krainaksiazek the history and practice of the art of photography 20039791

- znaleziono 34 produkty w 6 sklepach

History And Practice Of The Art Of Photography (Unillustrate - 2829587095

38,01 zł

History And Practice Of The Art Of Photography (Unillustrate BERTRAMS PRINT ON DEMAND

Książki obcojęzyczne / angielskie

Sklep: Literacka.pl

The Camera And The Pencil; Or, The Heliographic Art, Its Theory And Practice In All Its Various Branches; E.g - Daguerreotypy, Photography, Etc; Together With Its History In The United States And In E - 2855747536

119,99 zł

The Camera And The Pencil; Or, The Heliographic Art, Its Theory And Practice In All Its Various Branches; E.g - Daguerreotypy, Photography, Etc;...

Książki Obcojęzyczne>Nieprzypisane

0x0030526900000000

Sklep: Gigant.pl

The History And Practice Of The Art Of Photography, Or The Production Of Pictures Through The Agency Of Light - 2855179691

44,99 zł

The History And Practice Of The Art Of Photography, Or The Production Of Pictures Through The Agency Of Light

Książki Obcojęzyczne>Nieprzypisane

0x00215e0900000000

Sklep: Gigant.pl

The History and Practice of the Art of Photography - 2848686610

38,37 zł

The History and Practice of the Art of Photography

Książki

Sklep: KrainaKsiazek.pl

Art and Photography_Campany David - 2822175328

73,00 zł

Art and Photography_Campany David Wydawnictwo: Phaidon

WYDAWNICTWA ALBUMOWE > Fotografia

Art and Photography ISBN: 9780714863924 Autor: Campany David     Rok wydania: 2012-05-03 Ilość stron: 220 Oprawa: miękka Format: 290 x 250 mm Art and Photography is the first book of its kind to survey the major presence of photography at the centre of artistic practice from the 1960s onwards. On its invention, the photograph was considered a purely mechanical, an artless object that could not be included in the fine arts. Despite its increasing use by the twentieth century's most significant artists, only since the late 1960s have art museums gradually begun to exhibit and acquire the photograph as an artwork. Today photography is the pre-eminent artistic medium for contemporary artists. Survey David Campany provides a comprehensive historical overview of photography's place in twentieth-century art history. Works provides an extensive colour plate and duotone image section with extended captions for every artwork. Divided thematically, each chapter explores a different aspect of photography in twentieth-century culture, examining the diverse ways in which artists have explored and pushed boundaries. Among more than 190 examples of the most significant photographic projects by artists are works by John Baldessari, Lewis Baltz, Bernd & Hilla Becher, Christian Boltanski, Chris Burden, Victor Burgin, Sophie Calle, Elinor Carucci, Chuck Close, James Coleman, John Coplans, Gregory Crewdson, Philip Lorca DiCorcia, William Eggleston, Joan Fontcuberta, Lee Friedlander, Nan Goldin, Andreas Gursky, John Hilliard, Candida Höfer, Roni Horn, Barbara Kruger, Louise Lawler, Sherrie Levine, Richard Long, Robert Mapplethorpe, Annette Messager, Joel Meyerowitz, Duane Michals, Boris Mikhailov, Richard Misrach, Gabriel Orozco, Giuseppe Penone, Richard Prince, Gerhard Richter, Martha Rosler, Georges Rousse, Thomas Ruff, Ed Ruscha, Lucas Samaras, Andres Serrano, Cindy Sherman, Stephen Shore, Katharina Sieverding, Lorna Simpson, Thomas Struth, Hiroshi Sugimoto, Larry Sultan, Wolfgang Tillmans, Jeff Wall, Andy Warhol, Gillian Wearing, Boyd Webb, Carrie Mae Weems, William Wegman and Francesca Woodman. Documents contextualises the Works with original artists' statements and interviews, often reproduced in book form for the first time, plus writings on art and photography by leading critics, writers and theorists of the late twentieth century. Overview International in scope, Art and Photography is the most authoritative and wide-ranging survey on the place of photography in contemporary art and culture David Campany offers a unique insight into the ways in which the medium has transformed both art and vision Discusses photography

Sklep: Multistore24.pl

Photography - 2852636679

175,60 zł

Photography LAURENCE KING PUBLISHERS

Książki / Literatura obcojęzyczna

The fourth edition of this comprehensive history of photography has been thoroughly revised and updated. Spanning the entire history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey. Mary Warner Marien discusses photography from a truly global viewpoint and looks at a wide-ranging collection of images through the lenses of art, science, travel, war, fashion, the mass media and individual photographers. In addition to representing the established canon of Europe and the United States, key work from Latin America, Africa, India, Russia, China and Japan is also included. Professional, amateur and art photographers are all discussed, with Portrait boxes devoted to highlighting important individuals and Focus boxes charting particular cultural debates. New additions to this fourth edition include an overview of photographys involvement in conceptual art, a detailed review of the photographic work of artist Ed Ruscha and new material on European Worker Photography during the 1920s and 30s. Many new pictures have been added throughout the book, including superior versions of historical photographs and recent images from contemporary photographers, including Walead Beshty, Youssef Nabil, Lalla Essaydi and Ryan McGinley. A rich and vivid account of the history of photography placed in an essential cultural context, this indispensable book shows how photography has charted, shaped and sharpened our perception of the world.

Sklep: Libristo.pl

Renew Marxist Art History - 2854311966

125,43 zł

Renew Marxist Art History Thames & Hudson

Książki / Literatura obcojęzyczna

From the early decades of the 20th century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. Some of the most influential names in the field were active proponents of Marxist thought: Frederick Antal, Max Raphael, Arnold Hauser, Meyer Schapiro, T. J. Clark, to name just a few. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics, which began to dominate the subject. This came at a time when Marxism in general was itself increasingly perceived as outdated after the collapse of communism. But in the wake of the recent global crisis there has been a resurgence in interest in Marx, especially among younger generations. Similarly, many progressive art historians are once again recognizing the relevance of his ideas to their own practice. This collection of essays a festschrift in honour of leading Marxist art historian Andrew Hemingway brings together thirty academics who are reshaping art history along Marxist lines. Coming from the United States, Britain, Europe and Asia, they apply Marxs theories to a wide range of art historical subjects. American art of the mid-nineteenth century; the rise of modernism in Weimar Germany; Mexican muralism; Situationism in 1960s Paris; and photography and contemporary art these are just some of the areas considered through the lens of Marxism as it is understood today. And in the spirit of Marxisms long tradition of self-critique, the contributors also examine the shifting agendas and limitations of Marxist art history itself, acutely aware of the specific historical and political circumstances in which it is produced. As such, this book not only provides the very latest in Marxist art-historical writing, it also acts an essential introduction to one of the most vibrant and relevant forms of art history today one that looks to the past but is also marked by an urgent sense of the present.

Sklep: Libristo.pl

Bergson and the Art of Immanence - 2844393369

131,99 zł

Bergson and the Art of Immanence EDINBURGH UNIVERSITY PRESS

Książki / Literatura obcojęzyczna

This title takes an immanent turn in art history. Immanence is a theory of divine presence, in which the divine is found in the material world, not outside of it. This new collection brings the major 20th century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson's work and influence in a wide historical context and applies a rigorous conceptual framework to contemporary art theory and practice. It includes 16 essays from world renowned art theorists, philosophers and Bergson scholars. Contributors include Iris van der Tuin, Eric Alliez, Simon O'Sullivan and Howard Caygill. It offers a variety of perspectives and methodological approaches that will appeal to both art theorists and practitioners. It explores concepts of rhythmic duration, perception, affectivity, the body, memory and intuition - all of which were first formulated as immanent objects through the work of Bergson.

Sklep: Libristo.pl

Emanations: The Art of the Cameraless Photograph - 2854447030

271,52 zł

Emanations: The Art of the Cameraless Photograph Prestel

Książki / Literatura obcojęzyczna

An unparalleled exploration of the art of cameraless photography, this expansive book offers an authoritative and lavishly illustrated history of photography made without a camera, along with a critical discussion of the practice.

Sklep: Libristo.pl

Art and Electronic Media - 2212841997

198,10 zł

Art and Electronic Media Phaidon Press Ltd

Sztuka

As accessibility and understanding of electronic media grows, its use by artists becomes more widespread. Yet the art world, both critically and practically, was initially slow to accept this emergence - new technology is potentially alienating and esoteric. Edward A. Shanken gives a lucid evaluation of the subject, contextualizing it in a broader art-historical and political framework. A comprehensive survey, his essay also addresses the reaction, development and future of artistic practice in the face of new technology, and how art can 'humanize and mythologize' science. Divided into seven thematic sections, the book follows a broadly chronological approach.The seven sections of this survey include: light, space, motion, time which lays the foundations in the early twentieth century, artists introduced motion and light into their work, defying the traditional concept of art as static, lit object - the jump-off point for interactive art incorporating digital media; Coded Form and Electronic Production which shows how the emergence of computer graphics and electronic photocopying (1950s and 1960s), and high resolution digital photography, printing and rapid prototyping (1980s and 1990s) expanded the possibilities for artistic production and reproduction, challenging notions of originality and creativity; Simulation and Simulacra which describes the interactive exchanges allowed by virtual reality, engaging audiences with simulated forms and environments, playing on the trompe-l'oeil verisimilitude of art history.Sections also include Electronic Environments which is distinctly different from virtual reality outlines performances enacted in electronic environments that enable audience feedback to influence the unfolding of various elements or demonstrate the politicized contexts in which the media (and the mass media in particular) operate. This work also includes sections such as: Networks, Surveillance, Culture Jamming which discusses public access cable television, satellite transmissions, and especially the union of computers and telecommunications, and how these have led to exchange, transfer and collaborative creation; Bodies, Surrogates, and Emergent Systems which questions the distinction between real and artificial, as artists join their bodies (and/or those of their audiences) with electronic media, creating cyborgs and robots in order to examine human existence; and, Exhibitions, Institutions and Communities which looks at how technical requirements and financial overheads demand close collaboration between artists, scientists and engineers, shaping production, reception and historicization

Sklep: Albertus.pl

What is Contemporary Art? - 2854283799

64,93 zł

What is Contemporary Art? Thames & Hudson

Książki / Literatura obcojęzyczna

"What is Contemporary Art?" is the ideal introduction for children aged eight and over to art made since the 1960s. Featuring artworks from one of the worlds leading collections of modern and contemporary art, The Museum of Modern Art in New York, its lively and engaging text introduces the art and ideas to young readers, with background information, fascinating stories and intriguing questions encouraging children to engage directly with the artworks. The full range of contemporary practice is explored, from painting and sculpture to film, photography, performance and installation. Special features include pull-out artists quotations, ideas and information boxes and How Did They Do It? prompts, directing the reader to useful nuggets of information, and asking questions to enable children to explore their own responses to the artworks. A beguiling book for children and parents, as well as the perfect support for school topic work on art history themes, "What is Contemporary Art?" invites young readers to understand, enjoy and question some of the most dynamic and exciting art of our times.

Sklep: Libristo.pl

Still Moving - 2826821178

121,50 zł

Still Moving COMBINED ACADEMIC PUBLISHERS

Książki / Literatura obcojęzyczna

In "Still Moving" noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another.Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. "Still Moving" suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. The contributors include: George Baker; Rebecca Baron; Karen Beckman; Raymond Bellour; Zoe Beloff; Timothy Corrigan; Nancy Davenport; Atom Egoyan; Rita Gonzalez; Tom Gunning; Louis Kaplan; Jean Ma; and, Juan A. Suarez.

Sklep: Libristo.pl

Contest of Meaning - 2854210966

242,99 zł

Contest of Meaning University Press Group Ltd

Książki / Literatura obcojęzyczna

Photography's great success gives the impression that the major questions that have haunted the medium are now resolved. On the contrary - the most important questions about photography are just beginning to be asked. These fourteen essays, with over 200 illustrations, critically examine prevailing beliefs about the medium and suggest new ways to explain the history of photography. They are organized around the questions: What are the social consequences of aesthetic practice? How does photography construct sexual difference? How is photography used to promote class and national interests? What are the politics of photographic truth?The Contest of Meaning summarizes the challenges to traditional photographic history that have developed in the last decade out of a consciously political critique of photographic production. Contributions by a wide range of important Americans critics reexamine the complex - and often contradictory - roles of photography within society.Douglas Crimp, Christopher Phillips, Benjamin Buchloh, and Abigail Solomon Godeau examine the gradually developed exclusivity of art photography and describe the politics of canon formation throughout modernism. Catherine Lord, Deborah Bright, Sally Stein, and Jan Zita Grover examine the ways in which the female is configured as a subject, and explain how sexual difference is constructed across various registers of photographic representation.Carol Squiers, Esther Parada, and Richard Bolton clarify the ways in which photography serves as a form of mass communication, demonstrating in particular how photographic production is affected by the interests of the powerful patrons of communications. The three concluding essays, by Rosalind Krauss, Martha Rosler, and Allan Sekula, critically examine the concept of photographic truth by exploring the intentions informing various uses of "objective" images within society.Richard Bolton is an artist and writer who has exhibited and published widely. He has taught in the Visible Language Workshop at MIT's Media Laboratory and at the Visual Studies Workshop in Rochester.

Sklep: Libristo.pl

At a Distance - 2212824784

126,80 zł

At a Distance MIT Press Massachusets Institute of Tech nology

Sztuka

Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work -- showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns -- At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice. At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the "art object," combined with a political undermining of dominant art institutional practices, animated most distance art. After a section that sets this work in historical and critical perspective, the book presents artists and others involved in this art "re-viewing" their work -- including experiments in "mini-FM," telerobotics, networked psychoanalysis, and interactive book construction. Finally, the book recasts the history of networks from the perspectives of politics, aesthetics, economics, and cross-cultural analysis. Annmarie Chandler is Director of Emerging Field in New Media and Digital Culture at University of Technology, Sydney, Australia. Norie Neumark is Associate Professor of Media Arts and Production at University of Technology, Sydney, Australia."The book is an exhilarating, eye-opening read that restores the body to the virtual and pulls the virtual out of the digital and back into lived and produced social relations." -- Patricia R. Zimmermann, Department of Cinema and Photography, Ithaca College

Sklep: Albertus.pl

Photographs, Museums, Collections - 2854339568

131,99 zł

Photographs, Museums, Collections Bloomsbury Academic

Książki / Literatura obcojęzyczna

The status of photographs in the history of museum collections is a complex one. From its very beginnings the double capacity of photography - as a tool for making a visual records on the one hand and an aesthetic form in its own right on the other - has created tensions about its place in the hierarchy of museum objects. While major collections of 'art' photography have grown in status and visibility, photographs not designated 'art' are often invisible in museums. Yet almost every museum has photographs as part of its ecosystem, gathered as information, corroboration or documentation, shaping the understanding of other classes of objects, and many of these collections remain uncatalogued and their significance unrecognised. This volume presents a series of case studies on the historical collecting and usage of photographs in museums. Using critically informed empirical investigation, it explores substantive and historiographical questions such as what is the historical patterning in the way photographs have been produced, collected and retained by museums? How do categories of the aesthetic and evidential shape the history of collecting photographs? What has been the work of photographs in museums? What does an understanding of photograph collections add to our understanding of collections history more broadly? What are the methodological demands of research on photograph collections? The case studies cover a wide range of museums and collection types, from art galleries to maritime museums, national collections to local history museums, and international perspectives including France, New Zealand, Ireland, South Africa and Cuba. Together they offer a fascinating insight into both the history of collections and collecting, and in the practices and poetics of archives across a range of disciplines, from history and museum studies to the 'archival turn' in contemporary art practice.

Sklep: Libristo.pl

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