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- znaleziono 18 produktów w 6 sklepach
J.S. Bach: Die Kunst der Fuge Brilliant Classics
Nagrania muzyczneMuzyka poważna
J.S. Bach's great masterpiece, The Art of Fugue, was incomplete when the composer died in 1750, and he left no indications whatsoever for its instrumentation. Since then there has been much debate on the subject, but we now know that it was written as a practical work intended for keyboard performance exploring the contrapuntal possibilities within one subject. Bach also adopted the same compositional-notational method for the beautiful and profound organ cycle Canonic Variations on the Christmas Carol and the brilliant six-voice Musical Offering, created for King Frederick II of Prussia, which are also heard in this 4-CD set. Also included is the fragment of the incomplete three part final fugue BWV1080/19, whose inclusion in The Art of Fugue is disputed amongst music scholars.The renowned Italian harpsichordist, organist and musical scholar, Matteo Messori, has won awards for his recordings of Bach. Messori has gone back to original sources and letters relating to these works, and taken account of the most up-to-date research and interpretative knowledge, in order to reveal Bach's true intentions for his music, and to give as authentic a performance as possible. Messori performs on the harpsichord and organ, and is joined by Italian early music ensemble Cappella Augustana, featuring Luigi Mario Lupo (transverse flute), Luca Giardini (violin), ajnd Marco Testori (cello).Matteo Messori on this recording:- The new recording presents the four principal contrapuntal works of the last decade of Bach's life. Four, because Matteo Messori separates the hypothetical "quadruple" incomplete fugue from the cycle called later (probably on Marpurg's suggestion) "Kunst der Fuge".- The performer, following recent researches, considers that Fugue as a piece conceived to develop three - not four - subjects, which would have never included the subject on which the contrapuntal variations cycle is based on, and therefore a piece which is unrelated to the cycle. The Fugue was probably meant to be a great Ricercare, whose third and last subject introduced the name of Bach, and was designed for the Society founded by the pupil Mizler.- For the first time a harpsichord built in accordance with the historical Thuringian praxis provided with a 16' stop and with the so-called Bach's disposition is used in some pieces. According to a recent study published by the performer in the Bach-Jahrbuch 2010, it was Bach himself who designed an instrument with a similar disposition, equipped besides with a large Pedal-harpsichord, for his performances with the Collegium Musicum in Leipzig.- It is the first world recording in which all the canons from the Musikalisches Opfer (apart from those which bear a specific destination indicated by Bach himself) are played on a harpsichord solo.- The canonic variations were performed on the impressive Trost organ (1724-1730) in the Stadtkirche in Waltershausen.- A detailed booklet (CD-ROM) written by the performer gives more information on the performance issues and choices and on the structure and history of the works, according to the most updated scientific findings.About Matteo Messori:- His recording of the third part of the Klavierübung by Johann Sebastian Bach on three historical Thuringian, Silesian and Saxon organs (one inaugurated by Bach himself) has gained the prize "5 de Diapason" in March 2008 from the French magazine Diapason.- He was born in Bologna where he studied Organ and Counterpoint, graduating with the best of marks and the summa cum laude. He studied Harpischord under the harpsichordist, organist, conductor and singer Sergio Vartolo at the Conservatories of Mantua and Venice, graduating as well with the best of marks and the summa cum laude. In addition, he studied Musicology at the University of his native city, Bologna.
Sklep: Booknet.net.pl
J.S. Bach: Die Kunst der Fuge brilliant classics
Nagrania>Nagrania muzyczne
J.S. Bach's great masterpiece, The Art of Fugue, was incomplete when the composer died in 1750, and he left no indications whatsoever for its instrumentation. Since then there has been much debate on the subject, but we now know that it was written as a practical work intended for keyboard performance exploring the contrapuntal possibilities within one subject. Bach also adopted the same compositional-notational method for the beautiful and profound organ cycle Canonic Variations on the Christmas Carol and the brilliant six-voice Musical Offering, created for King Frederick II of Prussia, which are also heard in this 4-CD set. Also included is the fragment of the incomplete three part final fugue BWV1080/19, whose inclusion in The Art of Fugue is disputed amongst music scholars.The renowned Italian harpsichordist, organist and musical scholar, Matteo Messori, has won awards for his recordings of Bach. Messori has gone back to original sources and letters relating to these works, and taken account of the most up-to-date research and interpretative knowledge, in order to reveal Bach's true intentions for his music, and to give as authentic a performance as possible. Messori performs on the harpsichord and organ, and is joined by Italian early music ensemble Cappella Augustana, featuring Luigi Mario Lupo (transverse flute), Luca Giardini (violin), ajnd Marco Testori (cello).Matteo Messori on this recording:- The new recording presents the four principal contrapuntal works of the last decade of Bach's life. Four, because Matteo Messori separates the hypothetical "quadruple" incomplete fugue from the cycle called later (probably on Marpurg's suggestion) "Kunst der Fuge".- The performer, following recent researches, considers that Fugue as a piece conceived to develop three - not four - subjects, which would have never included the subject on which the contrapuntal variations cycle is based on, and therefore a piece which is unrelated to the cycle. The Fugue was probably meant to be a great Ricercare, whose third and last subject introduced the name of Bach, and was designed for the Society founded by the pupil Mizler.- For the first time a harpsichord built in accordance with the historical Thuringian praxis provided with a 16' stop and with the so-called Bach's disposition is used in some pieces. According to a recent study published by the performer in the Bach-Jahrbuch 2010, it was Bach himself who designed an instrument with a similar disposition, equipped besides with a large Pedal-harpsichord, for his performances with the Collegium Musicum in Leipzig.- It is the first world recording in which all the canons from the Musikalisches Opfer (apart from those which bear a specific destination indicated by Bach himself) are played on a harpsichord solo.- The canonic variations were performed on the impressive Trost organ (1724-1730) in the Stadtkirche in Waltershausen.- A detailed booklet (CD-ROM) written by the performer gives more information on the performance issues and choices and on the structure and history of the works, according to the most updated scientific findings.About Matteo Messori:- His recording of the third part of the Klavierübung by Johann Sebastian Bach on three historical Thuringian, Silesian and Saxon organs (one inaugurated by Bach himself) has gained the prize "5 de Diapason" in March 2008 from the French magazine Diapason.- He was born in Bologna where he studied Organ and Counterpoint, graduating with the best of marks and the summa cum laude. He studied Harpischord under the harpsichordist, organist, conductor and singer Sergio Vartolo at the Conservatories of Mantua and Venice, graduating as well with the best of marks and the summa cum laude. In addition, he studied Musicology at the University of his native city, Bologna....
Sklep: Bonusmedia
J.S. Bach: Die Kunst der Fuge
Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna
J.S. Bach's great masterpiece, The Art of Fugue, was incomplete when the composer died in 1750, and he left no indications whatsoever for its instrumentation. Since then there has been much debate on the subject, but we now know that it was written as a practical work intended for keyboard performance exploring the contrapuntal possibilities within one subject. Bach also adopted the same compositional-notational method for the beautiful and profound organ cycle Canonic Variations on the Christmas Carol and the brilliant six-voice Musical Offering, created for King Frederick II of Prussia, which are also heard in this 4-CD set. Also included is the fragment of the incomplete three part final fugue BWV1080/19, whose inclusion in The Art of Fugue is disputed amongst music scholars.The renowned Italian harpsichordist, organist and musical scholar, Matteo Messori, has won awards for his recordings of Bach. Messori has gone back to original sources and letters relating to these works, and taken account of the most up-to-date research and interpretative knowledge, in order to reveal Bach's true intentions for his music, and to give as authentic a performance as possible. Messori performs on the harpsichord and organ, and is joined by Italian early music ensemble Cappella Augustana, featuring Luigi Mario Lupo (transverse flute), Luca Giardini (violin), ajnd Marco Testori (cello).Matteo Messori on this recording:- The new recording presents the four principal contrapuntal works of the last decade of Bach's life. Four, because Matteo Messori separates the hypothetical "quadruple" incomplete fugue from the cycle called later (probably on Marpurg's suggestion) "Kunst der Fuge".- The performer, following recent researches, considers that Fugue as a piece conceived to develop three - not four - subjects, which would have never included the subject on which the contrapuntal variations cycle is based on, and therefore a piece which is unrelated to the cycle. The Fugue was probably meant to be a great Ricercare, whose third and last subject introduced the name of Bach, and was designed for the Society founded by the pupil Mizler.- For the first time a harpsichord built in accordance with the historical Thuringian praxis provided with a 16' stop and with the so-called Bach's disposition is used in some pieces. According to a recent study published by the performer in the Bach-Jahrbuch 2010, it was Bach himself who designed an instrument with a similar disposition, equipped besides with a large Pedal-harpsichord, for his performances with the Collegium Musicum in Leipzig.- It is the first world recording in which all the canons from the Musikalisches Opfer (apart from those which bear a specific destination indicated by Bach himself) are played on a harpsichord solo.- The canonic variations were performed on the impressive Trost organ (1724-1730) in the Stadtkirche in Waltershausen.- A detailed booklet (CD-ROM) written by the performer gives more information on the performance issues and choices and on the structure and history of the works, according to the most updated scientific findings.About Matteo Messori:- His recording of the third part of the Klavierübung by Johann Sebastian Bach on three historical Thuringian, Silesian and Saxon organs (one inaugurated by Bach himself) has gained the prize "5 de Diapason" in March 2008 from the French magazine Diapason.- He was born in Bologna where he studied Organ and Counterpoint, graduating with the best of marks and the summa cum laude. He studied Harpischord under the harpsichordist, organist, conductor and singer Sergio Vartolo at the Conservatories of Mantua and Venice, graduating as well with the best of marks and the summa cum laude. In addition, he studied Musicology at the University of his native city, Bologna....
Sklep: Madbooks.pl
Carnival for the Dead PAN BOOKS
Kryminał. Literatura detektywistycznaPowieść zagraniczna
A gripping new thriller from the bestselling author the Nic Costa series. It's Carnival time in Venice. Forensic pathologist Teresa Lupo arrives in Rome to investigate the mysterious disappearance of her aunt Sofia. The puzzle deepens when a series of messages are revealed. Are they sent by Sofia herself? The revelation is as surprising and shocking as Sofia's fate, while Teresa begins to depend on the unravelling of a Venetian mystery seeped in the art and culture of the city.
Sklep: Booknet.net.pl
Dywaniki welurowe grubość 8mm do Volkswagen PREMIUM POLSKA
Dywaniki welurowe > Volkswagen
OFERUJEMY DYWANIKI WELUROWE PASUJĄCE DO MODELI SAMOCHODÓW: Volkswagen: Bora (1998-2005) Caddy (2004-) Eos (2006-) Golf III (1991-1998) Golf IV (1997-2003) Golf V (2003-2008) Golf VI (2008-) Golf Plus (2005-) Fox (2005-) Jetta (2005-) Lupo (1998-2005) New Beetle (1998-) Passat B4 (1993-1997) Passat B5 (1996-2000) Passat B5 FL (2000-2005) Passat B6 (2005-2010) Polo III (1994-2001) Polo IV (2001-2009) Polo V (2009-) Scirocco (2008-) Touareg (2002-2010) Touareg (2010-) Touran (2003-2010) Tiguan (2007-) PRZED KLIKNIĘCIEM DO KOSZYKA PROSZĘ WYBRAĆ W POLACH WYBORU ODPOWIEDNI MODEL AUTA ORAZ POZOSTAŁE PARAMETRY Opis produktu: lita guma Kolory dywaników welurowych: CZARNY JASNY GRAFIT GRAFIT Kolory obszyć lamówką z eko skóry: CZARNY Z CZARNĄ NITKĄ CZARNY Z BIAŁĄ NITKĄ CZARNY ZE SREBRNĄ NITKĄ CZARNY Z CZERWONĄ NITKĄ CZARNY Z NIEBIESKĄ NITKĄ Kolory napisów haftowanych: Dywaniki szyte są pod zamówienie Klienta, dlatego też czas oczekiwania na dostawę zazwyczaj wynosi od 3 do 5 dni roboczych. Zgodnie z Kodeksem PWP art. 156 ust. 3, napis nanoszony na dywanikach ma charakter wyłącznie informacyjny, ma wskazywać do jakiego modelu samochodu dywanik jest przeznaczony i nie ma sugerować, że jest to produkt oryginalny producenta samochodu. Stosowna informacja załączona jest do dywanika z podaniem producenta. Dywaniki są produkcji polskiej.
Sklep: auto-lift.pl
Dywaniki welurowe grubość 6-7mm do Volkswagen CLASSIC POLSKA
Dywaniki welurowe > Volkswagen
W OFERCIE DYWANIKI WELUROWE KSZTAŁTEM PASUJĄCE DO MODELI: Volkswagen: Bora (1998-2005) Caddy (2004-) Eos (2006-) Golf III (1991-1998) Golf IV (1997-2003) Golf V (2003-2008) Golf VI (2008-) Golf Plus (2005-) Fox (2005-) Jetta (2005-) Lupo (1998-2005) New Beetle (1998-) Passat B4 (1993-1997) Passat B5 (1996-2000) Passat B5 FL (2000-2005) Passat B6 (2005-2010) Polo III (1994-2001) Polo IV (2001-2009) Polo V (2009-) Scirocco (2008-) Touareg (2002-2010) Touareg (2010-) Touran (2003-2010) Tiguan (2007-) PRZED KLIKNIĘCIEM DO KOSZYKA PROSZĘ WYBRAĆ W POLACH WYBORU ODPOWIEDNI MODEL AUTA ORAZ POZOSTAŁE PARAMETRY Opis produktu: Kolory dywaników welurowych: CZARNY JASNY GRAFIT Kolory obszyć lamówką syntetyczną: CZARNY Z CZARNĄ NITKĄ CZARNY Z BIAŁĄ NITKĄ CZARNY Z CZERWONĄ NITKĄ SZARY CZERWONY NIEBIESKI Kolory napisów haftowanych: Dywaniki szyte są pod zamówienie Klienta, dlatego też czas oczekiwania na dostawę zazwyczaj wynosi od 3 do 5 dni roboczych. Zgodnie z Kodeksem PWP art. 156 ust. 3, napis nanoszony na dywanikach ma charakter wyłącznie informacyjny, ma wskazywać do jakiego modelu samochodu dywanik jest przeznaczony i nie ma sugerować, że jest to produkt oryginalny producenta samochodu. Stosowna informacja załączona jest do dywanika z podaniem producenta. Dywaniki są produkcji polskiej.
Sklep: auto-lift.pl
MITSUBISHI - silniki Diesel 2.0 DI-D z paskiem rozrzadu Polska
Blokady rozrządu silników / Mitsubishi
MITSUBISHI Grandis ( 05-09 ), Outlander (07-09 ) FORD - Galaxy ( 99-06 ) ; AUDI - A2 , A3 , A4 , A5 , A6 , TT , Q5 VW - Lupo , Fox , Polo , Golf , Golf Plus , Bora , Jetta , Passat ... SEAT - Arosa, Ibiza... ; SKODA - Fabia II , Roomster... Art. 904 010 34
Sklep: Silnikowiec
FORD - silniki Diesel 1.9 TDI PD z paskiem rozrządu Polska
Blokady rozrządu silników / Ford
FORD - Galaxy ( 99-06 ) ; AUDI - A2 , A3 , A4 , A5 , A6 , TT , Q5 VW - Lupo , Fox , Polo , Golf , Golf Plus , Bora , Jetta , Passat ... SEAT - Arosa, Ibiza... ; SKODA - Fabia II , Roomster... MITSUBISHI Grandis ( 05-09 ), Outlander (07-09 ) Art. 904 010 34
Sklep: Silnikowiec
SEAT - silniki benzynowe 1.4 oraz 1.6 z paskiem rozrządu Polska
Blokady rozrządu silników / Seat
SEAT Arosa ; Ibiza ; Cordoba ; Toledo ; Leon ; Inca ( 1999-2009 ) VW Lupo ; Polo ; Polo Clasic ; Beetle ; Golf ; Bettle ; Bora AUDI A2 ( 2000-2006 ) SKODA Fabia ; Fabia II ; Octavia ; Octavia II ; Roomster Art. 911 021 00
Sklep: Silnikowiec
VW - silniki benzynowe 1.4 oraz 1.6 z paskiem rozrządu Polska
Blokady rozrządu silników / Volkswagen
VW Lupo ; Polo ; Polo Clasic ; Beetle ; Golf ; Bettle ; Bora AUDI A2 ( 2000-2006 ) SEAT Arosa ; Ibiza ; Cordoba ; Toledo ; Leon ; Inca ( 1999-2009 ) SKODA Fabia ; Fabia II ; Octavia ; Octavia II ; Roomster Art. 911 021 00
Sklep: Silnikowiec
SKODA - silniki benzynowe 1.4 oraz 1.6 z paskiem rozrządu Polska
Blokady rozrządu silników / Skoda
SKODA Fabia ; Fabia II ; Octavia ; Octavia II ; Roomster SEAT Arosa ; Ibiza ; Cordoba ; Toledo ; Leon ; Inca ( 1999-2009 ) VW Lupo ; Polo ; Polo Clasic ; Beetle ; Golf ; Bettle ; Bora AUDI A2 ( 2000-2006 ) Art. 911 021 00
Sklep: Silnikowiec
VW - silniki Diesel 1.2 TDI do 2.0 TDI + common rail Polska
Blokady rozrządu silników / Volkswagen
VW Lupo , Fox , Polo , Golf , Golf Plus , Bora , Jetta , Passat ... AUDI A2 ; A3 ; A4 ; A5 ; A6 ; TT ; Q5 ; FORD Galaxy ( 1999-2006 ) SEAT Arosa ; Ibiza... ; SKODA Fabia II , Roomster... MITSUBISHI Grandis ( 2005-2009 ), Outlander (2007-2009 ) Art. 904 010 34
Sklep: Silnikowiec
SKODA - silniki Diesel 1.2 TDI do 2.0 TDI + common rail Polska
Blokady rozrządu silników / Skoda
SKODA Fabia II ; Roomster ; Octawia ; Superb (2000-2011) VW Lupo , Fox , Polo , Golf , Golf Plus , Bora , Jetta , Passat ... AUDI A2 ; A3 ; A4 ; A5 ; A6 ; TT ; Q5 ; FORD Galaxy ( 1999-2006 ) MITSUBISHI Grandis ( 2005-2009 ), Outlander (2007-2009 ) Art. 904 010 34
Sklep: Silnikowiec
SEAT - silniki Diesel 1.2 TDI do 2.0 TDI + common rail Polska
Blokady rozrządu silników / Seat
SEAT Arosa ; Ibiza... ; SKODA Fabia II , Roomster... VW Lupo , Fox , Polo , Golf , Golf Plus , Bora , Jetta , Passat ... AUDI A2 ; A3 ; A4 ; A5 ; A6 ; TT ; Q5 ; FORD Galaxy ( 1999-2006 ) MITSUBISHI Grandis ( 2005-2009 ), Outlander (2007-2009 ) Art. 904 010 34
Sklep: Silnikowiec
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