Transactions Of The Free Museum Of Science And Art (University Museum), Vol. 2 (Classic Reprint)

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Bulletin Of The Free Museum Of Science And Art Of The University Of Pennsylvania, Vol. 1

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The Meaning of Pictures: Six Lectures Given for Columbia University at the Metropolitan Museum of Art; Pp.1-160

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Indiana University Sidney and Lois Eskenazi Museum of Art Guide to the Collection

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The Meaning of Pictures: Six Lectures Given for Columbia University at the Metropolitan Museum of Art

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The University Museum: Section of Oriental Art

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Global and World Art in the Practice of the University Museum

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The University Museum

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Art Museum Phaidon Press Ltd

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Visit the world’s most comprehensive and compelling museum in a single book – the ultimate gallery in your own home Housing the finest art collection ever assembled, this classic format of Phaidon’s bestselling The Art Museum offers the ultimate museum experience without the boundaries of space and time. The rooms and galleries that live within this volume display more than 1,600 artworks, expertly selected from the original collection, including paintings, sculpture, textiles, photographs, installations, performances, videos, prints, ceramics, manuscripts, metalwork, and jewelwork. The artworks included were carefully selected by a team of 28 curators, critics, art historians and artists who contributed their expertise to create this revolutionary 'virtual' museum. These experts came from such institutions as: the Metropolitan Museum of Art, New York; The British Museum, London; the Museum of Fine Art, Boston; the J. Paul Getty Museum, Malibu; the University of California, Berkley; LaTrobe University, Melbourne; the School of African and Oriental Studies, University of London; and the Courtauld Institute of Art, London. Works originate from the Palaeolithic era to the present and come from all around the globe and include both iconic and lesser-known pieces. This extraordinary book takes the reader on a tour around the world and through the ages, presenting the finest examples of human creativity within its covers – a dream museum without the boundaries of walls.

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Unicorn Tapestries in The Metropolitan Museum of Art Yale University Press

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The unicorn tapestries are one of the most popular attractions at The Cloisters, the medieval branch of The Metropolitan Museum of Art. Traditionally known as The Hunt of the Unicorn, this set of seven exquisite and enigmatic tapestries was likely completed between 1495 and 1505. The imaginatively conceived scenes, displaying individualized faces of the hunters and naturalistically depicting the flora and fauna of the landscape, are beautifully captured in silk, wool, and metal yarns. Written by one of the world's leading authorities on medieval textiles and illustrated with many lovely colour reproductions, The Unicorn Tapestries traces the origins of the tapestries as well as possible interpretations of their symbolic meaning. This is an essential book for any lover of medieval art and textiles.

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Transactions Of The Department Of Archaeology, Free Museum Of Science And Art, Vol. 1 (Classic Reprint)

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Transactions Of The Department Of Archaeology, Free Museum Of Science And Art, 1905, Vol. 1

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Sacred Painting. Museum Harvard University Press

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Federico Borromeo, Cardinal-Archbishop of Milan (1564-1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art. Borromeo recorded his reflections in two treatises. "De pictura sacra" ("Sacred Painting", 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of iconographical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In "Musaeum" (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection. He offered some of the earliest and most important critiques to survive on works by artists such as Leonardo, Titian, and Jan Brueghel the Elder.This volume offers, for the first time, translations of the treatises directly into English as well as freshly edited Latin texts, an introduction, extensive notes, and an appendix on the Academy of Design that was established in conjunction with the museum. These treatises will be of great interest to students of the history of art, museums, and religion.

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Remarkable Bindings in the British Museum Cambridge University Press

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Henry Benjamin Wheatley (1838

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Inside the Lost Museum Harvard University Press

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Museum lovers know that energy and mystery run through every exhibition. Steven Lubar explains work behind the scenes-collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building-through historical and contemporary examples, especially the lost but reimagined Jenks Museum at Brown University.

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