ISE Film Art: An Introduction McGraw-Hill Education

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Film Art An Introduction

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Film: A Very Short Introduction Oxford University Press

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Film is considered by some to be the most dominant art form of the twentieth century. It is many things, but it has become above all a means of telling stories through images and sounds. The stories are often offered to us as quite false, frankly and beautifully fantastic, and they are sometimes insistently said to be true. But they are stories in both cases, and there are very few films, even in avant-garde art, that don't imply or quietly slip into narrative. This story element is important, and is closely connected with the simplest fact about moving pictures: they do move. Even the older meanings of the word 'film' - a membrane, a covering, a veil, an emanation - now seem to have something to do with moving pictures. Many people believe films are an instrument of illusion, an emphatic way of seeing what is not there; and this capacity has been both celebrated and condemned. 'Like a movie' mostly means like some sort of fairy-tale. But what about the reverse proposition: that more than any other invention film brings us close to the world as it actually is? 'Photography is truth', a character says in a film by Jean-Luc Godard.'And cinema is the truth twenty-four times per second'. The same claim is made every day, albeit less epigrammatically, by newsreels and surveillance cameras. In this Very Short Introduction Michael Wood provides a brief history and examination of the nature of the medium of film, considering its role and impact on society as well as its future in the digital age. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Film art sztuka filmowa wprowadzenie - Bordwell David, Thompson Kristin

Książki & Multimedia > Książki

Opis - Dlaczego Obywatel Kane Orsona Wellesa jest uznawany za jeden z najważniejszych filmów w historii kina? W ilu ujęciach Hitchcock nakręcił słynną scenę ataku ptaków na Bodega Bay? Jakie funkcje pełni ścieżka dźwiękowa w Ucieczce skazańca Roberta Bressona? Na czym polega analiza filmu i co to znaczy, że film jest systemem formalnym? Odpowiedzi na te pytania i wiele innych, związanych z X muzą, udzielają autorzy jednego z najbardziej popularnych i cenionych podręczników do wiedzy o filmie Film Art. Sztuka filmowa: wprowadzenie, który wreszcie doczekał się polskiego wydania. Film Art. Sztuka filmowa: wprowadzenie to podręcznik niemalże kultowy, bardzo często cytowany przez wykładowców wiedzy o filmie na całym świecie. Autorzy uczą patrzenia na film w sposób całościowy, jako na pewien formalny system, którego poszczególne elementy, wchodząc ze sobą w relacje i wzajemnie się uzupełniając, składają się na jego artystyczną formę i styl. Aby czytelnik mógł w pełni docenić artystyczne możliwości, jakie wiążą się z podstawowymi technikami filmowymi, autorzy skrupulatnie omawiają główne składowe filmu: metody inscenizacyjne, zdjęcia i pracę kamery, montaż oraz dźwięk. Książka Bordwella i Thompson pomaga także zrozumieć, w jaki sposób film oddziałuje na swoich odbiorców i za pomocą jakich technik twórca filmowy osiąga zamierzony przez siebie efekt. Autorzy dokładnie opisują zarówno zagadnienia związane z procesem powstawania filmu - kwestie techniczne i produkcyjne - jak i zagadnienia estetyczne, a swoje rozważania bogato ilustrują kadrami z filmów. Nazwa - Film art sztuka filmowa wprowadzenie Oryginalny tytuł - An Introduction 8ch edition Autor - Bordwell David, Thompson Kristin Oprawa - Miękka Wydawca - Wojciech Marzec Kod ISBN - 9788393265701 Kod EAN - 9788393265701 Rok wydania - 2013 Język - polski Tłumacz - Rosińska Bogna Format - 16.2x23.5cm Ilość stron - 384 Podatek VAT - 5% Premiera - 2015-02-11

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Invisible Art of Film Music Scarecrow Press

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Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant-if often unrealized-role in the viewer's enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain, and Slumdog Millionaire.MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores.

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Invisible Art of Film Music Scarecrow Press

Książki / Literatura obcojęzyczna

Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant-if often unrealized-role in the viewer's enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain, and Slumdog Millionaire.MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores.

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Star Trek: The Art of the Film Titan Books

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A lavishly illustrated journey into the evolution of the hugely successful J.J. Abrams movie. This companion also features previously unseen pre-production sketches, costume and set designs, unit photography and includes an introduction from the director himself.

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Film Editing - The Art of the Expressive Wallflower Press

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Film Editing provides an introduction to the craft of editing in the non-silent film. In clear and accessible language, Valerie Orpen considers editing as an expressive strategy rather than a mere technique. She reveals that editing can be approached and studied in a similar way to other aspects of film. Traditionally, studies on editing or montage tend to focus on silent cinema, yet this book claims that an examination of editing should also consider the role of the soundtrack. The aim of Film Editing is to examine the way in which editing can make meaning. The book addresses editing as part of a wider context and as a crucial element of the overarching design and vision of a film. Consequently, this book incorporates other parameters, such as mise-en-scčne, framing, sound, genre, history, and performance. By examining a number of mainstream and art films, such as Godard's A bout de souffle, Hitchcock's Rear Window, and Scorsese's Raging Bull, Film Editing seeks to dispel the notion that editing is necessarily polarized as continuity versus discontinuity.

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Introduction to Literary Studies Taylor & Francis Ltd

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In this classic beginner's guide to English literature, Mario Klarer offers a concise and accessible discussion of central issues in the study of literary texts, looking at:§- definitions of key terms such as literature and text§- the genres of fiction, poetry, drama, and film§- periods and classifications of literature§- theoretical approaches to texts§- the use of secondary resources§- guidelines for writing research essays§§The new and expanded edition is fully updated to include:§- a wider range of textual examples from world literature§- additional references to contemporary cinema, a section on comparative literature§- an extended survey of literary periods and genres§- recent changes in MLA guidelines§- information on state-of-the-art citation management software§- the use and abuse of online resources.§The book also features suggestions for further reading as well as an extensive glossary of key terms.

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Aztecs: A Very Short Introduction Oxford University Press Inc

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This Very Short Introduction employs the disciplines of history, religious studies, and anthropology as it illuminates the complexities of Aztec life. Readers meet a people highly skilled in sculpture, astronomy, city planning, poetry, and philosophy, who were also profoundly committed to cosmic regeneration through the thrust of the ceremonial knife and through warfare. David Carrasco looks beyond Spanish accounts that have colored much of the Western narrative to let Aztec voices speak about their origin stories, the cosmic significance of their capital city, their methods of child rearing, and the contributions women made to daily life and the empire. Carrasco discusses the arrival of the Spaniards, contrasts Aztec mythical traditions about the origins of their city with actual urban life in Mesoamerica, and outlines the rise of the Aztec empire. He also explores Aztec religion, which provided both justification for and alternatives to warfare, sacrifice, and imperialism, and he sheds light on Aztec poetry, philosophy, painting, and especially monumental sculpture and architecture.He concludes by looking at how the Aztecs have been portrayed in Western thought, art, film, and literature as well as in Latino culture and arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Art of Cinematic Storytelling Oxford University Press Inc

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To dramatize a story using moving images, a director must have a full understanding of the meaning and emotional effect of all the various types of shots and cuts that are available to advance the story. Drawing upon his extensive experience as a storyboard artist who has worked with over 200 directors and cinematographers on television series and movies, author Kelly Gordon Brine provides a practical and accessible introduction to the design of shots, cuts, and transitions for film, television, animation, video, and game design. With hundreds of illustrations and diagrams, concise explanations of essential storytelling concepts, and vivid examples, The Art of Cinematic Storytelling demystifies the visual design choices that are fundamental to directing and editing. The author delves deeply into the techniques that visual storytellers use to captivate their audience, including blocking, camera positioning, transitions, and planning shots with continuity editing in mind. Practical advice on how to clarify time, space, and motion in many common situations

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Art of Pixar: 25th Anniv Chronicle Books

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Pixar is 25 years old in 2011. This gorgeous, expansive book features the complete colour scripts and a selection of the best of the art from the twelve films to date: "Toy Story", "A Bug's Life", "Toy Story 2", "Monsters Inc.", "Finding Nemo", "The Incredibles", "Cars", "Ratatouille", "WALL E", "Up", "Toy Story 3" and "Cars 2". The full-colour scripts for each film, prominently featured, constitute a big selling point for the core animation audience. Geared toward animation fans, this text is minimal and the art is extensive and stunning. Text will just be a foreword by Pixar founder John Lasseter, with an introduction by Amid Amidi. It's all about the art!

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Art of the Cut Createspace Independent Publishing Platform

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The Art of the Cut is a clear and concise introduction into many of the most important concepts in film editing. The book is written primarily for those who wish to learn the basic principles of editing but who may also be filmmakers or close to the filmma

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Aesthetics and the Philosophy of Art - The Analytic Tradition: An Anthology John Wiley & Sons Inc

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For over fifty years, philosophers working within the broader remit of analytic philosophy have developed and refined a substantial body of work in aesthetics and the philosophy of art, curating a core foundation of scholarship which offers rigor and clarity on matters of profound and perennial interest relating to art and all forms of aesthetic appreciation. Now in its second edition and thoroughly revised, Aesthetics and the Philosophy of Art--The Analytic Tradition: An Anthology captures this legacy in a comprehensive introduction to the core philosophical questions and conversations in aesthetics.Through 57 key essays selected by leading scholars Peter Lamarque and Stein Haugom Olsen, this anthology collects modern classics as well as new contributions on essential topics such as the identification and ontology of art, interpretation, values of art, art and knowledge, and fiction and the imagination. New to this edition are selections which treat aesthetic experience more widely, including essays on the aesthetics of nature and aesthetics in everyday life. Other carefully-chosen pieces analyze the practice and experience of specific art forms in greater detail, including painting, photography, film, literature, music, and popular art such as comics.This bestselling collection is an essential resource for students and scholars of aesthetics, designed to foster a foundational understanding of both long-standing and contemporary topics in the field.

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Art of Inside Out Chronicle Books

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THE ART OF INSIDE OUT explores the making of Pixars upcoming film INSIDE OUT (June 2015), an exploration of the most extraordinary location imagined inside the mind of an 11-year old girl named Riley. Featuring concept art including sketches, storyboards, colourscripts, and much more alongside quotes from the artists and opening with a foreword by actress Amy Poelher as well as an introduction by director Pete Docter, this is the ultimate behind-the-scenes experience of the making of the film

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