143,48 zł

Minimal Art and Artists in the 1960s and After Crescent Moon Publishing

Książki / Literatura obcojęzyczna

MINIMAL ART AND ARTISTS This book is is a study of Minimal art and artists, particularly painters, sculptors, 3-D, installation and land artists. All of the key practitioners and theoreticians of the still-influential 1960s Minimal art movement and style are studied here: Donald Judd, Robert Morris, Carl Andre, Frank Stella, Robert Ryman, Robert Smithson, Brice Marden, Dan Flavin, Eva Hesse, Sol LeWitt, and many land artists (such as Robert Smithson, Christo, James Turrell and Michael Heizer). Chapters include: Minimal aesthetics; Minimal painting and painters; Minimal sculptors and sculpture;  Minimal art and land artists; and Minimal art today. Fully illustrated. 232 pages. Large format. The text has been fully revised for this edition, with new illustrations added. www.crmoon.com. The Minimal artists did not consider themselves a group; they did not produce manifestos; they did not agree on ćsthetics or working practices (though some were friends); they tended not to be directly involved in political art (Minimal art was more conservative than counter-culture); and they disliked the term 'minimalism'. It tended to be the critics (as usual) who came up with the terms for the new art. Lucy Lippard used the term 'structurist', 'dematerialization' and 'eccentric abstraction'; Michael Fried had 'literalist' and 'objecthood'; Peter Hutchinson used 'Mannerist'; Barbara Rose coined 'ABC Art'; Lawrence Alloway had 'systematic painting'; Robert Morris took up 'unitary forms' and 'anti-form'; and Donald Judd employed 'speciżc objects'. Probably the premier Minimal artist (and philosopher) is Donald Judd; Judd stands at the centre of Minimal art, and no account of Minimalism is complete without placing Judd in the foreground. Robert Smithson, Frank Stella, Donald Judd, Ad Reinhardt, Robert Morris and Carl Andre have been among the most lucid of theorists among artists. In the 1960s and 1970s, it seemed as if every artist went through a Minimal period at some time in their career, as well as a painting-as-sculpture period, and a brush with performance art (and perhaps body art). Both a Conceptual art phase and an on-going installation art preoccupation were mandatory for contemporary artists, it seems. All contemporary art can be viewed as basically Conceptual art, and a increasing proportion of it is installation art.

Sklep: Libristo.pl

143,48 zł

Minimal Art and Artists Crescent Moon Publishing

Książki / Literatura obcojęzyczna

MINIMAL ART AND ARTISTS IN THE 1960s AND AFTER By Laura Garrard All of the main practitioners and theoreticians of the still-influential 1960s Minimal art movement and style are studied here: Donald Judd, Robert Morris, Carl Andre, Frank Stella, Robert Ryman, Robert Smithson, Brice Marden, Dan Flavin, Eva Hesse, Sol LeWitt, and many land artists. Minimal artists studied in this book also include Agnes Martin, Hans Haacke, Piero Manzoni, Yves Klein, Ad Reinhardt, Ellsworth Kelly, Richard Serra, Robert Mangold and Tony Smith. There are chapters on Minimal aesthetics; Minimal painting and painters; Minimal sculptors and sculpture; and Minimal art and land artists. Probably the premier Minimal artist (and philosopher) is Donald Judd; Judd stands at the centre of Minimal art, and no account of Minimalism is complete without placing Judd in the foreground. Judd is such an inspiring and provocative artist; his works form some of the most significant art of the past 50 years. Some Minimalists have been taken up by feminists as icons (Eva Hesse). Some continued to work in mainly Minimal art throughout their careers (Ellsworth Kelly, Frank Stella, Brice Marden, Carl Andre), while others moved into Process art (Robert Morris), Conceptual art (Hans Haacke), performance art, body art, installation art, and feminist art (Judy Chicago). Some dipped in and out of Minimal art (Gerhard Richter). These artists, and the art they produced, form the main subject of this book. Terms for Minimalism like 'reductionist', 'Rejective Art', 'non-hierarchical', 'non-relational', 'non-anthropomorphic', 'Gestalt', 'environmental', 'Serial', 'Cool art', 'Know-Nothing Nihilism' and 'Idiot Art', were also employed. As Harold Rosenberg pointed out, few art movements had so many terms applied to it, and so many different definitions. For an art that was supposed to be about all things 'minimal', it attracted a lot of discussion. 'The rule applied is: The less there is to see, the more there is to say'. REVISED AND UPDATED, WITH NEW ILLUSTRATIONS Fully illustrated. 280 pages. Large format. ISBN 9781861715586. www.crmoon.com AUTHOR'S NOTE: I have completely rewritten and revised this new (3rd) edition of Minimal Art and Artists. It includes new material, and I've updated the book. There are also 40 pages new illustrations.

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Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

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