krainaksiazek the man who loved birds 20111501

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Natasha's Dance - 2212836413

54,10 z³

Natasha's Dance Penguin

Powie¶ci i opowiadania

Orlando Figes

Sklep: Albertus.pl

Rimsky - Korsakov Edition - 2842799694

679,92 z³

Rimsky - Korsakov Edition Brilliant Classics

Muzyka>Klasyczna

CD 1: SCHEHERAZADE Op.35 - SYMPHONIC SUITE AFTER A THOUSAND AND ONE NIGHTS 1 I. The Sea And Sinbad's Ship 9'26 2 II. The Story Of The Kalendar Prince 12'20 3 III. The Young Prince And The Young Princess 10'22 4 IV. Festival At Baghdad - The Sea - Shipwreck - Conclusion 11'27 5 Sadko - Musical Picture Op.5 11'26 6 Sadko - Song Of India 3'30 Total Time: 58'35 Armenian Philharmonic Orchestra - Loris Tjeknavorian CD 2: THE TSAR'S BRIDE - OVERTURE - FANTASIA ON SERBIAN THEMES SYMPHONIES NOS. 1 & 2 'ANTAR' 1 The Tsar's Bride - Overture 6'18 2 Fantasia On Serbian Themes Op.6 7'11 SYMPHONY NO.1 IN E MINOR Op.1 3 I. Largo Assai - Allegro 9'19 4 II. Andante Tranquillo 8'28 5 III. Scherzo: Vivace 5'02 6 IV. Allegro Assai 6'54 SYMPHONY NO.2 Op.9 'ANTAR' 7 I. Largo - Allegro Giocoso 11'59 8 II. Allegro - Molto Allegro - Allargando 5'11 9 III. Allegro Risoluto Alla Marcia 5'35 10 IV. Allegretto Vivace 8'51 Total Time: 75'15 Philharmonia Orchestra - Yondani Butt CD 3: 1 OVERTURE ON THREE RUSSIAN THEMES Op.28* 11'40 SYMPHONY NO.3 IN C Op.32 2 I. Moderato Assai - Allegro 12'06 3 II. Scherzo: Vivo 4'58 4 III. Andante 8'00 5 IV. Allegro Con Spirito 5'06 6 SKAZKA Op.29 (Fairytale) 15'54 Total Time: 58'06 London Symphony Orchestra *Philharmonia Orchestra - Yondani Butt CD 4: THE GOLDEN COCKEREL - SUITE (arr. Alexander Glazunov & Maximilian Steinberg) 1 I. King Dodon In His Palace 10'05 2 II. King Dodon On The Battlefield 3'52 3 III. King Dodon And The Queen Of Shemakha 7'02 4 IV. The Marriage Feast And Lamentable End Of King Dodon 5'17 TALE OF TSAR SALTAN - SUITE OP.57 5 I. The Tsar's Farewell And Departure 4'51 6 II. The Tsarina In A Barrel At Sea 5'27 7 III. The Three Wonders 8'00 8 Flight Of The Bumblebee (Tale Of Tsar Saltan) 1'13 Christmas Eve - Suite 9 I. Holy Night 5'40 10 II. Games And Dances Of The Stars - Mazurka - 5'49 The Sixth Comet - Csardas And Rain Of The Falling Stars 11 III. The Devil's Christmas 5'50 12 IV. Polonaise 6'07 13 V. Procession To Midnight Mass And Carols 6'05 Total Time: 76'00 Armenian Philharmonic Orchestra Loris Tjeknavorian CD 5: THE LEGEND OF THE INVISIBLE CITY OF KITEZH - SUITE 1 I. Prelude - Hymn To Nature 4'29 2 II. Bridal Procession 3'27 3 III. Tartar Invasion And The Battle Of Kerzenets 4'24 4 IV. Death Of Frevronya And Apotheosis 10'44 PAN VOYEVODA - SUITE Op.59 5 I. Introduction 3'30 6 II. Krakowiak 3'26 7 III. Nocturne 4'30 8 IV. Mazurka 4'53 9 V. Polonaise 6'23 PIANO CONCERTO IN C SHARP MINOR Op.30 10 I. Moderato - Allegretto Quasi Polacca - 6'17 11 II. Andante Mosso 4'11 12 III. Allegro 3'52 Total Time: 60'22 Leningrad Philharmonic Orchestra / Evgeny Mravinsky (1-4) Bolshoi Theatre Orchestra / Evgeny Svetlanov (5-9) Sviatoslav Richter Piano Moscow Youth Symphony Orchestra / Kirill Kondrashin (10-12) CD 6: PIANO TRIO IN C MINOR (completed In 1939 By Maximilian Steinberg) 1 I. Allegro 10'35 2 II. Allegro 4'25 3 III. Adagio 9'17 4 IV. Adagio - Allegro Assai 12'51 QUINTET IN B FLAT 5 I. Allegro Con Brio 7'29 6 II. Andante 8'13 7 III. Rondo: Allegretto 9'42 Total Time: 62,42 Oistrakh Trio (1-4) David Oistrakh Violin Sviatoslav Knushevitsky Cello Lev Oborin Piano Felicja Blumental Piano (5-7) Members Of The New Philharmonia Wind Ensemble, London Gareth Morris Flute John McCaw Clarinet Nicolas Busch Horn Gwydion Brook Bassoon CD 7: 4 SONGS Op.2 1 1. Lean Thy Cheek To Mine 1'04 Heine, Trans. M. Mikhaylov 2 2. Eastern Song: Enslaved By The Rose, The Nightingale A. Kol'tsov 3 3. Lullaby L. May 4 4. From My Tears Heine, Trans. Mikhaylov 4 SONGS Op.3 5 1. The Pine And The Palm Heine, Trans. Mikhaylov 6 2. Southern Night N. Shcherbina 7 3. The Golden Cloud Has Slept Lermontov 8 4. On The Hills Of Georgia Pushkin 4 SONGS Op.4 9 1. What Is My Name To Thee? Pushkin 10 2. The Messenger Heine, Trans. Mikhaylov 11 3. In The Dark The Nightingale Is Silent I. Nikitin 12 4. Quietly Evening Falls A. Fet 4 SONGS Op.7 13 1. My Voice For Thee Is Sweet And Languid Pushkin 14 2. Hebrew Song L. Mey 15 3. The Mermaid Of Lake Switez A. Mickiewicz, Trans. Mey 16 4. Thy Glance Is Radiant As The Heavens Lermontov 6 SONGS Op.8 17 1. Where Thou Art, My Thought Flies To Thee Unknown 18 2. Night A. Pleshcheyev 19 3. The Secret After Chamisso 20 4. Arise, Come Down Mey 21 5. In The Kingdom Of Roses And Wine 22 6. I Believe, I Am Loved Pushkin 2 SONGS Op.25 Heine, Trans. Mikhaylov 23 1. To My Song 24 2. When I Gaze Into Thy Eyes 4 SONGS Op.26 25 1. In Moment To Delight Devoted Byron, Trans. I. Kozlov 26 2. Evocation Pushkin 27 3. For The Shores Of Thy Native Land Pushkin 28 4. Zuleika's Song Byron, Trans. I. Kozlov Total Time: 63'43 Natalia Gerasimova Soprano Vladimir Skanavi Piano (2, 3, 12, 15, 19) Marina Choutova Mezzo-soprano Elena Tcheglakova Piano (5-6, 13-14, 17-18, 28) Alexei Martinov Tenor Aristote Konstantinidi Piano (4, 8, 9, 11, 21, 24-25) Mikhail Lanskoi Baritone Ilya Scheps Piano (1, 16, 20, 22, 26-27) Sergei Baikov Bass Ilya Scheps Piano (7, 10, 23) CD 8: 4 SONGS Op.27 1 1. Softly The Spirit Flew Up To Heaven A.K. Tolstoy 2 2. Echo F. Coppee, Trans. S. Andreyevsky 3 3. Thou And You Pushkin 4 4. Forgive! Remember Not These Tearful Days N. Nekrasov 4 SONGS Op.39 A.K. Tolstoy 5 1. Oh, If Thou Couldst For One Moment 6 2. The West Dies Out In The Pallid Rose 7 3. Silence Descends On The Golden Cornfields 8 4. Sleep, My Poor Friend 4 SONGS Op.40 9 1. When The Golden Cornfield Waves Lermontov 10 2. Across The Midnight Sky Lermontov 3'08 11 3. Of What I Dream In The Quiet Night A. Maykov 12 4. I Waited For Thee In The Grotto At The Appointed Hour A. Maykov 4 SONGS Op.41 13 1. Sun Of The Sleepless A.K. Tolstoy After Byron 14 2. I Am Unhappy Lermontov 15 3. I Love Thee, Moon (Melody From The Banks Of The Ganges) Maykov 16 4. Look In Thy Garden Maykov 4 SONGS Op.42 17 1. A Whisper, A Gentle Breath Fet 18 2. I Have Come To Greet Thee Fet 19 3. The Clouds Begin To Scatter (Elegy) Pushkin 20 4. My Spoiled Darling Mickiewicz, Trans. Mey 4 SONGS Op.43 'Vesnoy' (In Spring) 21 1. The Lark Sings Louder A.K. Tolstoy 22 2. Not The Wind, Blowing From The Heights A.K. Tolstoy 23 3. Cool And Fragrant Is Thy Garland Fet 24 4. Early Spring A.K. Tolstoy Total Time: 52'14 Natalia Gerasimova Soprano Vladimir Skanavi Piano (1, 4, 11, 19, 21-22) Alexei Martinov Tenor Aristote Konstantinidi Piano (3, 13, 15-18, 20, 23-24) Mikhail Lanskoi Baritone Ilya Scheps Piano Sergei Baikov Bass Ilya Scheps Piano CD 9: FIVE SONGS Op.45 'Poetu' (To The Poet) 1 1. The Echo Pushkin 2 2. Art Maykov 3 3. The Octave Maykov 4 4. Doubt Maykov 5 5. The Poet Pushkin 5 SONGS Op.46 'U Morya' (By The Sea) A.K. Tolstoy 6 1. The Wave Breaks Into A Spray 7 2. Not A Sound From The Sea 8 3. The Sea Is Tossing 9 4. Do Not Believe Me, Friend 10 5. The Waves Rise Up Like Mountains 4 SONGS Op.50 Maykov, After Modern Greek Poems 11 1. The Maiden And The Sun 12 2. The Singer 13 3. Quiet Is The Deep Blue Sea 14 4. I Am Still Filled, Dear Friend 5 SONGS Op.51 Pushkin 15 1. Slowly Drag My Days 16 2 Do Not Sing To Me, O Lovely One 17 3. Withered Flower 18 4. The Beauty 19 5. The Rainy Day Has Waned 4 SONGS Op.55 20 1. Awakening Pushkin 21 2. To A Grecian Girl Pushkin 22 3. The Dream Pushkin 23 4. I Died From Happiness L. Uhland, Trans. V. Zhukovsky 2 SONGS Op.56 Maykov 24 1. The Nymph 25 2. Summer Night's Dream Total Time: 55'07 Natalia Gerasimova Soprano Vladimir Skanavi Piano (3, 4, 11, 15, 17, 24-25) Alexei Martinov Tenor Aristote Konstantinidi Piano (1, 2, 5, 9, 12-14, 16, 18, 20-23) Mikhail Lanskoi Baritone Ilya Scheps Piano - Sergei Baikov Bass Ilya Scheps Piano CD 10: CHORAL WORKS 1 Poem About Aleksey, The Man Of God Op.20 For Chorus And Orchestra 2 Song Of Oleg The Wise Op.58 For Two Male Soloists, Male Chorus And Orchestra (Pushkin) 3 From Homer Op.60 Prelude-cantata For Three Voices, Female Chorus And Orchestra 4 Switezianka Op.44 (The Mermaid Of Lake Switez) Cantata For Two Solo Voices, Chorus And Orchestra (L.A. Mey After Mickiewicz) Total Time: 51'03 Dmitri Kortchak Tenor Nikolai Didenko Bass Svetlana Sizova Mezzo-soprano Tatiana Fedotova Soprano - Elena Mitrakova Soprano Dmitri Kortchak Tenor (4) Chorus Of The Moscow Academy Of Choral Art - Victor Popov - Moscow Symphony Orchestra - Vladimir Ziva CD 11: MAY NIGHT - OPERA IN THREE ACTS Libretto By Rimsky-Korsakov After Nikolai Gogol 1 Overture (Orchestra) Act One: 2 No.1: Round Of The Millet (Chorus) 3 No.2: Serenade (Levko) 4 No.3: Duet (Levko/Hanna) 5 No.4: Tale (Levko) 6 No.5: Recitative And Spring-Song (Hanna/Chorus Of Girls) 7 No.6: Hopak Scene (Kalenik/Chorus Of Girls) 8 No.7: Trio (Mayor/Levko/Hanna) 9 No.8: Recitative And Song About The Mayor (Levko/Chorus Of Youths) Act Two - Scene 1 10 No.9: Trio (Mayor/Distiller/Sister-in-Law) 11 No.10: Scene With Kalenik And The Distiller's Tale (Kalenik/Mayor/Distiller/Sister-in-Law 12 No.11: Song About The Mayor, Scene And Trio Beginning Total Time: 65'08 Levko: VITALY TARASCHENKO Hanna: NATALIA ERASOVA Pannochka: MARINA LAPINA The Mayor: VYACHESLAV POCHAPSKY The Distiller: ALEXANDER ARKHIPOV The Clerk: PIOTR GLUBOKY The Mayor's Sister-in-Law: ELENA OKOLYCHEVA Kalenik, The Village Drunkard: NIKOLAI RESHETNIAK Sveshnikov Academic Choir Chorus Master Evgeny Tytianko BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 12: MAY NIGHT (conclusion) - Opera In Three Acts Libretto By Rimsky-Korsakov After Nikolai Gogol 1 No.11: Song About The Mayor, Scene And Trio Conclusion 7'03 (Sister-in-law/Mayor/Distiller/Levko/Chorus/Clerk) Scene 2 2 No.12: Finale 6'20 (Mayor/Clerk/Distiller/Sister-in-Law, Chorus/Kalenik) Act Three 3 No.13: Scene Of The Rusalki 33'15 (Chorus/Queen Of The Water Nymphs/Levko) 4 No.14: Scene And Ritual Songs 6'16 (Mayor/Levko/Clerk/Distiller/Chorus/Hanna) 5 No.15: Finale 5'30 (Hanna/Levko/Chorus Of Youths/Mayor/Clerk/Distiller/Chorus/Kalenik/Sister-in-Law) Total Time: 58'30 Levko: VITALY TARASCHENKO Hanna: NATALIA ERASOVA Pannochka: MARINA LAPINA The Mayor: VYACHESLAV POCHAPSKY The Distiller: ALEXANDER ARKHIPOV The Clerk: PIOTR GLUBOKY The Mayor's Sister-in-Law: ELENA OKOLYCHEVA Kalenik, The Village Drunkard: NIKOLAI RESHETNIAK Sveshnikov Academic Choir Chorus Master Evgeny Tytianko BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 13: THE SNOW MAIDEN - OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij Prologue 1 Scene 1. Winter Is Over! The Cocks Have Crowed (Forest Spirit) 2 Recitative: At The Appointed Hour (Spring Fairy) 3 Aria: Where Are Those Lovely Lands Of Sunshine? (Spring Fairy) 4 Recitative: Dear Birds Of Mine (Spring Fairy) 5 Song And Dance Of The Birds (Chorus Of Birds/Spring Fairy) 6 Ah, It Is Snowing! (Chorus Of Birds/Spring Fairy) 7 Scene 2. When The Cold Cracks The Roofs And Walls (King Frost) 8 Recitative: Your Holiday Has Lasted Long Enough (Spring Fairy/King Frost) 9 Scene 3. Hello... Poor Little Child (Snow Maiden/Spring Fairy/King Frost) 10 Aria: To Go Berry-picking In The Woods (Snow Maiden) Recitative: This Handsome Lel (King Frost/Snow Maiden/Spring Fairy) 11 Arietta: I Heard All Of The Loveliest Songs (Snow Maiden) 12 Trio: Do You Hear? (Snow Maiden/ Spring Fairy/King Frost) Appearance Of The Forest Spirit (Forest Spirit/Chorus) 13 Scene 4. Carnival Procession (Chorus) 14 This Summer Soon Will Pass (Carnival Puppet/Chorus) 15 Wait! Is It Already Over? (Cottager & Wife/ Puppet/Snow Maiden/Chorus Of Berendeyans) Act One 16 Introduction (Orchestra) 17 Scene 1. For Your Kind Welcome, Lel Can Offer Nothing (Lel/Cottager/Snow Maiden) 18 Lel's First Song (Lel) 19 Lel's Second Song (Lel) 20 Lel, Handsome Lel (Chorus Of Girls/Snow Maiden) Total Time: 63'55 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRa & CHORUS / STOYAN ANGELOV CD 14: THE SNOW MAIDEN - (PART 2) OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij 1 Scene 2. Arietta: Ah, How I Suffer (Snow Maiden) 2 Scene 3. The Snow Maiden Is All Alone (Kupava/Snow Maiden) 3 Scene 4. Wedding Ritual: Young Maidens, Dear Friends (Kupava/ Misgir/Chorus Of Girls) 4 Scene 5. Without Lel, The Snow Maiden Will Be Sad (Kupava/Misgir/ Snow Maiden/Cottager & Wife/Lel) 5 Scene 6. Friends, Aid Me In My Distress (Kupava/Lel/Misgir/Chorus) Act Two 6 Introduction (Orchestra) 7 Scene 1. The Vibrant Tone Of The Gusli (Chorus Of Blind Psalteries) 8 Scene 2. O Beloved Tsar... (Bermyata/Tsar/Page) 9 Scene 3. Duet: O Tsar, My Father! (Kupava/Tsar) 10 Scene 4. Hark My Words, Valiant And Noble Gentlemen (First & Second Criers) 11 Ceremonial Procession Of Tsar Berendey (Orchestra) 12 Hymn (Berendeyans/Kupava/Lel/First & Second Criers/Chorus) 13 Scene 5. I Thank You! (Kupava/Tsar/Misigir/Bermyata/Chorus) 14 Scene 6. Cavatina: Nature Is Almighty (Tsar) 15 My Child... O Great Tsar 7'49 (Tsar/Snow Maiden/Bermyata/Lel/Chorus) 16 Final Chorus: Almighty, All-wise Tsar (Chorus) Total Time: 66'36 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRA & CHORUS / STOYAN ANGELOV CD 15: THE SNOW MAIDEN - (PART 3) OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij Act Three: 1 Scene 1. Dance And Song Of The Beaver: Ah, A Linden-tree Grows In The Field (Chorus/Snow Maiden/Lel/Cottager) What Merry Festivities! (Tsar) 2 Cavatina: The Happy Day Fades (Tsar) 3 Recitative: Another Amusement (Tsar) 4 Dance Of The Tumblers (Orchestra) 5 Lel's Third Song (Lel) 6 Recitative: Thank You, Handsome Lel... O Father, Tsar (Tsar/Snow Maiden/Chorus) 7 Scene 2. How Is It, Lel, That Your Heart Is So Cold? (Snow Maiden/Misgir) 8 Andantino: On A Warm Blue Sea (Misgir/Snow Maiden) Wait, Do Not Hurry! (Forest Spirit) 9 Transformation Of The Forest Spirit: All Night He Shall Pursue Her Shadow (Forest Spirit/Misgir) 10 Scene 3. At Last, I Find You (Lel/Kupava/Snow Maiden) Act Four 11 Introduction (Orchestra) 12 Scene 1. O Mother, My Eyes Are Full Of Tears (Snow Maiden/Spring Fairy) 13 Flowers Of The Springtide Dawn(Spring Fairy/Chorus Of Flowers) 14 Oh Mother, What A Miracle (Snow Maiden/Spring Fairy) 15 Scene 2. Duet: Wait, Wait For Me, Snow Maiden (Misgir/Snow Maiden) 16 Scene 3. Finale (Snow Maiden/Misgir/Tsar/Chorus) 17 Hymn Of Praise To The Sun-god Yarilo: Life-giving Yarilo (Chorus) Total Time: 78'46 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRA & CHORUS / STOYAN ANGELOV CD 16: MOZART AND SALIERI Op.48 Opera In One Act Libretto By Alexander Pushkin 1 Introduction 2 Scene 1 3 Scene 2 Total Time: 40'49 Mozart: ALEXEI MASLENNIKOV Salieri: EVGENY NESTERENKO BOLSHOI THEATRE SYMPHONY ORCHESTRA - GENNADY ROZHDESTVENSKY CD 17: THE NOBLEWOMAN VERA SHELOGA Op.54 - Opera In One Act Libretto By Rimsky-Korsakov After Lev Alexandrovich Mey 1 Overture (Orchestra) Scene 1 2 Look Boyarishnya, Dear, What A Fine String Of Beads! (Vlas'yevna) 3 Lullaby: Lulla, Lullaby, Lulla, Lulla... (Vera) Scene 2 4 Did Olenka Fall Asleep To Your Song (Nadezhda) 5 Who Is It, Then?... Do Not Ask, Nadezhda! (Nadezhda/Vera) 6 I Thought I Heard A Cuckoo... (Vera) Scene 3 7 Stop!... Were You Not Expecting Other Guests? (Vera/Boyar Sheloga) Total Time: 49'13 Vera: STEVKA EVSTATIEVA Nadezhda: ALEXANDRINA MILCHEVA Vlas'yevna: STEFKA MINEVA Boyar Sheloga: PETER BAKARDZHIEV Prince Tokmakov: DIMITER STANCHEV BULGARIAN RADIO SYMPHONY ORCHESTRA- STOYAN ANGELOV CD 18: THE TSAR'S BRIDE - OPERA IN FOUR ACTS Libretto: Il'ya Tyumenev After Lev Mey 1 Overture (Orchestra) Act One 2 Scene 1. Could I Somehow Forget (Gryaznoy) 3 Scene 2. Here Are My Guests! 4 Scene 3. Dear Host! May We Hear (Gryaznoy/Malyuta-Skuratov/Likov/Bomelius) 5 Song Of The Hops (Malyuta-Skuratov/Gryzanoy/Bomelius) 6 Scene 4. Hello, My Beautiful Child! (Gryaznoy/Malyuta-Skuratov/Lyubasha) 7 Scene 5. Bomelius... (Gryaznoy/Bomelius/Lyubasha) 8 Scene 6. What Do You Want? (Lyubasha/Gryaznoy) Act Two 9 Scene 1. There, The End Of The Vespers Has Arrived (Chorus) 10 Scene 2. How Calming This Autumn Evening Is (Marfa/Dunyasha/Petrovna) 11 Scene 3. Ah, What Is Wrong With Me, Why Am I Trembling So? (Marfa/Dunyasha/Likov/Sobakin) Total Time: 75'33 Marfa: EKATERINA KUDRIAVCHENKO Ivan Likov: ARKADY MISHENKIN Grigory Gryaznoy: VLADISLAV VERESTNIKOV Lyubasha: NINA TERENTIEVA Bomelius: VLADIMIR KUDRIASHOV Vasily Sobakin: PYOTR GLUBOKY Dunyasha: ELENA OKOLYSHEVA Saburova: IRINA UDALOVA Grigory Malyuta-Skuratov: NIKOLAI NIZIENKO Servant: NINA LARIONOVA Petrovna: TATIANA PECHURIA Coachman: VLADISLAV PASHINSKY Young Lad: YURI MARKELOV Sveshnikov Academic Choir - BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 19: THE TSAR'S BRIDE - (PART 2) OPERA IN FOUR ACTS Libretto: Il'ya Tyumenev After Lev Mey 1 Symphonic Intermezzo (Orchestra) 2 Scene 4. Finally, I Have Managed To Find His Turtledove! (Lyubasha/Bomelius) 3 Scene 5. Ah, My God Forgive Me, Grigory! (Lyubasha/Likov/Sobakin/Bomelius) Act Three 4 Prelude (Orchestra) 5 Scene 1. I Must Thank God, Ivan Sergeyevich! (Likov/Gryaznoy/Sobakin) 6 Scene 2. Tell Me, Please, What Would You Do (Likov/Gryaznoy) 7 Scene 3. My Good Friends, Taste This Wine! (Likov/Gryaznoy/Sobakin/Saburova) 8 Dunishia Pleases The Prince? Not Possible! (Lyubasha/Bomelius) 9 Scenes 4 & 5. This Glass Is For You (Marfa/Dunyasha/Likov/Gryaznoy/Sobakin) Act Four 10 Prelude & Scene 1. A Long Sleep Will Restore The Strength (Sobakin/Saburova/Servant/Coachman) 11 Scene 2. Receive My Prayers, Powerful Boyar (Sobakin/Gryaznoy/Marfa/Saburova/Dunyasha) 12 Ah! (Marfa/Gryaznoy/Dunyasha/ Saburova/Sobakin) 13 Come To The Garden, Ivan Sergeyevich (Marfa) 14 Scene 3. No, No, This Is Enough (Gryaznoy/Lyubasha/Marfa/Malyuta-Skuratov/Saburova) Total Time: 70'41 Marfa: EKATERINA KUDRIAVCHENKO Ivan Likov: ARKADY MISHENKIN Grigory Gryaznoy: VLADISLAV VERESTNIKOV Lyubasha: NINA TERENTIEVA Bomelius: VLADIMIR KUDRIASHOV Vasily Sobakin: PYOTR GLUBOKY Dunyasha: ELENA OKOLYSHEVA Saburova: IRINA UDALOVA Grigory Malyuta-Skuratov: NIKOLAI NIZIENKO Servant: NINA LARIONOVA Petrovna: TATIANA PECHURIA Coachman: VLADISLAV PASHINSKY Young Lad: YURI MARKELOV Sveshnikov Academic Choir - BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 20: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA Opera In Four Acts Libretto: Vladimir Belsky Act One: 1 Introduction: In Praise Of The Wilderness 2 Ah, You Forest, My Forest, Beautiful Wilderness (Fevroniya) 3 Oh Lord, What Is The Meaning Of This? (Prince Vsevolod/Fevroniya) 4 Whose Child Are You? Where Have You Come From? (Prince Vsevolod/Fevroniya) 5 Tell Me, Fair Maiden, Do You Go To Pray In God's Church? (Prince Vsevolod/Fevroniya) 6 Well Spoken, Fair Maiden! (Prince Vsevolod/Fevroniya) 7 Hail To Thee, Lips Of Honey (Prince Vsevolod/Fevroniya) 8 As Soon As The Marksmen Came Out Into The Open Field (Chorus/Prince Vsevolod/Fevroniya/Poyarok) Act Two: 9 Show Them, Mikhaylushka, Show Them Playful Bear (Bear Leader/Chorus/ Gusli Player/Well-off People) 10 So What Is That To Us? (Kuterma/ Well-off People/Chorus) 11 Hey Lads! I Can Hear Some Bells (Chorus/Poyarok/Well-off People) 12 Get Away, Clear Off, You Dog! (Chorus/Fevroniya/Poyarok/Kuterma) 13 Over The Bridges Of Guelder-tree (Chorus) 14 Gayda! Gay! Gayda! (Tatars/Bedyay/ Burunday/Chorus/Kuterma/Fevroniya) 15 Gayda! Gay! Stop, You Godless Heathens (Chorus/Kuterma) Total Time: 65'48 Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN CD 21: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA (PART 2) Opera In Four Acts Libretto: Vladimir Belsky Act Three: 1 Scene 1. Good Fortune To You, Citizens Of Kitezh (Poyarok/Chorus/Prince Vsevolod) 2 Oh Glory, Vain Wealth! (Prince Yury) 3 Wondrous Queen Of Heaven, Our Holy Protectress! (Poyarok/Prince Yury/ Chorus/Page) 4 Kitezh Looted And Us Taken Alive As A Tribute (Prince Yury/Chorus/Prince Vsevolod) 5 What Are We Standing About For, Sisters? (Chorus/Page/Prince Yury/ Poyarok) 6 Entr'acte To The Second Scene: The Battle Near Kerzhenets 7 Scene 2. Here Is The Oak Grove, And Here Is The Lake (Kuterma/Burunday/Bedyay/Chorus) 8 Oh, You Tartar Murzas! I Don't Need The Gold Or Silver (Burunday/Bedyay/Chorus) 9 Ah, My Dear Husband, My Hope! (Fevroniya) 10 Hear Me, Maiden... Lovely Princess! (Kuterma/Fevroniya) 11 Go, Servant Of The Lord! (Fevroniya/Kuterma/Chorus) Total Time: 62'36 Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN CD 22: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA (PART 3) Act Four: 1 Scene 1. Oh, I Can't Go On, Grishenka (Fevroniya/Kuterma) 2 Earth, Our Merciful Mother! (Fevroniya/Kuterma) 3 Grishenka!... He Will Not Listen (Fevroniya) 4 The Free Birds Are Toning Up Their Voices (Fevroniya/Voice Of Alkonost) 5 Is That You, Radiant Light Of My Eyes? (Fevroniya/Ghost) 6 The Bridegroom Has Come (Voice Of Sirin/Fevroniya/Ghost) 7 Entr'acte To The Second Scene 8 Scene 2. The Doors Of Paradise Have Opened For You (Alkonost/Sirin/Chorus) 9 Radiant Kingdom! O God! (Fevroniya/Chorus/Prince Vsevolod) 10 May The Grace Of God Be With You! (Prince Yury/Fevroniya/Prince Vsevolod/ Sirin/Alkonost) 11 Stay With Us Here For Ever More (Chorus/Fevroniya/Sirin/Alkonost/Prince Vsevolod/Prince Yury) 12 Grishenka, Even Though You Are Feeble In Mind (Fevroniya/Poyarok/Prince Yury/Chorus) Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN ROMANCES 13 The Rainy Day Has Waned Op.51 No.5 Pushkin 14 The Clouds Begin To Scatter Op.42 No.3 Pushkin 15 Oh, If Thou Couldst For One Moment Op.39 No.1 Tolstoy 16 Not The Wind, Blowing From The Heights Op.43 No.2 Tolstoy 17 The Octave Op.45 No.3 Maykov 18 The Messenger Op.4 No.2 Heine 19 The Upas Tree Op.49 No.1 Pushkin Total Time: 78'41 Ivan Petrov Bass - S. Stuchevsky Piano CD 23: THE GOLDEN COCKEREL - OPERA IN A PROLOGUE, THREE ACTS AND AN EPILOGUE Libretto By Vladimir Belsky After Alexander Pushkin Prologue: 1 Introduction: I Am The Master Magician (Astrologer) Act One: 2 The King's Monologue: I Have Summoned You Here (King Dodon) 3 Guidon's Plan: Great Father (Guidon/King Dodon/Chorus Of Boyars) 4 Afron's Plan (King Dodon/Boyars/Afron/Polkan/Guidon) 5 Hail, Majesty! Sire! (Astrologer) Oh, That's A Fairy Tale! (King Dodon/The Golden Cockerel) 6 Cock-a-doodle-do! The Coast Is Clear - The Parrot Scene (The Golden Cockerel/King Dodon/Amelfa) 7 Dodon's Siesta - Cock-a-doodle-do! Beware! (Chorus Of The People/Amelfa/The Golden Cockerel) Our King! Father Of The People! (Polkan/King Dodon/Afron/Chorus Of Boyars/Guidon) 8 King Dodon's Dream (The Golden Cockerel/King Dodon/Amelfa/Chorus) 9 The Cockerel's Sccene: Cock-a-doodle-do!... Oh! What Misfortune! (The Golden Cockerel/Chorus Of The People/Polkan/King Dodon) Total Time: 46'17 King Dodon: NIKOLAI STOILOV Prince Guidon: LYUBOMIR BODOUROV Afron: EMIL UGRINOV Polkan: KOSTA VIDEV Astrologer: LYUBOMIR DYAKOVSKI Queen Of Shemakha: ELENA STOYANOVA The Golden Cockerel: YAVORA STOILOVA Amelfa: EVGENIA BABACHEVA / SOFIA NATIONAL OPERA ORCHESTRA / DIMITER MANOLOV CD 24: THE GOLDEN COCKEREL - (PART 2) OPERA IN A PROLOGUE, THREE ACTS AND AN EPILOGUE Libretto By Vladimir Belsky After Alexander Pushkin Act Two: 1 Soldiers' Chorus: The Silent Night Is Whispering Fearful Things (Chorus Of Soldiers) What Terrible Sight Is This? - Behold, A Tent! (King Dodon/Polkan/Chorus Of Soldiers) 2 The Queen Of Shemakha's Entrance: Hail, O Ray Of Morning Sun (Queen Of Shemakha/King Dodon/Polkan) 3 Whose Heart Rich In Love (Queen Of Shemakha/King Dodon) 4 Dance Of The Queen Of Shemakha: At First I Shall Dance With A Lowered Veil (Queen Of Shemakha/King Dodon) 5 Sisters, Who Limps Beside The Resplendent Beauty? (Chorus Of Slaves) Ho! Polkan! Sound The Trumpets In Victory (King Dodon/Chorus Of Soldiers) 6 It Is Terrible, Brothers (Chorus Of The People/Amelfa) 7 Who Is That Stranger Standing There? (Queen Of Shemakha/King Dodon) Great King, It Is I (Astrologer) 8 King Dodon's Death: Ha, Ha, Ha! (Queen Of Shemakha) I've Beaten Him To Death (King Dodon/The Golden Cockerel/Chorus Of The People) Epilogue: 9 There, My Story's Ended! (Astrologer) Total Time: 72'24 King Dodon: NIKOLAI STOILOV Prince Guidon: LYUBOMIR BODOUROV Afron: EMIL UGRINOV Polkan: KOSTA VIDEV Astrologer: LYUBOMIR DYAKOVSKI Queen Of Shemakha: ELENA STOYANOVA The Golden Cockerel: YAVORA STOILOVA Amelfa: EVGENIA BABACHEVA / SOFIA NATIONAL OPERA ORCHESTRA / DIMITER MANOLOV CD 25: Historical Recordings SYMPHONY NO.3 IN C Op.32 1 I. Moderato Assai - Allegro 12'51 2 II. Scherzo: Vivo 6'01 3 III. Andante 8'22 4 IV. Allegro Con Spirito 6'18 SCHEHERAZADE Op.35 'Symphonic Suite After A Thousand And One Nights' 5 I. The Sea And Sinbad's Ship 10'09 6 II. The Story Of The Kalendar Prince 11'43 7 III. The Young Prince And The Young Princess 10'53 8 IV. Festival At Baghdad - The Sea - Shipwreck - Conclusion 11'16 Total Time: 77'38 USSR State TV And Radio Symphony Orchestra - Gennady Rozhdestvensky (1-4) David Oistrakh Violin - Bolshoi Theatre Symphony Orchestra - Nikolai Golovanov (5-8

Sklep: Gigant.pl

Aesop's Fables - 2826857622

49,50 z³

Aesop's Fables Race Point Publishing

Ksi±¿ki / Literatura obcojêzyczna

Aesop embodies an epigram not uncommon in human history; his fame is all the more deserved because he never deserved it. The firm foundations of common sense, the shrewd shots at uncommon sense, that characterise all the Fables, belong not him but to humanity. In the earliest human history whatever is authentic is universal: and whatever is universal is anonymous. In such cases there is always some central man who had first the trouble of collecting them, and afterwards the fame of creating them. He had the fame; and, on the whole, he earned the fame. There must have been something great and human, something of the human future and the human past, in such a man: even if he only used it to rob the past or deceive the future. The story of Arthur may have been really connected with the most fighting Christianity of falling Rome or with the most heathen traditions hidden in the hills of Wales. But the word "Mappe" or "Malory" will always mean King Arthur; even though we find older and better origins than the Mabinogian; or write later and worse versions than the "Idylls of the King." The nursery fairy tales may have come out of Asia with the Indo-European race, now fortunately extinct; they may have been invented by some fine French lady or gentleman like Perrault: they may possibly even be what they profess to be. But we shall always call the best selection of such tales "Grimm's Tales" simply because it is the best collection. The historical Aesop, in so far as he was historical, would seem to have been a Phrygian slave, or at least one not to be specially and symbolically adorned with the Phrygian cap of liberty. He lived, if he did live, about the sixth century before Christ, in the time of that Croesus whose story we love and suspect like everything else in Herodotus. There are also stories of deformity of feature and a ready ribaldry of tongue: stories which (as the celebrated Cardinal said) explain, though they do not excuse, his having been hurled over a high precipice at Delphi. It is for those who read the Fables to judge whether he was really thrown over the cliff for being ugly and offensive, or rather for being highly moral and correct. But there is no kind of doubt that the general legend of him may justly rank him with a race too easily forgotten in our modern comparisons: the race of the great philosophic slaves. Aesop may have been a fiction like Uncle Remus: he was also, like Uncle Remus, a fact. It is a fact that slaves in the old world could be worshipped like Aesop, or loved like Uncle Remus. It is odd to note that both the great slaves told their best stories about beasts and birds. But whatever be fairly due to Aesop, the human tradition called Fables is not due to him. This had gone on long before any sarcastic freedman from Phrygia had or had not been flung off a precipice; this has remained long after. It is to our advantage, indeed, to realise the distinction; because it makes Aesop more obviously effective than any other fabulist. Grimm's Tales, glorious as they are, were collected by two German students. And if we find it hard to be certain of a German student, at least we know more about him than We know about a Phrygian slave. The truth is, of course, that Aesop's Fables are not Aesop's fables, any more than Grimm's Fairy Tales were ever Grimm's fairy tales. But the fable and the fairy tale are things utterly distinct. There are many elements of difference; but the plainest is plain enough. There can be no good fable with human beings in it. There can be no good fairy tale without them.

Sklep: Libristo.pl

John Muir - 2826689758

49,50 z³

John Muir Lion Books

Ksi±¿ki / Literatura obcojêzyczna

John Muir is regarded as the 'father of America's national parks' and is a towering figure in the history of that country's involvement with ecology. Born into a harsh home in Dunbar, Scotland he would often escape to revel in the birds and wildlife of the area. When his father suddenly uprooted the family and moved to the United States, the oppression he associated with his childhood continued - and so did his involvement with the natural world. Despite the difficulty of his formative years Muir grew up to be a man of great joy - first an inventor and then an explorer, he found his haven in the mountains of Sierra Nevada. He was a fascinating character: on the one hand a recluse, who sought solitude, and on the other a passionate activist, determined to save the places he loved. A strong believer in both God and the essential goodness of humanity, he was the founder and first president of the Sierra Club. This wonderful memoir pays tribute to a giant of ecology and is essential reading for lovers of natural history.

Sklep: Libristo.pl

James Bond - 2838462734

115,45 z³

James Bond Books on Demand

Ksi±¿ki / Literatura obcojêzyczna

Quelle: Wikipedia. Seiten: 120. Kapitel: Figuren aus James-Bond-Filmen, James Bond 007: Ein Quantum Trost, James Bond 007 Im Geheimdienst Ihrer Majestät, Moonraker Streng geheim, James Bond 007: Casino Royale, Stirb an einem anderen Tag, Another Way to Die, Sag niemals nie, James Bond 007 Im Angesicht des Todes, Diamantenfieber, James Bond 007 Octopussy, Leben und sterben lassen, Goldfinger, James Bond 007 Der Hauch des Todes, James Bond 007 Goldeneye, James Bond 007 In tödlicher Mission, James Bond 007 jagt Dr. No, Der Spion, der mich liebte, Lotus Esprit, James Bond 007 Lizenz zum Töten, James Bond Jr., Liebesgrüße aus Moskau, Young Bond, James Bond 007 Die Welt ist nicht genug, James Bond 007 Der Morgen stirbt nie, Aston Martin V8 I, James Bond 007 Feuerball, GoldenEye 007, James Bond 007 Man lebt nur zweimal, BMW Z3, BMW E38, GoldenEye: Rogue Agent, Der Mann mit dem goldenen Colt, Aston Martin DBS, BMW Z8, Du lebst nur zweimal, You Know My Name, Pinewood Studios, Octopussy und andere riskante Geschäfte, Dr.-No-Bikini, Liste der James-Bond-Titellieder, Aston Martin DB5, 007 James Bond greift ein, Ein Minimum an Trost, James Bond jagt Dr. No, Vesper, The Spy Who Loved Me, Eon Productions, Der Tod ist nur der Anfang, James Bond Theme, James Bond 007: The Duel, Live And Let Die. Auszug: James Bond, auch bekannt als 007, ist ein Geheimagent des britischen Geheimdienstes MI6, der 1952 vom Schriftsteller Ian Fleming erfunden und vor allem durch die seit den 1960er-Jahren erfolgreiche Filmreihe weltbekannt wurde. Heute gilt die Figur des James Bond als popkulturelle Ikone. 007-Logo Ian Fleming, der während des Zweiten Weltkriegs selbst britischer Geheimdienstangehöriger war, entwickelte die Figur James Bond vermutlich nach dem Vorbild des britischen Marineoffiziers Patrick Dalzel-Job, der im Zweiten Weltkrieg erfolgreich hinter den feindlichen Linien spionierte und von Fleming in seinen Memoiren beschrieben wurde. Den Namen seiner Romanfigur wiederum übernahm Fleming (selber ein begeisterter Vogelbeobachter) von dem Ornithologen James Bond, auf dessen Buch Birds of the West Indies (deutsch: Vögel der Antillen) er gestoßen war. Im Film Stirb an einem anderen Tag (2002) nutzt Bond (Pierce Brosnan) dieses Buch, um sich gegenüber Jinx (Halle Berry) als Ornithologe auszugeben. Ein weiteres Vorbild war der Vogelkundler Richard Meinertzhagen. Fleming schrieb zwölf Romane und zwei Kurzgeschichten-Bände mit James Bond als Titelhelden, die schon vor der Filmserie sehr erfolgreich waren. Nach seinem Tod 1964 setzten andere Autoren siehe weiter unten die Romanreihe fort. Seit John Gardners Lizenz zum Töten wurden die Romane anhand der Filme konzipiert, nicht mehr umgekehrt. 2004 hat Ian Fleming Publications (Glidrose) eine neue Buchreihe angekündigt, die das Leben Bonds als 13-Jährigen am Eton College thematisiert. Charlie Higson hat die ersten Young Bond-Romane dieser Serie veröffentlicht. Bereits Ende der 1960er-Jahre verfasste Arthur Calder-Marshall einen Roman, der in der Jugendzeit von James Bonds Neffen James spielt. Diese Idee wurde Anfang der 90er von John Peel mit sechs Romanen weitergeführt. Einige Filme der 1960er- und 1970er-Jahre orientierten sich noch relativ eng an Flemings Romanen, während in den 1980er-Jahren zunächst noch die Kurzgeschichten

Sklep: Libristo.pl

Ian Fleming - 2826703185

129,62 z³

Ian Fleming Books on Demand

Ksi±¿ki / Literatura obcojêzyczna

Quelle: Wikipedia. Seiten: 126. Kapitel: James Bond, Figuren aus James-Bond-Filmen, James Bond 007: Ein Quantum Trost, James Bond 007 Im Geheimdienst Ihrer Majestät, Moonraker Streng geheim, James Bond 007: Casino Royale, Stirb an einem anderen Tag, Another Way to Die, Sag niemals nie, James Bond 007 Im Angesicht des Todes, Diamantenfieber, James Bond 007 Octopussy, Leben und sterben lassen, Goldfinger, James Bond 007 Der Hauch des Todes, James Bond 007 Goldeneye, James Bond 007 In tödlicher Mission, James Bond 007 jagt Dr. No, Der Spion, der mich liebte, Lotus Esprit, James Bond 007 Lizenz zum Töten, James Bond Jr., Liebesgrüße aus Moskau, Young Bond, James Bond 007 Die Welt ist nicht genug, James Bond 007 Der Morgen stirbt nie, Aston Martin V8 I, James Bond 007 Feuerball, GoldenEye 007, James Bond 007 Man lebt nur zweimal, BMW Z3, BMW E38, GoldenEye: Rogue Agent, Der Mann mit dem goldenen Colt, Aston Martin DBS, BMW Z8, Du lebst nur zweimal, You Know My Name, Pinewood Studios, Tschitti Tschitti Bäng Bäng, Octopussy und andere riskante Geschäfte, Dr.-No-Bikini, Albert R. Broccoli, Liste der James-Bond-Titellieder, Aston Martin DB5, 007 James Bond greift ein, Ein Minimum an Trost, James Bond jagt Dr. No, Vesper, The Spy Who Loved Me, Eon Productions, Der Tod ist nur der Anfang, James Bond Theme, Harry Saltzman, James Bond 007: The Duel, Live And Let Die. Auszug: James Bond, auch bekannt als 007, ist ein Geheimagent des britischen Geheimdienstes MI6, der 1952 vom Schriftsteller Ian Fleming erfunden und vor allem durch die seit den 1960er-Jahren erfolgreiche Filmreihe weltbekannt wurde. Heute gilt die Figur des James Bond als popkulturelle Ikone. 007-Logo Ian Fleming, der während des Zweiten Weltkriegs selbst britischer Geheimdienstangehöriger war, entwickelte die Figur James Bond vermutlich nach dem Vorbild des britischen Marineoffiziers Patrick Dalzel-Job, der im Zweiten Weltkrieg erfolgreich hinter den feindlichen Linien spionierte und von Fleming in seinen Memoiren beschrieben wurde. Den Namen seiner Romanfigur wiederum übernahm Fleming (selber ein begeisterter Vogelbeobachter) von dem Ornithologen James Bond, auf dessen Buch Birds of the West Indies (deutsch: Vögel der Antillen) er gestoßen war. Im Film Stirb an einem anderen Tag (2002) nutzt Bond (Pierce Brosnan) dieses Buch, um sich gegenüber Jinx (Halle Berry) als Ornithologe auszugeben. Ein weiteres Vorbild war der Vogelkundler Richard Meinertzhagen. Fleming schrieb zwölf Romane und zwei Kurzgeschichten-Bände mit James Bond als Titelhelden, die schon vor der Filmserie sehr erfolgreich waren. Nach seinem Tod 1964 setzten andere Autoren siehe weiter unten die Romanreihe fort. Seit John Gardners Lizenz zum Töten wurden die Romane anhand der Filme konzipiert, nicht mehr umgekehrt. 2004 hat Ian Fleming Publications (Glidrose) eine neue Buchreihe angekündigt, die das Leben Bonds als 13-Jährigen am Eton College thematisiert. Charlie Higson hat die ersten Young Bond-Romane dieser Serie veröffentlicht. Bereits Ende der 1960er-Jahre verfasste Arthur Calder-Marshall einen Roman, der in der Jugendzeit von James Bonds Neffen James spielt. Diese Idee wurde Anfang der 90er von John Peel mit sechs Romanen weitergeführt. Einige Filme der 1960er- und 1970er-Jahre orientierten sich noch relativ eng an Flemings Romanen, während in den 1980er-Jahren zunächst noch die Kurzgeschichten

Sklep: Libristo.pl

Sex comedy films (Film Guide) - 2844571715

108,29 z³

Sex comedy films (Film Guide) Books LLC, Reference Series

Ksi±¿ki / Literatura obcojêzyczna

Source: Wikipedia. Commentary (films not included). Pages: 84. Chapters: Boeing Boeing, Alfie, Sex and the City, Boomerang, Dostana, Easy A, Y tu mamá también, Labyrinth of Passion, Deuce Bigalow: European Gigolo, Mighty Aphrodite, Cecil B. Demented, Porky's Revenge!, Sex Is Zero 2, That Obscure Object of Desire, Red Hot Riding Hood, Down and Dirty Duck, Fired Up!, Carry On Behind, A Dirty Shame, Opie Gets Laid, Flesh Gordon, Afrodite Superstar, Zapped!, Carry On Henry, Shampoo, The Man Who Loved Women, Exit to Eden, The First Turn-On!, Carry On Emmannuelle, Jamón, jamón, Alvin Purple, Casanova 70, Tadpole, Carry On Columbus, Sexmission, Smiles of a Summer Night, Rose by Any Other Name..., Young People Fucking, What's New Pussycat?, Porky's II: The Next Day, La Cage aux Folles, Candy, A Thin Line Between Love and Hate, Woman Times Seven, Sweet Movie, Under the Yum Yum Tree, Rita, Sue and Bob Too, Confessions of a Pop Performer, Confessions of a Window Cleaner, Alfie Darling, The Iron Ladies, Eskimo Nell, Confessions from a Holiday Camp, The Knack ...and How to Get It, Montenegro, The Canterbury Tales, Conspirators of Pleasure, From Beginning to End, Boccaccio '70, The Oh in Ohio, Straight, Crush and Blush, The Immoral Mr. Teas, I Want Candy, Casual Sex?, Tie Me Up! Tie Me Down!, Coming Soon, Murmur of the Heart, Maîtresse, Going Places, Mangeuses d'Hommes, Sex and the Single Girl, The Birds, the Bees and the Italians, The Decameron, Young Doctors in Love, Guess What We Learned in School Today?, American Friends, Alvin Purple Rides Again, Confessions of a Driving Instructor, Calmos, Meatballs Part II, Get Out Your Handkerchiefs, Flesh Gordon Meets the Cosmic Cheerleaders, What Planet Are You From?, Getting It Right, The Sperm, Meatballs III: Summer Job, I Am a Sex Addict, Too Much Sex, My Teacher's Wife, The Twin, Teknolust, The Bikini Carwash Company, How to Make Love to a Woman, Hardbodies, Kisses and Caroms, Bordellet, Super Sucker, Dr. Popaul, Adventures of a Private Eye, Mon Curé Chez les Nudistes, Au Pair Girls, Three of Hearts, Bikini Planet, L'Infermiera, The Happy Hooker Goes Hollywood, Tigers in Lipstick, Just a Little Harmless Sex, Picnic on the Grass, Hey DJ, Adventures of a Taxi Driver, Adventures of a Plumber's Mate, Hexed, Mädchen, Mädchen, Custodio de señoras, Fairy Tales, Expertos en Pinchazos, Mädchen, Mädchen 2 - Loft oder Liebe, El Rey de los exhortos, Cornetti alla crema, Mugsy's Girls, Hot Moves, Legends Of Lust, Yeh Kya Ho Raha Hai?, Così fan tutte. Excerpt: Sex and the City is a 2008 American blue romantic comedy film adaptation of the HBO comedy series of the same name (itself based on the novel of the same name by Candace Bushnell) about four female friends: Carrie Bradshaw (Sarah Jessica Parker), Samantha Jones (Kim Cattrall), Charlotte York Goldenblatt (Kristin Davis), and Miranda Hobbes (Cynthia Nixon), dealing with their lives as single 40-something year olds in New York City. The series often portrayed frank discussions about romance and sexuality. The world premiere took place at Leicester Square, London, on May 12, 2008, and premiered on May 28, 2008 in the United Kingdom and May 30, 2008 in the United States. A sequel, Sex and the City 2, was released in 2010. Set four years after the events of the series finale, the film begins with a montage of Carrie (Sarah Jessica Parker), Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) walking through New York and a recap of what happe...

Sklep: Libristo.pl

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