 122. Variation 12: Marcia. Molto Lento Maestoso 123. Variation 13: L'istesso Tempo 124. Variation 14: Misterioso Lento 125. Finale: Lento - Piu Mosso 201. Mackerras, Sir Charles - Paris: A Nocturne (The So 202. Halle Orchestra - In A Summer Garden (Rhapsodie) 203. Handley, Vernon - Stuecke Fuer Kleines Orchester N 204. Nr. 1: On Hearing The First Cuckoo In Spring 205. Nr. 2: Summer Night On The River 206. Handley, Vernon - Fennimore & Gerda (Oper In 11 Bi 207. Intermezzo 208. Handley, Vernon - Konzert Fuer Klavier Nd Orcheste 209. 1. Allegro Non Troppo 210. 2. Largo 211. 3. Tempo Primo 301. Bournemouth Symphony Orchestra - Florida-suite (Be 302. 1. Daybreak - Dance 303. 2. By The River 304. 3. Sunset - Near The Plantation 305. 4. At Night 306. Bournemouth Symphony Orchestra - Brigg Fair (An En 307. Introduction: Slow, Pastoral 308. 1. Theme: With Easy Movement - 309. Variation 1 - 310. Variation 2 - 311. Variation 3 - 312. Variation 4 - 313. Variation 5 - 314. Variation 6 315. 2. Interlude: Slow & Very Quietly 316. 3. Variation 7: Rather Quicker But Not Hurried - 317. Variation 8 - 318. Variation 9: With Easy Movement - 319. Variation 10 - 320. Variation 11: Slow. With Solemnity - 321. Variation 12: Maestoso - 322. Transition 323. 4. Variation 13: Gaily - 324. Variation 14 - 325. Variation 15 - 326. Variation 16 - 327. Transition: Rather Quicker - 328. Variation 17: Rather Solwer. Very Broadly - 329. Coda: Very Quietly 330. Hickox, Richard - A Summer Evening (Bearb. Von Bee 331. Hickox, Richard - Koanga (Lyrisches Drama In 3 Akt 332. La Calinda (Bearb. Von Fenby) 333. Creswick, Bradley - Air & Dance (Fuer Streicher) 334. Hickox, Richard - Hassan (Buehnenmusik) (Auszug) 335. Intermezzo 336. Serenade 337. Academy Of St Martin In The Fields - Two Aquarelle 338. Slow 339. Gaily, But Not Quick 401. Groves, Sir Charles - Lebenstanz (Life's Dance) 402. Groves, Sir Charles - North Country Sketches (4 St 403. Nr. 1: Autumn. The Wind Soughs In The Trees 404. Nr. 2: Winter Landscape 405. Nr. 3: Dance 406. Nr. 4: The March Of Spring. Woodlands, Meadows And 407. Groves, Sir Charles - Sea Drift 408. Once Paumanok 409. Shine! Shine! Shine! 410. Till Of A Sudden 411. Blow! Blow! Blow! 412. Yes, My Brother, I Know 413. O Rising Stars! 414. O Reckless Despairing Carols 415. O Past! O Happy Life! 416. Groves, Sir Charles - Cynara 501. Davies, Meredith - Konzert Fuer Violine Und Orches 502. With Moderate Tempo 503. Slower 504. Tempo 1 - Allegretto - Piu Moderato 505. Davies, Meredith - Doppelkonzert Fuer Violine, Vio 506. Quietly 507. Slowly & Quietly 508. Accel. Tempo 1 509. Du Pre, Jacquelinei - Konzert Fuer Violoncello Und 510. Lento 511. Con Moto Tranquillo 512. Lento 513. Con Moto Tranquillo 514. Allegramente 601. Bournemouth Sinfonietta - Dance (Bearb. Von Eric F 602. Bournemouth Sinfonietta - Stuecke Fuer Flote Und S 603. Nr. 1: La Calinda 604. Nr. 2: Air & Dance 605. Bournemouth Sinfonietta - 5 Kurze Stuecke Fuer Kle 606. Nr. 1 Mazurka For A Little Girl: Con Moto 607. Nr. 2 Waltz For A Little Girl: Lento, Tempo Di Val 608. Nr. 3 Waltz: Gracefully & With Verve 609. Nr. 4 Lullaby For A Modern Baby: Very Slow 610. Nr. 5: Toccata 611. Bournemouth Sinfonietta - Sonate Fuer Streichorche 612. 1. With Animation 613. 2. Quick & Lightly 614. 3. Late Swallows: Slow & Wistfully 615. 4. Very Quick & Vigorously 616. Britten Quartet - Streichquertett (Bearb. Von Eric 617. 1. With Animation 618. 2. Quick & Lightly 619. 3. Late Swallows: Slow & Wistfully 620. 4. Very Quick & Vigorously 701. Fenby, Eric - Sonate Fuer Violine Und Klavier Nr. 702. 1. With Easy Movement But Not Quick 703. 2. Slow 704. 3. With Vigour & Animation 705. Fenby, Eric - Sonate Fuer Violine Und Klavier Nr. 706. 1. Con Moto 707. 2. Lento 708. 3. Molto Vivace 709. Fenby, Eric - Sonate Fuer Violine Und Klavier Nr. 710. 1. Slow 711. 2. Andante Scherzando 712. 3. Lento - Con Moto 713. Lenehan, John - Legende Es-dur 714. Margalit, Israela - Sonate Fuer Violoncello Und Kl 715. 1. Allegro Ma Non Troppo 716. 2. Lento, Molto Tranquillo 717. 3. Tempo 1 718. Kipnis, Igor - Dance For Harpsichord 801. Bostridge, Ian - Twilight Fancies (Evening Voices) 802. Tear, Robert - To Be Sung Of A Summer Night On The 803. Slow, But Not Dragging 804. Gaily, But Not Quick 805. Covey-crump, Rogers - Wanderer's Song 806. Beecham, Sir Thomas - Heimkehr (The Homeward Journ 807. Beecham, Sir Thomas - Twilight Fancies (Evening Vo 808. Beecham, Sir Thomas - Whither (Autumn) (Orch. Von 809. Beecham, Sir Thomas - The Violet (Orch. Von Gibson 810. Beecham, Sir Thomas - Whither (Autumn) (Orch. Von 811. Beecham, Sir Thomas - The Violet (Orch. Von Gibson 812. Beecham, Sir Thomas - I-brasil (Orch. Von Heseltin 813. Beecham, Sir Thomas - Klein Venevil (Orch. Von Bee 814. Beecham, Sir Thomas - Twilight Fancies (Evening Vo 815. Beecham, Sir Thomas - Cradle Song 816. Beecham, Sir Thomas - The Nightingale 817. Labbette, Dora - Irmelin Rose 818. Labbette, Dora - So White, So Soft, So Sweet Is Sh 819. Labbette, Dora - Le Ciel Est, Par-dessus Le Toit 820. Labbette, Dora - La Lune Blanche 821. Moore, Gerald - To The Queen Of My Heart 822. Moore, Gerald - Love's Philosophy 823. (Keine Angaben) - Caprice & Elegy 901. Halle Orchestra - Eventyr (Once Upon A Time) 902. Bournemouth Sinfonietta - Hassan (Buehnenmusik) 903. Prelude 904. Interlude Between Scenes 1 & 2 (1. Akt) 905. Scene 2: Moonlight - The Street Of Felicity 906. Serenade 907. Hassan Falls Under The Shadow Of The Fountain 908. Chorus Behind The Scenes 909. Serenade 910. Prelude To Scene 1 (2. Akt) 911. Fanfare Preceding The Ballet - Ballet: Dance Of Th 912. Chorus Of Women 913. Divertissement 914. General Dance 915. Chorus Of Beggars & Dancing Girls 916. Scene 2: The Street Of Felicity 917. Music Accompanying Ishak's Poem 918. Prelude To Scene 1 (3. Akt) 919. Scene 1: Curtain 920. Interlude Between Scenes 1 & 2 921. Scene 2: The War Song Of The Saracens 922. Fanfares - Entry Of The Caliph 923. Prelude To Scene 1 924. Interlude Between Scenes 1 & 2 (4. Akt) 925. Prelude - The Garden Of The Caliph's Palace - Suns 926. The Procession Of Protracted Death 927. Prelude To The Last Scene 928. Closing Scene: We Take The Golden Road To Samarkan 1001. Baker, Dame Janer - Songs Of Sunset Nr. 1-8 1002. Nr. 1 A Song Of The Setting Sun!: Quietly 1003. Nr. 2 Cease Smiling, Dear!: With Easy Movement 1004. Nr. 3 Pale Amber Sunlight Falls: Slow 1005. Nr. 4 Exceeding Sorrow Consumeth My Sad Heart!: Co 1006. Nr. 5 By The Sad Waters Of Separation: With Quiet 1007. Nr. 6 See How The Trees: Freshly 1008. Nr. 7 I Was Not Sorrowful: Very Quietly Nut Not To 1009. Nr. 8 They Are Not Long: Quietly 1010. Groves, Sir Charles - An Arabesque 1011. Groves, Sir Charles - A Mass Of Life 1012. O Du Mein Wille!: Animato, Con Fervore (1. Teil) 1013. Erhebt Eure Herzen (Rezitatvi) : Animoso, Con Alcu 1014. In Dein Auge Schaute Ich Juengst: Andante Tranquil 1015. Wehe Mir!: Agitato Ma Moderato 1016. Nacht Ist Es: Adagio 1101. Auf Den Bergen (On The Mountains): Andante (2. Tei 1102. Herauf! Nun Herauf: Con Elevazione E Vigore 1103. Suesse Leier!: Andante 1104. Lento 1105. La La La 1106. Heisser Mittag Schlaeft: Lento Molto 1107. Gottes Weh Ist Tiefer: Allegro Ma Non Troppo, Con 1108. Kommt! Lasst Uns Jetzo Wandeln!: Largo, Con Solenn 1201. Davies, Meredith - Requiem 1202. Our Days Here Are As One Day: Solemny 1203. Hallelujah! - La Il Allah: With Vigour & Fervour 1204. My Beloved Whom I Cherished: Moderato 1205. I Honour The Man Who Can Love Life: With Energy 1206. The Snow Lingers Yet On The Mountains: Very Slow 1207. Davies, Meredith - Once I Passed Through A Populou 1208. Prelude: Moderato 1209. Once I Passed Through A Populous City: Andante Mod 1210. Day By Day, Night By Night: Lento, Con Espressione 1211. I Am She Who Adorned Herself 1212. This Is Thy Hour: Piu Mosso 1213. Sweet Are The Blooming Cheeks Of The Living: Lento 1214. Royal Philharmonic Orchestra - A Song Before Sunri 1215. Royal Philharmonic Orchestra - Songs Of Farewell N 1216. Nr. 1 How Sweet The Silent Backward Tracings!: Qui 1217. Nr. 2 I Stand As On Some Mighty Eagle's Beak: Lent 1218. Nr. 3 Passage To You!: Andante Tranquillo 1219. Nr. 4 Joy, Shipmate, Joy!: Maestoso 1220. Nr. 5 Now Finale To The Shore: Moderato Con Moto 1301. Allister, Jean - Koanga (Lyrisches Drama In 3 Akte 1302. Ha, Ha, Ha... Stop! Stop! I Am Quite Out Of Breath 1303. Oh ! I Cannot Sleep (1. Akt) 1304. Ah! There's Palmyra 1305. But Here Comes Martinez 1306. O Voodoo Martian, My Fathers From Your Graves Aven 1307. If You Agree To Work For Us, Koanga 1308. Agreed Then, That's A Bargain 1309. Oh Gentle Mistress, Who Always Was Kind To Me 1310. Now Once In A Way We Are Free For A Day (2. Akt) 1311. He Will Meet Her When The Sun Goes Down 1312. How Time Flows On! 1313. The Hour Is Near, When I To Him My Soul Surrender 1314. Far, Far Away, Palmyra, My People Mourn For Me 1315. Hail To Thee, Mighty Prince! 1316. Where Is Palmyra? 1317. Hear Me, God Voodoo: I Have Betrayed My Trust 1401. Lento, Molto Tranquillo (3. Akt) 1402. Ah! Ah! Onyame! Onyame!... Hougan, Hougan, Koanga 1403. Come Tell Me, Rangwen, Holy Priest 1404. Dance: Furioso - See, He Prays! Voodoo Must Hear H 1405. Sick & Pale The Sun Sinks Down 1406. Ah!... I Hear Palmyra's Voice 1407. Fools You Are To Weep & Wail! 1408. Ah! Tell Me Where Koanga Is! 1409. Koanga!... Now, By The Seven Times Seven Plagues 1410. I Cannot Bear The Sight! 1411. My Lord Koanga Dead! 1412. Lento - Molto Moderato E Tranquillo 1413. How Sad, Uncle Joe, That She Should Die (Epilogue) 1414. Bingham, Peter - The Song Of The High Hills 1415. With Quiet Easy Movement - Tranquillo 1416. Very Slow (The Wide, Far Distance - The Great Soli 1417. In Tempo 1418. Very Quietly - Tempo 1 1501. Barry, Elaine - A Village Romeo & Juliet (Oper In 1502. Allegro Ma Non Troppo, Con Vigore - Straight On, M 1503. 'Tis Such A Shame To Let Good Land Lie Waste 1504. Come, Vrenchen, Come! 1505. The Children Are Nearby 1506. How Strange The Song Of The Wind 1507. Listen, My Children, You Need Have No Fear! 1508. We Two Will Be The Only Bidders For That Land 1509. Lento 1510. Vrenchen!... Sali! 1511. If Only We Two Always Stand Together 1512. Poco Meno 1513. Tranquillo - Sali!... Vrenchen! 1514. You Here? I'm Not Surprised 1515. O Sali, I'm Afraid! 1516. Molto Lento - Shameless Hussy! 1517. Lento Molto 1518. Ah, The Darkness Has Come 1519. O Salo, I Should Have Died 1520. What Will You Do? Where Will You Go? 1521. The Dream Of Sali & Vrenchen 1522. Lento 1523. Ah, 'Twas All A Dream! 1601. Con Moto 1602. Oh Sali, Look At Those Lovely, Lovely Things! 1603. Well Well! What Do I See? 1604. Come, My Vrenchen 1605. The Walk To The Paradise Garden 1606. Dance & Song, All Day Long! 1607. Lento 1608. So I Must Tell You 1609. The Twilight Closes Round The Garden 1610. Moderato - Vagabonds & Comrades! 1611. Come With Us... Live In Freedom! 1612. Halleo! Halleo! 1613. Passing Strangers, Drifting By 1614. See, The Silver Moonlight Kisses The Woods 1615. See Our Marriage Bed Awaits Us! 1616. Beecham, Sir Thomas - Florida-suite (Auszug) 1617. 3. Sunset - Near The Plantation 1618. Fenby, Eric - A Mass Of Life (Auszug) 1619. Final Chorus 1620. Fenby, Eric - Paris (The Song Of A Great City) 1621. Beecham, Sir Thomas - Florida-suite (Auszug) 1622. 3. Sunset - Near The Plantation 1623. Barbirolli, Sir John - Appalachia (Variationen Ueb 1624. Variation 13 1625. Barbirolli, Sir John - In A Summer Garden 1626. Du Pre, Jacqueline - Konzert Fuer Violoncello Und 1627. Allegramente 1628. Groves, Sir Charles - Cynara 1629. Groves, Sir Charles - An Arabesque 1630. (Keine Angaben) - (Keine Angaben) 1701. Berg, Mogens - Fennimore & Gerda (Oper In 11 Bilde 1702. First Picture 1703. Interlude: Very Slow 1704. Second Picture 1705. Third Picture 1706. Fourth Picture 1707. Fifth Picture 1708. Sixth Picture 1709. Prelude: With Sentiment 1710. Seventh Picture 1711. Eighth Picture 1712. Ninth Picture - Gerda 1713. Prelude: Very Quietly, Not Dragging 1714. Tenth Picture 1715. Prelude: Very Slow 1716. Eleventh Picture

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Schubert Edition - 2848483186

310,10 zł

Schubert Edition

Książki & Multimedia > Muzyka

Opis - Franz Schubert may have only lived 32 years, but there is no question that he packed a phenomenal amount into his lifetime, with around 600 of his total of nearly 1000 works composed before he was 21. It is astounding to think, given his reputation today as one of Western art"s greatest figures, that only a very small proportion of his music was either performed or published in his day. Born in 1797, he was very much aware of the "shadow" of Beethoven, another of the "First Viennese School" (with which Schubert is often equated) and a composer who immeasurably expanded the expressive range of three major genres: the symphony, piano sonata and string quartet. And yet his doubts regarding how he was to follow this German composer"s example proved unjustified; combining his phenomenal melodic gift with a powerful dramatic sense and command of large-scale structure, Schubert equally enhanced these three areas, bestowing on each a large body of compositions that are among today"s most performed pieces of classical music. The symphony, piano sonata and string quartet, therefore, are all included in this special collection, which details the majority of the composer"s output through separating it into key sections. Joining the string quartets " of which the late D804, D810 are D887 are undoubtedly the most inspired " are a range of other chamber music treasures, including the famous String Quintet and "Trout" Piano Quintet, the endearing large-scale Octet for wind and strings, and various duo works such as the Arpeggione Sonata. Though the sonatas dominate his piano literature, Schubert also excelled at composing shorter works for this instrument, such as the Impromptus, and a wonderful array of music for four hands is also included. Contributions to the realm of sacred choral music include six masses, the unfinished Lazarus (which Alfred Einstein believed far surpassed Wagner"s Tannhäuser and Lohengrin as a step along the road to music drama) and the imposing Deutsche Messe, while the inclusion of the opera Alfonso und Estrella and the incidental music to Rosamunde on the set represents the handful of works Schubert wrote for the stage. Last, but by no means least, are Schubert"s secular vocal works. Containing some of his most poignant and penetrative writing, and drawing on a vast range of authors " including Goethe, Schiller, Shakespeare and many of his close friends " these include part-songs, then a popular genre among amateur choruses, and a huge corpus of lieder, among which are such gems as Gretchen am Spinnrade and Der Tod und das Mädchen as well as the great song cycles Die schöne Müllerin, Winterreise and Schwanengesang. That Schubert excelled in almost every genre akin to the period in which he lived is in no doubt. Spanning the length of his career, and featuring a wealth of acclaimed artists and ensembles " among them some of the composer"s greatest interpreters, such as Alfred Brendel and Dietrich Fischer-Dieskau " this comprehensive box set, priced at a mere "60, is an exciting addition to Brilliant Classics" ever-expanding library of editions. Other information: - The most comprehensive Schubert Edition ever! - A celebration of the Viennese genius, from the grand structures of the jubilant 9th symphony ("of heavenly length") to the morbid skeleton melodies of Winterreise, from the genial bonhomie of the Trout Quintet to the utter despair of Der Doppelgänger, from the virtuoso brilliance of the Wanderer Fantasy to the rustic simplicity of the Ländler. - Schubert"s music touches the heart directly, his deceptively simple melodies bring tears to the eyes, his wandering between the dark and the light symbolizes the universal condition humaine. - Featuring numerous period-instrument and award-winning recordings. Booklet contains consummate notes on the composer and his oeuvre. Nazwa - Schubert Edition Wydawca - Brilliant Classics Kod EAN - 5028421948706 Rok wydania - 2015 Nośnik - Płyta CD Podatek VAT - 23% Premiera - 2015-02-23

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We Own This Game - 2826758074

64,26 zł

We Own This Game Grove Press / Atlantic Monthly Press

Książki / Literatura obcojęzyczna

Although its participants are still in grade school, Pop Warner football is serious business in Miami, where local teams routinely advance to the national championships. Games draw thousands of fans; recruiters vie for nascent talent; drug dealers and rap stars bankroll teams; and the stakes are so high that games sometimes end in gunshots. In America's poorest city, troubled parents dream of NFL stardom for children who long only for a week in Disney World at the Pop Warner Super Bowl. In 2001, journalist Robert Andrew Powell spent a year following two young teams through rollercoaster seasons. The Liberty City Warriors, former national champs, will suffer the team's first-ever losing season. The inner-city kids of the Palmetto Raiders, undefeated for two straight years, are rewarded for good play with limo rides and steak dinners. But their flamboyant coach (the "Darth Vader of youth football") will be humbled by defeat in a down-to-the-wire playoff game. TITLE OF BOOK is an inside-the-huddle look into a world of innocence and corruption, where every kickoff bares political, social, and racial implications. By an award-winning journalist whose work has appeared in The Best American Sports Writing, it is an unforgettable drama that shows us just what it is to win and to lose in America. INTRODUCTION A portrait of Miami, a city whose government, even after race riots which crippled the black community in the 80s, serves the interest mostly of the Cuban-American constituency and has been rocked by various political scandals (bribery, fiscal mismanagement, etc.). The author tells how he witnessed inner-city blacks find hope and identity during a high school football semifinal that was attended by tens of thousands. He takes a newspaper assignment covering Pop Warner football games and sees much he admires ("a depressed community proud that its boys could do something better than anyone else") but also "the corruption of sport at its infancy" (recruiting, fans assaulting the coach after the team's only loss, parents living through their kids, gambling, etc.). He quits his job to cover a season of Pop Warner, from the first day to the last game, attending every single season and game of the 95-pound Gwen Cherry Bulls, whose coach is dubbed the 'Darth Vadar of Pop Warner'. Prologue Registration day. Coach Brian Johnson of the Liberty City Warriors is introduced as he prints out ridiculously complicated game strategies for his team, based on the Georgia Southern Eagles game plans. It is his first year as head coach and he is determined to prove himself. "I wouldn't be a man if I didn't aspire to run my own team." We're introduced to the "Darth Vadar of Pop Warner" Raul Campos, the ostentatious coach of the 110-pound Palmetto Raiders, who is editing a video hyping his team as the greatest of all time, winners of back-to-back national champions at Disney World Sport Center, undefeated in the last 2 seasons. We're introduced to Diamond Pless, a young kid whose uncle was confined to a wheelchair after a shooting with a rival drug dealer, and who is now helping his uncle live his dream of NFL superstardom vicariously We're introduced to Mark Peterson, the head of the league who tries without much success to discourage the recruitment of black inner city players to suburban ballparks, and is still torn over last year's national championship, where a Suniland team made up mostly of recruits won 56-6. The coach lost his job because he ran up the store, but is suing to be reinstated. CHAPTER ONE: First Practice The first practice, plus a history of Pop Warner football, the largest youth football league in America, started in 1929 in Philly to prevent youth crime and eventually to over 6,000 teams nationally competing to play in the national champion at Disney World. CHAPTER TWO: Liberty City A tour of Liberty City--past the wealthy enclaves of Miami and the poverty of Little Havana is a black neighborhood torn by race riots in the 80s and gang-related assassinations in the 90s. The neighborhood grew out of a black ghetto called Nigger Town which eventually became a progressive experimental black-only community named Knight Manor until a highway ran through it and tore the neighborhood apart. This is wear porno rapper Luther Campbell of 2 Live Crew comes from, who helped found the Liberty City program. Since then, the Warriors have won city championships in 7 of 8 weight divisions and have spawned other all-black parks. CHAPTER THREE: CAMPOS Inside the home of the Cuban exile turned real estate wizard Coach Campos, who is hated and called a "cracker" and takes his players to games in chartered motor coaches and used to take them in Hummer limos. After being banned from another Pop Warner team, Campos took over the Palmetto team comprised mostly of white suburban kids and replaced them with mostly black players recruited from West Perrine via varsity letter jackets, steak dinnnnnnners, etc. CHAPTER FOUR: DIAMOND Diamond's mom tries to petition for him to get a larger role on the team, but Diamond doesn't show much promise. Diamond's uncle Durell describes his gun injury. CHAPTER FIVE: SUNILAND We're introduced to Phillip, whose father is dead from AIDS and whose HIV+ mother's behavior is erratic because of drugs. He is often left to his own devices. He sees football as his way out. We're introduced to the Suniland Devils, a suburban team comprised of recruited back players whose coach Gator Rebhan was banned after he ran up the score in a championship game. Rebhan thinks the League is jealous because he took a white ballpark and made it successful. CHAPTER SIX: GOULDS The history of the Railroad Shop, a black settlement that developed nearly a century ago, was condemned by the city, but eventually turned black again. Now Goulds is black and poor. In their first game, Liberty City loses to Goulds, with Coach Johnson's playbook proving way too complex for the pee wees. CHAPTER SEVEN: SEPTEMBER 11 Warriors lose their second game. News of 9/11 comes, but Florida is very removed from the goings-on in NYC and Washington. The coaches convene at the field despite cancelled games and try to make sense of things. CHAPTER EIGHT: McADOO We're introduced to shadowy figure named McAdoo, who "takes care" of high school and college players in vague ways. He's a street agent, of which every major college sports program has at least one. They operate under the radar, even going so far as to buy cars for young players even though he has no traceable source of income besides selling watermelons and gambling. He points out all of the players he "raised"-- rappers, NFL players, etc. McAdoo's cash flow is "supplemented by his relationships with some of Liberty City's more prominent entrepreneurs," including drug dealers and gang members. McAdoo has switched his focus from encouraging kids to go into football to encouraging them to read. CHAPTER NINE: LIBERTY CITY AT PALMETTO Liberty City is now 1-4 and their chances at the championship are slipping. A player is hit hard and has to go to the hospital in an ambulance. Coach Johnson is questioning why he even bothers. CHAPTER ELEVEN: PLEX The story of drug-related gang violence in Liberty City. Gang members bet up to $10,000 and intimidated coaches and player. Diamond's father-in-law "Plex" was arrested for a murder associated with protecting the distribution channels of a crack laboratory. He is serving 5 life sentences. CHAPTER ELEVEN: ELECTION The Elian Gonzalez debacle, and how it further turned the black community against the Cubans. The Warriors win a game. CHAPTER THIRTEEN: THE GAME A story about a legendary street game decades ago between a group of white kids and black kids. The black kids

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My Father Il Duce - 2826681057

136,28 zł

My Father Il Duce Kales Press

Książki / Literatura obcojęzyczna

In this historical, revisionist memoir, Romano Mussolini (September 26, 1927-February 3, 2006), the last surviving child of dictator Benito Mussolini, contributes his unique perspective to the growing body of work that portrays Il Duce's era. Through Romano's portrait of never before publicly shared memories and feelings, My Father Il Duce brings alive the domestic scenes of his childhood particularly when they intersected with his father's public role. He also relates in detail the memories of his mother, Donna Rachele, who lived until 1979 and often spoke with Romano about his father. Romano's memories, sorted by chapter, but not presented chronologically, shift between his own recollections of time spent with his father to the years after Mussolini's death in 1945. The prose lingers and then artistically moves forward, melancholy to fierce to vulnerable, like the notes of the jazz music played by Romano during his acclaimed musical career. Mussolini is presented here as a man who was supremely convinced that he was the master of his life: "'Everything happening around me, '" my father used to say, "'leaves me indifferent. I consciously choose 'Live dangerously' as my life's motto. As an old soldier, I say, 'If I advance, follow me. If I retreat, kill me. If they kill me, vindicate me.'" He saw his existence in scenes of high drama, envisioning in the end, Romano tells us, that he would be placed in front of throngs at New York City's Madison Square Garden and then executed in a macabre spectacle. In this memoir, Romano does not truly ponder the consequences of his father's alliances and dictatorship, though with at least one notable exception that he gave considerable thought to his personal anger toward Hitler for "stabbing my father in the back at his darkest hour." Instead, he seeks to render concrete the memories that he held silent over a lifetime before they were lost to history. The fascist order that Mussolini created and imposed upon Italy is one that Italians and students of history the world over are still interpreting. Indeed, his legacy was centerstage in the May 2006 Italian national elections, and one of the deputies in the Italian parliament today who represents his alliances is Alessandra Mussolini, Romano's daughter and defender of her infamous grandfather. As the trend of historical revisionism in Italy continues, in particular regarding the role of fascism, some of this kinder, gentler Mussolini is already widely accepted. Thus, My Father Il Duce (in Italian Il Duce Mio Padre) was published to great attention and controversy in Italy in 2004 and quickly became a bestseller. Romano often appeared on Italian national television and in newspaper interviews. In part, this illuminates that fascist supporters are alive and well, while also confirms even among non-supporters, the ongoing attraction to the cult of personality Mussolini masterminded. In Italy, this public discourse about Mussolini is common. However, for others it is important to establish a context for Romano's memoir. This is accomplished here through an accompanying masterful twenty-one page introductory essay by one of the world's foremost authorities on Italian political culture, Alexander Stille: writing the introductory essay to My Father Il Duce is a bit like writing the warning label on a powerful drug that has its uses but must be taken with care and knowledge of its possible side effects. Romano reached his goal of living to see the first publication of his memoir in Italian. As for this English-language edition, he earlier expressed approval of the front cover design. On January 1, 2006, he received the translated English language manuscript of his writing. During the last month of his life, he approved it. Romano Mussolini died on February 3, 2006, at age seventy-nine in a Rome hospital soon after heart surgery. Romano's death made international news. The New York Times obituary reported: "In the 1950's and 60's he was in the vanguard of Italian jazz with his group the Romano Mussolini All Stars, and he played with American greats like Dizzy Gillespie, Duke Ellington and Chet Baker. Mr. Mussolini gained even greater international fame with his first marriage, to Anna Maria Scicolone, the sister of the actress Sophia Loren....Despite his own scrupulous avoidance of politics, politicians from Italy's right wing-parties widely lauded Mr. Mussolini and his family name in statements they released: 'Romano knew how to make us love him for his humanity, his art, but also for the dignity and coherence with which he defended his family from attacks and demonizations.'" Through Romano's worldwide celebrity and well-regarded nature, his words in defense of Il Duce, albeit ones he no doubt wrote as a son who loved his father, offer a rare insider's perspective that can help us better understand, and therefore more readily defeat tyranny. This memoir's account of history further reminds us of the continuing need for our vigilance in the pursuit of truth.

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20 Euro x 2, Austrian Railways, 2009 + WYSYŁKA GRATIS - 1373091935

458,00 zł

20 Euro x 2, Austrian Railways, 2009 + WYSYŁKA GRATIS Austrian Mint

Kategorie > Promocje

Seria: Austriackie koleje Kraj: Austria Emitent: Narodowy Bank Austrii Producent: Mennica Austrian Mint Stan zachowania monety: I (menniczy) Nominał: 20 Euro (20

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Dynasts, Vol. 1 - 2826880483

55,53 zł

Dynasts, Vol. 1 Forgotten Books

Książki / Literatura obcojęzyczna

Excerpt from The Dynasts, Vol. 1: A Drama of the Napoleonic Wars, in Three Parts, Nineteen, Acts,& One Hundred and Thirty Scenes The Drama here presented is concerned with the Great Historical Calamity, or Clash of Peoples, artificially brought about some hundred years ago. The choice of such a subject was mainly due to three accidents of locality. It chanced that the writer was familiar with a part of England that lay within hail of the watering-place in which King George the Third had his favourite summer residence during the war with the first Napoleon, and where he was visited by ministers and others who bore the weight of English affairs on their more or less competent shoulders at that stressful time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Anton Chekhov - Plays - 2827189073

42,04 zł

Anton Chekhov - Plays Penguin

Książki / Literatura obcojęzyczna

Five masterful dramatic works from one of the world's best-loved playwrights, Anton Chekhov's "Plays" is translated with notes by Peter Carson, and an introduction by Richard Gilman in "Penguin Classics". At a time when the Russian theatre was dominated by formulaic melodramas and farces, Chekhov created a new sort of drama that laid bare the everyday lives, loves and yearnings of ordinary people. "Ivanov" depicts a man stifled by inactivity and lost idealism, and "The Seagull" contrasts a young man's selfish romanticism with the stoicism of a woman cruelly abandoned by her lover. With 'the scenes from country life' of "Uncle Vanya", his first fully mature play, Chekhov developed his own unique dramatic world, neither tragedy nor comedy. In "Three Sisters" the Prozorov sisters endlessly dream of going to Moscow to escape the monotony of provincial life, while his comedy "The Cherry Orchard" portrays characters futilely clinging to the past as their land is sold from underneath them. Peter Carson's moving translations convey Chekhov's subtle blend of comedy, tragedy and psychological insight. In his introduction, Richard Gilman examines how Chekhov broke with theatrical conventions and discusses each play in detail. Anton Chekhov (1860-1904) was born in Taganrog, a port on the sea of Azov. In 1879 he travelled to Moscow, where he entered the medical faculty of the university, graduating in 1884. During his university years, he supported his family by contributing humorous stories and sketches to magazines. He published his first volume of stories, "Motley Tales", in 1886, and a year later his second volume "In the Twilight", for which he received the Pushkin Prize. Today his plays, including "Uncle Vanya", "The Seagull", and "The Cherry Orchard" are recognised as masterpieces the world over. If you enjoyed "Plays", you might like Chekhov's "The Shooting Party", also available in "Penguin Classics".

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Chales Bargue - 2834690595

406,79 zł

Chales Bargue ACR Edition

Książki / Literatura obcojęzyczna

The Bargue-Gerome Drawing Course is a complete reprint of a famous, late nineteenth century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature. Consequently it is a book that will interest artists, art students, art historians and lovers and collectors of drawings. It also introduces us to the work and life of a hitherto neglected master: Charles Bargue. The Drawing Course consists of three sections. The first consists of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting with lithographs after exemplary drawings by Renaissance and modern masters. The third part contains almost sixty academies or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature. Practiced professional artists will see at once the problems of representation that are approached by Bargue, and they will delight in his solutions. Figure painters will copy the plates to keep in tune; so to speak, much as pianists practice the exercises of Czerny before performing Beethoven. Art students will find it a practical and progressive introduction to realistic figure drawing. Art historians can learn by studying these drawings just what was prized in late ninetheenth century figure painting. They will recognize the reliance upon tradition by the use of antique sculptures as models in the first part: Antiquity is here used, not to impose a classical style, but as an aid in seeing the structure of the human body with clarity and intelligence. The result is a convergence of Classicism and Realism. There are no numerical proportional charts, perspective boxes or geometrical schemata to memorize. All the techniques and schemata are developed out of and for the object or person in view. The drawings are splendid; beautiful; not simply products of assiduity, but of careful observation and the wish to transcribe and communicate the beauty of nature and light, as well as the manifold appearances of the human body. These are objectives that will touch and move any careful reader of drawings, and the figurative arts. Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects. By working with Gerome, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, of color schemes that unified his composition in exquisite tonal harmonies. The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.

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Sink the Belgrano - 2843499527

42,52 zł

Sink the Belgrano Corgi Books

Książki / Literatura obcojęzyczna

On the evening of 30 March, 1982, Commander David Hall, chief engineer of the British nuclear submarine HMS Conqueror received a telephone call giving him the order to 'store for war'. At first he didn't believe it. In the early hours of 2 April, Argentine forces invaded the Falkland Isles. The sinking of the Belgrano was one of the most dramatic moments of the Falklands conflict. For many it signalled Britain's entry into the war and it has been seen as a politically motivated decision deliberately designed to take the country irrevocably into the fight. Now Mike Rossiter - with unprecedented access to sailors from the Belgrano and HMS Conqueror - gives us a dramatic and definitive retelling of the events that led up to the sinking.With all the pace and tension of a thriller, "Sink the Belgrano" takes us inside the battle for the South Atlantic and shows us the human drama behind the famous, and controversial, Sun headline 'Gotcha!' We track the collision course between the British submarine Conqueror and the Argentine warship - as the two sides and everyone aboard head towards the climactic moment just outside the exclusion zone set up by the British around the Falkland Isles. We witness the behind-the-scenes arguments, discussions and powerbroking that led to the decision to fire the three torpedoes. And, for the first time, we hear from the sailors on both sides - the personal testimony of the hunt for and attack on the Belgrano, and from the Argentine side the experience of being under attack and the sinking that left 340 members of her crew dead.

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Films based on video games (Film Guide) - 2846350869

135,33 zł

Films based on video games (Film Guide) Books LLC, Reference Series

Książki / Literatura obcojęzyczna

Source: Wikipedia. Commentary (films not included). Pages: 127. Chapters: The Sims, Final Fantasy: The Spirits Within, Lara Croft: Tomb Raider, Super Mario Bros., Higurashi When They Cry, Final Fantasy VII Advent Children, Resident Evil, Inazuma Eleven, Prince of Persia: The Sands of Time, Max Payne, Silent Hill, Uncharted, Mortal Kombat, Doom, Halo Legends, Hitman, List of films based on video games, DOA: Dead or Alive, Professor Layton and the Eternal Diva, Street Fighter, Mortal Kombat: Annihilation, Clannad, Voltage Fighters: Gowcaizer the Movie, Street Fighter II: The Animated Movie, BloodRayne, Street Fighter: The Legend of Chun-Li, Pokémon Apokélypse, Assassin's Creed: Lineage, Postal, Tales of Vesperia: The First Strike, Dante's Inferno: An Animated Epic, Tekken, Lara Croft Tomb Raider: The Cradle of Life, Fatal Fury: The Motion Picture, Air, Alone in the Dark, Double Dragon, Sonic the Hedgehog: The Movie, Street Fighter Alpha: The Animation, In the Name of the King: A Dungeon Siege Tale, Mortal Kombat: Rebirth, Dobutsu no Mori, The King of Fighters, Wing Commander, Tekken: The Motion Picture, Forbidden Siren, Fatal Fury 2: The New Battle, Dead Space: Aftermath, Sakura Wars: The Movie, The Legend of Zelda: The Hero of Time, House of the Dead, House of the Dead 2, Half-Life: Escape from City 17, Like a Dragon, Dead Space: Downfall, Future Cops, Super Mario Bros.: Peach-Hime Kyushutsu Dai Sakusen!, Galerians: Rion, Metal Gear Solid: Philanthropy, Fatal Fury: Legend of the Hungry Wolf, Sengoku Basara: Samurai Kings, Like a Dragon: Prologue, Silent Hill: Revelation 3D, BloodRayne II: Deliverance, BloodRayne 3: The Third Reich, Far Cry, Alone in the Dark II, Street Fighter: Legacy, Kirby: Fright to the Finish!!, OneChanbara, Kane & Lynch, Area 51, In the Name of the King 2, Mortal Kombat: The Journey Begins, Silliwood. Excerpt: Higurashi When They Cry Higurashi no Naku Koro ni, lit. When the Cicadas Cry), known simply as When They Cry for the North American release of the anime adaptation, is a Japanese murder mystery dojin soft sound novel series produced by 07th Expansion. The games are built on the NScripter game engine and are playable on Microsoft Windows PCs. The first game in the series, Onikakushi-hen, was released on August 10, 2002, and the eighth and final game in the original PC series, Matsuribayashi-hen, was released on August 13, 2006. While the first four games carried the overall title Higurashi no Naku Koro ni, the next four games were produced under the title Higurashi no Naku Koro ni Kai. A bonus fan disc called Higurashi no Naku Koro ni Rei was released on December 31, 2006. In addition to the original series, new story arcs were created in manga form and in video games for the PlayStation 2 and Nintendo DS in order to expand upon the story. The original eight PC releases was released in English by MangaGamer with the first four games on December 15, 2009, followed by the last four being released monthly starting with Meakashi-hen on February 28, 2010. The series is focused on a group of young friends and the strange events that occur in the rural village Hinamizawa where they reside. Two sets of drama CDs were produced, one by Wayuta and the other by Frontier Works. Novelizations of the game series were released by Kodansha Box between August 2007 and March 2009. A manga series adapted from the games began with eight different manga artists working separately on one to three of the multiple story arcs, and is pu...

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