krainaksiazek two eras of genesis 20104181
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Two eras of Genesis? Tectum-Verlag
Książki / Literatura obcojęzyczna
Genesis is one of the most successful British rock bands, hands down. And a band with a long and diverse career that was able to allow all its members to have also long and diverse solo careers (and in some cases very successful, too). Genesis always seemed to have an invisible touch on their listeners and fans. Starting off as a progressive rock band in the early 1970s with singer Peter Gabriel and his strange costumes and masks, the band changed into a pop band with single hits in the 1980s after he left and drummer Phil Collins took over the microphone. At least that is the common conception. Philipp Röttgers takes a look beyond and asks if this change even exists or if there is some kind of misunderstanding. He turns it on again and analyzes certain songs from both "eras", takes a look at live performances, music videos, album covers and press and fan reviews. He runs through the band's history and also includes the solo careers to find out if their image should be renewed.
Książki / Literatura obcojęzyczna
Bachelor Thesis from the year 2008 in the subject English - History of Literature, Eras, grade: 2,6, Technical University of Braunschweig (Englisches Seminar), language: English, abstract: Excerpt from the Introduction:Before defining the phenomenon of passing in its social, cultural, and historical backgrounds and origins, motives and appearances in former and present times of American society, and, specifically, analysing its representation in literature, it might be fruitful to have a look at the genesis of the Afro American novel throughout the last two centuries.(...)The main challenge of the African American author can be illustrated as a kind of ridge walk between, on the one hand, assimilation as a means of improving career prospects and social recognition, and, on the other hand, documenting the historical and socio-cultural facts of the struggles of their social group such as the ambiguities of crossing the color line in the form of the act of passing for white. This aspect of intra-racial conflict between individual success, and the moral of earnestness and showing loyalty to one s black fellows is only one aspect to be dealt with in this thesis.(...)The loss of (cultural) individuality and physical consciousness (...)has played a central role in Afro American literature and can be seen as one of the driving forces encouraging the Harlem Renaissance movement of the 1920s and 30s in trying to establish and celebrate the cultural identity of African Americans (Göbel 2001). (...)The aim of this paper will be, firstly, to describe the main conflicts of African American history and culture. Secondly, it will point to the impacts resulting from these struggles before. In a third step, the act of passing as a means to fight these struggles will be closely examined in its origin and multiple ways of happening, in context with cultural processes within American society as well as its representation in literature, mainly the Afro American novel. The main part will be the study of two selective novels by the two authors listed in the title of this paper, James Weldon Johnson (The Autobiography of an Ex-Coloured Man, 1912), and Nella Larsen (Passing, 1929), for several reasons. Considering the time in which their literary works gained literary reputation it can be argued that they both belong to the main advocates of the Harlem Renaissance. Moreover, the two novels under scrutiny here can be considered two of the most relevant passing novels , which found in the topic of passing one of their most significant theoretical inputs as well as expressive outputs in the history of this sub-genre of Afro American literature.
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