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Książki Obcojęzyczne>Angielskie>Lifestyle, sport & leisure>Travel & holiday>Travel writing
Belinda Loves America. Her Best Friend Emily Loves Men. So When They Decide It's Time To Shake Up Their Lives, They Combine Their Two Greatest Passions In A Fantastic Road Trip Taking Them From Eden To Valentine - Via Climax - In Pursuit Of The American Dream Guy. And Is Two Women In Search Of The Perfect Man Such A Great Idea Anyway?
Introduction to Theme-Writing Forgotten Books
Książki / Literatura obcojęzyczna
Excerpt from Introduction to Theme-Writing: State Normal School, Los Angeles, California The lectures that form the basis of this book were delivered before the Freshman class at Harvard College in the spring of 1893 by Mr. J. B. Fletcher. Learning that he did not intend to publish them in any form himself, I obtained his permission to issue them as a text-book for use in my own classes and in those of several other teachers who had known them in manuscript. In adapting my friends work to a new purpose I have frequently been obliged to change the form of the original lectures, to rearrange the matter contained in them, and to add fresh material. I he result has been a joint production, which will be found, we think, to contain much of the subject-matter necessary for students who have completed the introductory course in rhetoric usually prescribed at the beginning of the Freshman year. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Monty Python's Total. . + 7" Virgin
1. Flying Sheep (Live At Camden Town Hall, London / 1 2. A Man With Three Buttocks (Television Interviews) 3. Crunchy Frog (Trade Description Act) (Live At Camd 4. Nudge Nudge Wink Wink (Live At Camden Town Hall, L 5. The Mouse Problem (Live At Camden Town Hall, Londo 6. Buying A Bed (Live At Camden Town Hall, London / 1 7. Interesting People (Live At Camden Town Hall, Lond 8. Barber Shop Sketch (The Barber) (Live At Camden To 9. Lumberjack Song (Live At Camden Town Hall, London 10. Interview (Live At Camden Town Hall, London / 1970 11. Arthur Two Sheds (Live At Camden Town Hall, London 12. Children's Stories (Live At Camden Town Hall, Lond 13. Visitors (Live At Camden Town Hall, London / 1970) 14. Albatross (Live At Camden Town Hall, London / 1970 15. Mr Hilter (Live At Camden Town Hall, London / 1970 16. The North Minehead By-election (Live At Camden Tow 17. Me, Doctor (Live At Camden Town Hall, London / 197 18. Dead Parrot Sketch (Live At Camden Town Hall, Lond 19. Self Defence (Live At Camden Town Hall, London / 1 101. Introduction (Pt. 1) 102. Introduction (Apology) 103. Spanish Inquisition (Pt. 1 / Extended) 104. Gumby Theatre 105. Contradiction 106. Abattoire 107. Spanish Inquisition (Pt. 2) 108. Ethel The Frog 109. Mary Queen Of Scots (Extended) 110. Spanish Inquisition (Ending / Extended) 111. Sound Quiz 112. Be A Great Actor 113. Neville Shunt 114. Festival Hall Emille 115. Spam Sketch 116. Spam Song (Edit) 117. Camp Judges 118. Stake Your Claim 119. Lifeboat 120. Camp Judges (Pt. 2) 121. Undertaker 122. Knees Up Mother Brown Sketch 123. Treadmill Lager 124. Bishop At Home (Mr. Stoddard) 125. Court Room Sketch 126. Undertaker (Dead Bishops On The Landing) 201. Introduction (Monty Python's Previous Record) 202. Are You Embarrassed Easily? 203. A Book At Bedtime 204. England 1747 Denis Moore 205. Money Program 206. Money Song 207. Denis Moore (Pt. 2) 208. Denis Moore Song (Robin Hood Theme) 209. Australian Table Wine 210. Denis Moore Song (Robin Hood Theme) (Pt. 2) 211. Argument (Edit) 212. How To Do It 213. Denis Moore Song (Robin Hood Theme) (Pt. 3) 214. Pepperpots 215. Personal Freedom 216. Denis Moore Song (Robin Hood Theme) (Pt. 4) 217. Eric The Half A Bee Sketch 218. Eric The Half A Bee 219. What Do You Do Quiz 220. Travel Agent 221. Massage From The Swedish Prime Minister 222. Silly Noises 223. An Elk Sketch 224. Yangtse Kiang Sketch 225. Yangtse Kiang Song 226. Massage From The Swedish Prime Minister (Pt. 2) 227. A Minute Past 228. 1972 Eclipse Of The Sun 229. Alistair Cook Attacked By A Duck 230. Wonderful World Of Sound 231. Certified Stiff 232. Massage From The Swedish Prime Minister (Pt. 3) 233. Happy Valley 234. Baxter's 235. Meteorology 236. Blood, Devastation, War & Horror 237. The Great Debate 238. Mortuary Visit 239. Flying Fox Of The Yard 240. Is There 241. Teach Yourself Heath 242. The Book Ad 243. Big Red Bowl 244. Pepperpots (Pt. 2) 245. Pellagra 301. Election Forum 302. Dead Bishops/rats 303. Elephantplasty 304. Novel Writing 305. Word Association 306. Bruce's Sketch 307. Bruce's Song 308. Ralph Mellish 309. Doctor Quote 310. Cheese Emporium 311. Wasp / Tiger Club 312. Raspberry 313. Great Actors 314. Background To History 315. Record Shop 316. First World War 317. Mrs Niggerbaiter 318. Oscar Wilde 319. Pet Shop 320. Phone In 321. Psychopath 322. Teleprompter Football Results 323. Radio Tuning Radio 4: Announcer Graham Chapman / R 324. Radio Shop 401. Introduction (Live At Drury Lane, London / 1974) 402. Llamas (Including 'Granada') (Live At Drury Lane 403. Gumby Flower Arranging (Live At Drury Lane, London 404. Terry Jones Link (Live At Drury Lane, London / 197 405. Secret Service (Live At Drury Lane, London / 1974) 406. Wrestling (Live At Drury Lane, London / 1974) 407. Communist Quiz (Including 'World In Action') (Live 408. Idiot Song (Live At Drury Lane, London / 1974) 409. Albatross (Live At Drury Lane, London / 1974) 410. Nudge Nudge (Live At Drury Lane, London / 1974) 411. Silly Noises (Live At Drury Lane, London / 1974) 412. Cocktail Bar (Live At Drury Lane, London / 1974) 413. Travel Agent (Live At Drury Lane, London / 1974) 414. Spot The Brain Cell (Live At Drury Lane, London / 415. Bruce's Song (Live At Drury Lane, London / 1974) 416. Argument Song (Live At Drury Lane, London / 1974) 417. Four Yorkshiremen (Live At Drury Lane, London / 19 418. Election Special (Medley) (Live At Drury Lane, Lon 419. Lumberjack Song (Live At Drury Lane, London / 1974 420. Theme Song 'Liberty Bell' (Live At Drury Lane, Lon 421. Parrot Sketch (Live At Drury Lane, London / 1974) 422. Theme Song 'Liberty Bell' (Pt. 2 / Live At Drury L 423. Uk Tour Interview Promo 501. Introduction (Monty Python & The Holy Grail) 502. Introduction (Monty Python & The Holy Grail) (Pt 503. Arrival At Castle 504. Constitutional Peasants 505. Witch Burning 506. Logician 507. Camelot 508. Camelot Song 509. Arthur & God 510. Classic (Silbury Hill) 511. French Castle 512. Announcement (Monty Python & The Holy Grail) 513. Apology (Monty Python & The Holy Grail) 514. Story So Far 515. Brave Sir Robin 516. The Knights Who Say Ni 517. Classic (Silbury Hill) (Pt. 2) 518. Marilyn Monroe 519. Sir Lancelot & Swamp 520. Tim The Enchanter 521. Drama Critic 522. Hand Grenade Of Antioch 523. Announcement (Monty Python & The Holy Grail) (Pt 524. End Of Quest 525. Arthur's Song 526. Documentary: Terry Jones & Michael Palin 527. Run Away Song 601. Introduction 602. Brian Song 603. The Wise Men At The Manger 604. Brian Song (Pt. 2) 605. Sermon On The Mount (Big Nose) 606. Stone Salesman 607. Stoning 608. Ex-leper 609. You Mean You Were Raped? (Nortius Maximus) 610. Link To Revolutionaries In The Amphitheatre (Loret 611. Revolutionaries In The Amphitheatre (Loretta) 612. Romans Go Home 613. What Have The Romans Ever Done For Us? 614. Ben 615. Brian Before Pilate (Throw Him To The Floor) 616. Prophets 617. Beard Salesman 618. Brian's Prophecy 619. The Hermit 620. He's Not The Messiah 621. He's A Very Naughty Boy 622. Pilate Sentences Brian 623. Nisus Wettus 624. Pilate With The Crowd (Welease Wodger) 625. Nisus Wettus With The Gaolers 626. Release Brian 627. Not So Bad Once You're Up 628. Revs Salute Brian 629. Cheeky Is Released 630. Mandy To Her Son 631. Look On The Bright Side Of Life (All Things Dull A 632. Otto Sketch 633. Otto Song 634. Otto Song Demo (Python Sings) 635. Brian Song (Alternate Version) 636. Radio Ad: Record Shop 637. Radio Ad: Twice As Good 701. Sit On My Face 702. Announcement 703. Henry Kissinger 704. String 705. Never Be Rude To An Arab 706. I Like Chinese 707. The Bishop 708. Medical Love Song 709. Finland 710. I'm So Worried 711. I Bet You They Won't Play This Song On The Radio 712. Martydom Of St Victor 713. Here Comes Another One 714. Bookshop 715. Do What John 716. Rock Notes 717. Muddy Knees 718. Crocodile 719. Decomposing Composers 720. Bells 721. Traffic Lights 722. All Things Dull & Ugly 723. A Scottish Farewell 724. Contractual Obligation - Terry Jones & Graham Ch 725. Radio Ad: Obligation Promo 726. Medical Love Song (Alternate Demo Version) 727. I'm So Worried (Demo Version) 801. Intro (The Meaning Of Life) 802. Fish (Morning) 803. The Meaning Of Life 804. Part 1: The Miracle Of Birth 805. Mp Link 806. Part 2: The Third World (Yorkshire) 807. Every Sperm Is Sacred 808. Bloody Catholics 809. Link (Martin Luther) 810. Part 3: Growth & Learning 811. Part 4: Fighting Each Other 812. Terry Gilliam Introduction 813. Accountancy Shanty 814. Part 5: Live Organ Transplants (Galaxy Song) 815. Part 6: The Autumn Years (The Not Noel Coward Song 816. Part 7: Death (Christmas In Heaven) 817. Mp Link (Dedication To Fish) 818. Intro Title Song Demo Meaning Of Life (Piano Versi 819. Alternate Intro Title Song Meaning Of Life (Band V 820. Fat Song (Deleted Intro To Mr Creosote Sketch) 821. Alternate Christmas In Heaven Song 822. Radio Ad: Philisophers Corner 823. Radio Ad: Officer 824. Radio Ad: German Translation 825. Greasy Hair 826. Dino Viccotti 827. Stretch The Script 828. Grand Prix 829. Hard Of Thinking 901. D.p. Gumby Presents Election '74 902. Lumberjack Song (Extended Version)
One up on Wall Street: How to Use What You Already Know To Make Money in the Market, Miniature Edition [ABRIDGED] Simon & Schuster
Podana cena książki jest orientacyjna, zależy od kilku czynników. Po zakupie obsługa sklepu skontaktuje się, jeśli konieczna będzie dopłata. From Publishers Weekly Writing with Rothchild ( A Fool and His Money ), Lynch, director of the Fidelity Magellan Fund, the nation's largest equity fund ($9 billion in assets), argues that average investors can beat Wall Street professionals by using the information that they encounter in their everyday lives. For example, Lynch invested in Hanes after his wife told him about the popularity of L'eggs pantyhose. Other winning stocks that average investors could have picked well before Wall Street became aware of them include LaQuinta motels, the Limited clothing store chain and Agency Rent-A-Car, note the authors. They advise readers to look for spectacular growth among companies that sound dull; do something disagreeable; are spinoffs; are buying back theor own stock. They caution readers to avoid companies touted as the next IBM or Xerox; that are diversifying ("diworseifying"); that depend on a single customer. The book is also a primer on how the stock market works and is written in a light, entertaining style. Investors will be able to put the shrewd insights presented to good use. Author tour. Copyright 1988 Reed Business Information, Inc. -- This text refers to an out of print or unavailable edition of this title. Product Description THE NATIONAL BESTSELLING BOOK THAT EVERY INVESTOR SHOULD OWN Peter Lynch is America's number-one money manager. His mantra: Average investors can become experts in their own field and can pick winning stocks as effectively as Wall Street professionals by doing just a little research. Now, in a new introduction written specifically for this edition of One Up on Wall Street, Lynch gives his take on the incredible rise of Internet stocks, as well as a list of twenty winning companies of high-tech '90s. That many of these winners are low-tech supports his thesis that amateur investors can continue to reap exceptional rewards from mundane, easy-to-understand companies they encounter in their daily lives. Investment opportunities abound for the layperson, Lynch says. By simply observing business developments and taking notice of your immediate world -- from the mall to the workplace -- you can discover potentially successful companies before professional analysts do. This jump on the experts is what produces "tenbaggers," the stocks that appreciate tenfold or more and turn an average stock portfolio into a star performer. The former star manager of Fidelity's multibillion-dollar Magellan Fund, Lynch reveals how he achieved his spectacular record. Writing with John Rothchild, Lynch offers easy-to-follow directions for sorting out the long shots from the no shots by reviewing a company's financial statements and by identifying which numbers really count. He explains how to stalk tenbaggers and lays out the guidelines for investing in cyclical, turnaround, and fast-growing companies. Lynch promises that if you ignore the ups and downs of the market and the endless speculation about interest rates, in the long term (anywhere from five to fifteen years) your portfolio will reward you. This advice has proved to be timeless and has made One Up on Wall Street a number-one bestseller. And now this classic is as valuable in the new millennium as ever. -- This text refers to the Paperback edition. Book Info Author provides his take on the incredible rise of Internet stocks, as well as a list of twenty winning companies of high-tech '90s. Suggests that investors can continue to reap exceptional rewards from mundane, easy-to-understand companies they encounter in their daily lives. Softcover. -- This text refers to the Paperback edition. About the Author Peter Lynch is vice chairman of Fidelity Management & Research Company -- the investment advisor arm of Fidelity Investments -- and a member of the Board of Trustees of the Fidelity funds. Mr. Lynch was portfolio manager of Fidelity Magellan Fund, which was the best performing fund in the world under his leadership from May 1977 to May 1990. He is the co-author of the bestselling Beating the Street and Learn to Earn, a beginner's guide to the basics of investing and business. He lives in the Boston area. -- This text refers to the Paperback edition. Podana cena książki jest orientacyjna, zależy od kilku czynników. Po zakupie obsługa sklepu skontaktuje się, jeśli konieczna będzie dopłata.
Baby Boomer Tennis First Edition Design eBook Publishing
Książki / Literatura obcojęzyczna
Hello Fellow Baby Boomer Tennis Enthusiasts - Now that you've turned 50...how'd you like to enjoy & excel in tennis...not just for a season, but a lifetime? And how many of you have noticed a few natural changes in your body, energy and mind, since turning 50, and would like to turn back the hands of time for our Body/Mind/Sport age? Plus, learn superstars' simple proven systems & secrets from Baby Boomer Legends, Lessons & Links to help you "WIN" in Tennis & the Game of Life! A great read for Baby Boomers or not. There's enough information on how to become successful in life and with your tennis...all you have to do is follow it and you will be successful!! No double faults allowed. Good Luck with the book. Rosie Casals International Tennis Hall of Famer Member of the "Original 9" _____ Thank you Dr. Joy and Mr. Bell for highlighting the importance of Baby Boomers remaining active and well and identifying tennis as a catalyst for fitness, fun and friendship for Boomers everywhere. Pam Shriver International Tennis Hall of Famer _____ I have so much respect and appreciation for all Craig Bell has done for the great game of tennis with his coaching and speaking and writing. He cares deeply about the sport and what it can do for people and he always sees the big picture. And he combines beautifully in this well written book with Dr. Joy Macci who provides such valuable insights from her prodigious background as an innovative coach, inspirational speaker and author. It was our Baby Boom generation that created the tennis explosion in the 70s and moved tennis forever into the mainstream. We are all living longer and healthier lives and tennis is still at the center for so many of us. You will love the stories and solid information in this book that is so illustrative of the fact that Fun, Friendship and Fitness is, indeed, a very powerful elixir. Enjoy this fast paced read and I'll see you out on the courts . . . Wayne Bryan The popular and award winning coach and tour emcee, who is the Father of the greatest men's doubles team of all time, Mike and Bob Bryan. _____ "This is a great example of how a sport can be used to improve health and lower stress." David Winter, MD, MSc, MACP Signature Medicine HealthTexas Provider Network Baylor Scott & White Health _____ Baby Boomers have dramatically shifted every industry they have touched as they have aged. It only makes sense that the "Sport of a Lifetime" can also be impacted by this massive demographic. I believe Dr Joy Macci and Craig Bell are the leading experts on how to capitalize of this massive wave of potential tennis players. This is a brilliant book and highly recommend it to all Pro's and Clubs Owners. Craig Smith President Matchpoint Consulting and Re
The Comic Strip Books LLC, Reference Series
Książki / Literatura obcojęzyczna
Source: Wikipedia. Pages: 30. Chapters: Jennifer Saunders, Dawn French, Rik Mayall, Adrian Edmondson, Alexei Sayle, Keith Allen, Detectives on the Edge of a Nervous Breakdown, Nigel Planer, Mr Jolly Lives Next Door, Peter Richardson, Eat the Rich, Bad News, Five Go Mad in Dorset, The Bullshitters: Roll Out The Gunbarrel, Didn't You Kill My Brother?, The Strike, The Supergrass, GLC: The Carnage Continues..., 20th Century Coyote, Arnold Brown, Pete Richens. Excerpt: Jennifer Jane Saunders (born 6 July 1958) is an English comedienne, screenwriter, singer and actress. She has won two BAFTAs, an International Emmy Award, a British Comedy Award, a Rose d'Or Light Entertainment Festival Award, two Writers' Guild of Great Britain Awards, and a Peoples Choice Award. She first came into widespread attention in the 1980s and early 1990s when she became a member of The Comic Strip after graduating from the Central School of Speech and Drama. Along with her comedy partner Dawn French, she writes and stars in their eponymous sketch show, French & Saunders, and has received international acclaim for writing and playing the lead role of Edina Monsoon in the BBC sitcom Absolutely Fabulous. In her other work, she has guest starred in the American sitcoms Roseanne and Friends, and won the American People's Choice Award for voicing the wicked Fairy Godmother in DreamWorks' animated Shrek 2. More recently, she wrote and starred in Jam & Jerusalem and The Life and Times of Vivienne Vyle. Saunders was born in Sleaford, Lincolnshire on 6 July 1958. Her mother was a biology teacher, and her father served as a pilot in the Royal Air Force (RAF) and reached the rank of Air Marshal and later work for British Aerospace. Because her father was in the armed forces, Saunders moved to different schools many times. She was educated from the age of five to eighteen in boarding schools and then at St Paul's Girls' School, an independent school in west London. After school, she worked for a year in Italy as an au pair. She later received a place at the Central School of Speech and Drama in London on a drama teachers' course in 1977, where she met her future comedy partner, Dawn French. Both came from RAF backgrounds. They had grown up on the same base, even having had the same best friend, without ever meeting. The comic duo originally did not get on well, and as far as Saunders was concerned, French was a "cocky little upstart". The distrust was mutual; French
Książki & Multimedia > Książki
Opis - NOWA SERIA WSPÓŁCZESNYCH POWIEŚCI OBYCZAJOWO-KRYMINALNYCH, KTÓRYCH AKCJA ROZGRYWA SIĘ W USA, A ICH WSPÓLNYM MOTYWEM SĄ DAMSKIE MARKOWE TOREBKI. Kryminał, jakiego jeszcze w Polsce nie było! Żywa, dowcipna, dynamiczna akcja, pełna nieoczekiwanych i zaskakujących zwrotów. Powieść barwniejsza niż hollywoodzki film - czyta się doskonale! Jeśli spodobała Ci się książka Diabeł ubiera się u Prady, musisz przeczytać serię o Haley Randolph. Torebki i morderstwo to dowcipna i inteligentna powieść dziejąca się w Los Angeles, Mieście Aniołów, z rozlicznymi centrami handlowymi, butikami i straganami gdzie sprzedaje się damskie torebki. Pasją życiową bohaterki, Haley Randolph, są właśnie torebki. Ale wyłącznie MARKOWE, zaprojektowane przez stylistów z najwyższej półki... I ta namiętność sprowadzi na bohaterkę mnóstwo kłopotów, wśród których najmniejszymi będą oskarżenia o morderstwo i defraudację... Aby mieć środki na życie - i na swoja życiową pasję - Haley musi pracować na dwóch posadach. Ta główna, prestiżowa, to praca w renomowanej firmie prawniczej Pike&Warner, której centrum decyzyjne mieści się na tajemniczym, i dla urzędniczego proletariatu firmy niedostępnym, Szesnastym Piętrze. Druga posada to praca ekspedientki-kasjerki-sprzątaczki-magazynierki (zależnie od kaprysu kierownictwa...) w wielkim domu towarowym Holt`s, w którym sprzedaje się "ohydne ciuchy", "koszmarne buty" i "beznadziejne torebki"... To właśnie tam, w magazynie damskiej bielizny, znajduje zwłoki Richarda, wyjątkowo niesympatycznego faceta, którego ktoś zatłukł drążkiem wyłamanym ze stojaka na ubrania... Niebawem ona sama staje się główną podejrzaną. Haley sama musi oczyścić się z zarzutów i podejmuje prywatne śledztwo. Kończy się ono nieoczekiwanym rezultatem... Nazwa - Torebki i morderstwo Autor - Dorothy Howell Oprawa - Twarda Wydawca - Bellona Kod ISBN - 9788311132061 Kod EAN - 9788311132061 Rok wydania - 2014 Format - 13x20 Ilość stron - 382 Podatek VAT - 5% Premiera - 2014-09-30
Letter from America Penguin
Powieści i opowiadania
When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except
My Father Il Duce Kales Press
Książki / Literatura obcojęzyczna
In this historical, revisionist memoir, Romano Mussolini (September 26, 1927-February 3, 2006), the last surviving child of dictator Benito Mussolini, contributes his unique perspective to the growing body of work that portrays Il Duce's era. Through Romano's portrait of never before publicly shared memories and feelings, My Father Il Duce brings alive the domestic scenes of his childhood particularly when they intersected with his father's public role. He also relates in detail the memories of his mother, Donna Rachele, who lived until 1979 and often spoke with Romano about his father. Romano's memories, sorted by chapter, but not presented chronologically, shift between his own recollections of time spent with his father to the years after Mussolini's death in 1945. The prose lingers and then artistically moves forward, melancholy to fierce to vulnerable, like the notes of the jazz music played by Romano during his acclaimed musical career. Mussolini is presented here as a man who was supremely convinced that he was the master of his life: "'Everything happening around me, '" my father used to say, "'leaves me indifferent. I consciously choose 'Live dangerously' as my life's motto. As an old soldier, I say, 'If I advance, follow me. If I retreat, kill me. If they kill me, vindicate me.'" He saw his existence in scenes of high drama, envisioning in the end, Romano tells us, that he would be placed in front of throngs at New York City's Madison Square Garden and then executed in a macabre spectacle. In this memoir, Romano does not truly ponder the consequences of his father's alliances and dictatorship, though with at least one notable exception that he gave considerable thought to his personal anger toward Hitler for "stabbing my father in the back at his darkest hour." Instead, he seeks to render concrete the memories that he held silent over a lifetime before they were lost to history. The fascist order that Mussolini created and imposed upon Italy is one that Italians and students of history the world over are still interpreting. Indeed, his legacy was centerstage in the May 2006 Italian national elections, and one of the deputies in the Italian parliament today who represents his alliances is Alessandra Mussolini, Romano's daughter and defender of her infamous grandfather. As the trend of historical revisionism in Italy continues, in particular regarding the role of fascism, some of this kinder, gentler Mussolini is already widely accepted. Thus, My Father Il Duce (in Italian Il Duce Mio Padre) was published to great attention and controversy in Italy in 2004 and quickly became a bestseller. Romano often appeared on Italian national television and in newspaper interviews. In part, this illuminates that fascist supporters are alive and well, while also confirms even among non-supporters, the ongoing attraction to the cult of personality Mussolini masterminded. In Italy, this public discourse about Mussolini is common. However, for others it is important to establish a context for Romano's memoir. This is accomplished here through an accompanying masterful twenty-one page introductory essay by one of the world's foremost authorities on Italian political culture, Alexander Stille: writing the introductory essay to My Father Il Duce is a bit like writing the warning label on a powerful drug that has its uses but must be taken with care and knowledge of its possible side effects. Romano reached his goal of living to see the first publication of his memoir in Italian. As for this English-language edition, he earlier expressed approval of the front cover design. On January 1, 2006, he received the translated English language manuscript of his writing. During the last month of his life, he approved it. Romano Mussolini died on February 3, 2006, at age seventy-nine in a Rome hospital soon after heart surgery. Romano's death made international news. The New York Times obituary reported: "In the 1950's and 60's he was in the vanguard of Italian jazz with his group the Romano Mussolini All Stars, and he played with American greats like Dizzy Gillespie, Duke Ellington and Chet Baker. Mr. Mussolini gained even greater international fame with his first marriage, to Anna Maria Scicolone, the sister of the actress Sophia Loren....Despite his own scrupulous avoidance of politics, politicians from Italy's right wing-parties widely lauded Mr. Mussolini and his family name in statements they released: 'Romano knew how to make us love him for his humanity, his art, but also for the dignity and coherence with which he defended his family from attacks and demonizations.'" Through Romano's worldwide celebrity and well-regarded nature, his words in defense of Il Duce, albeit ones he no doubt wrote as a son who loved his father, offer a rare insider's perspective that can help us better understand, and therefore more readily defeat tyranny. This memoir's account of history further reminds us of the continuing need for our vigilance in the pursuit of truth.
Bibliographer, Vol. 3 Forgotten Books
Książki / Literatura obcojęzyczna
Excerpt from The Bibliographer, Vol. 3: A Journal of Book-Lore, December 1882 May 1883 If we were not writing in a literary journal we should scarcely venture to use this heading, as it has come to bear a special technical meaning: but our readers are not likely to suppose that we are about to treat of title-deeds. The need of a proper registration of titles (more particularly of novels) has long been felt, and many authors have suffered from the want of such a register. The title to a book is property, and the law recognizes it as such; therefore it is as much the duty of the State to register it as it is the duty of the State to register the title to land. The matter has long been in the hands of the Stationers' Company, and their action has not been satisfactory. This may partly be owing to the fact that they have no power to compel author or publisher to register, but the duty of making their books easy for consultation they have consistently ignored. About two years ago Mr. J. Cyril M. Weale made a proposal for improving the mode in which the registers of the Stationers' Company are kept, and suggested a form of index. He applied to the Company, but the authorities did not see their way to make the suggested alteration. Mr. Weale then applied to the Council of the Index Society, in the hope that that body would bring their influence to bear upon the Company. This is noted in the third annual report of the Index Society, July 1881. Without some index of titles to guide him, the author is in constant fear of taking a title which has already been used. The only safe course is to take one composed of proper names, such as those mostly adopted by Dickens. Apropos of the titles used by this great novelist, we may allude to a very interesting point which has lately been raised and settled in Notes and Queries. The gentleman who writes under the name of Cuthbert Bede referred to a letter from Dickens to Macrone in which the author accepted the publisher's offer to publish a novel to be entitled "Gabriel Vardon, the Locksmith." Mr. Bede asked for information respecting this projected work, and Mr. J. A. Jarves was able to show that the title was abandoned in consequence of Macrone's exorbitant demands for the copyright of Sketches by Bos. The novel, however, appeared soon afterwards, but it was as Barnaby Rudge. The reason for taking the question up at the present time will found in the two following letters which appeared in the Athenćtum, the one from a well-known publisher, and other from a distinguished author. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Książki & Multimedia > Książki
Opis - wyd. Bernardinum Nazwa - Po co praktykować gdy się wierzy Autor - Quilici Alain, Balme Denis Oprawa - Miękka Wydawca - Bernardinum Kod ISBN - 9788378230472 Kod EAN - 9788378230472 Rok wydania - 2013 Język - polski Format - 12.5x19.5cm Ilość stron - 208 Podatek VAT - 5%
Literary Reminiscences, Vol. 1 of 2 Forgotten Books
Książki / Literatura obcojęzyczna
Excerpt from Literary Reminiscences, Vol. 1 of 2: From the Autobiography of an English Opium-Eater IT was in the year 1601, whilst yet at school, that I made my first literary acquaintance. This was with a gentleman now dead, and little, at any time, known in the literary world; indeed, not at all; for his author ship was confined to a department of religious literature as Obscure and as narrow in its inżuence as any that can be named -viz. Swedenborgianism. Already, on the bare mention of that word, a presumption arises against any man, that, writing much (or writing at all) for a body of doctrines so apparently crazy as those of Mr. Sweden borg, a man must have bid adieu to all good sense and manliness of mind. Indeed, this is so much of a settled case, that even to have written against Mr. Swedenborg would be generally viewed as a suspicious act, requiring Sxplanation, and not very easily admitting of it. Mr. Swedenborg I call him, because I understand that his title to call himself Baron,' is imaginary or rather he never did call himself by any title of honor - that mistake. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
1. O'leary, Caitriona / Kamp, Harry Van Der / Birc - 2. Belshazzar's Feast : Incipit 3. Prosa 4. Rex Balthasar 5. Vasa Templorum 6. The Writing On The Wall : Mane. Techel. Phares 7. Conductus Regine 8. Regina 9. Danielem Querens 10. Conductus Danielis 11. Daniel & Balthasar 12. Solutio 13. Conductus Regine Secundus 14. Conductus Referentium Vasa 15. At The Court Of King Darius : Darius Rex 16. Principes 17. Legati 18. Conductus Danielis: In Hoc Natalitio 19. Consilarij Emuli 20. O Hez! 21. Daniel Adorabit 22. Daniel In The Lions' Den : Emuli & Darius 23. Lamentatio Danielis 24. Ad Lacum Leonum 25. Angelus & Abacuc 26. Leones 27. Daniel The Prophet : Daniel Propheta 28. Angelus 29. Te Deum 101. Harp Consort, The / Almark, Johanna / Banditell - 102. El Amor De Venus Y Adonis : Loa : Chinfonia 103. Entrada De Las Clarines 104. El Coro De Las Musas 105. Viva, Viva! 106. Baylete : Baile 107. Pasacalles 108. Danza 109. Venus & Adonis : Venus & Las Ninfas 110. Yo, Adonis 111. Tu Eres Venus? 112. Amor Tirano 113. La Maldicion 114. Marte & Belona : Venus & Marte 115. Arma, Arma! 116. Chato & Celfa : Chato & Celfa 117. Guarda La Fiera 118. En Los Montes : Adonis Descansa 119. Venus En Los Montes 120. Los Sentimientos De Venus 121. Adonis Durmiendo 122. Amor 123. Fantasmas 124. Amor : Venus Y Adonis 125. La Hermosura De Venus 126. Todo Es Amor 127. El Jardin De Venus 128. Baile Del Villano 201. Harp Consort, The / Almark, Johanna / Banditell - 202. La Venganza De Marte : Amor Y Los Soldados : Los S 203. Amor 204. Enigmas 205. Como Escapar? 206. La Gruta De Desengano : La Gruta De Desengano 207. En Tono Triste 208. Temor, Sospecha, Envidia & Ira 209. El Desengano 210. El Densengano & Marte 211. El Cristal 212. Xacara : Venus Y Adonis 213. Los Dos Coros De Ninfas 214. Xacara 215. En Los Montes : Marte En Los Montes 216. Adonis Y El Jabali 217. Dragon, Chato & Celfa 218. La Muerte De Adonis : La Muerte De Adonis 219. La Purpura Y Las Rosas 220. El Lamento De Venus 221. La Venganza De Marte 222. Ay, Infelice! 223. La Fuerza De Dolor 224. Triste 225. Fin De Fiesta : La Musica De Dos Orbes 226. Al Villano Que Le Dan? 301. O'carolan, Turlough - Try If It Is In Tune 302. O'carolan, Turlough - Mr. James Betagh 303. O'carolan, Turlough - Jigg To The Above 304. O'carolan, Turlough - Carolan's Lamentation For Ch 305. O'carolan, Turlough - Carolan's Receipt (John Staf 306. O'carolan, Turlough - Bumper Squire Jones 307. O'carolan, Turlough - Docr. Delany & Loftus Jones 308. O'carolan, Turlough - Mrs Costeloe 309. O'carolan, Turlough - Susai Ni Cheallaigh 310. O'carolan, Turlough - Sr Arthur Shean 311. O'carolan, Turlough - Planxty Connor 312. O'carolan, Turlough - Carolan's Rambles To Teague 313. O'carolan, Turlough - Fairy Queen By Sigr E Carrol 314. O'carolan, Turlough - Ta Me 'Mo Chodladh 315. O'carolan, Turlough - Bridget Cruise 316. O'carolan, Turlough - Carolan's Dream 317. O'carolan, Turlough - I Am Asleep & Don't Waken Me 318. O'carolan, Turlough - Miss Macdermott (The Arethus 319. O'carolan, Turlough - Carolan's Devotion 320. O'carolan, Turlough - Mr. Hugh O'donnel 321. O'carolan, Turlough - O Flin (Planxty Flinn) 322. O'carolan, Turlough - Carolan's Cup 323. O'carolan, Turlough - Carolan's Farewell (Carolan' 324. O'carolan, Turlough - Separation Of Soul & Body 325. O'carolan, Turlough - Charles Maccabe's Lamentatio 401. Corbetta, Francesco - Fantasie Caprice De Chaconne 402. Couperin, Louis - Prelude En A Mi La 403. Couperin, Louis - La Piemontoise 404. Couperin, Louis - Courante 405. Couperin, Louis - Sarabande 406. Couperin, Louis - Les Carillons De Paris 407. Couperin, Louis - La Royalle: Prelude 408. Visee, Robert De - Allemande La Royalle 409. Visee, Robert De - Courante I & II 410. Visee, Robert De - Sarabande 411. Visee, Robert De - Gavotte 412. Visee, Robert De - Chacone 413. Visee, Robert De - Mascarade Rondeau 414. Couperin, Louis - Tombeau De Mr. De Blancrocher 415. Couperin, Francois - Allemande L'auguste 416. Couperin, Francois - Premiere Courante - Seconde C 417. Couperin, Francois - Sarabande La Majestueuse 418. Couperin, Francois - Gavotte 419. Couperin, Francois - Gigue La Milordine 420. Couperin, Francois - Chaconne En Rondeau La Favour 421. Couperin, Louis - Passacaille 422. Froberger, Johann Jacob - Lamento Sopra La Doloros 501. Haendel, Georg Friedrich - Symphony: King David's 502. Lawrence-king, Andrew - Toccata In D Minor 503. Lawrence-king, Andrew - Prelude 504. Lawrence-king, Andrew - Suite D'amour 505. Allemande D'amour 506. Courante 507. Sarabande D'amour & Sarabande II 508. Gigue 509. Lawrence-king, Andrew - Passacaglie 510. Lawrence-king, Andrew - Toccata IV 511. Lawrence-king, Andrew - Aria & Menuets In A Minor 512. Aria 513. Menuets 514. Lawrence-king, Andrew - Prelude In F 515. Lawrence-king, Andrew - Suite For Lute In E Major, 516. I. Prelude 517. Ii. Loure 518. Iii. Gavotte En Rondeaux 519. Iv. Menuet L & Ll 520. V. Bouree 521. Vi. Gigue 522. Lawrence-king, Andrew - Prelude In C 523. Lawrence-king, Andrew - Goldberg Variations, Bwv 9 524. Aria 525. Lawrence-king, Andrew - David Of The White Rock (D 601. Lawrence-king, Andrew - A Fancy 602. Lawrence-king, Andrew - My Lady Hunsdon's Puffe 603. Lawrence-king, Andrew - Alman 604. Lawrence-king, Andrew - Frogg Galliard 605. Lawrence-king, Andrew - Scott's Lament 606. Lawrence-king, Andrew - Pavana Lachrimae 607. Lawrence-king, Andrew - Suzanna Galliard 608. Lawrence-king, Andrew - Rowland 609. Lawrence-king, Andrew - Can Shee Excuse 610. Lawrence-king, Andrew - Robin 611. Lawrence-king, Andrew - Praeludium To Ye Fancie 612. Lawrence-king, Andrew - Fantasia 613. Lawrence-king, Andrew - Coranto 614. Lawrence-king, Andrew - A Gigg 615. Lawrence-king, Andrew - Tarleton's Jigge 616. Lawrence-king, Andrew - Mrs. Winter's Jumpp 617. Lawrence-king, Andrew - Tarleton's Riserrectione 618. Lawrence-king, Andrew - Cormack 619. Lawrence-king, Andrew - Allmane 620. Lawrence-king, Andrew - Cormack's Alman 621. Lawrence-king, Andrew - Shock.a.torum 622. Lawrence-king, Andrew - The Queen's Masque 623. Lawrence-king, Andrew - Fine Knacks 624. Lawrence-king, Andrew - Awake Sweet Love, Thou Art 625. Lawrence-king, Andrew - Go Christall Teares 626. Lawrence-king, Andrew - My Thoughts Are Winged Wit 627. Lawrence-king, Andrew - Semper Dowland, Semper Dol 628. Lawrence-king, Andrew - Farewell 629. Lawrence-king, Andrew - My Dear Adieu, My Sweet Lo 701. Harp Consort, The - Concerto Op. 3, No. 8 702. Allegro 703. Larghetto E Spiritoso 704. Allegro 705. Harp Consort, The - Concerto Nach Italienischen Gu 706. Allegro 707. Andante 708. Presto 709. O'carolan, Turlough - Carolan's Concerto 710. Mrs Poer 711. Daniel Kelly 712. Bach, Johann Sebastian - Aria Variata, Bwv 989 713. Harp Consort, The - Concerto No. 6 In B-flat Major 714. I. Andante - Allegro 715. Ii. Larghetto 716. Iii. Allegro Moderato 717. Harp Consort, The - Concerto No. 1 In G Minor Op. 718. I. Larghetto E Staccato 719. Ii. Allegro 720. Iii. Adagio 721. Iv. Andante 801. Goltz, Gottfried Von Der - The Four Seasons 802. Violin Concerto No. 1 In E Major, Rv 269, 'Spring' 803. Ii. Largo 804. Iii. Allegro (Danza Pastorale) 805. Violin Concerto No. 2 In G Minor, Rv 315, 'Summer' 806. Ii. Adagio - Presto - Adagio 807. Iii. Presto (Tempo Impetuoso D'estate) 808. Violin Concerto No. 3 In F Major, Rv 293, 'Autumn' 809. Ii. Adagio Molto 810. Iii. Allegro (La Caccia) 811. Violin Concerto No. 4 In F Minor, Rv 297, 'Winter' 812. Ii. Largo 813. Iii. Allegro 814. Goltz, Gottfried Von Der - Violin Concerto In C Ma 815. I. Allegro Non Molto 816. Ii. Largo 817. Iii. Allegro 818. Goltz, Gottfried Von Der - Violin Concerto In E-fl 819. I. Presto - Adagio - Presto 820. Ii. Largo 821. Iii. Presto 822. Viciani, Franco - Sonnetti Dimostrativi Sopra 'Le 823. La Primavera 824. L'estate 825. L'autunno 826. L'inverno 901. Lawrence-king, Andrew - Chromatische Fantasie In D 902. Lawrence-king, Andrew - Suite In D Minor 903. Praeludium (Fantasia) 904. Fuge 905. Sarabande 906. Gique & Double 907. Lawrence-king, Andrew - Fantasia In A Minor, Bwv 9 908. Lawrence-king, Andrew - Partita In A Minor 909. Allemanda 910. Corrente 911. Sarabanda 912. Giga 913. Bach, Johann Sebastian - Ciaccona
John Bull's Other Island 1st World Library
Książki / Literatura obcojęzyczna
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Great George Street, Westminster, is the address of Doyle and Broadbent, civil engineers. On the threshold one reads that the firm consists of Mr Lawrence Doyle and Mr Thomas Broadbent, and that their rooms are on the first floor. Most of their rooms are private; for the partners, being bachelors and bosom friends, live there; and the door marked Private, next the clerks' office, is their domestic sitting room as well as their reception room for clients. Let me describe it briefly from the point of view of a sparrow on the window sill. The outer door is in the opposite wall, close to the right hand corner. Between this door and the left hand corner is a hatstand and a table consisting of large drawing boards on trestles, with plans, rolls of tracing paper, mathematical instruments and other draughts-man's accessories on it. In the left hand wall is the fireplace, and the door of an inner room between the fireplace and our observant sparrow. Against the right hand wall is a filing cabinet, with a cupboard on it, and, nearer, a tall office desk and stool for one person. In the middle of the room a large double writing table is set across, with a chair at each end for the two partners. It is a room which no woman would tolerate, smelling of tobacco, and much in need of repapering, repainting, and recarpeting; but this it the effect of bachelor untidiness and indifference, not want of means; for nothing that Doyle and Broadbent themselves have purchased is cheap; nor is anything they want lacking. On the walls hang a large map of South America, a pictorial advertisement of a steam-ship company, an impressive portrait of Gladstone, and several caricatures of Mr Balfour as a rabbit and Mr Chamberlain as a fox by Francis Carruthers Gould.
Książki & Multimedia > Książki
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