krainaksiazek where the streets have a cool name 20111869

- znaleziono 52 produkty w 9 sklepach

Door That Led to Where - 2826687277

34,52 zł

Door That Led to Where Hot Key Books

Książki / Literatura obcojęzyczna

AJ Flynn has just failed all but one of his GCSEs, and his future is looking far from rosy. So when he is offered a junior position at a London law firm he hopes his life is about to change - but he could never have imagined by how much. Tidying up the archive one day, AJ finds an old key, mysteriously labelled with his name and date of birth - and he becomes determined to find the door that fits the key. And so begins an amazing journey to a very real and tangible past - 1830, to be precise - where the streets of modern Clerkenwell are replaced with cobbles and carts, and the law can be twisted to suit a villain's means. Although life in 1830 is cheap, AJ and his friends quickly find that their own lives have much more value. They've gone from sad youth statistics to young men with purpose - and at the heart of everything lies a crime that only they can solve. But with enemies all around, can they unravel the mysteries of the past, before it unravels them[unk] A fast-paced mystery novel by one of the country's finest writers, Door That Led to Where will delight, surprise and mesmerise all those who read it.

Sklep: Libristo.pl

Cool Soapmaking - 2841419323

49,99 zł

Cool Soapmaking Shepard Publications

Książki / Literatura obcojęzyczna

Soapmakers may love to add a variety of materials to soap, but they find that some cause more trouble than others. In the heat of the chemical reaction, an ingredient might discolor, or lose its scent, or develop a bad smell. Or it might cause problems during soapmaking, giving off noxious fumes, or making the soap harden so fast that there's no time to pour it in the mold. Help has arrived. Anne L. Watson extends the low-temp techniques from her book "Milk Soapmaking" to making soap from a variety of special ingredients, including cucumber, citrus, pine tar, beer, and wine. Soaps that have long challenged home soapmakers will now pose no problem at all. ///////////////////////////////////////////////// Anne L. Watson is the author of the wildly popular and widely acclaimed beginners book "Smart Soapmaking" and its companions, "Milk Soapmaking" and "Smart Lotionmaking." She has made soap professionally under the company name Soap Tree, and before her retirement was a historic preservation architecture consultant. Anne's other published books include "Baking with Cookie Molds" and several novels. Anne, her husband, Aaron, and their cat, Skeeter, live in Friday Harbor, Washington. ///////////////////////////////////////////////// CONTENTS GETTING STARTED (From High-Temp Soapmaking to Low) WHAT DO I PUT INTO IT? (The Ingredients of Cool Soapmaking) WHAT DO I USE TO MAKE IT? (Gathering the Equipment You Need) PROJECT #1: MILK SOAPS Recipe: Anne's Cool Milk Soap COOL SOAPMAKING STEP-BY-STEP (From Prep to Cleanup and Beyond) PROJECT #2: CUCUMBER SOAPS Recipe: Basic Cucumber Soap Recipe: Cucumber Yogurt Soap Recipe: Cucumber Green Clay Soap Recipe: Cucumber Apricot Soap Recipe: Cucumber Avocado Soap Sidebar: Designing Cucumber Soaps PROJECT #3: CITRUS SOAPS Recipe: Basic Citrus Soap Recipe: Orange Yogurt Soap Recipe: Citrus Honey Soap Recipe: Ruby Red Grapefruit Soap Sidebar: Designing Citrus Soaps PROJECT #4: SOAPS WITH ACCELERANTS Recipe: Sweet Bay Soap Recipe: Pine Tar Soap Sidebar: Designing Soaps with Accelerants PROJECT #5: BEER and WINE SOAPS Recipe: Basic Beer Soap Recipe: Chocolate Ale Soap Recipe: Red Wine Soap Recipe: White Wine Soap Recipe: Anne's Coconut Beer Soap Sidebar: Designing Beer and Wine Soaps WHY? WHY? WHY? (Frequently Asked Questions) WHERE TO FIND MORE

Sklep: Libristo.pl

Shadow of the Sun - 2212824581

40,80 zł

Shadow of the Sun Penguin

Literatura faktu

'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In a study that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on the mosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft. The Beginning: Collision, Ghana 1958 More than anything, one is struck by the light. Light everywhere. Brightness everywhere. Everywhere, the sun. Just yesterday, an autumnal London was drenched in rain. The airplane drenched in rain. A cold, wind, darkness. But here, from the morning

Sklep: Albertus.pl

Broadway In A Box - The Essential Broadway Musicals Collection - 2839293712

339,99 zł

Broadway In A Box - The Essential Broadway Musicals Collection Sony Music Entertainment

Muzyka>Pop

1. Howard, Peter - Annie 2. Act I: Overture 3. Maybe 4. It's The Hard-knock Life 5. Tomorrow 6. We'd Like To Thank You Herbert Hoover 7. Little Girls 8. I Think I'm Gonna Like It Here 9. N.y.c 10. Easy Street 11. You Won't Be An Orphan For Long 12. Act Ii: You're Never Fully Dressed Without A Smile 13. Tomorrow (Reprise) 14. Something Was Missing 15. I Don't Need Anything But You 16. Annie 17. A New Deal For Christmas 18. Strouse, Charles - Introductory Remarks - Voice 19. Strouse, Charles - Apples - Voice 20. Strouse, Charles - Lead-in & Song We Got Annie - 21. Strouse, Charles - Lead-in To Just Wait - Voice 22. Strouse, Charles - Just Wait - Voice 23. Strouse, Charles - Lead-in To That's The Way It Go 24. Strouse, Charles - That's The Way It Goes - Voice 25. Strouse, Charles - Lead-in To Parents - Voice 26. Strouse, Charles - Parents - Voice 27. Strouse, Charles - Lead-in & Song I've Never Been 28. Strouse, Charles - Tomorrow (First Performance) - 101. Porter, Cole - Prelude (From 'Anything Goes') 102. Porter, Cole - I Get A Kick Out Of You (From 'Anyt 103. Porter, Cole - There's No Cure Like Travel; Bon Vo 104. Porter, Cole - You're The Top (From 'Anything Goes 105. Porter, Cole - Easy To Love (From 'Anything Goes') 106. Porter, Cole - I Want To Row On The Crew; Sailor's 107. Porter, Cole - Friendship (From 'Anything Goes') 108. Porter, Cole - It's De-lovely (From 'Anything Goes 109. Porter, Cole - Anything Goes (From 'Anything Goes' 110. Porter, Cole - Entr'acte (From 'Anything Goes') 111. Porter, Cole - Public Enemy Number One (From 'Anyt 112. Porter, Cole - Blow, Gabriel, Blow (From 'Anything 113. Porter, Cole - Goodbye, Little Dream, Goodbye (Fro 114. Porter, Cole - Be Like The Bluebird (From 'Anythin 115. Porter, Cole - All Through The Night (From 'Anythi 116. Porter, Cole - The Gypsy In Me (From 'Anything Goe 117. Porter, Cole - Buddie, Beware (From 'Anything Goes 118. Porter, Cole - I Get A Kick Out Of You / Anything 201. Lenya, Lotte / Haworth, Jill / Gilford, Jack / - C 202. Act I. Willkommen 203. So What? 204. Dont' Tell Mama 205. Telephone Song 206. Perfectly Marvelous 207. Two Ladies 208. It Couldn't Please Me More (A Pineapple) 209. Tomorrow Belongs To Me 210. Why Should I Wake Up? 211. The Money Song (Sitting Pretty) 212. Married 213. Meeskite 214. Act Ii. Entr'acte 215. If You Could See Her (The Gorilla Song) 216. What Would You Do? 217. Cabaret 218. Finale 219. Berlin Songs Intro 220. I Don't Care Much 221. Roomates Intro 222. Roomates 223. Goodtime Charlie Intro 224. Goodtime Charlie 225. It'll All Blow Over Intro 226. It'll All Blow Over 301. Allers, Franz - Camelot - Voice 302. Act I: Overture 303. March 304. I Wonder What The King Is Doing Tonight - Voice 305. The Simple Joys Of Maidenhood - Voice 306. Camelot - Voice 307. Follow Me - Voice 308. C'est Moi - Voice 309. The Lusty Month Of May - Voice 310. Then You May Take Me To The Fair - Voice 311. How To Handle A Woman - Voice 312. Before I Gaze At You Again - Voice 313. Act Ii: If Ever I Would Leave You - Voice 314. The Seven Deadly Virtues - Voice 315. What Do The Simple Folk Do? - Voice 316. Fie On Goodness - Voice 317. I Loved You Once In Silence - Voice 318. Guenevere - Voice 319. Finale Ultimo - Voice 401. Rodgers, Richard - Prologue: The Carousel Waltz 402. Allers, Franz - You're A Queer One, Julie Jordan; 403. Allers, Franz - If I Loved You 404. Allers, Franz - June Is Bustin' Out All Over 405. Allers, Franz - Mister Snow (Reprise) 406. Allers, Franz - Blow High, Blow Low 407. Allers, Franz - When The Children Are Asleep 408. Raitt, John - Soliloquy 409. Allers, Franz - A Real Nice Clambake 410. Allers, Franz - What's The Use Of Wond'rin' 411. Rodgers, Richard - You'll Never Walk Alone 412. Allers, Franz - The Highest Judge Of All 413. Allers, Franz - Finale Ultimo: You'll Never Walk 501. Orchestra - Overture - Digitally Remastered 1996 502. Rivera, Chita / Company - All That Jazz 503. Verdon, Gwen / Korthaze, Richard / Martin, Barn - 504. Rivera, Chita / Clark, Cheryl / Peacock, Michon - 505. Mccarty, Mary - When You're Good To Mama - Digital 506. Orbach, Jerry / Company - All I Care About - Digit 507. O'haughey, M. - A Little Bit Of Good - Digitally R 508. Orbach, Jerry / Verdon, Gwen / O'haughey, M. / - W 509. Verdon, Gwen / Boys - Roxie - Digitally Remastered 510. Rivera, Chita - I Can't Do It Alone 511. Rivera, Chita / Verdon, Gwen - My Own Best Friend 512. Verdon, Gwen - Me & My Baby - Digitally Remastered 513. Martin, Barney - Mr. Cellophane 514. Rivera, Chita / Boys - When Velma Takes The Stand 515. Orbach, Jerry / Company - Razzle Dazzle - Digitall 516. Rivera, Chita / Mccarty, Mary - Class 517. Verdon, Gwen / Rivera, Chita - Nowadays 518. Rivera, Chita / Company - All That Jazz Reprise - 601. Pippin, Don - Opening: I Hope I Get It - Album Ver 602. Pippin, Don - I Can Do That - Album Version 603. Pippin, Don - At The Ballet - Album Version 604. Pippin, Don - Sing! - Album Version 605. Pippin, Don - Montage Part 1: Hello Twelve, Hello 606. Pippin, Don - Montage Part 2: Mother 607. Pippin, Don - Montage Part 3: Gimme The Ball 608. Pippin, Don - Nothing - Album Version 609. Pippin, Don - Dance: Ten; Looks: Three - Album Ver 610. Pippin, Don - The Music & The Mirror - Album Versi 611. Pippin, Don - One 612. Pippin, Don - What I Did For Love 613. Pippin, Don - One (Reprise) / Finale - Album Versi 701. Hastings, Harold - Company - Original Broadway Cas 702. Company - Voice 703. The Little Things You Do Together - Voice 704. Sorry - Grateful - Voice 705. You Could Drive A Person Crazy - Voice 706. Have I Got A Girl For You - Voice 707. Someone Is Waiting - Voice 708. Another Hundred People - Voice 709. Getting Married Today - Voice 710. Side By Side By Side / What Would We Do Without Yo 711. Poor Baby - Voice 712. Tick-tock - Voice 713. Barcelona - Voice 714. The Ladies Who Lunch - Voice 715. Being Alive - Voice 716. Finale - Voice 717. Being Alive - Voice 801. Bock, Jerry - Prologue - Tradition (From 'Fiddler 802. Bock, Jerry - Matchmaker (From 'Fiddler On The Roo 803. Bock, Jerry - If I Were A Rich Man (From 'Fiddler 804. Bock, Jerry - Sabbath Prayer (From 'Fiddler On The 805. Bock, Jerry - To Life (From 'Fiddler On The Roof') 806. Bock, Jerry - Miracle Of Miracles (From 'Fiddler O 807. Bock, Jerry - The Dream (From 'Fiddler On The Roof 808. Bock, Jerry - Sunrise, Sunset (From 'Fiddler On Th 809. Bock, Jerry - Wedding Dance (From 'Fiddler On The 810. Bock, Jerry - Now I Have Everything (From 'Fiddler 811. Bock, Jerry - Do You Love Me? (From 'Fiddler On Th 812. Bock, Jerry - The Rumor (From 'Fiddler On The Roof 813. Bock, Jerry - Far From The Home I Love (From 'Fidd 814. Bock, Jerry - Anatevka (From 'Fiddler On The Roof' 901. Loesser, Frank - Runyonland (From 'Guys & Dolls') 902. Loesser, Frank - Fugue For Tinhorns (From 'Guys & 903. Loesser, Frank - Follow The Fold (From 'Guys & Dol 904. Loesser, Frank - The Oldest Established (From 'Guy 905. Loesser, Frank - I'll Know (From 'Guys & Dolls') 906. Loesser, Frank - A Bushel & A Peck (From 'Guys & D 907. Loesser, Frank - Adelaide's Lament (From 'Guys & D 908. Loesser, Frank - Guys & Dolls (From 'Guys & Dolls' 909. Loesser, Frank - Havana (From 'Guys & Dolls') 910. Loesser, Frank - If I Were A Bell (From 'Guys & Do 911. Loesser, Frank - My Time Of Day (From 'Guys & Doll 912. Loesser, Frank - I've Never Been In Love Before (F 913. Loesser, Frank - Entr'acte / Take Back Your Mink ( 914. Loesser, Frank - Adelaide's Lament (Reprise) (From 915. Loesser, Frank - More I Cannot Wish You (From 'Guy 916. Loesser, Frank - The Crapshooters' Dance (From 'Gu 917. Loesser, Frank - Luck Be A Lady (From 'Guys & Doll 918. Loesser, Frank - Sue Me (From 'Guys & Dolls') 919. Loesser, Frank - Sit Down, You're Rockin' The Boat 920. Loesser, Frank - Marry The Man Today (From 'Guys & 921. Loesser, Frank - Guys & Dolls (Reprise) (From 'Guy 1001. Rosenstock, Milton - Gypsy 1002. Overture 1003. Let Me Entertain You 1004. Some People 1005. Small World 1006. Baby June & Her Newsboys 1007. Mr. Goldstone, I Love You 1008. Little Lamb 1009. You'll Never Get Away From Me 1010. Dainty June & Her Farmboys 1011. If Momma Was Married 1012. All I Need Is The Girl 1013. Everything's Coming Up Roses 1014. Together Wherever We Go 1015. You Gotta Have A Gimmick 1016. Let Me Entertain You 1017. Rose's Turn 1018. Merman, Ethel / Merman, Ethel - Some People - Bonu 1019. Merman, Ethel / Merman, Ethel - Mr. Goldstone / Li 1020. Leslie, Laura / Leslie, Laura - Momma's Talkin' So 1021. Knee, Bernie / Knee, Bernie - Nice She Ain't - Bon 1022. Leslie, Laura - Who Needs Him - Bonus Track 1023. Styne, Jule - Michael Feinstein Interviews Jule St 1024. Gypsy Rose Lee - Gypsy Rose Lee Remembers Burlesqu 1101. Macdermot, Galt - Aquarius (From 'Hair') 1102. Macdermot, Galt - Donna (From 'Hair') 1103. Macdermot, Galt - Hashish (From 'Hair') 1104. Macdermot, Galt - Sodomy (From 'Hair') 1105. Macdermot, Galt - Colored Spade (From 'Hair') 1106. Macdermot, Galt - Manchester England (From 'Hair') 1107. Macdermot, Galt - I'm Black (From 'Hair') 1108. Macdermot, Galt - Ain't Got No (From 'Hair') 1109. Macdermot, Galt - I Believe In Love (From 'Hair') 1110. Macdermot, Galt - Ain't Got No (Reprise) (From 'Ha 1111. Eaton, Sally / Plimpton, Shelley / Moore, Melba - 1112. Ragni, Gerome - Initials (From 'Hair') 1113. Ragni, Gerome - I Got Life (From 'Hair') 1114. Ragni, Gerome - Going Down (From 'Hair') 1115. Ragni, Gerome - Hair (From 'Hair') 1116. Ragni, Gerome - My Conviction (From 'Hair') 1117. Ragni, Gerome - Easy To Be Hard (From 'Hair') 1118. Ragni, Gerome - Don't Put It Down (From 'Hair') 1119. Ragni, Gerome - Frank Mills (From 'Hair') 1120. Macdermot, Galt - Be--in (From 'Hair') 1121. Ragni, Gerome - Where Do I Go? (From 'Hair') 1122. Ragni, Gerome - Electric Blues (From 'Hair') 1123. Ragni, Gerome - Manchester England (Reprise) (From 1124. Macdermot, Galt - Black Boys (From 'Hair') 1125. Macdermot, Galt - White Boys (From 'Hair') 1126. Macdermot, Galt - Walking In Space (From 'Hair') 1127. Ragni, Gerome - Abie Baby (From 'Hair') 1128. Macdermot, Galt - Three-five-zero-zero (From 'Hair 1129. Macdermot, Galt - What A Piece Of Work Is Man (Fro 1130. Macdermot, Galt - Good Morning Starshine (From 'Ha 1131. Ragni, Gerome - The Bed (From 'Hair') 1132. Ragni, Gerome - The Flesh Failures (Let The Sunshi 1201. Herman, Jerry - Prologue (From 'Hello, Dolly!') - 1202. Herman, Jerry - I Put My Hand In (From 'Hello, Dol 1203. Herman, Jerry - It Takes A Woman (From 'Hello, Dol 1204. Herman, Jerry - Put On Your Sunday Clothes (From ' 1205. Herman, Jerry - Ribbons Down My Back (From 'Hello, 1206. Herman, Jerry - Motherhood (From 'Hello, Dolly!') 1207. Herman, Jerry - Dancing (From 'Hello, Dolly!') - 1 1208. Herman, Jerry - Before The Parade Passes By (From 1209. Herman, Jerry - Elegance (From 'Hello, Dolly!') - 1210. Herman, Jerry - Hello, Dolly! (From 'Hello, Dolly! 1211. Herman, Jerry - It Only Takes A Moment (From 'Hell 1212. Herman, Jerry - So Long Dearie (From 'Hello, Dolly 1213. Herman, Jerry - Finale (From 'Hello, Dolly!') - Re 1301. Lawrence, Elliot - Overture 1302. Morse, Robert - How To 1303. Lawrence, Elliot - Happy To Keep His Dinner Warm 1304. Reilly, Charles Nelson / Sutherland, Claudette - C 1305. Morse, Robert / Smith, Sammy - The Company Way 1306. Reilly, Charles Nelson / Company - The Company Way 1307. Reed, Paul / Company - A Secretary Is Not A Toy 1308. Sutherland, Claudette / Scott, Bonnie / Morse, - B 1309. Morse, Robert / Vallee, Rudy - Grand Old Ivy 1310. Scott, Bonnie / Sutherland, Claudette / Landi, - P 1311. Morse, Robert / Scott, Bonnie - Rosemary 1312. Morse, Robert / Scott, Bonnie / Reilly, Charles - 1313. Sutherland, Claudette / Company / Scott, Bonnie - 1314. Vallee, Rudy / Martin, Virginia - Love From A Hear 1315. Morse, Robert / Company - I Believe In You 1316. Morse, Robert / Smith, Sammy / Kobart, Ruth / C - 1317. Morse, Robert / Company / Scott, Bonnie - Finale 1401. Sondheim, Stephen - Into The Woods (Prologue) (Fro 1402. Sondheim, Stephen - Cinderella At The Grave (From 1403. Sondheim, Stephen - Hello, Little Girl (From 'Into 1404. Sondheim, Stephen - I Guess This Is Goodbye / Mayb 1405. I Guess This Is Goodbye (From 'Into The Woods') 1406. Maybe They're Magic (From 'Into The Woods') 1407. Sondheim, Stephen - I Know Things Now (From 'Into 1408. Sondheim, Stephen - A Very Nice Prince / First Mid 1409. A Very Nice Prince (From 'Into The Woods') 1410. First Midnight (From 'Into The Woods') 1411. Giants In The Sky (From 'Into The Woods') 1412. Sondheim, Stephen - Agony (From 'Into The Woods') 1413. Sondheim, Stephen - It Takes Two (From 'Into The W 1414. Sondheim, Stephen - Stay With Me (From 'Into The W 1415. Sondheim, Stephen - On The Steps Of The Palace (Fr 1416. Sondheim, Stephen - Ever After (From 'Into The Woo 1417. Sondheim, Stephen - Act II Prologue: So Happy (Fro 1418. Sondheim, Stephen - Agony (Reprise) (From 'Into Th 1419. Sondheim, Stephen - Lament (From 'Into The Woods') 1420. Sondheim, Stephen - Any Moment / Moments In The Wo 1421. Any Moment (From 'Into The Woods') 1422. Moments In The Woods (From 'Into The Woods') 1423. Sondheim, Stephen - Your Fault / Last Midnight (Fr 1424. Your Fault (From 'Into The Woods') 1425. Last Midnight (From 'Into The Woods') 1426. Sondheim, Stephen - No More (From 'Into The Woods' 1427. Gemignani, Paul - No One Is Alone 1428. Sondheim, Stephen - Finale: Children Will Listen ( 1429. Mitchell, John Cameron - Giants In The Sky 1430. Crosby, Kim - Back To The Palace 1431. Moore, Maureen - Boom Crunch 1501. Allers, Franz - Overture (From 'The King & I') 1502. Stevens, Rise / Harvey, James / Orchestra - I Whis 1503. Venora, Lee / Orchestra - My Lord & Master (From ' 1504. Stevens, Rise / Orchestra - Hello, Young Lovers (F 1505. Allers, Franz - March Of The Siamese Children (Fro 1506. Mcgavin, Darren / Orchestra - A Puzzlement (From ' 1507. Stevens, Rise / Chorus / Orchestra - Getting To Kn 1508. Venora, Lee / Porretta, Frank / Orchestra - We Kis 1509. Stevens, Rise / Orchestra - Shall I Tell You What 1510. Neway, Patricia / Orchestra - Something Wonderful 1511. Neway, Patricia / Chorus / Orchestra - Western Peo 1512. Venora, Lee / Porretta, Frank / Orchestra - I Have 1513. Venora, Lee / Chorus / Orchestra - The Small House 1514. Stevens, Rise / Mcgavin, Darren / Orchestra - Shal 1515. Allers, Franz - Something Wonderful (Reprise) (Fro 1601. Leigh, Mitch - Opening 1602. Leigh, Mitch - Man Of La Mancha (I, Don Quixote) 1603. Leigh, Mitch - It's All The Same 1604. Leigh, Mitch - Dulcinea 1605. Leigh, Mitch - I'm Only Thinking Of Him 1606. Leigh, Mitch - We're Only Thinking Of Him 1607. Leigh, Mitch - I Really Like Him 1608. Leigh, Mitch - What Does He Want Of Me? 1609. Leigh, Mitch - Little Bird, Little Bird 1610. Leigh, Mitch - Barber's Song 1611. Leigh, Mitch - Golden Helmet Of Mambrino 1612. Leigh, Mitch - To Each His Dulcinea (To Every Man 1613. Leigh, Mitch - The Impossible Dream (The Quest) 1614. Leigh, Mitch - Knight Of The Woeful Countenance 1615. Leigh, Mitch - Aldonza 1616. Leigh, Mitch - The Knight Of The Mirrors 1617. Leigh, Mitch - I'm Only Thinking Of Him (Reprise) 1618. Leigh, Mitch - A Little Gossip 1619. Leigh, Mitch - Final Sequence: The Death Of Alons 1620. Dulcinea (Reprise) 1621. The Impossible Dream (The Quest) (Reprise) 1622. Man Of La Mancha (I, Don Quixote) (Reprise) 1623. The Psalm 1624. Leigh, Mitch - Finale 1701. Allers, Franz - Overture 1702. Allers, Franz - Why Can't The English? 1703. Allers, Franz - Wouldn't It Be Loverly 1704. Allers, Franz - With A Little Bit Of Luck 1705. Allers, Franz - I'm An Ordinary Man 1706. Allers, Franz - Just You Wait 1707. Allers, Franz - The Rain In Spain 1708. Allers, Franz - I Could Have Danced All Night 1709. Allers, Franz - Ascot Gavotte 1710. Allers, Franz - On The Street Where You Live 1711. Allers, Franz - You Did It 1712. Allers, Franz - Show Me 1713. Loewe, Frederick - Get Me To The Church On Time 1714. Allers, Franz - A Hymn To Him 1715. Allers, Franz - Without You 1716. Allers, Franz - I've Grown Accustomed To Her Face 1717. Spoken Word - A Post-recording Conversation 1718. Spoken Word - Playback: Alan Jay Lerner & Frederic 1801. Rodgers, Richard - Overture (From 'Oklahoma!') 1802. Rodgers, Richard - Oh, What A Beautiful Mornin' (F 1803. Rodgers, Richard - Laurey's Entrance (From 'Oklaho 1804. Rodgers, Richard - The Surrey With The Fringe On T 1805. Rodgers, Richard - Kansas City (From 'Oklahoma!') 1806. Rodgers, Richard - I Cain't Say No (From 'Oklahoma 1807. Rodgers, Richard - Many A New Day (From 'Oklahoma! 1808. Rodgers, Richard - It's A Scandal; It's A Outrage! 1809. Rodgers, Richard - People Will Say We're In Love ( 1810. Rodgers, Richard - Pore Jud Is Daid (From 'Oklahom 1811. Rodgers, Richard - Lonely Room (From 'Oklahoma!') 1812. Rodgers, Richard - Out Of My Dreams (From 'Oklahom 1813. Rodgers, Richard - The Farmer & The Cowman (From ' 1814. Rodgers, Richard - All Er Nuthin' (From 'Oklahoma! 1815. Rodgers, Richard - People Will Say We're In Love ( 1816. Rodgers, Richard - Oklahoma - Finale: Oh, What A B 1901. Bart, Lionel - Overture - Food, Glorious Food (Fro 1902. Overture (From 'Oliver') 1903. Food, Glorious Food (From 'Oliver') 1904. Bart, Lionel - Oliver! (From 'Oliver') 1905. Bart, Lionel - I Shall Scream (From 'Oliver') 1906. Bart, Lionel - Boy For Sale; Where Is Love? (From 1907. Bart, Lionel - Consider Yourself (From 'Oliver') 1908. Bart, Lionel - You've Got To Pick A Pocket Or Two 1909. Bart, Lionel - It's A Fine Life (From 'Oliver') 1910. Bart, Lionel - I'd Do Anything (From 'Oliver') - ( 1911. Bart, Lionel - Be Back Soon (From 'Oliver') 1912. Bart, Lionel - Oom-pah-pah (From 'Oliver') 1913. Bart, Lionel - My Name (From 'Oliver') 1914. Bart, Lionel - As Long As He Needs Me (From 'Olive 1915. Bart, Lionel - Who Will Buy? (From 'Oliver') 1916. Bart, Lionel - Reviewing The Situation (From 'Oliv 1917. Bart, Lionel - As Long As He Needs Me (Reprise) (F 1918. Bart, Lionel - Reviewing The Situation (Reprise) ( 1919. Bart, Lionel - Finale (From 'Oliver') 2001. Kern, Jerome - Overture (From 'Showboat') 2002. Kern, Jerome - Cotton Blossom (From 'Showboat') 2003. Kern, Jerome - Make Believe (From 'Showboat') 2004. Kern, Jerome - Old Man River (From 'Showboat') 2005. Kern, Jerome - Can't Help Lovin' Dat Man (From 'Sh 2006. Kern, Jerome - Life Upon The Wicked Stage (From 'S 2007. Kern, Jerome - You Are Love (From 'Showboat') 2008. Allers, Franz - At The Chicago World's Fair (From 2009. Kern, Jerome - Why Do I Love You? (From 'Showboat' 2010. Kern, Jerome - Bill (From 'Showboat') 2011. Kern, Jerome - Good Bye My Lady Love (From 'Showbo 2012. Kern, Jerome - After The Ball (From 'Showboat') 2013. Kern, Jerome - Finale: Ol' Man River (From 'Showbo 2101. Martin, Mary / Howell, Elizabeth / Shepard, Kar - 2102. Act I: Preludium 2103. The Sound Of Music 2104. Maria 2105. My Favorite Things 2106. Do-re-mi 2107. Sixteen Going On Seventeen 2108. The Lonely Goatherd 2109. How Can Love Survive? 2110. The Sound Of Music (Reprise) 2111. Laendler 2112. So Long, Farewell 2113. Climb Ev'ry Mountain 2114. Act Ii: No Way To Stop It 2115. An Ordinary Couple 2116. Processional 2117. Sixteen Going On Seventeen (Reprise) 2118. Edelweiss 2119. Climb Ev'ry Mountain (Reprise) 2120. Andrews, Julie / Burnett, Carol / Chorus - From Sw 2121. Kraus, Michael / Pires, Sandra / Bernhard, Dagm - 2122. Rodgers, Richard - Sok Dig Till Bergen - Climb Eve 2201. Dell'isola, Salvatore - South Pacific - Original B 2202. Act I: Overture (Orchestra) 2203. Dites-moi (Barbara Luna, Michael Deleon) - Voice 2204. A Cockeyed Optimist (Mary Martin) - Voice 2205. Twin Soliloquies (Mary Martin, Ezio Pinza) - Voice 2206. Some Enchanted Evening (Ezio Pinza) - Voice 2207. Bloody Mary (Sailors, Seabees, Marines) - Voice 2208. There Is Nothin' Like A Dame (Myron Mccormick, Sai 2209. Bali Ha'i (Juanita Hall) - Voice 2210. I'm Gonna Wash That Man Right Outa My Hair - Voice 2211. A Wonderful Guy (Mary Martin, Nurses) - Voice 2212. Younger Than Springtime (William Tabbert) - Voice 2213. Act Ii: Happy Talk (Juanita Hall) - Voice 2214. Honey Bun (Mary Martin) - Voice 2215. You've Got To Be Carefully Taught (William Tabbert 2216. This Nearly Was Mine (Ezio Pinza) - Voice 2217. Finale: Dites Moi (Reprise) (Mary Martin, Barbara 2218. Engel, Lehman - Loneliness Of Evening 2219. Engel, Lehman - My Girl Back Home 2220. Engel, Lehman - Bali Ha'i 2221. Kostelanetz, Andre - South Pacific (Symphonic Scen 2301. Gemignani, Paul - Prelude: The Ballad Of Sweeney T 2302. Gemignani, Paul - No Place Like London/the Barber 2303. No Place Like London 2304. The Barber & His Wife 2305. Sondheim, Stephen - The Worst Pies In London (From 2306. Gemignani, Paul - My Friends; The Ballad Of Sweene 2307. Gemignani, Paul - Johanna (From 'Sweeney Todd') 2308. Original Soundtrack / Company / Lansbury, Angel - 2309. Sondheim, Stephen - Kiss Me; Ladies In Their Sensi 2310. Sondheim, Stephen - Pretty Women, Epiphany 2311. Sondheim, Stephen - A Little Priest (From 'Sweeney 2312. Sondheim, Stephen - God, That's Good! (From 'Sween 2313. Sondheim, Stephen - Johanna (From 'Sweeney Todd') 2314. Sondheim, Stephen - By The Sea (From 'Sweeney Todd 2315. Sondheim, Stephen - Not While I'm Around (From 'Sw 2316. Gemignani, Paul - Final Sequence (Excerpt); The Ba 2401. Goberman, Max - West Side Story - Original Broadwa 2402. Act I: Prologue 2403. Jet Song 2404. Something's Coming 2405. The Dance At The Gym 2406. Maria 2407. Tonight 2408. America 2409. Cool 2410. One Hand, One Heart 2411. Tonight (Quintet & Chorus) 2412. The Rumble 2413. Act Ii: I Feel Pretty 2414. Somewhere (Ballet) 2415. Gee, Officer Krupke 2416. A Boy Like That / I Have A Love 2417. Finale 2418. Bernstein, Leonard - Symphonic Dances From 'West S 2419. Prologue (Allegro Moderato) 2420. Somewhere (Adagio) 2421. Scherzo (Vivace Leggiero) 2422. Mambo (Meno Presto) 2423. Cha-cha (Andantino Con Grazia) 2424. Meeting Scene (Meno Mosso) 2425. Cool Fugue (Allegretto) 2426. Rumble (Molto Allegro) 2427. Finale (Adagio)

Sklep: Gigant.pl

Natasha's Dance - 2212836413

54,10 zł

Natasha's Dance Penguin

Powieści i opowiadania

Orlando Figes

Sklep: Albertus.pl

EURO TRASH - 2852496289

95,75 zł

EURO TRASH Merve

Książki / Literatura obcojęzyczna

EVEN THOUGH WE'RE ALL INTERNATIONALISTS, FOR NOW THE BOOK WILL ONLY BE AVAILABLE IN GERMAN. With contributions from Damir Arsenijevic, Alain Badiou, Étienne Balibar, Gracie Mae Bradley, Cédric Durand, the European Space Agency (sort of), Sara Farris, Alexandre Kojčve, Maurizio Lazzarato, Sandro Mezzadra, Toni Negri, Thomas Piketty, Beatriz Preciado, Bernard Stiegler, Martin Wolf, Slavoj Zizek. And to top it all off, check out our exclusive "Europe from Detroit" mix that comes courtesy of acid legend Carlos Souffront. No, not another debate on Europe, not just the usual policy proposals, no moralising appeals. We simply want to take stock of our ignorance in order to turn it into something more productive. Call it recycling if you will. The contributions in the volume do not reflect anything like a unity of vision. Often, they agree on very little. But that doesn't mean the texts assembled here do not resonate with one another. Philosophers, economists, journalists and activists comment on past and present manifestations of Europe. Taken together, these essays are exercises in defamiliarisation. Sure, we don't fully understand what is going on. Then again, experts didn't fare too well either, as a quick glance at the pre-2008 forecasts of economists, the analyses of geopolitical pundits or the trajectories of the expert-led transitional governments in Europe's South reveals. That's why we have no desire to wallow in passivity and fatalism. On the contrary, creating a sense of distance between Europe and ourselves will perhaps enable us to relate to it in new ways. Ever since the postwar reconstruction, Europe vacillated between grand political designs and economic expediency. The introduction of the Euro in 2002 and the ongoing crisis of 2008 have accelerated a shift in the balance of power. Nation-states lost some of their prerogatives and now have to accommodate the demands of unelected supranational entities in charge of implementing the precepts of economic rationality. A sense of powerlessness has become widespread. It has given a new lease of life to nationalism and xenophobia across Europe. Young people in particular wonder what could possibly be the point of having democracy conform to markets if capitalism cannot even make good on its one spellbinding historical promise: to enable wealth creation for the masses through individual effort and hard work? As is stands in 2014, giving up democratic principles in order to purify the operations of the markets seems like the surest way to the worst of both worlds: a technocratic caesarism. Economists tentatively hail Greece's return to the capital markets, they rejoice at the first signs of positive growth rates and welcome, give or take some accounting tricks, the sound budgets in member-states that are testament to the efficacy of the austerity measures. Meanwhile, unemployment in many parts of the EU remains stubbornly high. And let's not even talk about wage levels. Far from marking the end of history and the triumph of liberal market societies, 1989 could have turned out to be a Pyrrhic victory for capitalism, a possibility for which even François Furet allowed in his very last essays. Before its long overdue collapse, 'real existing socialism' - imperialist, authoritarian, unjust, inefficient, and downright depressing as it was - nonetheless inspired a fear among the governments of the so-called Western world that tamed capitalism in ways not seen before or after. Did bureaucratic state capitalism in the East protect the liberal capitalism of the West from what it wanted? Even when the latter seemed to be on excellent form after 1989, it often turned out to be pumped up on a diet of monetary steroids: soaring private and company debt sustained the boom times. Capitalism's hold over the planet is neither uniform nor exclusively imposed by force. It emerged out of a contingent history of the "universalisation of a tendency", as Deleuze and Guattari put it. However, a European left that has yet to come to terms with the full extent of its political insignificance seeks solace in the idea of an economic matrix that structures every fold of the social fabric: it is plausible, inescapable and terrifyingly good at harnessing even the forces of resistance to its own purposes. While the therapeutic aspect of this sort of thinking cannot be dismissed, its analytical virtues are more questionable. Still, as we survey the political landscape in 2014, no serious - and politically desirable - alternative exists. And yet liberal market societies struggle with ever more intense degrees of disaffection among their supposedly blessed populations. We observe the striking comeback of inequalities of wealth reminiscent of the Belle Époque. If current trends continue we could soon live in societies so unequal one would have to go back to the pre-industrial age to find anything comparable. This is certainly not a process of differentiation that is synonymous with modernity, as some commentators, grotesquely misinterpreting Luhmann, would have us believe. To reduce the potential of social differentiation to the acceptance of economic disparities betrays a poverty of thought that speaks volumes about the state of mind of a "brute bourgeoisie", itself a symptom of a deeply dysfunctional society. In Merkel-land, it found a new party-political home in the "Alternative for Germany". But opposition to the Euro also gains currency on the left. This is unsurprising given the intransigence of monetary hawks in the central banks and the institutional set-up of the Eurozone. Another Euro was possible, one that would have attempted to pave the way for an optimal currency area, rather than simply presupposing its existence.This would have required large-scale investments and significant redistributive efforts to harmonise - and raise - living standards in all of Europe. We need to unearth these counter-histories of the single European currency. As long as genuine political and social union is but a distant possibility, the imperative of price stability and the impossibility for individual Euro states to devalue their currency reduces the available range of political responses to economic distress to just one: the downward adjustment not just of economies but of entire welfare systems in order to restore competitiveness. However, there is no economic automatism here. These are deeply political decisions. As so often, economic liberalism knows very well when to portray itself as the arch-foe of oppressive states and undemocratic post-national institutions - and when to enlist their help in order to get its doctrinal way. Some conclude from this state of affairs that, provided it can be made politically productive, a break with the Euro regime should no longer be considered a taboo. Others are wary of reductive explanations that, for the sake of conceptual and political convenience, denounce the Eurozone as a monolithic neoliberal bloc. We stand to benefit a great deal from learning how to spot and exploit political divisions. Even inside the European Commission, there is room for forms of militant bureaucracy that deftly maneuver the legal labyrinthe (ranging from the 1953 European Convention on Social and Medical Assistance to the measures towards greater coordination of social security systems passed in 2004). Recent attempts to bully Merkel's government into potentially widening access to welfare payments for European citizens living in Germany lent credence to this claim. One day, these regulatory squabbles might bring us a minuscule step closer to a Europe-wide unconditional basic income. Let the robots do the crap jobs. Given the jingoistic mood of most electorates, even many leftist parties are taking leave from demands for postnational social rights that are legally enforceable. They fear such a move would be tantamount to political suicide. Nonetheless, the track record of European institutions and the general tendency of intergovernmental decisions taken during the last two decades or so suggest that it would be insane to rely on emancipatory political action from above. Yet the question of exactly how to reclaim Europe as a battleground from below is close to intractable. What effective form could a dialectic between "institutional and insurrectional" politics take? New forms of entryism might play a role, as those who support Alexis Tsipras' candidacy for the presidency of the European Commission argue. Mass pressure from the street would open a second flank. But even though they have been theorised for many years, European social movements worthy of their name continue to be conspicuous by their absence. Or should we push for individual states to give up their sovereignty and merge with their neighbour, thus creating political forms that mark an intermediate stage between the nation-state and and a European polity? It all sounds rather far-fetched. Interestingly, the recent protests in Bosnia oppose not just corrupt local elites, but also the institutions of the international community that purports to have pacified the remnants of former Yugoslavia. The revolution in the Ukraine that has courageously overthrown a deeply corrupt regime, on the other hand, did appeal to a EU that embodied hopes for a better political and economic life even as parts of the crowd openly displayed their neo-Nazi sympathies. We need to address the underlying identity issues haunting this continent as a whole and the individuals that inhabit it. It is impossible to overlook the signs of libidinal exhaustion. Europe has a problem with desire. The economic, political and social systems no longer produce pleasure. We're all tired but we haven't done nearly enough to explore and invent new lives. The family rushes in to fill this void. We grew accustomed too quickly to the omnipresence of "family-friendly" policies, by now a staple of European political language. We could have known better. In Anti-Oedipus, Deleuze and Guattari had warned us. As capitalism marches onward, all existing social relations will cede to its pull. But that's not the same as simple disappearance. Quite the opposite. The family was first emptied of all historical functions, only to be reinvented as a bulwark against some of the more troubling and pathological aspects of contemporary capitalism. It offers respite from the constant flexibility that is expected of us, it helps pool resources as welfare states are being dismantled, it pays lip service to feminist struggles by singing the praise of the care work done by stay-at-home mums. In France, reactionaries are marching through the streets in their thousands. Their opposition to same-sex marriage forms part of a wider struggle to combat the rampant "family-phobia" in today's societies. We want none of it. The hypocrisy is plain for everyone to see. There is significant overlap between the defenders of good old family values and the milieus in which shameless hostility to migrants has once again become acceptable. But some migrants are better than others. The latest version of the mother-father-family relies on cheap non-unionised female labour, the army of nannies recruited from abroad. These are some of the migrants that made it to Europe. Many others don't even get that far. The activities of Frontex seem blissfully oblivious to the very colonial past they incessantly conjure up. The same fervour that was at work in the historical project of European expansionism is now observable in the systematic efforts to stop migrants - to ensure successful "border management", as official parlance has it. Europeans used to invade foreign lands to enrich themselves, now they keep others out to protect their privileges. Images of drowned, starved or deported refugees don't prevent European politicians for a second from invoking 'our' grand cultural tradition, preferably while lecturing other parts of the world on the West's civilisational achievements: philosophy, human rights, dignity, you name it. Perhaps the treatment to which migrants are subjected has something to do with Europe's historical self-understanding after all. These corpses float in the same Mediterranean sailed by cunning Ulysses. They're dying to reach the shore they might have otherwise called home. This much is clear to us: as long as other people are treated like garbage in our name, we betray the potential of EURO TRASH. The costly insistence on rigid borders is not just a European problem. It's a cosmic one. Space is a place where quaint attempts to divide it up according to the time-worn logic of sovereignty must fail. As Donald Kessler has pointed out as early as 1978, the debris piling up in the orbit, if unchecked, will reach a point where space travel becomes too dangerous. And little does it matter whether the out-there is littered by NASA or ESA. We might be stuck on this planet at the precise moment when we'd be well advised to leave it behind. Borders have a funny way of shutting in the people they claim to protect. There were concerns about a possible lack of German voices in this collection but acid legend Carlos Souffront came to our rescue and his exclusive "Europe from Detroit" mix dispels them in the most unexpected, poignant and concise way possible. Kraftwerk's 1977 "Trans-Europe-Express" imagined the continent as a haven of post-historical nostalgia. We asked Carlos to reimagine Europe as a province of Detroit in order to invert the usual perspective. Often, the Motor City is an object of European musical desire, filled to the brim with projections even, and especially if there is post-industrial desolation to be admired. Let's try it the other way around. The mix expertly strides between delicacy and a sense of impending dread that culminates in a brief sequence where German history unmistakably rears its ugly head. But there is life beyond that, there has to be. This is not a mind trip, this is a body journey. WE'RE THE EDITORS, WE'RE SVENJA BROMBERG, BIRTHE MÜHLHOFF, AND DANILO SCHOLZ.

Sklep: Libristo.pl

A Weekend In The City - 2845960868

9,99 zł

A Weekend In The City Sonic Records / V2

Muzyka>Nowe brzmienia

1. Song For Clay (Disappear Here) 2. Hunting For Witches 3. Waiting For The 7.18 4. The Prayer 5. Uniform 6. On 7. Where Is Home? 8. Kreuzberg 9. I Still Remember 10. Sunday 11. Srxt Debiutancki Album Bloc Party, "Silent Alarm", Gładko Wprowadził Londyński Zespół Do ścisłej Czołówki Brytyjskiego Rocka Epoki Franza Ferdinanda, Ale Też Na Trudny Rynek Amerykański. Pod Koniec 2005 R. Figurował On W ścisłych Czołówkach Niemal Wszystkich Medialnych Podsumowań Płytowych Roku. Ze Znakomitą Muzyką Kłóciły Się Nieco Przypadkowe Teksty. Na "A Weekend In The City" Dowodzona Przez Czarnego Wokalistę Kele'ego Okereke'ego Grupa Naprawia Ten Błąd, Szkicując W 11 Utworach Mozaikowy Pejzaż Londynu Po Millenijnym Przełomie. Z "A Weekend In The City", Którego Muzyka Jest Mocno I Pewnie Osadzona W Latach 80., Wyłania Się Jednak Raczej Pesymistyczny I Ponury Pejzaż Brytyjskiej Metropolii, Bliższy Raczej Nieco Wcześniejszym, Punkrockowym Wizjom Debiutanckiego Albumu I "London Calling" The Clash Albo "All Mod Cons" The Jam. Inne Są Dziś Realia, Z Innych Doświadczeń Płyną Teksty Pisane Przez Syna Nigeryjskich Imigrantów, Jednak Bez Trudu Możemy Znaleźć Tu Dawne Napięcia Społeczne Na Tle Rasowym Czy Uprzedzenia Względem Ludzi O "podwójnej" Seksualności - Tyle, że Podane W Nowym Opakowaniu. W Aurze Zmieniającego Się Klimatu Społecznego Po Zamachach Terrorystycznych W Nowym Jorku I Londynie, Które Brutalnie Przerwały Sen O Harmonijnym Wielorasowym I Multikulturowym Społeczeństwie. Doskonała Produkcja Jacknife'a Lee (U2, Snow Patrol) Doskonale łączy Emanujący Z Większości Utworów Punkrockowy Gniew I Frustrację Z Wypolerowanymi Na Wysoki Połysk Aranżacjami - Często Ze Sporą Dawką Elektroniki - Aż Trudno Oprzeć Się Wrażeniu, że Wzorami Dla Nich Były Nagrania Grup W Rodzaju Ultravox, Classix Nouveaux, Red Box Czy Tones On Tail. Zapewne Też Udział Lee Wpłynął, że Na Przykład Znakomity "On" Budzi Dalekie Skojarzenia Z Posępnym Hymnem U2 "Where The Streets Have No Name". Rewelacją Płyty Jest Wybrany Na Pierwszy Singel Utwór "The Prayer". Wynika On Z Religijnych Doświadczeń Okereke'ego, Którego Rodzice Są Pobożnymi Katolikami, A Zainspirowany Został "Pasją Według św. Łukasza" Pendereckiego. "A Weekend In The City" To Pierwszy Poważny Konkurent Do Miana Płyty Roku 2007. Wersja Standard !

Sklep: Gigant.pl

U2 - 18 VIDEOS - 2837072310

28,30 zł

U2 - 18 VIDEOS

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Beautiful Day 2. I Still Haven't Found What I'm Looking For 3. Pride (In The Name Of Love) 4. With Or Without You 5. Vertigo 6. New Year's Day 7. Mysterious Ways 8. Stuck In A Moment You Can't Get Out Of [US Version] 9. Stuck In A Moment You Can't Get Out Of [International Version] 10. Where The Streets Have No Name 11. Sweetest Thing 12. Sunday Bloody Sunday 13. One 14. Desire 15. Walk On 16. Elevation 17. Sometimes You Can't Make It On Your Own 18. The Saints Are Coming (with Green Day) 19. Window In The Skies Extras: 1. The Making of Vertigo 2. A Story of One 3. Beautiful Day [Eze Version] 4. Pride (In The Name Of Love) [Slame Castle Version] 5. Vertigo [Lisbon Version] 6. Vertigo [HQ Version] 7. One [Buffalo Version] 8. One [Restaurant Version] 9. Sometimes You Can't Make It On Your Own [Single Take Version] Opis - Płycie z największymi przebojami Irlandczyków, a nazywającej się po prostu "18 singles", towarzyszy płyta DVD, która ilustruje największe przeboje zespołu. O ile wydanie po raz kolejny CD z największymi przebojami jest nieco kontrowersyjne, o tyle zakup "18 Videos" wydaje się znacznie bardziej uzasadniony. Pierwszym atutem tego zestawienia jest kolekcja 7 teledysków z lat 80. Podróż po latach 80 jest niestety bardzo wybiórcza, ale i tak cieszy obecność takich klasyków jak "With Or Without You", "New Year's Day" czy "Pride", które po raz pierwszy mamy okazję obejrzeć w cyfrowej jakości. Kolejny plus to fakt, iż w opisywanym zestwieniu znalazło się tylko 6 teledysków do 4 piosenek, które mieliśmy okazję otrzymać w bogatym zbiorze videoklipów z lat 90. Płytę uzupełniają utwory z 2 ostatnich płyt Irlandczyków, a wśród nich 2 teledyski do jednej z najlepszych piosenek U2 z ostatnich lat czyli "Walk On". Warto również wspomnieć o dodatkach, wśród których, oprócz 2 relacji z planu, otrzymaliśmy trzecią wersję teledysku do piosenki "One". Wersja z biegnącymi bizonami została pominięta na zestawieniu teledysków z lat 90, a warto zaznaczyć, że teledysk ten był wyświetlany na ogromnym ekranie podczas trasy ZOO TV, podczas gdy zespół wykonywał piosenkę na żywo. Płyta ta jest obowiązkową pozycją dla każdego fana U2, ale mam nadzieję, że doczekamy się DVD, które w pełni zilustruje twórczość zespołu z lat 80, a nam będzie dane zobaczyć po raz kolejny takie niezapomniane teledyski do niezapomnianych piosenek jak "All I Want Is You", "I Will Follow" czy też "Gloria". Nazwa - 18 VIDEOS Autor - U2 Wydawca - Universal Music Kod EAN - 0602517138704 Rok wydania - 2006 Nośnik - Płyta DVD Ilość elementów - 1 Podatek VAT - 23% Premiera - 2006-11-16

Sklep: InBook.pl

War in the Jungle - 2843906688

53,09 zł

War in the Jungle AuthorHouse

Książki / Literatura obcojęzyczna

Percy was feeling himself until his mobile roller phone rang. "hello...." Perchy said. "Wassam Big dog" Donte said from the other end of phone. "Tell me something good"? Percy reply. Some dudes out the St. Bernard projects got a new dope spot popping and two females out the Lafitte projects got a new set too." Donte told Percy. "Is that right? "yep that right! I told you, your beef is my beef ya hear me" Get it on then you have my blessing " Percy told Donte Yeah, them niggas out the Bernard talking about how easy it was to jack a Cuban for 10 bricks... Wait, wait, wait a minute." Percy said in a calm, cool but collective voice because he knew never told no one how much dope was missing and now dude saying to much. "don't worry, don't worry my man. Percy told Donte before he hang up the phone. Percy leaned over and grab his rolled up 100 dollar bill and sniffed three lines of that dope then took a long swallow from his Hennessey bottle before laying back going into a finer nodded. Perchy didn't give a fuck but long as mother fucker was dying blood being spilled behind something he created, that is all that matter. All the pieces was coming together to do with his sister but he just couldn't put his hands on it. Percy was caught off guard as the F.B.I. surrounded him in the police boat. The two naked Cuban females ran down to the bottom of the boat. Percy leaned up and took another snip of the dope because he knew the feds had to have some on him. The murder of a two year old Cuban girl name Myia, sends blood spills in the streets of New Orleans, leaving every dope dealer with a price to pay. The only plan Donte has is to cover the blood on his own hands. Tonight was on of them night where the homeless people wish they had air condition in their card boad boxes under the bridge in the big easy. Then the humility is very high with dry heat no wind blowing and mosquitoes flying around your head. It be so much dry heat that if you walk one block your clothes will start sticking to your body from the tempter that the humility admits down here in New Orleans ya heard me. But that was the last think on Donte and Omars mind. They was driving down North Causeway Blvd. headed towards Metairie, LA. "Man don't let that white Lexus out ya sight." Donte told Omar. They was following Mary home, Percy sister. Donte had her route down pack it couldn't get no sweeter then this ya heard me.

Sklep: Libristo.pl

U2 - 18 Singles - 2853226911

37,63 zł

U2 - 18 Singles

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Beautiful Day 2. I Still Haven't Found What I'm Looking For 3. Pride (In The Name Of Love) 4. With Or Without You 5. Vertigo 6. New Year?s Day 7. Mysterious Ways 8. Stuck In A Moment You Can?t Get Out Of 9. Where The Streets Have No Name 10. Sweetest Thing 11. Sunday Bloody Sunday 12. One 13. Desire 14. Walk On 15. Elevation 16. Sometimes You Can?t Make It On Your Own 17. The Saints Are Coming (with Green Day) 18. Window In The Skies Opis - U2 to zespół, którego nie trzeba przedstawiać. Od lat należy do czołówki najlepszych i najpopularniejszych rockowych grup na świecie. Teraz przyszedł czas na podsumowanie najważniejszych singli w karierze U2. 18 Singels to zestaw szesnastu najpopularniejszych utworów Irlandczyków, takich jak Pride (In The Name Of Love), With Or Without You, One, czy Beautiful Day. Poza wielkimi przebojami zespołu na płycie znalazł się również cover The Saints Are Coming z repertuaru punkowej grupy The Skids, nagrany z gościnnym udziałem Green Day oraz zupełnie nowy utwór Window On The Sky zarejestrowany w londyńskim Abbey Road Studios. Nazwa - 18 Singles Autor - U2 Wydawca - UNIVERSAL Kod EAN - 0602517135413 Rok wydania - 2006 Nośnik - Płyta CD Ilość elementów - 1 Podatek VAT - 23% Premiera - 2006-11-16

Sklep: InBook.pl

U2 - POPMART LIVE FROM MEXICO - 2837072298

34,83 zł

U2 - POPMART LIVE FROM MEXICO

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Pop Muzik 2. Mofo 3. I Will Follow 4. Gone 5. Even Better Than The Real Thing 6. Last Night On Eart 7. Until The End Of The World 8. New Year's Day 9. Pride (In The Name Of Love) 10. I Still Haven't Found What I'm Looking For 11. All I Want Is You 12. Desire 13. Staring At The Sun 14. Sunday Bloody Sunday 15. Bullet In The Sky 16. Please 17. Where The Streets Have No Name 18. Lemon (Perfecto Mix) 19. Discotheque 20. If You Wear That Velvet Dress 21. With Or Without You 22. Hold Me, Thrill Me, Kiss Me, Kill Me 23. Mysterious Ways 24. One 25. Wake Up Dead Man Opis - Na płycie Popmart Live From Mexico zarejestrowany został występ grupy U2 podczas legendarnej trasy PopMart z 1997 roku w Meksyku w reżyserii Davida Malleta. Do tej pory koncert wydany był wyłącznie na kasecie VHS, a teraz doczekał się wreszcie premiery na DVD. Materiał audio został ponownie zremasterowany (5.1 Surround Sound), a obraz - skontrastowany i oczyszczony z szumów. Nazwa - POPMART LIVE FROM MEXICO Autor - U2 Wydawca - Universal Music Kod EAN - 0602517335356 Rok wydania - 2007 Nośnik - Płyta DVD Ilość elementów - 1 Podatek VAT - 23% Premiera - 2007-09-05

Sklep: InBook.pl

10 Euro, Opowieści i legendy Austrii - Ach, kochany Augustynie, 2011 - 1373091400

190,00 zł

10 Euro, Opowieści i legendy Austrii - Ach, kochany Augustynie, 2011 Austrian Mint

Kategorie > Srebrne i złote monety Euro

Seria: "Opowieści i legendy Austrii" Kraj: Austria Emitent: Narodowy Bank Austrii Producent: Mennica Austrii (Austrian Mint) Stan zachowania monety: I (menniczy) Nominał: 10 Euro (10

Sklep: Numizmatyczny.pl

U2 The Piano Collecion - 2848486853

82,60 zł

U2 The Piano Collecion

Książki & Multimedia > Książki

Opis - Piano/Vocal/Giutar arrangements for 20 great U2 hit songs. Complete with full lyrics and guitar chord boxes All I Want Is Yoy Beautiful Day Electrical Storm I Still Haven't Found What I'm Looking For Love Is Blindness Miracle Drug Miss Sarajevo New Year's Day October One Pride (In The Name Of Love) Running To Stand Still Sometimes You Can't Make It On Your Own Stay (Faraway, So Close) Stuck In A Moment You Can't Get Out Of Sunday Bloody Sunday Sweetest Thing The Unforgettable Fire Where The Streets Have No Name With Or Without You Nazwa - U2 The Piano Collecion Oprawa - Miękka Wydawca - Wise Publications Kod ISBN - 0711940819 Kod EAN - 9780711940819 Rok wydania - 2012 Język - angielski Format - 23.0x30.0cm Ilość stron - 128 Podatek VAT - 5%

Sklep: InBook.pl

Rimsky - Korsakov Edition - 2842799694

679,92 zł

Rimsky - Korsakov Edition Brilliant Classics

Muzyka>Klasyczna

CD 1: SCHEHERAZADE Op.35 - SYMPHONIC SUITE AFTER A THOUSAND AND ONE NIGHTS 1 I. The Sea And Sinbad's Ship 9'26 2 II. The Story Of The Kalendar Prince 12'20 3 III. The Young Prince And The Young Princess 10'22 4 IV. Festival At Baghdad - The Sea - Shipwreck - Conclusion 11'27 5 Sadko - Musical Picture Op.5 11'26 6 Sadko - Song Of India 3'30 Total Time: 58'35 Armenian Philharmonic Orchestra - Loris Tjeknavorian CD 2: THE TSAR'S BRIDE - OVERTURE - FANTASIA ON SERBIAN THEMES SYMPHONIES NOS. 1 & 2 'ANTAR' 1 The Tsar's Bride - Overture 6'18 2 Fantasia On Serbian Themes Op.6 7'11 SYMPHONY NO.1 IN E MINOR Op.1 3 I. Largo Assai - Allegro 9'19 4 II. Andante Tranquillo 8'28 5 III. Scherzo: Vivace 5'02 6 IV. Allegro Assai 6'54 SYMPHONY NO.2 Op.9 'ANTAR' 7 I. Largo - Allegro Giocoso 11'59 8 II. Allegro - Molto Allegro - Allargando 5'11 9 III. Allegro Risoluto Alla Marcia 5'35 10 IV. Allegretto Vivace 8'51 Total Time: 75'15 Philharmonia Orchestra - Yondani Butt CD 3: 1 OVERTURE ON THREE RUSSIAN THEMES Op.28* 11'40 SYMPHONY NO.3 IN C Op.32 2 I. Moderato Assai - Allegro 12'06 3 II. Scherzo: Vivo 4'58 4 III. Andante 8'00 5 IV. Allegro Con Spirito 5'06 6 SKAZKA Op.29 (Fairytale) 15'54 Total Time: 58'06 London Symphony Orchestra *Philharmonia Orchestra - Yondani Butt CD 4: THE GOLDEN COCKEREL - SUITE (arr. Alexander Glazunov & Maximilian Steinberg) 1 I. King Dodon In His Palace 10'05 2 II. King Dodon On The Battlefield 3'52 3 III. King Dodon And The Queen Of Shemakha 7'02 4 IV. The Marriage Feast And Lamentable End Of King Dodon 5'17 TALE OF TSAR SALTAN - SUITE OP.57 5 I. The Tsar's Farewell And Departure 4'51 6 II. The Tsarina In A Barrel At Sea 5'27 7 III. The Three Wonders 8'00 8 Flight Of The Bumblebee (Tale Of Tsar Saltan) 1'13 Christmas Eve - Suite 9 I. Holy Night 5'40 10 II. Games And Dances Of The Stars - Mazurka - 5'49 The Sixth Comet - Csardas And Rain Of The Falling Stars 11 III. The Devil's Christmas 5'50 12 IV. Polonaise 6'07 13 V. Procession To Midnight Mass And Carols 6'05 Total Time: 76'00 Armenian Philharmonic Orchestra Loris Tjeknavorian CD 5: THE LEGEND OF THE INVISIBLE CITY OF KITEZH - SUITE 1 I. Prelude - Hymn To Nature 4'29 2 II. Bridal Procession 3'27 3 III. Tartar Invasion And The Battle Of Kerzenets 4'24 4 IV. Death Of Frevronya And Apotheosis 10'44 PAN VOYEVODA - SUITE Op.59 5 I. Introduction 3'30 6 II. Krakowiak 3'26 7 III. Nocturne 4'30 8 IV. Mazurka 4'53 9 V. Polonaise 6'23 PIANO CONCERTO IN C SHARP MINOR Op.30 10 I. Moderato - Allegretto Quasi Polacca - 6'17 11 II. Andante Mosso 4'11 12 III. Allegro 3'52 Total Time: 60'22 Leningrad Philharmonic Orchestra / Evgeny Mravinsky (1-4) Bolshoi Theatre Orchestra / Evgeny Svetlanov (5-9) Sviatoslav Richter Piano Moscow Youth Symphony Orchestra / Kirill Kondrashin (10-12) CD 6: PIANO TRIO IN C MINOR (completed In 1939 By Maximilian Steinberg) 1 I. Allegro 10'35 2 II. Allegro 4'25 3 III. Adagio 9'17 4 IV. Adagio - Allegro Assai 12'51 QUINTET IN B FLAT 5 I. Allegro Con Brio 7'29 6 II. Andante 8'13 7 III. Rondo: Allegretto 9'42 Total Time: 62,42 Oistrakh Trio (1-4) David Oistrakh Violin Sviatoslav Knushevitsky Cello Lev Oborin Piano Felicja Blumental Piano (5-7) Members Of The New Philharmonia Wind Ensemble, London Gareth Morris Flute John McCaw Clarinet Nicolas Busch Horn Gwydion Brook Bassoon CD 7: 4 SONGS Op.2 1 1. Lean Thy Cheek To Mine 1'04 Heine, Trans. M. Mikhaylov 2 2. Eastern Song: Enslaved By The Rose, The Nightingale A. Kol'tsov 3 3. Lullaby L. May 4 4. From My Tears Heine, Trans. Mikhaylov 4 SONGS Op.3 5 1. The Pine And The Palm Heine, Trans. Mikhaylov 6 2. Southern Night N. Shcherbina 7 3. The Golden Cloud Has Slept Lermontov 8 4. On The Hills Of Georgia Pushkin 4 SONGS Op.4 9 1. What Is My Name To Thee? Pushkin 10 2. The Messenger Heine, Trans. Mikhaylov 11 3. In The Dark The Nightingale Is Silent I. Nikitin 12 4. Quietly Evening Falls A. Fet 4 SONGS Op.7 13 1. My Voice For Thee Is Sweet And Languid Pushkin 14 2. Hebrew Song L. Mey 15 3. The Mermaid Of Lake Switez A. Mickiewicz, Trans. Mey 16 4. Thy Glance Is Radiant As The Heavens Lermontov 6 SONGS Op.8 17 1. Where Thou Art, My Thought Flies To Thee Unknown 18 2. Night A. Pleshcheyev 19 3. The Secret After Chamisso 20 4. Arise, Come Down Mey 21 5. In The Kingdom Of Roses And Wine 22 6. I Believe, I Am Loved Pushkin 2 SONGS Op.25 Heine, Trans. Mikhaylov 23 1. To My Song 24 2. When I Gaze Into Thy Eyes 4 SONGS Op.26 25 1. In Moment To Delight Devoted Byron, Trans. I. Kozlov 26 2. Evocation Pushkin 27 3. For The Shores Of Thy Native Land Pushkin 28 4. Zuleika's Song Byron, Trans. I. Kozlov Total Time: 63'43 Natalia Gerasimova Soprano Vladimir Skanavi Piano (2, 3, 12, 15, 19) Marina Choutova Mezzo-soprano Elena Tcheglakova Piano (5-6, 13-14, 17-18, 28) Alexei Martinov Tenor Aristote Konstantinidi Piano (4, 8, 9, 11, 21, 24-25) Mikhail Lanskoi Baritone Ilya Scheps Piano (1, 16, 20, 22, 26-27) Sergei Baikov Bass Ilya Scheps Piano (7, 10, 23) CD 8: 4 SONGS Op.27 1 1. Softly The Spirit Flew Up To Heaven A.K. Tolstoy 2 2. Echo F. Coppee, Trans. S. Andreyevsky 3 3. Thou And You Pushkin 4 4. Forgive! Remember Not These Tearful Days N. Nekrasov 4 SONGS Op.39 A.K. Tolstoy 5 1. Oh, If Thou Couldst For One Moment 6 2. The West Dies Out In The Pallid Rose 7 3. Silence Descends On The Golden Cornfields 8 4. Sleep, My Poor Friend 4 SONGS Op.40 9 1. When The Golden Cornfield Waves Lermontov 10 2. Across The Midnight Sky Lermontov 3'08 11 3. Of What I Dream In The Quiet Night A. Maykov 12 4. I Waited For Thee In The Grotto At The Appointed Hour A. Maykov 4 SONGS Op.41 13 1. Sun Of The Sleepless A.K. Tolstoy After Byron 14 2. I Am Unhappy Lermontov 15 3. I Love Thee, Moon (Melody From The Banks Of The Ganges) Maykov 16 4. Look In Thy Garden Maykov 4 SONGS Op.42 17 1. A Whisper, A Gentle Breath Fet 18 2. I Have Come To Greet Thee Fet 19 3. The Clouds Begin To Scatter (Elegy) Pushkin 20 4. My Spoiled Darling Mickiewicz, Trans. Mey 4 SONGS Op.43 'Vesnoy' (In Spring) 21 1. The Lark Sings Louder A.K. Tolstoy 22 2. Not The Wind, Blowing From The Heights A.K. Tolstoy 23 3. Cool And Fragrant Is Thy Garland Fet 24 4. Early Spring A.K. Tolstoy Total Time: 52'14 Natalia Gerasimova Soprano Vladimir Skanavi Piano (1, 4, 11, 19, 21-22) Alexei Martinov Tenor Aristote Konstantinidi Piano (3, 13, 15-18, 20, 23-24) Mikhail Lanskoi Baritone Ilya Scheps Piano Sergei Baikov Bass Ilya Scheps Piano CD 9: FIVE SONGS Op.45 'Poetu' (To The Poet) 1 1. The Echo Pushkin 2 2. Art Maykov 3 3. The Octave Maykov 4 4. Doubt Maykov 5 5. The Poet Pushkin 5 SONGS Op.46 'U Morya' (By The Sea) A.K. Tolstoy 6 1. The Wave Breaks Into A Spray 7 2. Not A Sound From The Sea 8 3. The Sea Is Tossing 9 4. Do Not Believe Me, Friend 10 5. The Waves Rise Up Like Mountains 4 SONGS Op.50 Maykov, After Modern Greek Poems 11 1. The Maiden And The Sun 12 2. The Singer 13 3. Quiet Is The Deep Blue Sea 14 4. I Am Still Filled, Dear Friend 5 SONGS Op.51 Pushkin 15 1. Slowly Drag My Days 16 2 Do Not Sing To Me, O Lovely One 17 3. Withered Flower 18 4. The Beauty 19 5. The Rainy Day Has Waned 4 SONGS Op.55 20 1. Awakening Pushkin 21 2. To A Grecian Girl Pushkin 22 3. The Dream Pushkin 23 4. I Died From Happiness L. Uhland, Trans. V. Zhukovsky 2 SONGS Op.56 Maykov 24 1. The Nymph 25 2. Summer Night's Dream Total Time: 55'07 Natalia Gerasimova Soprano Vladimir Skanavi Piano (3, 4, 11, 15, 17, 24-25) Alexei Martinov Tenor Aristote Konstantinidi Piano (1, 2, 5, 9, 12-14, 16, 18, 20-23) Mikhail Lanskoi Baritone Ilya Scheps Piano - Sergei Baikov Bass Ilya Scheps Piano CD 10: CHORAL WORKS 1 Poem About Aleksey, The Man Of God Op.20 For Chorus And Orchestra 2 Song Of Oleg The Wise Op.58 For Two Male Soloists, Male Chorus And Orchestra (Pushkin) 3 From Homer Op.60 Prelude-cantata For Three Voices, Female Chorus And Orchestra 4 Switezianka Op.44 (The Mermaid Of Lake Switez) Cantata For Two Solo Voices, Chorus And Orchestra (L.A. Mey After Mickiewicz) Total Time: 51'03 Dmitri Kortchak Tenor Nikolai Didenko Bass Svetlana Sizova Mezzo-soprano Tatiana Fedotova Soprano - Elena Mitrakova Soprano Dmitri Kortchak Tenor (4) Chorus Of The Moscow Academy Of Choral Art - Victor Popov - Moscow Symphony Orchestra - Vladimir Ziva CD 11: MAY NIGHT - OPERA IN THREE ACTS Libretto By Rimsky-Korsakov After Nikolai Gogol 1 Overture (Orchestra) Act One: 2 No.1: Round Of The Millet (Chorus) 3 No.2: Serenade (Levko) 4 No.3: Duet (Levko/Hanna) 5 No.4: Tale (Levko) 6 No.5: Recitative And Spring-Song (Hanna/Chorus Of Girls) 7 No.6: Hopak Scene (Kalenik/Chorus Of Girls) 8 No.7: Trio (Mayor/Levko/Hanna) 9 No.8: Recitative And Song About The Mayor (Levko/Chorus Of Youths) Act Two - Scene 1 10 No.9: Trio (Mayor/Distiller/Sister-in-Law) 11 No.10: Scene With Kalenik And The Distiller's Tale (Kalenik/Mayor/Distiller/Sister-in-Law 12 No.11: Song About The Mayor, Scene And Trio Beginning Total Time: 65'08 Levko: VITALY TARASCHENKO Hanna: NATALIA ERASOVA Pannochka: MARINA LAPINA The Mayor: VYACHESLAV POCHAPSKY The Distiller: ALEXANDER ARKHIPOV The Clerk: PIOTR GLUBOKY The Mayor's Sister-in-Law: ELENA OKOLYCHEVA Kalenik, The Village Drunkard: NIKOLAI RESHETNIAK Sveshnikov Academic Choir Chorus Master Evgeny Tytianko BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 12: MAY NIGHT (conclusion) - Opera In Three Acts Libretto By Rimsky-Korsakov After Nikolai Gogol 1 No.11: Song About The Mayor, Scene And Trio Conclusion 7'03 (Sister-in-law/Mayor/Distiller/Levko/Chorus/Clerk) Scene 2 2 No.12: Finale 6'20 (Mayor/Clerk/Distiller/Sister-in-Law, Chorus/Kalenik) Act Three 3 No.13: Scene Of The Rusalki 33'15 (Chorus/Queen Of The Water Nymphs/Levko) 4 No.14: Scene And Ritual Songs 6'16 (Mayor/Levko/Clerk/Distiller/Chorus/Hanna) 5 No.15: Finale 5'30 (Hanna/Levko/Chorus Of Youths/Mayor/Clerk/Distiller/Chorus/Kalenik/Sister-in-Law) Total Time: 58'30 Levko: VITALY TARASCHENKO Hanna: NATALIA ERASOVA Pannochka: MARINA LAPINA The Mayor: VYACHESLAV POCHAPSKY The Distiller: ALEXANDER ARKHIPOV The Clerk: PIOTR GLUBOKY The Mayor's Sister-in-Law: ELENA OKOLYCHEVA Kalenik, The Village Drunkard: NIKOLAI RESHETNIAK Sveshnikov Academic Choir Chorus Master Evgeny Tytianko BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 13: THE SNOW MAIDEN - OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij Prologue 1 Scene 1. Winter Is Over! The Cocks Have Crowed (Forest Spirit) 2 Recitative: At The Appointed Hour (Spring Fairy) 3 Aria: Where Are Those Lovely Lands Of Sunshine? (Spring Fairy) 4 Recitative: Dear Birds Of Mine (Spring Fairy) 5 Song And Dance Of The Birds (Chorus Of Birds/Spring Fairy) 6 Ah, It Is Snowing! (Chorus Of Birds/Spring Fairy) 7 Scene 2. When The Cold Cracks The Roofs And Walls (King Frost) 8 Recitative: Your Holiday Has Lasted Long Enough (Spring Fairy/King Frost) 9 Scene 3. Hello... Poor Little Child (Snow Maiden/Spring Fairy/King Frost) 10 Aria: To Go Berry-picking In The Woods (Snow Maiden) Recitative: This Handsome Lel (King Frost/Snow Maiden/Spring Fairy) 11 Arietta: I Heard All Of The Loveliest Songs (Snow Maiden) 12 Trio: Do You Hear? (Snow Maiden/ Spring Fairy/King Frost) Appearance Of The Forest Spirit (Forest Spirit/Chorus) 13 Scene 4. Carnival Procession (Chorus) 14 This Summer Soon Will Pass (Carnival Puppet/Chorus) 15 Wait! Is It Already Over? (Cottager & Wife/ Puppet/Snow Maiden/Chorus Of Berendeyans) Act One 16 Introduction (Orchestra) 17 Scene 1. For Your Kind Welcome, Lel Can Offer Nothing (Lel/Cottager/Snow Maiden) 18 Lel's First Song (Lel) 19 Lel's Second Song (Lel) 20 Lel, Handsome Lel (Chorus Of Girls/Snow Maiden) Total Time: 63'55 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRa & CHORUS / STOYAN ANGELOV CD 14: THE SNOW MAIDEN - (PART 2) OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij 1 Scene 2. Arietta: Ah, How I Suffer (Snow Maiden) 2 Scene 3. The Snow Maiden Is All Alone (Kupava/Snow Maiden) 3 Scene 4. Wedding Ritual: Young Maidens, Dear Friends (Kupava/ Misgir/Chorus Of Girls) 4 Scene 5. Without Lel, The Snow Maiden Will Be Sad (Kupava/Misgir/ Snow Maiden/Cottager & Wife/Lel) 5 Scene 6. Friends, Aid Me In My Distress (Kupava/Lel/Misgir/Chorus) Act Two 6 Introduction (Orchestra) 7 Scene 1. The Vibrant Tone Of The Gusli (Chorus Of Blind Psalteries) 8 Scene 2. O Beloved Tsar... (Bermyata/Tsar/Page) 9 Scene 3. Duet: O Tsar, My Father! (Kupava/Tsar) 10 Scene 4. Hark My Words, Valiant And Noble Gentlemen (First & Second Criers) 11 Ceremonial Procession Of Tsar Berendey (Orchestra) 12 Hymn (Berendeyans/Kupava/Lel/First & Second Criers/Chorus) 13 Scene 5. I Thank You! (Kupava/Tsar/Misigir/Bermyata/Chorus) 14 Scene 6. Cavatina: Nature Is Almighty (Tsar) 15 My Child... O Great Tsar 7'49 (Tsar/Snow Maiden/Bermyata/Lel/Chorus) 16 Final Chorus: Almighty, All-wise Tsar (Chorus) Total Time: 66'36 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRA & CHORUS / STOYAN ANGELOV CD 15: THE SNOW MAIDEN - (PART 3) OPERA IN A PROLOGUE AND FOUR ACTS Libretto By Rimsky-Korsakov After Alexander Ostrowskij Act Three: 1 Scene 1. Dance And Song Of The Beaver: Ah, A Linden-tree Grows In The Field (Chorus/Snow Maiden/Lel/Cottager) What Merry Festivities! (Tsar) 2 Cavatina: The Happy Day Fades (Tsar) 3 Recitative: Another Amusement (Tsar) 4 Dance Of The Tumblers (Orchestra) 5 Lel's Third Song (Lel) 6 Recitative: Thank You, Handsome Lel... O Father, Tsar (Tsar/Snow Maiden/Chorus) 7 Scene 2. How Is It, Lel, That Your Heart Is So Cold? (Snow Maiden/Misgir) 8 Andantino: On A Warm Blue Sea (Misgir/Snow Maiden) Wait, Do Not Hurry! (Forest Spirit) 9 Transformation Of The Forest Spirit: All Night He Shall Pursue Her Shadow (Forest Spirit/Misgir) 10 Scene 3. At Last, I Find You (Lel/Kupava/Snow Maiden) Act Four 11 Introduction (Orchestra) 12 Scene 1. O Mother, My Eyes Are Full Of Tears (Snow Maiden/Spring Fairy) 13 Flowers Of The Springtide Dawn(Spring Fairy/Chorus Of Flowers) 14 Oh Mother, What A Miracle (Snow Maiden/Spring Fairy) 15 Scene 2. Duet: Wait, Wait For Me, Snow Maiden (Misgir/Snow Maiden) 16 Scene 3. Finale (Snow Maiden/Misgir/Tsar/Chorus) 17 Hymn Of Praise To The Sun-god Yarilo: Life-giving Yarilo (Chorus) Total Time: 78'46 Snow Maiden: ELENA ZEMENKOVA King Frost: NICOLA GHIUSELEV Spring Fairy: ALEXANDRINA MILCHEVA Tsar Berendei: AVRAM ANDREEV Lel, A Shepherd: STEFKA MINEVA Kupava, A Young Girl: STEFKA EVSTATIEVA Cottager: LYUBOMIR DYAKOVSKI His Wife: VESSELA ZOROVA Misgir, A Merchant: LYUBOMIR VIDENO Forest Spirit: LYUBOMIR DYAKOVSKI - BULGARIAN RADIO SYMPHONY ORCHESTRA & CHORUS / STOYAN ANGELOV CD 16: MOZART AND SALIERI Op.48 Opera In One Act Libretto By Alexander Pushkin 1 Introduction 2 Scene 1 3 Scene 2 Total Time: 40'49 Mozart: ALEXEI MASLENNIKOV Salieri: EVGENY NESTERENKO BOLSHOI THEATRE SYMPHONY ORCHESTRA - GENNADY ROZHDESTVENSKY CD 17: THE NOBLEWOMAN VERA SHELOGA Op.54 - Opera In One Act Libretto By Rimsky-Korsakov After Lev Alexandrovich Mey 1 Overture (Orchestra) Scene 1 2 Look Boyarishnya, Dear, What A Fine String Of Beads! (Vlas'yevna) 3 Lullaby: Lulla, Lullaby, Lulla, Lulla... (Vera) Scene 2 4 Did Olenka Fall Asleep To Your Song (Nadezhda) 5 Who Is It, Then?... Do Not Ask, Nadezhda! (Nadezhda/Vera) 6 I Thought I Heard A Cuckoo... (Vera) Scene 3 7 Stop!... Were You Not Expecting Other Guests? (Vera/Boyar Sheloga) Total Time: 49'13 Vera: STEVKA EVSTATIEVA Nadezhda: ALEXANDRINA MILCHEVA Vlas'yevna: STEFKA MINEVA Boyar Sheloga: PETER BAKARDZHIEV Prince Tokmakov: DIMITER STANCHEV BULGARIAN RADIO SYMPHONY ORCHESTRA- STOYAN ANGELOV CD 18: THE TSAR'S BRIDE - OPERA IN FOUR ACTS Libretto: Il'ya Tyumenev After Lev Mey 1 Overture (Orchestra) Act One 2 Scene 1. Could I Somehow Forget (Gryaznoy) 3 Scene 2. Here Are My Guests! 4 Scene 3. Dear Host! May We Hear (Gryaznoy/Malyuta-Skuratov/Likov/Bomelius) 5 Song Of The Hops (Malyuta-Skuratov/Gryzanoy/Bomelius) 6 Scene 4. Hello, My Beautiful Child! (Gryaznoy/Malyuta-Skuratov/Lyubasha) 7 Scene 5. Bomelius... (Gryaznoy/Bomelius/Lyubasha) 8 Scene 6. What Do You Want? (Lyubasha/Gryaznoy) Act Two 9 Scene 1. There, The End Of The Vespers Has Arrived (Chorus) 10 Scene 2. How Calming This Autumn Evening Is (Marfa/Dunyasha/Petrovna) 11 Scene 3. Ah, What Is Wrong With Me, Why Am I Trembling So? (Marfa/Dunyasha/Likov/Sobakin) Total Time: 75'33 Marfa: EKATERINA KUDRIAVCHENKO Ivan Likov: ARKADY MISHENKIN Grigory Gryaznoy: VLADISLAV VERESTNIKOV Lyubasha: NINA TERENTIEVA Bomelius: VLADIMIR KUDRIASHOV Vasily Sobakin: PYOTR GLUBOKY Dunyasha: ELENA OKOLYSHEVA Saburova: IRINA UDALOVA Grigory Malyuta-Skuratov: NIKOLAI NIZIENKO Servant: NINA LARIONOVA Petrovna: TATIANA PECHURIA Coachman: VLADISLAV PASHINSKY Young Lad: YURI MARKELOV Sveshnikov Academic Choir - BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 19: THE TSAR'S BRIDE - (PART 2) OPERA IN FOUR ACTS Libretto: Il'ya Tyumenev After Lev Mey 1 Symphonic Intermezzo (Orchestra) 2 Scene 4. Finally, I Have Managed To Find His Turtledove! (Lyubasha/Bomelius) 3 Scene 5. Ah, My God Forgive Me, Grigory! (Lyubasha/Likov/Sobakin/Bomelius) Act Three 4 Prelude (Orchestra) 5 Scene 1. I Must Thank God, Ivan Sergeyevich! (Likov/Gryaznoy/Sobakin) 6 Scene 2. Tell Me, Please, What Would You Do (Likov/Gryaznoy) 7 Scene 3. My Good Friends, Taste This Wine! (Likov/Gryaznoy/Sobakin/Saburova) 8 Dunishia Pleases The Prince? Not Possible! (Lyubasha/Bomelius) 9 Scenes 4 & 5. This Glass Is For You (Marfa/Dunyasha/Likov/Gryaznoy/Sobakin) Act Four 10 Prelude & Scene 1. A Long Sleep Will Restore The Strength (Sobakin/Saburova/Servant/Coachman) 11 Scene 2. Receive My Prayers, Powerful Boyar (Sobakin/Gryaznoy/Marfa/Saburova/Dunyasha) 12 Ah! (Marfa/Gryaznoy/Dunyasha/ Saburova/Sobakin) 13 Come To The Garden, Ivan Sergeyevich (Marfa) 14 Scene 3. No, No, This Is Enough (Gryaznoy/Lyubasha/Marfa/Malyuta-Skuratov/Saburova) Total Time: 70'41 Marfa: EKATERINA KUDRIAVCHENKO Ivan Likov: ARKADY MISHENKIN Grigory Gryaznoy: VLADISLAV VERESTNIKOV Lyubasha: NINA TERENTIEVA Bomelius: VLADIMIR KUDRIASHOV Vasily Sobakin: PYOTR GLUBOKY Dunyasha: ELENA OKOLYSHEVA Saburova: IRINA UDALOVA Grigory Malyuta-Skuratov: NIKOLAI NIZIENKO Servant: NINA LARIONOVA Petrovna: TATIANA PECHURIA Coachman: VLADISLAV PASHINSKY Young Lad: YURI MARKELOV Sveshnikov Academic Choir - BOLSHOI THEATRE ORCHESTRA / ANDREY CHISTIAKOV CD 20: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA Opera In Four Acts Libretto: Vladimir Belsky Act One: 1 Introduction: In Praise Of The Wilderness 2 Ah, You Forest, My Forest, Beautiful Wilderness (Fevroniya) 3 Oh Lord, What Is The Meaning Of This? (Prince Vsevolod/Fevroniya) 4 Whose Child Are You? Where Have You Come From? (Prince Vsevolod/Fevroniya) 5 Tell Me, Fair Maiden, Do You Go To Pray In God's Church? (Prince Vsevolod/Fevroniya) 6 Well Spoken, Fair Maiden! (Prince Vsevolod/Fevroniya) 7 Hail To Thee, Lips Of Honey (Prince Vsevolod/Fevroniya) 8 As Soon As The Marksmen Came Out Into The Open Field (Chorus/Prince Vsevolod/Fevroniya/Poyarok) Act Two: 9 Show Them, Mikhaylushka, Show Them Playful Bear (Bear Leader/Chorus/ Gusli Player/Well-off People) 10 So What Is That To Us? (Kuterma/ Well-off People/Chorus) 11 Hey Lads! I Can Hear Some Bells (Chorus/Poyarok/Well-off People) 12 Get Away, Clear Off, You Dog! (Chorus/Fevroniya/Poyarok/Kuterma) 13 Over The Bridges Of Guelder-tree (Chorus) 14 Gayda! Gay! Gayda! (Tatars/Bedyay/ Burunday/Chorus/Kuterma/Fevroniya) 15 Gayda! Gay! Stop, You Godless Heathens (Chorus/Kuterma) Total Time: 65'48 Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN CD 21: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA (PART 2) Opera In Four Acts Libretto: Vladimir Belsky Act Three: 1 Scene 1. Good Fortune To You, Citizens Of Kitezh (Poyarok/Chorus/Prince Vsevolod) 2 Oh Glory, Vain Wealth! (Prince Yury) 3 Wondrous Queen Of Heaven, Our Holy Protectress! (Poyarok/Prince Yury/ Chorus/Page) 4 Kitezh Looted And Us Taken Alive As A Tribute (Prince Yury/Chorus/Prince Vsevolod) 5 What Are We Standing About For, Sisters? (Chorus/Page/Prince Yury/ Poyarok) 6 Entr'acte To The Second Scene: The Battle Near Kerzhenets 7 Scene 2. Here Is The Oak Grove, And Here Is The Lake (Kuterma/Burunday/Bedyay/Chorus) 8 Oh, You Tartar Murzas! I Don't Need The Gold Or Silver (Burunday/Bedyay/Chorus) 9 Ah, My Dear Husband, My Hope! (Fevroniya) 10 Hear Me, Maiden... Lovely Princess! (Kuterma/Fevroniya) 11 Go, Servant Of The Lord! (Fevroniya/Kuterma/Chorus) Total Time: 62'36 Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN CD 22: THE LEGEND OF THE INVISIBLE CITY OF KITEZH AND THE MAIDEN FEVRONIYA (PART 3) Act Four: 1 Scene 1. Oh, I Can't Go On, Grishenka (Fevroniya/Kuterma) 2 Earth, Our Merciful Mother! (Fevroniya/Kuterma) 3 Grishenka!... He Will Not Listen (Fevroniya) 4 The Free Birds Are Toning Up Their Voices (Fevroniya/Voice Of Alkonost) 5 Is That You, Radiant Light Of My Eyes? (Fevroniya/Ghost) 6 The Bridegroom Has Come (Voice Of Sirin/Fevroniya/Ghost) 7 Entr'acte To The Second Scene 8 Scene 2. The Doors Of Paradise Have Opened For You (Alkonost/Sirin/Chorus) 9 Radiant Kingdom! O God! (Fevroniya/Chorus/Prince Vsevolod) 10 May The Grace Of God Be With You! (Prince Yury/Fevroniya/Prince Vsevolod/ Sirin/Alkonost) 11 Stay With Us Here For Ever More (Chorus/Fevroniya/Sirin/Alkonost/Prince Vsevolod/Prince Yury) 12 Grishenka, Even Though You Are Feeble In Mind (Fevroniya/Poyarok/Prince Yury/Chorus) Prince Yury Vsevolodovich: IVAN PETROV Prince Vsevolod: VLADIMIR IVANOVSKY Fevroniya: NATALIA ROZHDESTVENSKAYA Grishka Kuterma: DIMITRI TARKHOV Fyodor Poyarok: ILJA BOGDANOV Page: LIDIA MELNIKOVA Two Well-off People: VENIARNIN SHEVTSOV, SERGEI KOLTYPIN Gusli Player: BORIS DOBRIN Bear Leader: TIHON CHERNYAKOV Singing Beggar: MIKHAIL SKAZIN Bedyay: LEONID KTITOROV Burunday: GENNADY TROITSKY Sirin: MARIA ZVEZDINA Alkonost: NINA KULAGINA, MOSCOW RADIO CHORUS & SYMPHONY ORCHESTRA / VASSILI NEBOLSIN ROMANCES 13 The Rainy Day Has Waned Op.51 No.5 Pushkin 14 The Clouds Begin To Scatter Op.42 No.3 Pushkin 15 Oh, If Thou Couldst For One Moment Op.39 No.1 Tolstoy 16 Not The Wind, Blowing From The Heights Op.43 No.2 Tolstoy 17 The Octave Op.45 No.3 Maykov 18 The Messenger Op.4 No.2 Heine 19 The Upas Tree Op.49 No.1 Pushkin Total Time: 78'41 Ivan Petrov Bass - S. Stuchevsky Piano CD 23: THE GOLDEN COCKEREL - OPERA IN A PROLOGUE, THREE ACTS AND AN EPILOGUE Libretto By Vladimir Belsky After Alexander Pushkin Prologue: 1 Introduction: I Am The Master Magician (Astrologer) Act One: 2 The King's Monologue: I Have Summoned You Here (King Dodon) 3 Guidon's Plan: Great Father (Guidon/King Dodon/Chorus Of Boyars) 4 Afron's Plan (King Dodon/Boyars/Afron/Polkan/Guidon) 5 Hail, Majesty! Sire! (Astrologer) Oh, That's A Fairy Tale! (King Dodon/The Golden Cockerel) 6 Cock-a-doodle-do! The Coast Is Clear - The Parrot Scene (The Golden Cockerel/King Dodon/Amelfa) 7 Dodon's Siesta - Cock-a-doodle-do! Beware! (Chorus Of The People/Amelfa/The Golden Cockerel) Our King! Father Of The People! (Polkan/King Dodon/Afron/Chorus Of Boyars/Guidon) 8 King Dodon's Dream (The Golden Cockerel/King Dodon/Amelfa/Chorus) 9 The Cockerel's Sccene: Cock-a-doodle-do!... Oh! What Misfortune! (The Golden Cockerel/Chorus Of The People/Polkan/King Dodon) Total Time: 46'17 King Dodon: NIKOLAI STOILOV Prince Guidon: LYUBOMIR BODOUROV Afron: EMIL UGRINOV Polkan: KOSTA VIDEV Astrologer: LYUBOMIR DYAKOVSKI Queen Of Shemakha: ELENA STOYANOVA The Golden Cockerel: YAVORA STOILOVA Amelfa: EVGENIA BABACHEVA / SOFIA NATIONAL OPERA ORCHESTRA / DIMITER MANOLOV CD 24: THE GOLDEN COCKEREL - (PART 2) OPERA IN A PROLOGUE, THREE ACTS AND AN EPILOGUE Libretto By Vladimir Belsky After Alexander Pushkin Act Two: 1 Soldiers' Chorus: The Silent Night Is Whispering Fearful Things (Chorus Of Soldiers) What Terrible Sight Is This? - Behold, A Tent! (King Dodon/Polkan/Chorus Of Soldiers) 2 The Queen Of Shemakha's Entrance: Hail, O Ray Of Morning Sun (Queen Of Shemakha/King Dodon/Polkan) 3 Whose Heart Rich In Love (Queen Of Shemakha/King Dodon) 4 Dance Of The Queen Of Shemakha: At First I Shall Dance With A Lowered Veil (Queen Of Shemakha/King Dodon) 5 Sisters, Who Limps Beside The Resplendent Beauty? (Chorus Of Slaves) Ho! Polkan! Sound The Trumpets In Victory (King Dodon/Chorus Of Soldiers) 6 It Is Terrible, Brothers (Chorus Of The People/Amelfa) 7 Who Is That Stranger Standing There? (Queen Of Shemakha/King Dodon) Great King, It Is I (Astrologer) 8 King Dodon's Death: Ha, Ha, Ha! (Queen Of Shemakha) I've Beaten Him To Death (King Dodon/The Golden Cockerel/Chorus Of The People) Epilogue: 9 There, My Story's Ended! (Astrologer) Total Time: 72'24 King Dodon: NIKOLAI STOILOV Prince Guidon: LYUBOMIR BODOUROV Afron: EMIL UGRINOV Polkan: KOSTA VIDEV Astrologer: LYUBOMIR DYAKOVSKI Queen Of Shemakha: ELENA STOYANOVA The Golden Cockerel: YAVORA STOILOVA Amelfa: EVGENIA BABACHEVA / SOFIA NATIONAL OPERA ORCHESTRA / DIMITER MANOLOV CD 25: Historical Recordings SYMPHONY NO.3 IN C Op.32 1 I. Moderato Assai - Allegro 12'51 2 II. Scherzo: Vivo 6'01 3 III. Andante 8'22 4 IV. Allegro Con Spirito 6'18 SCHEHERAZADE Op.35 'Symphonic Suite After A Thousand And One Nights' 5 I. The Sea And Sinbad's Ship 10'09 6 II. The Story Of The Kalendar Prince 11'43 7 III. The Young Prince And The Young Princess 10'53 8 IV. Festival At Baghdad - The Sea - Shipwreck - Conclusion 11'16 Total Time: 77'38 USSR State TV And Radio Symphony Orchestra - Gennady Rozhdestvensky (1-4) David Oistrakh Violin - Bolshoi Theatre Symphony Orchestra - Nikolai Golovanov (5-8

Sklep: Gigant.pl

U2 - ELEVATION 2001 TOUR LIVE AT BOSTON - 2837072304

94,34 zł

U2 - ELEVATION 2001 TOUR LIVE AT BOSTON

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Elevation 2. Beautiful Day 3. Until The End Of The World 4. Kite 5. Gone 6. New York 7. I Will Follow 8. Sunday Bloody Sunday 9. In A Little While 10. Desire 11. Where The Streets Have No Name 12. Bullet The Blue Sky 13. With Or Without You 14. The Fly 15. Wake Up Dead Man 16. Walk On 17. Road Movie 18. Stay 19. Baf Płyta DVD 2 1. The Making Of The Filming Of... 2. Another Perspective 3. Extra Trax 4. Trailer 5. Web Links 6. Dvd Rom Screensaves Płyta DVD 1 1. Stuck In A Moment You Can't Get Out Płyta DVD 1 1. Stuck In A Moment You Can't Get Out Of 2. Stay So Close (faraway !) 3. Bad Płyta DVD 2 1. Another Perspective /fancam/directorcam/ 2. Beautiful Day /live/ 3. Elevation /live/ 4. Stuck In A Moment /live/ 5. 200 Tv Live From Sydney /trailer/ 6. Popmart Live From Mexico City /trailer/ 7. [web Link] 8. [dvd-rom Screensever] 9. [dvd Credits] Opis - Wspaniałe i jedyne w swoim rodzaju wydanie, tzw. bardzo ekskluzywne, dla koneserów i miłośników tej fantastycznej kapeli. Koncert odbył się 6 czerwca 2001 roku, w Boston Fleet Centre, filmowało go ponad 20 kamer, co daje nam niesamowity przegląd tego co tam się działo, a działo się naprawdę wiele. Każdy kto choć raz oglądał koncert U2, wie że Bono i spółka potrafią rozgrzać publikę do granic możliwości. Usłyszymy ich najlepsze i najpiękniejsze przeboje, także te sprzed lat. Na dysku numer 2, jest również koncert, ale możemy go obejrzeć z drugiej strony tzn. z kamer wycelowanych np. na Bono czy publiczność, naprawdę ciekawa rzecz! Dodatkowo, krótki 5 minutowy `Road Movie`, czyli w przyspieszonym tempie filmik jak zapełnia się hala, a po koncercie pustoszeje.Czas trwania samego koncertu 107 minut Nazwa - ELEVATION 2001 TOUR LIVE AT BOSTON Autor - U2 Wydawca - Universal Music Kod EAN - 0731458654391 Rok wydania - 2001 Nośnik - Płyta DVD Ilość elementów - 2 Podatek VAT - 23% Premiera - 2001-11-22

Sklep: InBook.pl

szukaj w Kangoo krainaksiazek where the streets have a cool name 20111869

Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

Szukaj w sklepach lub całym serwisie

1. Sklepy z krainaksiazek pl where the streets have a cool name 20111869

2. Szukaj na wszystkich stronach serwisu

t1=0.186, t2=0, t3=0, t4=0.023, t=0.187

Dla sprzedawców

copyright © 2005-2017 Sklepy24.pl  |  made by Internet Software House DOTCOM RIVER