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Beethoven: Complete Cello Sonatas & Variations brilliant classics
Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna
Beethoven's oeuvre only comprises a small collection of works for cello and piano, but that the composer was an accomplished writer for this combination of instruments is evident from the fact that Jean-Louis Duport, one of Frederick II's court cellists and one of the most revered musicians of his day, incorporated many of the techniques found in the Op.5 sonatas into his instruction manual for cello. The two works each contain only two movements, and the absence of a slow movement was probably to avoid the problem of dynamic imbalance between the instruments (which would have been accentuated in adagio passages) -- something that is also the case with the Op.68 sonatas, composed in 1807. Only with the second Op.102 sonata does the composer finally replace the slow introduction, as found in No.1 and all of the above works, with a full-scale slow movement, one that precedes the massive fugal finale that was to form such an intrinsic part of Beethoven's late-period works.Also featured are the three delightful sets of variations for cello and piano, each modelled on a different aria from Handel's opera Judas Maccabeus and Mozart's Die Zauberflöte, and each (just like the sonatas) placing the piano on an equal footing with the cello throughout. The works are an engaging addition to a collection that marks the return of Israeli/Dutch cellist Timora Rosler and Hungarian pianist Klára Würtz, whose previous Brilliant Classics release 'Cello Rhapsody' (9157) was released to critical acclaim, and which provides a snapshot of the composer's stylistic development over a period of nearly 20 years.Other information:- Filling "only" two CD's, the complete works for cello and piano are quintessential and vintage Beethoven. The two youthful Opus 5 sonatas are written in virtuoso concerto style, with an especially glittering role for the piano (Beethoven was a tremendous pianist in his early years), the sonata Op. 69 is in the expansive, sonorous and deep-feeling tonal language of Beethoven's Middle-Period, whereas the two Late sonatas Op. 102 are marvels of originality, experiment, "quirkiness" and humanity.- The two musicians Timora Rosler and Klára Würtz have been playing together for more than 15 years, having won several chamber music prizes. They performed the Beethoven cycle several times in concert over the years, and their interpretation has ripened to such an extent that the time came to record it. And here it is: every note alive and vibrant, played with gusto and feeling, alternating melancholy and joy, sadness and sheer fun.- Contains notes on the music and detailed artist biographies.- Recorded 19--23 January 2013, Sala congressi del Parco naturalistico di Onara, Padua, Italy....
J. S. Bach: Sonatas and Partitas for solo violin Brilliant Classics
Nagrania muzyczneMuzyka poważna
Bach may well be one of the most widely acknowledged master composers of all time, but that only serves to make each performer's interpretation of his work all the more challenging and distinctive: each musician must both do justice to the composer's intention, making a decision as to the best way of conveying that within the music which is not fixed, and at the same time leave their own mark on the performance. This is especially true for these Sonatas and Partitas given the variety of styles in which such Baroque masterworks have been performed, ranging from the freely romantic to the strictly precise, and the technical challenge posed by these complex pieces for a single instrument.The works in this collection are something of an enigma, not only because of the uncertainty surrounding the circumstances and date of their composition, but, more crucially, because of the way in which they stretch the capacity for polyphony of a single violin beyond its physical limit. It is as though Bach had written for a full ensemble of instruments -- but on a single staff. Modern musicians have even speculated as to the possible existence of a special bow with which an exact performance of the music might have been achieved in Bach's day. The music is no less rich for all of this, however: on the contrary, the harmonic complexity of these pieces is at once captivating and beautiful; the implied but absent notes are thrillingly suggestive; and the multiplicity of voices leaves the listener marvelling at Bach's compositional vision and the performer's ability.This accomplished musical feat is performed by Kristóf Baráti, a Hungarian violinist who has worked with an astonishing number of world-famous orchestras and conductors. Baráti plays a 1703 Stradivarius violin, and one can sense this echo of the era of the pieces as much as one can his intense emotional involvement with the music.Other information:- Recorded 7--12 September 2009, Siemens-Villa, Berlin.- The star of the young Hungarian violinist Kristóf Baráti is quickly rising. Having won several important international competitions (the most recent first prize at the prestigious Paganini Competition in Moscow) he plays with important orchestras and conductors, like Charles Dutoit, Kurt Masur, Iván Fischer, Yuri Temirkanov and Marek Janowski. His recent recording of Beethoven's complete violin sonatas with Klára Würtz received rave reviews: "5 stars...a great duo, comparable with Perlman/Ashkenazy, Grumiaux/Haskil, Ferras/Barbizet' (Diapason), "A talent that comes along once in a decade, perhaps once in a generation, I don't say it lightly, but once you've heard Baráti and Würtz you'll never listen to anyone else again" (Fanfare).- Includes a note on interpretation from the artist as well as an artist biography/comprehensive liner notes in both English and German.- This recording of the great solo Bach was issued on Berlin Classics in 2009, and shows the sovereign command over the matter, and a deep understanding of the spirit of these masterworks.
Medisch Pools, Medisch Nederlands. Słownictwo medyczne polskie i niderlandzkie dla każdego [Beata Bruggeman-Sękowska] Communications Unlimited
Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen , książka słownictwo medyczne polskie i niderlandzkie dla każdego, jest unikalną pozycją. Składa się ona z 200 stron słownictwa, wyrażeń, tekstów i ćwiczeń przydatnych nie tylko polskim i niderlandzkim lekarzom, pielęgniarkom, i innym zawodom związanych z medycyną, ale też na przykład pacjentom i rodzicom, którzy muszą sie udać ze swoim dzieckiem do lekarza, czy centrum konsultacyjnego. Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen może być przydatne zarówno w pracy jak i na gruncie prytwanym, do nauki języka na kursie jak i samodzielnej nauki. Książka ta składa się z pól tematycznych, takich jak między innymi : choroby i schorzenia, anatomia, medyczna aparatura, problemy zdrowotne, wizyta u lekarza, specyficzne i ogólne słownictwo medyczne,dni, wyrażenia czasu, jedzenie i ubrania. Dodatkowo można tu znaleźć teksty medyczne i rozmaite ćwiczenia z odpowiedziami. Jest to zatem pozycja do samodzielnej nauki jak i do użycia na kursach, dla Polaków i Holendrów. Książka ta jest zorganizowana tematycznie. Składa się z 26 części. W pierwszej jest podstawowa informacja o języku i alfabecie niderlandzkim i polskim. Części 2-23 to praktyczne słownictwo z takich dziedzin jak: narządy zewnętrzne, organy wewnętrzne, ból, dolegliwości pacjenta, lekarze, specjalizacje medyczne, wizyta u lekarza i dentysty, choroby i schorzenia, sprzęt medyczny i higiena, rodzaje leków, w aptece, inna medyczna terminologia, ubrania, jedzenia, teksty medyczne i określenia czasu. Części 24 i 25 to ćwiczenia z odpowiedziami a część 26 poświęcona jest wymowie. Ważnym elementen książki są teksty medyczne, gdzie powraca słownictwo tematyczne. Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen, książka słownictwo medyczne polskie i niderlandzkie dla każdego jest drugą publikacją Communications-Unlimited. Pierwsza: Zakelijk Pools voor Nederlanders, Thematische Woordenschat, język Polski dla biznesu , słownik tematyczny, to unikalna i popularna pozycja dla tych którzy mają kontakt z językiem polskim i niderlandzkim, z pracodawcą, pracownikiem, kolegą, holenderskim lub polskim. Może być przydatna zarówno w pracy, jak i na gruncie prywatnym, może też służyc do nauki języka na kursie oraz do samodzielnej nauki. Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen, książka słownictwo medyczne polskie i niderlandzkie dla każdego jest napisana przez Beatę Bruggeman-Sękowską. Beata Bruggeman-Sękowska jest nauczycielem akademickim, tłumaczem przysięgłym z następujących języków: polski, niderlandzki i angielski oraz dziennikarzem mieszkającym w Holandii. Ma ponad 15 lat doświadczenia jako lingwistka, zarówno na polskich jak i niderlandzkich uczelniach. Inhoudsopgave/Spis treści Voorwoord / Slowo wstepne 1. Pools alfabet / Polski alfabet 2. Uitwendige delen / Narządy zewnętrzne 3. Interne organen / Narządy wewnętrzne 4. Pijn / Ból 5. Klachten van de patiënt / Dolegliwości pacjenta 6. Artsen / Lekarze 7. Medisch specialismen / Specjalizacje medyczne 8. Afspraak maken / Umówic się na wizytę 9. De diagnose / Diagnoza 10. Bij de tandarts / U dentysty 11. Ziektes, aandoeningen / Choroby, schorzenia 12. Afdeling / Oddzial szpitalny 13. Medische apparatuur en hygiëne / Sprzet medyczny i higiena 14. Soort medicijnen / Rodzaje leków 15. Bij de apotheek / W aptece 16. Overige medische terminologie / Inna terminologia medyczna 17. Kleding / Ubrania 18. Eten / Jedzenie 19. Teksten / Teksty 20. Persoonlijke gegevens / Dane osobowe 21. Dagen, maanden en seizoenen / Dni, miesiące i pory roku 22. Cijfers en letters / Cyfry i liczby 23. Hoe laat is het? / Która jest godzina? 24. Oefeningen / Ćwiczenia 25. Antwoorden / Odpowiedzi 26. Poolse uitspraak / Wymowa polska Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen , is een unieke uitgave.Het boek bestaat uit 200 pagina's waardevolle informatie voor iedereen: artsen, verpleegkundigen, ambulanceteams, patiënten, moeders die met hun kinderen naar de huisarts moeten, zowel voor Polen als Nederlanders. Het boek is dus voor iedereen die medisch Pools of Nederlands nodig heeft. Het is een handig naslagwerk voor op de werkvloer, in het dagelijks leven en het kan gebruikt worden voor zelfstudie, maar ook in elke cursus waarin de medische woordenschat aan de orde komt. Het boek bestaat uit thematische woordenlijsten, variërend van namen van aandoeningen, medische specialismen, medische apparatuur, klachten, diagnoses, afspraken maken, medicijnen, algemene en specifieke medische woordenschat, eten, kleding, dagen van de week tot tijdsaanduidingen. Maar ook treft u voorbeelden aan van verschillende medische teksten. En het bevat bovendien een aantal oefeningen om u het Nederlands en Pools eigen te maken. Het boek is thematisch georganiseerd. Er zijn 26 delen. In het eerste deel vindt u basisinformatie over de Nederlandse en Poolse taal en het Nederlandse en Poolse alfabet. De delen 2-23 bevatten praktische woordenschat over onder meer ziektes, uitwendige lichaamsdelen, interne organen, pijn, klachten van patiënten, artsen, medische specialismen, afspraken maken, medische apparatuur en hygiëne, persoonlijke gegevens, eten en veel meer. In elk deel kunt u ook zien hoe de woorden in hun specifieke context gebruikt worden. De delen 24 en 25 zijn speciaal bedoeld voor zelfstudie of kunnen als huiswerk worden gemaakt. Hier vindt u oefeningen en de sleutel. Het boek gaat ook in op de juiste uitspraak van de Poolse woorden. Een belangrijk onderdeel van het boek vormen de medische teksten. Hierin komen de woorden uit de woordenschatlijsten terug in verschillende contexten. Dit boek is een tweede uitgave van Communications-Unlimited. De eerste: Zakelijk Pools voor Nederlanders, Thematische Woordenschat is een handig boek voor Nederlanders en Polen die zakelijk taal nodig hebben en dit boek biedt voor iedere denkbare zakelijke situatie de woorden die u nodig hebt. Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen is geschreven door Beata Bruggeman-Sękowska. Zij is universitair docente, beëdigd vertaalster Engels, Pools en Nederlands, en journaliste. Zij heeft ruim vijftien jaar ervaring als taaldocent, zowel aan Poolse als aan Nederlandse universiteiten en hogescholen. Medical Vocabulary: Polish and Dutch Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen, Medical Vocabulary: Polish and Dutch for everybody is an indispensable professional source not only for doctors, nurses, and other medical staff but for all the people who need medical help, for all Polish and Dutch people who live in Poland or the Netherlands. This is a unique book since no such book exists on Dutch, Polish or Belgium market. This book can be used as a self-study book and at the same time for courses and private lessons. It consists of 26 parts. In the first one you will find information about Polish and Dutch language and the alphabet. In the parts 2-23 you will find a specific medical vocabulary such as among others: illness and disease, parts of the body, medical apparatus, appointment with a doctor and a dentist, describing symptoms, various doctors, in the hospital, in the drugstore, types of drugs, articles of clothing, food, dates and other expressions of time. A very important part of the book are mdical texts, most of them primary sources. Here you will find medical vocabulary used in context. Medical Vocabulary: Polish and Dutch for everybody is an extraordinary book which will be soon available. It is an indispensable professional source not only for doctors, nurses, and other medical staff but for all the people who need medical help, for all Polish and Dutch people who live in Poland or the Netherlands. This is a unique book since no such book exists on Dutch, Polish or Belgium market.This book can be used as a self-study book and at the same time for courses and private lessons. It consists of 26 parts. In the first one you will find information about Polish and Dutch language and the alphabet. In the parts 2-23 you will find a specific medical vocabulary such as among others: illness and disease, parts of the body, medical apparatus, appointment with a doctor and a dentist, describing symptoms, various doctors, in the hospital, in the drugstore, types of drugs, articles of clothing, food, dates and other expressions of time. A very important part of the book are medical texts, mostof them primary sources. Here you will find medical vocabulary used in context. Parts 24 and 25 are exercises with answers. Part 26 is devoted to pronunciation. Medical Vocabulary: Polish and Dutch for everybody, Medisch Nederlands, Medisch Pools, Thematische woordenschat voor iedereen is written by Beata Bruggeman-Sękowska. It is her second book. First: Business Polish for the Dutch ( original title: Zakelijk Pools voor Nederlanders, Thematische woordenschat ) is a very popular book among all those who have Polish friends, employees, employers or business partners but also for all Polish people who have contact with Dutch business partners or friends. Beata Bruggeman-Sękowska is an academic teacher, a sworn translator (from/to English, Dutch and Polish) and a journalist. She has been working as a teacher and an academic teacher for both Dutch and Polish Universities for more than 15 years. She graduated from Warsaw University where she studied English and American language and literature. Her major was American culture, and she specialised also in methodology and translations. She completed also postgraduate studies in Journalism and TV Reporting organised by Warsaw University and L'Ecole Superiere de Journalisme de Lille and received "diplôme en journalisme européen".
Letter from America Penguin
Powieści i opowiadania
When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except
GemÂlde in deutschen Museen Paintings in German 7vols Saur Verlag KG
Paintings in German Museums systematically documents the entire holdings of a total of 557 German museums between Berchtesgaden and Seebüll. Since the last edition an additional 13,100 paintings, 2,500 artists and 75 museums have been added. New information can be found on 2,600 pictures and no less than 800 artists. The addresses of the museum have been completely up-dated. Whether you are searching for portraits of composers or want to know in which German museum pictures by the Würzburger Barock painter Georg Anton Urlaub can be found, whether you specialize in 17th century still life pictures or need an overview of the holdings of the Marburger Universitätsmuseums für Bildende Kunst: With the help of Paintings in German Museums you can find paintings from all epochs, genres and styles, including those which lead a secluded existence in the depositories of German museums. Paintings in German Museums provides a comprehensive and up-to-date catalogue of more than 143,137 paintings from more than 22,589 artists. This standard work has been considerably enlarged for the third edition. The entries for numerous pictures previously incompletely covered have now been supplemented with information regarding date of origin, format and materials. Biographical details have been updated and extended, whilst new information has also been applied in the category "attributed to". An astonishing number of museums have changed their names in recent years. As an aid to locating museums and avoiding confusion, the previous names are provided after the current ones. The paintings can be found in any one of three ways. In Artists and Their Works (volumes 1-3) the artists are arranged alphabetically together with their biographical details, whilst the pictures are listed according to their location. The entries include the title of the painting, its year of origin, material, format and special references such as "copy", "studio piece", "attributed to" etc. Where several names are in use, especially for painters of earlier epochs, references have been made to the more common forms. The same applies to pseudonyms and double names of painters. The Iconographic Directory in the volumes 4 and 5 divides the work into 300 groups of motives and is especially useful for research. Searches are further assisted by a classified index of over 900 terms, including subjects as obscure as "Alchemist Workshops" or "Atomic Physicians". Museums and Their Paintings fills two volumes where all paintings included in the main part can be found, arranged according to the appropriate museums and galleries. The emphases' of collections and the collecting policies of individual museums thus become apparent. Paintings in German Museums is a valuable source of information for universities, picture archives, museums and art libraries and also for the interested collector and art lover.
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Phil Collins w trakcie swojej muzycznej kariery nagra
J. S. Bach: Sonatas and Partitas for solo violin brilliant classics
Bach may well be one of the most widely acknowledged master composers of all time, but that only serves to make each performer's interpretation of his work all the more challenging and distinctive: each musician must both do justice to the composer's intention, making a decision as to the best way of conveying that within the music which is not fixed, and at the same time leave their own mark on the performance. This is especially true for these Sonatas and Partitas given the variety of styles in which such Baroque masterworks have been performed, ranging from the freely romantic to the strictly precise, and the technical challenge posed by these complex pieces for a single instrument.The works in this collection are something of an enigma, not only because of the uncertainty surrounding the circumstances and date of their composition, but, more crucially, because of the way in which they stretch the capacity for polyphony of a single violin beyond its physical limit. It is as though Bach had written for a full ensemble of instruments -- but on a single staff. Modern musicians have even speculated as to the possible existence of a special bow with which an exact performance of the music might have been achieved in Bach's day. The music is no less rich for all of this, however: on the contrary, the harmonic complexity of these pieces is at once captivating and beautiful; the implied but absent notes are thrillingly suggestive; and the multiplicity of voices leaves the listener marvelling at Bach's compositional vision and the performer's ability.This accomplished musical feat is performed by Kristóf Baráti, a Hungarian violinist who has worked with an astonishing number of world-famous orchestras and conductors. Baráti plays a 1703 Stradivarius violin, and one can sense this echo of the era of the pieces as much as one can his intense emotional involvement with the music.Other information:- Recorded 7--12 September 2009, Siemens-Villa, Berlin.- The star of the young Hungarian violinist Kristóf Baráti is quickly rising. Having won several important international competitions (the most recent first prize at the prestigious Paganini Competition in Moscow) he plays with important orchestras and conductors, like Charles Dutoit, Kurt Masur, Iván Fischer, Yuri Temirkanov and Marek Janowski. His recent recording of Beethoven's complete violin sonatas with Klára Würtz received rave reviews: "5 stars...a great duo, comparable with Perlman/Ashkenazy, Grumiaux/Haskil, Ferras/Barbizet' (Diapason), "A talent that comes along once in a decade, perhaps once in a generation, I don't say it lightly, but once you've heard Baráti and Würtz you'll never listen to anyone else again" (Fanfare).- Includes a note on interpretation from the artist as well as an artist biography/comprehensive liner notes in both English and German.- This recording of the great solo Bach was issued on Berlin Classics in 2009, and shows the sovereign command over the matter, and a deep understanding of the spirit of these masterworks....
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NAJLEPSZE HITY DLA CIEBIE VOL 9 3 CD Lista utwor
Words Fail Me Phaidon Press Ltd
This lively and informative new title was originally inspired by the author's Italian mother and her struggles with the vagaries of the English language. Over the years the author has tried to correct her attempts and explain why the word she has chosen is incorrect, only to be baffled herself by the lack of logic within those explanations. English is full of contradictions and peculiarities (not counting such dull grammatical inconsistencies as 'i before e except after c', which are really no fun at all) and hoodwinks us into believing one thing while meaning something quite different. In English, all is not what it seems and with this book the author has brought these illogical oddities to the fore. Questions of spelling, pronunciation or the blatantly nonsensical are illustrated through clever visual representations that are created entirely through artfully manipulated typography. This playful and sometimes hilarious text sorts the homonyms from the heteronyms and introduces the 'antigram' (demonstrating how the swift shuffle of certain letters can create words that entirely contradict the first: honestly becomes on the sly, earliest becomes rise late and, fabulously, Elvis = lives!). Monachino goes on to demand an explanation from all those tricky little words that are spelt the same and pronounced the same, but yet have utterly different meanings, while highlighting a few of life's petty pleonasms and showing off some quite excellent tautologies. A gaggle of one-word oxymorons shines the spotlight on words that harbour contradictory words within them and the final section provides a note on inadvisable hyphenation, which is a useful disco-very, but perhaps not the best place to beg-in. Because of the linguistic nature of this title there will be a American English edition.
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Asthma Manson Publishing Ltd
Medycyna > English Division
As the series title implies each Clinician's Desk Reference will be a practical resource and a daily aid for physicians in the hospital setting and in primary care. Asthma is one of the most important chronic disorders in the developed world. Evidence from around the world shows the prevalence of asthma has increased considerably since 1975, and now affects around 7.2% of the world population (about 100 million individuals). In the UK asthma is now the most common chronic disease affecting all age groups with approximately 11% of the population being diagnosed as having asthma at some time in their lives. Understanding of the basic mechanisms involved in the pathogenesis of asthma has improved dramatically over the past 20 years. Along with this increase in basic scientific knowledge, randomised clinical trials have produced evidence to guide clinicans in how to manage patients with asthma. The book covers edipdemiology, diagnosis and management, and takes a look at future developments. The authors highlight the under diagnosis of occupational asthma and emphasise the importance of effective patient education, particularly asthma action plans. There are ten clinical cases dealing with common diagnostic and management problems, frequently asked questions and appendices containing resources for patients and clinicians including useful websites, information leaflets and major references. Chapters are well designed and the one on management of acute asthma in adults is extremely well done. The descriptions are thorough and complete. Clinical case examples are helpful for readers. Illustrations showing the metered-dose inhaler are useful for clinicians as well as for patients. The chapter on occupational asthma will be very helpful in day-to-day practice. The authors have written a simple guide and clinical reference for asthma. This easy to understand book will find its place on practitioners' desks. (5 stars) -- K. P. Ravikrishnan, FRCP (C), FACP FCCP (William Beaumont Hospitals) Doody's Review Service ...a practical resource and a daily aid for young physicians in both a hospital setting and in primary care... plenty of practical information... a very appealing format, with lots of graphs and illustrations and an easy to read text... very well written and very to the point... worth reading -- M. Gaga European Respiratory Review 20120601
Medycyna > English Division
Expert renal pathologists have created this easy-to-use reference book featuring comprehensive coverage of common and rare renal diseases and their variants. The book includes an up-to-date, concise presentation of major pathological, clinical, pathophysiological, and genetic information for over 200 diagnoses. "Diagnostic Pathology: Kidney Diseases" is a highly anticipated title in the "Diagnostic Pathology" series published by "Amirsys". As readers have come to expect from "Amirsys", this book is filled with superior medical images, including gross pathology, a wide range of pathology stains, detailed medical illustrations, and hundreds of differential diagnoses. This disease-oriented guide, focused on medical kidney disorders, is a veritable one-stop shop for kidney disease pathology, including infections, injury, toxins, drugs, and genetics. "This is yet another masterpiece in the Diagnostic Pathology series. It deserves the highest grades for text, layout, readability, and illustrations. It was written for diagnostic pathologists and all those who have liked the previous volumes in the series should buy this one as well. I can assure them that they will not be disappointed. On the other hand, those who have been overwhelmed with the extent of coverage of previous volumes will find the same situation here. This is not a book for those pathologists, who do not like or do not care for nephropathology and/or do not see many kidney biopsies in their practice. It will appeal most to academic and practicing diagnostic nephropathologists who will find in it a lot of personalized empirical hints, diagnostic pearls, and systematically presented, generally useful data. The book definitely belongs in all major hospital and medical school libraries, departmental libraries of pathology and nephrology departments, and deserves to be on the shelves of all practicing nephropathologists and nephrologists." Weighted Numerical Score: 100 - 5 Stars! Doody's Book Review Ivan Damjanov, MD(University of Kansas Medical Center)
Lussier's: Human Relations in Organizations: Applications and Skill Building, 6e takes an application/skill building approach to human relations. This approach suits professors, who want to incorporate more activities and exercises into the classroom, and students who want to be able to do more than just understand concepts, but actually apply and develop skills that they can use in their daily and professional life.The book continues to have integration balanced by a three-pronged approach:-clear concise understanding of human relations/ organizational behavior concepts;-the application of HR/OB concepts for critical thinking in the business world; and-the development of HR/OB skills.This approach allows the student to learn the concept, apply it through various applications and situational activities, and ultimately apply it to his/her own life. Business Week Edition. Your students can subscribe to Business Week for a specially priced rate of $8.25 in addition to the price of the text. Students will receive a pass code card shrink-wrapped with their new text. The card directs students to a Website where they enter the code and then gain access to Business WeekĹźs registration page to enter address info and set up their print and online subscription as well. Passcode ISBN 007-251530-9.|Opening cases have been expanded and updated. Throughout the chapter, how the text concepts apply to the case is presented so that students can understand the application of the concepts to actual people in organizations.|Chapter 3 contains a determining personality profile exercise, and in all other chapters students find out how their personality relates to their use of the chapter concepts.|20 all-new Self-Assessment exercises have been added to encourage students to gain an understanding of self.|CASE-Internet with Cumulative Questions - because of the growing use of the Internet, each chapter now has a case study from a real world organization. At the end of the case, the organization's Website address is given so that students can visit the web to get updated information on the case. Chapters 2-15 include cumulative questions. Cumulative questions include concepts from prior chapters. For example, the case for Chapter 11 has five questions related to Chapter 11, which is followed by four questions relating concepts from Chapters 4, 5, 6, 8, and 10. Thus, students continually review concepts from prior chapters.|8 Ë by 11 paperback/workbook format allows the student to tear out activities to work on and hand in. |Work Applications - 10-11 questions throughout the chapter (found in the margin) require students to apply concepts to their own work experiences.|Application Situations - Each chapter contains 2 to 5 boxes with 5-10 questions that require students to apply the concept illustrated in a specific short example.|Objective Cases - Short cases at the end of each chapter with multiple choice and open-ended questions requiring students to apply concepts to people and organizations.|Video Cases are found at the end of several chapters with critical thinking discussion questions that require students to think critically as they apply the specific text concepts to answer questions about an organization shown in the video.|Self-Assessment Exercises - Each chapter has between 2 and 5 exercises (47 total) to enable students to gain personal knowledge of self. Some of the exercises are tied to skill-building exercises to enhance the impact of the self-assessment. All information for scoring and assessing can be found within each exercise.|Group Skill-Building Exercises - Around 30% of the skill-building exercises primarily focus on small group (2-6 members) activities. Thus, breaking into small groups is required.|Role-Play Skill-Building Exercises - Around 10% of the skill-building exercises primarily focus on developing skills through behavior modeling. Breaking into groups of three and role-playing is required.|Video Exercise and Icon - The video exercises are designed to illustrate specific text concepts/styles that the students identify. Each exercise has a place for the students to write their answers.|Individual and Group Skill-Building Exercises -Around 60% of the skill-building exercises primarily focus on individual skill building, most of which are out of class as preparation for the exercise. However, in-class work in groups using the concepts and sharing answers can enhance skill building.|Skill Building Objectives and SCANS - Each skill building exercise begins by listing its objective. Listing the Secretary's Commission of Achieving Necessary Skills (SCANS) competencies developed through the exercise follows the objective|Online Learning Center with Powerweb: is an enhanced site that is the premier book support Website. PowerWeb features have been integrated as part of the siteĹźs ĹźpremiumĹź content. Password protected premium content includes current news, constantly updated links, weekly updates, and related articles. It also offers enhanced learning and teaching tools. OLCs follow the text chapter by chapter, offering supplementary content created to supplement the textbook. For students, this may include quizzing, review material, additional web links, and more. For instructors, this includes digital delivery of the textĹźs supplements in a password protected environment. OLCs can be delivered multiple ways-through the textbook website, PageOut, or within a course management system (i.e. WebCT & Blackboard.)|McGraw-HillĹźs Knowledge Gateway - The Complete Resource for Teaching Online Courses. McGraw-Hill/Irwin, in partnership with Eduprise, is proud to bring this unique service to instructors. This comprehensive Website contains a wealth of information for any professor interested in teaching online. Level one is available to any instructor browsing our Website. Level two is reserved for McGraw-Hill customers and contains access to free technical and instructional design assistance. For more details, visit http://mhhe.eduprise.com/home.nsf|PageOut is McGraw-HillĹźs unique point-and click course Website tool, enabling you to create a full-featured, professional quality course Website without knowing HTML coding. With PageOut you can post your syllabus online, assign McGraw-Hill Online Learning Center or eBook content, add links to important off-site resources, and maintain student results in the online grade book. You can send class announcements, copy your course site to share with colleagues, and upload original files. PageOut is free for every McGraw-Hill/Irwin user and, if youĹźre short on time, we even have a team ready to help you create your site!|You can customize this text. McGraw-Hill/Primis Online's digital database offers you the flexibility to customize your course including material from the largest online collection of textbooks, readings, and cases. Primis leads the way in customized eBooks with hundreds of titles available at prices that save your students over 20% off bookstore prices. Additional information is available at 800-228-0634.|OLC with Powerweb: is an enhanced site that is the premier book support Website. PowerWeb features have been integrated as part of the siteĹźs ĹźpremiumĹź content. Password protected premium content includes current news, constantly updated links, weekly updates, and related articles. It also offers enhanced learning and teaching tools. OLCs follow the text chapter by chapter, offering supplementary content created to supplement the textbook. For students, this may include quizzing, review material, additional web links, and more. For instructors, this includes digital delivery of the textĹźs supplements in a password protected environment. OLCs can be delivered multiple ways-through the textbook website, PageOut, or within a course management system (i.e. WebCT & Blackboard.)
Economics of Electricity Markets John Wiley & Sons
Książki / Literatura obcojęzyczna
This title bridges the knowledge gap between engineering and economics in a complex and evolving deregulated electricity industry, enabling readers to understand, operate, plan and design a modern power system. With an accessible and progressive style written in straight-forward language, this book covers everything an engineer or economist needs to know to understand, operate within, plan and design an effective liberalized electricity industry, thus serving as both a useful teaching text and a valuable reference. The book focuses on principles and theory which are independent of any one market design. It outlines where the theory is not implemented in practice, perhaps due to other over-riding concerns. The book covers the basic modelling of electricity markets, including the impact of uncertainty (an integral part of generation investment decisions and transmission cost-benefit analysis). It draws out the parallels to the Nordpool market (an important point of reference for Europe). Written from the perspective of the policy-maker, the first part provides the introductory background knowledge required. This includes an understanding of basic economics concepts such as supply and demand, monopoly, market power and marginal cost. The second part of the book asks how a set of generation, load, and transmission resources should be efficiently operated, and the third part focuses on the generation investment decision. Part 4 addresses the question of the management of risk and Part 5 discusses the question of market power. Any power system must be operated at all times in a manner which can accommodate the next potential contingency. This demands responses by generators and loads on a very short timeframe. Part 6 of the book addresses the question of dispatch in the very short run, introducing the distinction between preventive and corrective actions and why preventive actions are sometimes required. The seventh part deals with pricing issues that arise under a regionally-priced market, such as the Australian NEM. This section introduces the notion of regions and interconnectors and how to formulate constraints for the correct pricing outcomes (the issue of "constraint orientation"). Part 8 addresses the fundamental and difficult issue of efficient transmission investment, and finally Part 9 covers issues that arise in the retail market. It bridges the gap between engineering and economics in electricity, covering both the economics and engineering knowledge needed to accurately understand, plan and develop the electricity market. It features comprehensive coverage of all the key topics in the economics of electricity markets. It covers the latest research and policy issues as well as description of the fundamental concepts and principles that can be applied across all markets globally. It includes numerous worked examples and end-of-chapter problems. Companion website holding solutions to problems set out in the book, also the relevant simulation (GAMS) codes.
CARRYING ON KACY & CLAYTON CD WYDAWCA
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