libristo female body in medicine and literature 1224316
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Trotula University of Pennsylvania Press
Książki / Literatura obcojęzyczna
The Trotula A Medieval Compendium of Women's Medicine Edited and translated by Monica H. Green "This long-awaited book makes available an English translation of a set of texts which, in its various versions, both in Latin and in translations into many western European vernacular languages, represents the most important collection of material on women's diseases and their treatments for the period from the twelfth to the fifteenth centuries."--Social History of Medicine "The Trotula: A Medieval Compendium of Women's Medicine furnishes students and scholars with an invaluable reference. Backed by more than twenty years of scrupulous research and publication, as well as an insightful methodology, it also provides them with an object of inspiration. Green's work is a remarkable example of scholarship."--Comitatus The Trotula was the most influential compendium on women's medicine in medieval Europe. Scholarly debate has long focused on the traditional attribution of the work to the mysterious Trotula, said to have been the first female professor of medicine in eleventh- or twelfth-century Salerno, just south of Naples, then the leading center of medical learning in Europe.Yet as Monica H. Green reveals in her introduction to this first edition of the Latin text since the sixteenth century, and the first English translation of the book ever based upon a medieval form of the text, the Trotula is not a single treatise but an ensemble of three independent works, each by a different author. To varying degrees, these three works reflect the synthesis of indigenous practices of southern Italians with the new theories, practices, and medicinal substances coming out of the Arabic world. Arguing that these texts can be understood only within the intellectual and social context that produced them, Green analyzes them against the background of historical gynecological literature as well as current knowledge about women's lives in twelfth-century southern Italy. She examines the history and composition of the three works and introduces the reader to the medical culture of medieval Salerno from which they emerged. Among her findings is that the second of the three texts, "On the Treatments for Women," does derive from the work of a Salernitan woman healer named Trota.However, the other two texts--"On the Conditions of Women" and "On Women's Cosmetics"--are probably of male authorship, a fact indicating the complex gender relations surrounding the production and use of knowledge about the female body. Through an exhaustive study of the extant manuscripts of the Trotula, Green presents a critical edition of the so-called standardized Trotula ensemble, a composite form of the texts that was produced in the mid-thirteenth century and circulated widely in learned circles. The facing-page complete English translation makes the work accessible to a broad audience of readers interested in medieval history, women's studies, and premodern systems of medical thought and practice. Monica H. Green is Associate Professor of History at Duke University. The Middle Ages Series 2001 | 320 pages | 6 1/8 x 9 1/4 | 9 illus. ISBN 978-0-8122-3589-0 | Cloth | $79.95s | GBP52.00 ISBN 978-0-8122-0469-8 | Ebook | $79.95s | GBP52.00 World Rights | History, Medicine Short copy: "This long-awaited book makes available ...the most important collection of material on women's diseases and their treatments for the period from the twelfth to the fifteenth centuries."--Social History of Medicine
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Roman Sexualities Princeton University Press
Książki / Literatura obcojęzyczna
This collection of essays seeks to establish Roman constructions of sexuality and gender difference as a distinct area of research, complementing work already done on Greece to give a fuller picture of ancient sexuality. By applying feminist critical tools to forms of public discourse, including literature, history, law, medicine, and political oratory, the essays explore the hierarchy of power reflected so strongly in most Roman sexual relations, where noblemen acted as the penetrators and women, boys, and slaves the penetrated. In many cases, the authors show how these roles could be inverted - in ways that revealed citizens' anxieties during the days of the early Empire, when traditional power structures seemed threatened. In the essays, Jonathan Walters defines the impenetrable male body as the ideational norm; Holt Parker and Catharine Edwards treat literary and legal models of male sexual deviance; Anthony Corbeill unpacks political charges of immoral behavior at banquets, while Marilyn B.Skinner, Ellen Oliensis, and David Fredrick trace linkages between social status and the gender role of the male speaker in Roman lyric and elegy; Amy Richlin interrogates popular medical belief about the female body; Sandra R. Joshel examines the semiotics of empire underlying the historiographic portrayal of the empress Messalina; Judith P. Hallett and Pamela Gordon critique Roman caricatures of the woman-desiring woman; and Alison Keith discovers subversive allusions to the tragedy of Dido in the elegist Sulpicia's self-depiction as a woman in love.
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