130,90 zł

Grandmaster Repertoire 9 - The Grunfeld Defence Volume Two by Boris Avrukh (miękka okładka)

Szachy > Debiuty

Wersja językowa książki - angielska. Miękka okładka.  Grandmaster Repertoire is a series of high quality chess books based on the main lines, written by strong grandmasters. The aim is to provide the reader with a complete repertoire at a level good enough for elite tournaments, and certainly also for the club championship. The Grünfeld Defence  offers a repertoire for Black against 1.d4. Avrukh's two previous Grandmaster Repertoire books White received universal rave reviews and have been hugely influential on chess players all over the world, including at the very highest level.Volume Two covers the Exchange variations where White plays 4.cxd5 or 4.Nf3 Bg7 5.cxd5. Boris Avrukh  is a chess grandmaster from Israel. He is an Olympiad gold medalist, former World Junior Champion and analysis partner of World Championship finalists.ISBN 978-1-907982-00-2 - 264 pages - Published 24 June 2011Reviews"I have spent quite a few hours going through Avrukh's work and found it quite pleasant to read through, which contrasts sharply with many theoretical volumes on my shelves. As to the acid test of these books, it goes without saying that I have not noticed any errors or omissions in Avrukh's work.""Providing high quality analysis on this line is a central part of Avrukh's professional work, and the main question was whether he would be able to engagingly present the fruits of this analysis. The answer is a resounding yes." IM Sam Collins , Chess Today "Boris Avrukh's two-volume work The Grünfeld Defense, published recently by Quality Chess, is more than 600 pages long. The Israeli grandmaster presents ideas from Black's point of view, mixing known games with many original analyses. It is a wonderful Grünfeld manual that gives tournament players advice on where to move and what to avoid." GM Lubomir Kavalek , Huffington Post (full column here and also at ChessBase) "Avrukh does a fabulous job of piecing together a repertoire, presenting it in digestible format, and then analyzing the chosen lines in incredible detail. All while offering hundreds of improvements over existing theory... The variety of moves goes from simple alternatives to outright improvements that change the evaluation of the line as a whole. The latter are obviously the ones that make the study and subsequent use of the lines exciting. Playing against a reasonably well-prepared opponent in this opening can be difficult, but facing them packing the armory in these volumes will be a whole different ball game.For the strong to elite players who employ the main lines of the Grünfeld, these books are must-buys. Such players will love these books and refer to them repeatedly. Those ranking just below that will also be able to benefit, while others will likely do better with something aimed at their level.My assessment of these books: 6/6 Stars" Carsten Hansen , ChessCafe (full review) "A final word about the production values of these books; I was sent a hardback copy of one volume and a softback copy of the other. Both are excellent, but I later treated myself to a hardback copy of the second volume!Verdict: These two books represent the #8216;state-of-the-art' in opening repertoire manuals. Any strong or ambitious player intending to play the Grünfeld in open events would be unwise to try to manage without these Avrukh books, and for correspondence players they are surely a must." Phil Adams  (full review) "Volume 2 is all about the wonderful Exchange Variation... The material is definitely up to date... These are books for serious players; club players may find themselves a little bit out of their depth. The index of variations in volume 1 runs to no fewer than nine pages (some opening books don't even have chapters that long). Despite the narrowness of the repertoire, readers will find more than enough top-quality material to enable them to use the Grunfeld Defence very successfully, even at very high levels." Sean Marsh  (full review) "As always, Avrukh takes all known theory and then fights to find what he deems to be the most critical lines. Having done that, he analyzes it to death and in the process comes up with an enormous amount of new ideas, most of which he happily publishes!Both volumes of Avrukh's The Grünfeld Defence are wonderful, and any Grünfeld aficionado will grab these puppies as fast as he can. However, I also feel that anyone that plays 1.d4 will also be forced to buy these books. Another magnificent job by Avrukh - if you play either side of this opening, why aren't these books heading from the Quality Chess storage to your bookshelf right now?" IM Jeremy Silman

Sklep: Imperiumzabawek.pl

34288,40 zł

Oxygen Forensic Detective z kluczem USB (zawiera 12 m-cy aktualizacji) GSM-Support, Kraków

Oprogramowanie użytkowe > Oxygen > Programy dla śledczych

Oxygen Forensic Detective (zawiera 12 m-cy aktualizacji) - to oprogramowanie dla komputerów klasy PC służące do wydobycia maksymalnej ilości informacji z telefonów komórkowych i smartfonów, w celach dochodzeniowo-śledczych. Program ten odegrał znaczącą rolę w śledztwach w postępowaniach kryminalnych i innych w ponad 20 krajach na całym świecie. Jednym z głównych zastosowań tego oprogramowania jest odzyskiwanie informacji, które mogą służyć jako dowód w postępowaniu sądowym. Firma GSM-SUPPORT posiada bezpośrednią autoryzację od producenta na sprzedaż oprogramowania firmy Oxygen Software. Supports live data acquisition from 11,000+ mobile devices running on iOS, Android, Windows 8, Windows Mobile 5/6, RIM(Blackberry), Symbian, Bada, Chinese MTK chipset, and feature phones. Offers advanced Oxygen Forensic

Sklep: GSM-support.pl

498,54 zł

BUSINESS IN ACTION PLUS COURTALND BOVEE NOWA WYDAWCA

Podręczniki, artykuły szkolne > Podręczniki do szkół podst. i średnich

Business in Action plus Pearson MyLab Business with Pearson eText, Global Edition   This title is a Pearson Global Edition. The Editorial team at Pearson has worked closely with educators around the world to include content, which is especially relevant to students outside the United States.   This package includes Pearson MyLab Business.   A concise and comprehensive introduction to business Business in Action  remains the premier, comprehensive textbook for important introductory business principles and concepts. Featuring a highly organized, objective-driven structure, the text incorporates relevant, contemporary examples and trends from the business world. Now 16 chapters (down from 20), the  9th Edition  has been streamlined to better match the needs of the course. New material, visuals, and assessment questions cover the full spectrum of contemporary business topics without filler or fluff. So, students can focus on what

Sklep: ksiazkitanie.pl

28,00 zł

Beethoven: Complete Cello Sonatas & Variations brilliant classics

Nagrania>Nagrania muzyczne

Beethoven's oeuvre only comprises a small collection of works for cello and piano, but that the composer was an accomplished writer for this combination of instruments is evident from the fact that Jean-Louis Duport, one of Frederick II's court cellists and one of the most revered musicians of his day, incorporated many of the techniques found in the Op.5 sonatas into his instruction manual for cello. The two works each contain only two movements, and the absence of a slow movement was probably to avoid the problem of dynamic imbalance between the instruments (which would have been accentuated in adagio passages) -- something that is also the case with the Op.68 sonatas, composed in 1807. Only with the second Op.102 sonata does the composer finally replace the slow introduction, as found in No.1 and all of the above works, with a full-scale slow movement, one that precedes the massive fugal finale that was to form such an intrinsic part of Beethoven's late-period works.Also featured are the three delightful sets of variations for cello and piano, each modelled on a different aria from Handel's opera Judas Maccabeus and Mozart's Die Zauberflöte, and each (just like the sonatas) placing the piano on an equal footing with the cello throughout. The works are an engaging addition to a collection that marks the return of Israeli/Dutch cellist Timora Rosler and Hungarian pianist Klára Würtz, whose previous Brilliant Classics release 'Cello Rhapsody' (9157) was released to critical acclaim, and which provides a snapshot of the composer's stylistic development over a period of nearly 20 years.Other information:- Filling "only" two CD's, the complete works for cello and piano are quintessential and vintage Beethoven. The two youthful Opus 5 sonatas are written in virtuoso concerto style, with an especially glittering role for the piano (Beethoven was a tremendous pianist in his early years), the sonata Op. 69 is in the expansive, sonorous and deep-feeling tonal language of Beethoven's Middle-Period, whereas the two Late sonatas Op. 102 are marvels of originality, experiment, "quirkiness" and humanity.- The two musicians Timora Rosler and Klára Würtz have been playing together for more than 15 years, having won several chamber music prizes. They performed the Beethoven cycle several times in concert over the years, and their interpretation has ripened to such an extent that the time came to record it. And here it is: every note alive and vibrant, played with gusto and feeling, alternating melancholy and joy, sadness and sheer fun.- Contains notes on the music and detailed artist biographies.- Recorded 19--23 January 2013, Sala congressi del Parco naturalistico di Onara, Padua, Italy....

Sklep: Bonusmedia

27,15 zł

Beethoven: Complete Cello Sonatas & Variations brilliant classics

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna

Beethoven's oeuvre only comprises a small collection of works for cello and piano, but that the composer was an accomplished writer for this combination of instruments is evident from the fact that Jean-Louis Duport, one of Frederick II's court cellists and one of the most revered musicians of his day, incorporated many of the techniques found in the Op.5 sonatas into his instruction manual for cello. The two works each contain only two movements, and the absence of a slow movement was probably to avoid the problem of dynamic imbalance between the instruments (which would have been accentuated in adagio passages) -- something that is also the case with the Op.68 sonatas, composed in 1807. Only with the second Op.102 sonata does the composer finally replace the slow introduction, as found in No.1 and all of the above works, with a full-scale slow movement, one that precedes the massive fugal finale that was to form such an intrinsic part of Beethoven's late-period works.Also featured are the three delightful sets of variations for cello and piano, each modelled on a different aria from Handel's opera Judas Maccabeus and Mozart's Die Zauberflöte, and each (just like the sonatas) placing the piano on an equal footing with the cello throughout. The works are an engaging addition to a collection that marks the return of Israeli/Dutch cellist Timora Rosler and Hungarian pianist Klára Würtz, whose previous Brilliant Classics release 'Cello Rhapsody' (9157) was released to critical acclaim, and which provides a snapshot of the composer's stylistic development over a period of nearly 20 years.Other information:- Filling "only" two CD's, the complete works for cello and piano are quintessential and vintage Beethoven. The two youthful Opus 5 sonatas are written in virtuoso concerto style, with an especially glittering role for the piano (Beethoven was a tremendous pianist in his early years), the sonata Op. 69 is in the expansive, sonorous and deep-feeling tonal language of Beethoven's Middle-Period, whereas the two Late sonatas Op. 102 are marvels of originality, experiment, "quirkiness" and humanity.- The two musicians Timora Rosler and Klára Würtz have been playing together for more than 15 years, having won several chamber music prizes. They performed the Beethoven cycle several times in concert over the years, and their interpretation has ripened to such an extent that the time came to record it. And here it is: every note alive and vibrant, played with gusto and feeling, alternating melancholy and joy, sadness and sheer fun.- Contains notes on the music and detailed artist biographies.- Recorded 19--23 January 2013, Sala congressi del Parco naturalistico di Onara, Padua, Italy....

Sklep: Madbooks.pl

27,00 zł

J. S. Bach: Sonatas and Partitas for solo violin Brilliant Classics

Nagrania muzyczneMuzyka poważna

Bach may well be one of the most widely acknowledged master composers of all time, but that only serves to make each performer's interpretation of his work all the more challenging and distinctive: each musician must both do justice to the composer's intention, making a decision as to the best way of conveying that within the music which is not fixed, and at the same time leave their own mark on the performance. This is especially true for these Sonatas and Partitas given the variety of styles in which such Baroque masterworks have been performed, ranging from the freely romantic to the strictly precise, and the technical challenge posed by these complex pieces for a single instrument.The works in this collection are something of an enigma, not only because of the uncertainty surrounding the circumstances and date of their composition, but, more crucially, because of the way in which they stretch the capacity for polyphony of a single violin beyond its physical limit. It is as though Bach had written for a full ensemble of instruments -- but on a single staff. Modern musicians have even speculated as to the possible existence of a special bow with which an exact performance of the music might have been achieved in Bach's day. The music is no less rich for all of this, however: on the contrary, the harmonic complexity of these pieces is at once captivating and beautiful; the implied but absent notes are thrillingly suggestive; and the multiplicity of voices leaves the listener marvelling at Bach's compositional vision and the performer's ability.This accomplished musical feat is performed by Kristóf Baráti, a Hungarian violinist who has worked with an astonishing number of world-famous orchestras and conductors. Baráti plays a 1703 Stradivarius violin, and one can sense this echo of the era of the pieces as much as one can his intense emotional involvement with the music.Other information:- Recorded 7--12 September 2009, Siemens-Villa, Berlin.- The star of the young Hungarian violinist Kristóf Baráti is quickly rising. Having won several important international competitions (the most recent first prize at the prestigious Paganini Competition in Moscow) he plays with important orchestras and conductors, like Charles Dutoit, Kurt Masur, Iván Fischer, Yuri Temirkanov and Marek Janowski. His recent recording of Beethoven's complete violin sonatas with Klára Würtz received rave reviews: "5 stars...a great duo, comparable with Perlman/Ashkenazy, Grumiaux/Haskil, Ferras/Barbizet' (Diapason), "A talent that comes along once in a decade, perhaps once in a generation, I don't say it lightly, but once you've heard Baráti and Würtz you'll never listen to anyone else again" (Fanfare).- Includes a note on interpretation from the artist as well as an artist biography/comprehensive liner notes in both English and German.- This recording of the great solo Bach was issued on Berlin Classics in 2009, and shows the sovereign command over the matter, and a deep understanding of the spirit of these masterworks.

Sklep: Booknet.net.pl

56,97 zł

Bedtime Book of Animals Dorling Kindersley Ltd

Książki / Literatura obcojęzyczna

A must-have illustrated introduction to the animal kingdom, including over 50 of the world's favourite animals! Introducing The Bedtime Book of Animals, a must-have animal reference book for all early readers who are keen to explore animals from all over the globe. Turn each page to find out more about a wide variety of animals, from teeny-tiny insects to gigantic elephants and whales. The Bedtime Book of Animals showcases creatures from each of the core animal groups (mammals, birds, reptiles, amphibians, fish, and invertebrates) in six dedicated chapters.Many pages are devoted to a different creature, with others featuring a collection of animals from the same family, and some explore more than one animal type, giving bite-sized chunks of accessible information to help early learners get to know new species. Discover beautiful illustrations, storybook text, and key terms highlighted on each page, this amazing animal book is a wonderful and comprehensive introduction to animals around the world. There are also reference pages that dive in deeper to explore animal classification, food chains, habitats, and even endangered and extinct animals.A fun-filled journey into the animal kingdom awaits you, promising: -A must-have introduction to a wide variety of animals from around the world-Introduces essential information about each species in a friendly, accessible way-Colourfully illustrated, with light annotation of key features-Reinforces early animal vocabulary, and builds awareness of connections in the animal kingdom-Fully illustrated, with a bright colour palette and fresh feel. From rabbits and red pandas, starfish to songbirds, endangered animals and exploring the food chain, The Bedtime Book of Animals is a beautiful, fully-illustrated non-fiction title, with evocative, engaging picture book text that can be read aloud - perfect for parents/carers and children to enjoy at bedtime. A must-have volume to add to every 3-5 year old's library, this is a one-hit introduction to animals, featuring more than 50 best-loved and lesser-known animals from around the world.Did you know that the topic of animals is universally popular and this is a tried-and-tested non-fiction genre, which can help to develop early understanding of the natural world in young readers, as well as developing soft skills such as empathy, kindness and care in 3-5 year olds? Perfect for parents and educators seeking to introduce core animal knowledge at a young age, including how to recognise animals, animal categorisation and key features. A friendly, factual, timeless gift book, The Bedtime Book of Animals will be treasured forever.

Sklep: Libristo.pl

93,00 zł

Medisch Pools, Medisch Nederlands. Słownictwo medyczne polskie i niderlandzkie dla każdego [Beata Bruggeman-Sękowska] Communications Unlimited

Język niderlandzki

Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen , książka słownictwo medyczne polskie i niderlandzkie dla każdego, jest unikalną pozycją. Składa się ona z 200 stron słownictwa, wyrażeń, tekstów i ćwiczeń przydatnych nie tylko polskim i niderlandzkim lekarzom, pielęgniarkom, i innym zawodom związanych z medycyną, ale też na przykład pacjentom i rodzicom, którzy muszą sie udać ze swoim dzieckiem do lekarza, czy centrum konsultacyjnego. Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen może być przydatne zarówno w pracy jak i na gruncie prytwanym, do nauki języka na kursie jak i samodzielnej nauki. Książka ta składa się z pól tematycznych, takich jak między innymi : choroby i schorzenia, anatomia, medyczna aparatura, problemy zdrowotne, wizyta u lekarza, specyficzne i ogólne słownictwo medyczne,dni, wyrażenia czasu, jedzenie i ubrania. Dodatkowo można tu znaleźć teksty medyczne i rozmaite ćwiczenia z odpowiedziami. Jest to zatem pozycja do samodzielnej nauki jak i do użycia na kursach, dla Polaków i Holendrów. Książka ta jest zorganizowana tematycznie. Składa się z 26 części. W pierwszej jest podstawowa informacja o języku i alfabecie niderlandzkim i polskim. Części 2-23 to praktyczne słownictwo z takich dziedzin jak: narządy zewnętrzne, organy wewnętrzne, ból, dolegliwości pacjenta, lekarze, specjalizacje medyczne, wizyta u lekarza i dentysty, choroby i schorzenia, sprzęt medyczny i higiena, rodzaje leków, w aptece, inna medyczna terminologia, ubrania, jedzenia, teksty medyczne i określenia czasu. Części 24 i 25 to ćwiczenia z odpowiedziami a część 26 poświęcona jest wymowie. Ważnym elementen książki są teksty medyczne, gdzie powraca słownictwo tematyczne. Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen, książka słownictwo medyczne polskie i niderlandzkie dla każdego jest drugą publikacją Communications-Unlimited. Pierwsza: Zakelijk Pools voor Nederlanders, Thematische Woordenschat, język Polski dla biznesu , słownik tematyczny, to unikalna i popularna pozycja dla tych którzy mają kontakt z językiem polskim i niderlandzkim, z pracodawcą, pracownikiem, kolegą, holenderskim lub polskim. Może być przydatna zarówno w pracy, jak i na gruncie prywatnym, może też służyc do nauki języka na kursie oraz do samodzielnej nauki. Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen, książka słownictwo medyczne polskie i niderlandzkie dla każdego jest napisana przez Beatę Bruggeman-Sękowską. Beata Bruggeman-Sękowska jest nauczycielem akademickim, tłumaczem przysięgłym z następujących języków: polski, niderlandzki i angielski oraz dziennikarzem mieszkającym w Holandii. Ma ponad 15 lat doświadczenia jako lingwistka, zarówno na polskich jak i niderlandzkich uczelniach. Inhoudsopgave/Spis treści Voorwoord / Slowo wstepne 1. Pools alfabet / Polski alfabet 2. Uitwendige delen / Narządy zewnętrzne 3. Interne organen / Narządy wewnętrzne 4. Pijn / Ból 5. Klachten van de patiënt / Dolegliwości pacjenta 6. Artsen / Lekarze 7. Medisch specialismen / Specjalizacje medyczne 8. Afspraak maken / Umówic się na wizytę 9. De diagnose / Diagnoza 10. Bij de tandarts / U dentysty 11. Ziektes, aandoeningen / Choroby, schorzenia 12. Afdeling / Oddzial szpitalny 13. Medische apparatuur en hygiëne / Sprzet medyczny i higiena 14. Soort medicijnen / Rodzaje leków 15. Bij de apotheek / W aptece 16. Overige medische terminologie / Inna terminologia medyczna 17. Kleding / Ubrania 18. Eten / Jedzenie 19. Teksten / Teksty 20. Persoonlijke gegevens / Dane osobowe 21. Dagen, maanden en seizoenen / Dni, miesiące i pory roku 22. Cijfers en letters / Cyfry i liczby 23. Hoe laat is het? / Która jest godzina? 24. Oefeningen / Ćwiczenia 25. Antwoorden / Odpowiedzi 26. Poolse uitspraak / Wymowa polska Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen , is een unieke uitgave.Het boek bestaat uit 200 pagina's waardevolle informatie voor iedereen: artsen, verpleegkundigen, ambulanceteams, patiënten, moeders die met hun kinderen naar de huisarts moeten, zowel voor Polen als Nederlanders. Het boek is dus voor iedereen die medisch Pools of Nederlands nodig heeft. Het is een handig naslagwerk voor op de werkvloer, in het dagelijks leven en het kan gebruikt worden voor zelfstudie, maar ook in elke cursus waarin de medische woordenschat aan de orde komt. Het boek bestaat uit thematische woordenlijsten, variërend van namen van aandoeningen, medische specialismen, medische apparatuur, klachten, diagnoses, afspraken maken, medicijnen, algemene en specifieke medische woordenschat, eten, kleding, dagen van de week tot tijdsaanduidingen. Maar ook treft u voorbeelden aan van verschillende medische teksten. En het bevat bovendien een aantal oefeningen om u het Nederlands en Pools eigen te maken. Het boek is thematisch georganiseerd. Er zijn 26 delen. In het eerste deel vindt u basisinformatie over de Nederlandse en Poolse taal en het Nederlandse en Poolse alfabet. De delen 2-23 bevatten praktische woordenschat over onder meer ziektes, uitwendige lichaamsdelen, interne organen, pijn, klachten van patiënten, artsen, medische specialismen, afspraken maken, medische apparatuur en hygiëne, persoonlijke gegevens, eten en veel meer. In elk deel kunt u ook zien hoe de woorden in hun specifieke context gebruikt worden. De delen 24 en 25 zijn speciaal bedoeld voor zelfstudie of kunnen als huiswerk worden gemaakt. Hier vindt u oefeningen en de sleutel. Het boek gaat ook in op de juiste uitspraak van de Poolse woorden. Een belangrijk onderdeel van het boek vormen de medische teksten. Hierin komen de woorden uit de woordenschatlijsten terug in verschillende contexten. Dit boek is een tweede uitgave van Communications-Unlimited. De eerste: Zakelijk Pools voor Nederlanders, Thematische Woordenschat is een handig boek voor Nederlanders en Polen die zakelijk taal nodig hebben en dit boek biedt voor iedere denkbare zakelijke situatie de woorden die u nodig hebt. Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen is geschreven door Beata Bruggeman-Sękowska. Zij is universitair docente, beëdigd vertaalster Engels, Pools en Nederlands, en journaliste. Zij heeft ruim vijftien jaar ervaring als taaldocent, zowel aan Poolse als aan Nederlandse universiteiten en hogescholen. Medical Vocabulary: Polish and Dutch Medisch Pools, Medisch Nederlands, Thematische woordenschat voor iedereen, Medical Vocabulary: Polish and Dutch for everybody is an indispensable professional source not only for doctors, nurses, and other medical staff but for all the people who need medical help, for all Polish and Dutch people who live in Poland or the Netherlands. This is a unique book since no such book exists on Dutch, Polish or Belgium market. This book can be used as a self-study book and at the same time for courses and private lessons. It consists of 26 parts. In the first one you will find information about Polish and Dutch language and the alphabet. In the parts 2-23 you will find a specific medical vocabulary such as among others: illness and disease, parts of the body, medical apparatus, appointment with a doctor and a dentist, describing symptoms, various doctors, in the hospital, in the drugstore, types of drugs, articles of clothing, food, dates and other expressions of time. A very important part of the book are mdical texts, most of them primary sources. Here you will find medical vocabulary used in context. Medical Vocabulary: Polish and Dutch for everybody is an extraordinary book which will be soon available. It is an indispensable professional source not only for doctors, nurses, and other medical staff but for all the people who need medical help, for all Polish and Dutch people who live in Poland or the Netherlands. This is a unique book since no such book exists on Dutch, Polish or Belgium market.This book can be used as a self-study book and at the same time for courses and private lessons. It consists of 26 parts. In the first one you will find information about Polish and Dutch language and the alphabet. In the parts 2-23 you will find a specific medical vocabulary such as among others: illness and disease, parts of the body, medical apparatus, appointment with a doctor and a dentist, describing symptoms, various doctors, in the hospital, in the drugstore, types of drugs, articles of clothing, food, dates and other expressions of time. A very important part of the book are medical texts, mostof them primary sources. Here you will find medical vocabulary used in context. Parts 24 and 25 are exercises with answers. Part 26 is devoted to pronunciation. Medical Vocabulary: Polish and Dutch for everybody, Medisch Nederlands, Medisch Pools, Thematische woordenschat voor iedereen is written by Beata Bruggeman-Sękowska. It is her second book. First: Business Polish for the Dutch ( original title: Zakelijk Pools voor Nederlanders, Thematische woordenschat ) is a very popular book among all those who have Polish friends, employees, employers or business partners but also for all Polish people who have contact with Dutch business partners or friends. Beata Bruggeman-Sękowska is an academic teacher, a sworn translator (from/to English, Dutch and Polish) and a journalist. She has been working as a teacher and an academic teacher for both Dutch and Polish Universities for more than 15 years. She graduated from Warsaw University where she studied English and American language and literature. Her major was American culture, and she specialised also in methodology and translations. She completed also postgraduate studies in Journalism and TV Reporting organised by Warsaw University and L'Ecole Superiere de Journalisme de Lille and received "diplôme en journalisme européen".

Sklep: Polishbookstore.pl

40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

Sklep: Albertus.pl

332,41 zł

PHIL COLLINS 4 CD PLAYS WELL WITH OTHERS WYDAWCA

Muzyka > Płyty kompaktowe

Phil Collins w trakcie swojej muzycznej kariery nagrał wiele wspaniałych duetów. 4-płytowy zestaw

Sklep: ksiazkitanie.pl

29,00 zł

J. S. Bach: Sonatas and Partitas for solo violin brilliant classics

Nagrania>Nagrania muzyczne

Bach may well be one of the most widely acknowledged master composers of all time, but that only serves to make each performer's interpretation of his work all the more challenging and distinctive: each musician must both do justice to the composer's intention, making a decision as to the best way of conveying that within the music which is not fixed, and at the same time leave their own mark on the performance. This is especially true for these Sonatas and Partitas given the variety of styles in which such Baroque masterworks have been performed, ranging from the freely romantic to the strictly precise, and the technical challenge posed by these complex pieces for a single instrument.The works in this collection are something of an enigma, not only because of the uncertainty surrounding the circumstances and date of their composition, but, more crucially, because of the way in which they stretch the capacity for polyphony of a single violin beyond its physical limit. It is as though Bach had written for a full ensemble of instruments -- but on a single staff. Modern musicians have even speculated as to the possible existence of a special bow with which an exact performance of the music might have been achieved in Bach's day. The music is no less rich for all of this, however: on the contrary, the harmonic complexity of these pieces is at once captivating and beautiful; the implied but absent notes are thrillingly suggestive; and the multiplicity of voices leaves the listener marvelling at Bach's compositional vision and the performer's ability.This accomplished musical feat is performed by Kristóf Baráti, a Hungarian violinist who has worked with an astonishing number of world-famous orchestras and conductors. Baráti plays a 1703 Stradivarius violin, and one can sense this echo of the era of the pieces as much as one can his intense emotional involvement with the music.Other information:- Recorded 7--12 September 2009, Siemens-Villa, Berlin.- The star of the young Hungarian violinist Kristóf Baráti is quickly rising. Having won several important international competitions (the most recent first prize at the prestigious Paganini Competition in Moscow) he plays with important orchestras and conductors, like Charles Dutoit, Kurt Masur, Iván Fischer, Yuri Temirkanov and Marek Janowski. His recent recording of Beethoven's complete violin sonatas with Klára Würtz received rave reviews: "5 stars...a great duo, comparable with Perlman/Ashkenazy, Grumiaux/Haskil, Ferras/Barbizet' (Diapason), "A talent that comes along once in a decade, perhaps once in a generation, I don't say it lightly, but once you've heard Baráti and Würtz you'll never listen to anyone else again" (Fanfare).- Includes a note on interpretation from the artist as well as an artist biography/comprehensive liner notes in both English and German.- This recording of the great solo Bach was issued on Berlin Classics in 2009, and shows the sovereign command over the matter, and a deep understanding of the spirit of these masterworks....

Sklep: Bonusmedia

114,40 zł

The Cutting Edge 1 - The Open Sicilian 1 by Milos Pavlovic (miękka okładka)

Szachy > Debiuty

Wersja językowa książki - angielska. Miękka okładka.   The Cutting Edge 1 - The Open Sicilian 1  This book is the first in a new series from Quality Chess examining the cutting edge of opening theory. The idea is to identify the most important theoretical battlegrounds of the moment and then analyse as deeply as possible in search of improvements. Thus the reader will be ahead of the current state-of-the-art, rather than lagging behind trying to memorize old games. In  The Cutting Edge1 - The Open Sicilian 1  the variations covered are: Sveshnikov  13.Nxb5 piece sac: 9.Bxf6 gxf6 10.Nd5 f5 11.Bd3 Be6 12.c3 Bg7 13.Nxb5 axb5 14.Bxb5 Sveshnikov  18.h4 pawn sac: 9.Nd5 Be7 10.Bxf6 Bxf6 11.c3 0

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105,55 zł

NAJLEPSZE HITY DLA CIEBIE VOL 9 3 CD WYDAWCA

Muzyka > Płyty kompaktowe > Składanki

NAJLEPSZE HITY DLA CIEBIE VOL 9 3 CD Lista utworów: CD 1: 1. Girls Like You

Sklep: ksiazkitanie.pl

100,09 zł

ENNIO MARRICONE CD MAIN THEME THIS LAND END CREDITS WYDAWCA

Muzyka > Płyty kompaktowe > Muzyka klasyczna

ENNIO MARRICONE CD MAIN THEME THIS LAND END CREDITS  CD 1: 1. Main Theme (From "Star Wars") - John Williams & London Symphonic Orchestra 2. The James Bond Theme (From "Dr. No") - John Barry 3. The Raider's March (From "Raiders Of The Lost Ark") - John Williams & The Boston Pops Orchestra 4. Speak Softly Love (From "The Godfather") - The City Of Prague Philharmonic Orchestra 5. Suite (From "Jurassic Park") - Royal Philharmonic Orchestra 6. This Land (From "The Lion King") - Hans Zimmer 7. Now We Are Free (From "Gladiator") - Hans Zimmer & Lisa Gerrard 8. End Credits (From "Braveheart") - James Horner 9. Hedwig's Theme (From "Harry Potter And The Philosopher's Stone") - Royal Philharmonic Orchestra 10. Drink Up Me Hearties Yo Ho (From "Pirates Of The Caribbean: At World's End") - Hans Zimmer 11. Main Theme (From "Superman") - Royal Philharmonic Orchestra 12. The Batman Theme (From "Batman") - Danny Elfman 13. Back To The Future (From "Back To The Future") - The City Of Prague Philharmonic Orchestra 14. Life's A Dream (From "Star Trek V: The Final Frontier") - The City Of Prague Philharmonic Orchestra 15. The Fellowship (From "Lord Of The Rings - The Fellowship Of The Ring") - The City Of Prague Philharmonic Orchestra 16. Lux Aeterna (From "Requiem For A Dream") - The London Ensemble 17. Time (From "Inception") - Royal Philharmonic Orchestra 18. An Ending (Ascent) (From "Traffic") - Brian Eno CD 2: 1. Adventures On Earth (From "E.T.") - Royal Philharmonic Orchestra 2. Rose (From "Titanic") - James Horner 3. The Balcony Scene (From "Romeo & Juliet") - Royal Philharmonic Orchestra 4. Plastic Bag Theme (From "American Beauty") - London Music Works 5. Love Theme (From "Blade Runner") - Vangelis 6. Love Theme (From "Spartacus") - The City Of Prague Philharmonic Orchestra 7. As Time Goes By (From "Casablanca") - The City Of Prague Philharmonic Orchestra 8. Nocturne In C-Sharp Minor, B. 49 (From "The Pianist") - Janusz Olejniczak 9. Gabriel's Oboe (From "The Mission") - Ennio Morricone 10. Main Theme (I Had A Farm In Africa) (From "Out Of Africa") - John Barry 11. Nina's Dream (From "Black Swan") - Clint Mansell 12. The John Dunbar Theme (Theme From "Dances With Wolves") - John Barry 13. Tara's Theme (From "Gone With The Wind") - The City Of Prague Philharmonic Orchestra 14. Main Title (From "The Last Of The Mohicans") - Trevor Jones 15. Lara's Theme (From "Dr. Zhivago") - The City Of Prague Philharmonic Orchestra 16. Becoming One Of "The People" Becoming One With Neytiri (From "Avatar") - James Horner 17. Lion Theme (From "Lion") - Dustin O'Halloran & Hauschka 18. You're So Cool (From "True Romance") - Hans Zimmer CD 3: 1. Main Titles (From "Game Of Thrones") - Ramin Djawadi 2. God Moving Over The Face Of The Waters (From "Heat") - Moby 3. Adagio For Strings (From "Platoon") - The City Of Prague Philharmonic Orchestra 4. Shawshank Redemption (From "Shawshank Redemption") - Thomas Newman 5. Main Theme (From "Schindler's List") - Royal Philharmonic Orchestra 6. Hymn To The Fallen (From "Saving Private Ryan") - The City Of Prague Philharmonic Orchestra 7. Solomon (From "12 Years A Slave") - The City Of Prague Philharmonic Orchestra 8. I'm Forrest... Forrest Gump (From "Forrest Gump") - Alan Silvestri 9. Pi's Lullaby (From "Life Of Pi") - Mychael Danna 10. The Wings (From "Brokeback Mountain") - Gustavo Santaolalla 11. The Imitation Game (From "The Imitation Game") - Alexandre Desplat 12. The Darkest Day (From "Independence Day") - Nicholas Dodd 13. Apollo 13 (From "Apollo 13") - The City Of Prague Philharmonic Orchestra 14. Gravity (From "Gravity") - London Music Works 15. Only The Beginning Of The Adventure (From "The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe") - Harry Gregson-Williams 16. Beethoven Havok (From "X-Men: Apocalypse") - John Ottman 17. Ruthless Gravity (From "Layer Cake") - Craig Armstrong 18. Main Theme (From "Jaws") - Royal Philharmonic Orchestra

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77,99 zł

JOHNNY CASH THE ESSENTIAL BIG RIVER PORTER CD NOWA

Muzyka

JOHNNY CASH THE ESSENTIAL BIG RIVER PORTER CD NOWA CD 1: 1. Hey Porter (Mono Version) - Johnny Cash 2. Cry Cry Cry (Mono Version) - Johnny Cash 3. I Walk the Line (Mono Version) - Johnny Cash 4. Get Rhythm (Mono Version) - Johnny Cash 5. There You Go (Mono Version) - Johnny Cash 6. Ballad of a Teenage Queen (Mono Version) - Johnny Cash 7. Big River (Mono Version) - Johnny Cash 8. Guess Things Happen That Way (Mono Version) - Johnny Cash 9. All Over Again - Johnny Cash 10. Don't Take Your Guns to Town - Johnny Cash 11. Five Feet High and Rising - Johnny Cash 12. The Rebel - Johnny Cash & Johnny Yuma 13. Tennessee Flat Top Box - Johnny Cash 14. I Still Miss Someone - Johnny Cash 15. Ring of Fire - Johnny Cash 16. The Ballad of Ira Hayes - Johnny Cash 17. Orange Blossom Special - Johnny Cash 18. Were You There When They Crucified My Lord? - Johnny Cash CD 2: 1. It Ain't Me Babe - Johnny Cash 2. The One on the Right Is on the Left - Johnny Cash 3. Jackson - Johnny Cash 4. Folsom Prison Blues (Live) - Johnny Cash 5. Daddy Sang Bass - Johnny Cash 6. Girl from the North Country - Johnny Cash 7. A Boy Named Sue (Live) - Johnny Cash 8. If I Were a Carpenter - Johnny Cash 9. Sunday Morning Coming Down - Johnny Cash 10. Flesh and Blood ([From the Movie I Walk the Line) - Johnny Cash 11. Man in Black - Johnny Cash 12. Ragged Old Flag - Johnny Cash 13. One Piece at a Time - Johnny Cash 14. (Ghost) Riders in the Sky - Johnny Cash 15. Song of the Patriot - Johnny Cash 16. Highwayman - Johnny Cash 17. The Night Hank Williams Came to Town - Johnny Cash 18. The Wanderer - Johnny Cash

Sklep: ksiazkitanie.pl

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Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

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