krainaksiazek we didn t know any better poems about life 20091707

- znaleziono 4 produkty w 2 sklepach

Under the Duvet - 2212824601

36,60 zł

Under the Duvet Penguin

Powieści i opowiadania

'When people ask me what I do for a crust and I tell them that I'm a novelist, they immediately assume that my life is a non-stop carousel of limos, television appearances, hair-dos, devoted fans, stalkers and all the glitzy paraphernalia of being a public figure. It's time to set the record straight. I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me ...' Her novels are adored by millions around the world


Consolations of Philosophy - 2212839584

45,80 zł

Consolations of Philosophy Penguin

Nauki humanistyczne

Alain de Botton, best-selling author of How Proust can Change Your Life, has set six of the finest minds in the history of philosophy to work on the problems of everyday life. Here then are Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche on some of the things that bother us all; lack of money, the pain of love, inadequacy, anxiety, the fear of failure and the pressure to conform.


Essential Haiku - 2854201295

58,54 zł

Essential Haiku BLOODAXE BOOKS

Książki / Literatura obcojęzyczna

The Essential Haiku brings together Robert Hass's beautifully fresh translations of the three great masters of the Japanese haiku tradition: Matsuo Basho (1644-94), the ascetic and seeker, and the haiku poet most familiar to English readers; Yosa Buson (1716-83), the artist, a painter renowned for his visually expressive poetry; and Kobayashi Issa (1763-1827), the humanist, whose haiku are known for their poignant or ironic wit. Each haiku master's section of the book is prefaced with an eloquent and informative introduction by Robert Hass, followed by a selection of over 100 poems and then by other poetry or prose by the poet, including journals and nature writing. Opening with Hass's superb introductory essay on haiku, the book concludes with a section devoted to Basho's writings and conversations on poetry. The seventeen-syllable haiku form is rooted in a Japanese tradition of close observation of nature, of making poetry from subtle suggestion. Each haiku is a meditation, a centring, a crystalline moment of realisation. Reading them has a way of bringing about calm and peace within the reader. The symbolism of the seasons and the Japanese habit of mind blend together in these poems to create an alchemy of reflection that is unsurpassed in literature. Infused by its great practitioners with the spirit of Zen Buddhism, the haiku served as an example of the power of direct observation to the first generation of American modernist poets like Ezra Pound and William Carlos Williams as well as an example of spontaneity and Zen alertness to the new poets of post-war America and Britain. Universal in its appeal, Robert Hass's The Essential Haiku is the definitive introduction to haiku and its greatest poets, and has been a bestseller in America for twenty years. 'I know that for years I didn't see how deeply personal these poems were or, to say it another way, how much they have the flavour - Basho might have said "the scent" - of particular human life, because I had been told and wanted to believe that haiku were never subjective. I think it was D.H. Lawrence who said the soul can get to heaven in one leap but that, if it does, it leaves a demon in its place. Better to sink down through the level of these poems - their attention to the year, their ideas about it, the particular human consciousness the poems reflect, Basho's profound loneliness and sense of suffering, Buson's evenness of temper, his love for the materials of art and for the colour and shape of things, Issa's pathos and comedy and anger' - Robert Hass.


Castle Gates - 2854583880

44,85 zł

Castle Gates Forgotten Books

Książki / Literatura obcojęzyczna

Excerpt from Castle Gates: A Book Poems; Through Which the Knowing Ones Are Admitted Into Some of My Castles in Spain In order that the reader may better under stand the conditions out of which this volume has grown, it may be worth while to add here a few words in regard to my life-history. I was born on a poor mountain farm near Moravian Falls, N. 29 years ago. Worked on the farm until I was 21 years old. Sometimes I got to at tend the district free school a few weeks during the winter. Studied grammar a little, but couldnot make head nor tail of it. Had only a very moderate liking for history and geography, and couldn't endure arithmetic at all. Liked my old Fourth Reader very well, because it had some poetry in it. Spent most of my time during school hours writing poetry on my slate. W'as set down as a hopeless case, whom there was no use trying to educate. Quit school entirely at 16, having never been in school more than 12 months, from first to last. Never saw the inside of a high school or college. Stayed between the plow-handles for several years longer. Read all the poetry I could get hold of, and gradually developed a taste for other kinds of reading. Wrote a poem every little while for some pa per or magazine. The editors were kind, and printed my stuff. Drifted into a local newspaper office. Learned to set type. Edited the paper. Acted as Washington correspondent. Contrib uted poems to various periodicals. Operated a linotype machine in office of city daily. Got married. Set up a print-shop of my own to print my books. That brings us down to the present, and that's as far as I can go with my history just now. Maybe the world will want to know more about me some time, and maybe it won't. We'll wait and see. Respectfully. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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