Transformation of Nature in Art Angelico Press

Książki / Literatura obcojęzyczna

In The Transformation of Nature in Art, Ananda Coomaraswamy explains the theory behind medieval European and Asian art, especially art in India. He further supplements the Indian theory with that of the Chinese. The first principle of Asian art is that art does not exist for its own sake; it exists as means to religious conditions or experience. The comparison with medieval European art in this respect is extremely illuminating. He further shows that both differ radically from post-Renaissance European art. Coomaraswamy first discusses the theory of art in Asia and contends that the Indian artist did not seek an illusion of Nature; rather, he tried to create a truthful suggestion of the character of the subject. In the second chapter he examines medieval European aesthetics in terms of the fourteenth-century German mystic, Meister Eckhart. Subsequent chapters investigate through Indian texts the psychology of the Indian view of art. And finally, the origin and use of images in India are discussed.The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined the roles of art historian, philosopher, orientalist, linguist, and expositor. His knowledge of the arts and handcrafts of the Orient was unsurpassed, and his numerous monographs on Oriental art either established, or revolutionized, entire fields. Coomaraswamy was one of the foremost Orientalists of his time, with an almost unmatched understanding of traditional culture. He mastered the philosophic and religious terrain of the entire premodern world, East and West; and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects of a common language.

Sklep: Libristo.pl

Transformation of Nature in Art Angelico Press

Książki / Literatura obcojęzyczna

In The Transformation of Nature in Art, Ananda Coomaraswamy explains the theory behind medieval European and Asian art, especially art in India. He further supplements the Indian theory with that of the Chinese. The first principle of Asian art is that art does not exist for its own sake; it exists as means to religious conditions or experience. The comparison with medieval European art in this respect is extremely illuminating. He further shows that both differ radically from post-Renaissance European art. Coomaraswamy first discusses the theory of art in Asia and contends that the Indian artist did not seek an illusion of Nature; rather, he tried to create a truthful suggestion of the character of the subject. In the second chapter he examines medieval European aesthetics in terms of the fourteenth-century German mystic, Meister Eckhart. Subsequent chapters investigate through Indian texts the psychology of the Indian view of art. And finally, the origin and use of images in India are discussed.The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined the roles of art historian, philosopher, orientalist, linguist, and expositor. His knowledge of the arts and handcrafts of the Orient was unsurpassed, and his numerous monographs on Oriental art either established, or revolutionized, entire fields. Coomaraswamy was one of the foremost Orientalists of his time, with an almost unmatched understanding of traditional culture. He mastered the philosophic and religious terrain of the entire premodern world, East and West; and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects of a common language.

Sklep: Libristo.pl

Invention of Religion in Japan The University of Chicago Press

Książki / Literatura obcojęzyczna

Through most of its long history, Japan had no concept of what we call "religion." There was no corresponding Japanese word, nor anything close to its meaning. But when American warships appeared off the coast of Japan in 1853 and forced the Japanese government to sign treaties demanding, among other things, freedom of religion, the country has to contend with this Western idea. In this book, Jason Ananda Josephson reveals how Japanese officials invented religion in Japan and traces the sweeping intellectual, legal, and cultural changes that followed. More than a tale of oppression or hegemony, Josephson's account demonstrates that the process of articulating religion offered the Japanese state a valuable opportunity. In addition to carving out space for belief in Christianity and certain forms of Buddhism, Japanese officials excluded Shinto from the category. Instead, they enshrined it as a national ideology while relegating the popular practices of indigenous shamans and female mediums to the category of "superstitions" - and thus beyond the sphere of tolerance.Josephson argues that the invention of religion in Japan was a politically charged, boundary-drawing exercise that not only extensively reclassified the inherited materials of Buddhism, Confucianism, and Shinto to lasting effect, but also reshaped, in subtle but significant ways, our own formulation of the concept of religion today. This ambitious and wide-ranging book contributes an important perspective to broader debates on the nature of religion, the secular, science, and superstition.

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Against the Modern World Oxford University Press Inc

Książki / Literatura obcojęzyczna

Against the Modern World is the first history of Traditionalism, an important yet surprisingly little-known twentieth-century anti-modern movement. Comprising a number of often secret but sometimes very influential religious groups in the West and in the Islamic world, it affected mainstream and radical politics in Europe and the development of the field of religious studies in the United States, touching the lives of many individuals. French writer Rene Guenon rejected modernity as a dark age and sought to reconstruct the Perennial Philosophy - the central truths behind all the major world religions. Guenon stressed the urgent need for the West's remaining spiritual and intellectual elite to find personal and collective salvation in the surviving vestiges of ancient religious traditions. A number of disenchanted intellectuals responded to his call. In Europe, America, and the Islamic world, Traditionalists founded institutes, Sufi brotherhoods, Masonic lodges, and secret societies. Some attempted unsuccessfully to guide Fascism and Nazism along Traditionalist lines; others later participated in political terror in Italy.Traditionalist ideas were the ideological cement for the alliance of anti-democratic forces in post-Soviet Russia, and in the Islamic world entered the debate about the relationship between Islam and modernity. Although its appeal in the West was ultimately limited, Traditionalism has wielded enormous influence in religious studies, through the work of such Traditionalists as Ananda Coomaraswamy, Huston Smith, Mircea Eliade, and Seyyed Hossein Nasr.

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Microwave Assisted Chemistry Experiments PharmaMed Press

Książki / Literatura obcojęzyczna

Sklep: Libristo.pl

Metamodernism The University of Chicago Press

Książki / Literatura obcojęzyczna

Sklep: Libristo.pl