171,64 zł

Peter Greenaway University Press of Mississippi

Książki / Literatura obcojęzyczna

In these twenty-one interviews, filmmaker Peter Greenaway expresses his film aesthetic and discusses his combat with the dominant Hollywood style of filmmaking. His films have run unmistakably against the main current of present cinematic practice, from the short film "Windows" in the mid-seventies, to his more popular but nonetheless challenging films such as "A Zed and Two Noughts" and "The Pillow Book" in the nineties. In this collection the ever-controversial Greenaway discusses his philosophies of film, art, aesthetics, literature, and reality, criticizing and even condemning the standard fare of what he calls Hollywood cinema. For him such films tell stories or they translate literature with its linear narrative onto a medium that he feels should be preeminently visual. He finds that, instead of foregrounding the image and the composition of visual elements as in the long history of painting, Hollywood-style directors seem mesmerized by the "and then and then" narrative. In these provocative interviews Greenaway tells of his ambition to make cinema a medium based more on image than on narrative. He explains his painterly approach in such films as "Prospero's Books" and "The Cook, the Thief, His Wife, and Her Lover," defends his use of total nudity of both sexes, and declares that traditional literary-based cinema is dead. He believes that the most creative imaginations, the most innovative technologies, and the greatest financial resources are being devoted to television and the Internet and that Hollywood moviemaking is no longer in the vanguard. "If you go into the basilica of St. Peter in Rome," he says, "and sit through a service near the high altar of Bernini, you will experience a synthesis of stone, light, music, incense. It is a form of total art, which is what the cinema of the 20th century was supposed to be, even if it only rarely lives up to this ideal." Vernon Gras is a professor of English and cultural studies at George Mason University. Marguerite Gras was a legislative research staffer at the U.S. House of Representatives, 1974-1991.

Sklep: Libristo.pl

164,90 zł

Memory in Culture Palgrave Macmillan

Książki / Literatura obcojęzyczna

This is an introduction to one of the most exciting new interdisciplinary fields of research: cultural memory studies. Who was Maurice Halbwachs, and what are the 'social frameworks of memory'? What can Aby Warburg's work tell us about the 'memory of art'? How do Pierre Nora's lieux de memoire connect history and memory? Where does the ancient art of memory meet the neurosciences? How do media shape our most personal memories? And can remembrance become globalized? Memory in Culture addresses these and many other questions about the socio-cultural dimensions of remembering, offering a unique overview of the history and theory of memory studies. With the concise presentation of key concepts from history, sociology, political sciences, anthropology, psychology, literary, art and media studies, it documents current international and interdisciplinary memory research in an unprecedented way.

Sklep: Libristo.pl

29,21 zł

Politics of erasure - Anna Markowska

Książki & Multimedia > Książki

Opis - The book Politics of Erasure. From ?Damnatio Memoriae? to Alluring Void on the one hand deals with the strategies of widely understood erasure in visual arts (i.e. exclusion, annulment and depreciation) in terms of particular works of art, museum narrations or urban spaces; on the other hand, it attempts to look at the ways of writing history because here the required and necessary virtue of synthesis sometimes transforms into an injurious scheme. Thus, oscillation between the general consciousness of the method and its precise use within case studies becomes not only a presentation of significant works of the Polish art of the 20th century showed in the general European context, but also a reflection on the craft of the historian, its limitations and possibilities. The ?politics of erasure? in the title does not link only with the ruthless power struggle hostile to any signs of resistance, it can also be a strategy aiming at widening our perception or negotiating what is visible and real. In this last case it does not reconcile itself to the terror of the visible and becomes a persevering attempt to expand the range of imagination and activate memory and intuition. Nazwa - Politics of erasure Autor - Anna Markowska Oprawa - Twarda Wydawca - Tako Kod ISBN - 9788362737666 Kod EAN - 9788362737666 Rok wydania - 2014 Język - angielski Ilość stron - 357 Podatek VAT - 5%

Sklep: InBook.pl

1126,86 zł

Czech Franciscan Book Culture. Libraries of Franciscans, Conventual Franciscans, and Capuchins through centuries Grin Publishing

Książki / Literatura obcojęzyczna

Scientific Study from the year 2007 in the subject History Europe - Other Countries - Middle Ages, Early Modern Age, grade: 1, University of Ostrava (Philosophical Faculty, Department of Art History), course: Cultural history, language: English, abstract: The book presents history and course of libraries and book culture in the First Franciscan Order from 13th to 20th centuries in the area of the present Czech Republic. After introductory depicting some attitudes and stories of St. Francis of Assisi and his early continuators considering books and studies, the next chapters describe book treating among Friars Minors and later reformatted Observants in Middle Ages (12th-15th cent.).This text considers on book acquisition, deposition, care and contents in both communal libraries and personal use of friars, mentioning also critics about them. Some other important codexes, scribes, book acquisitors, possessors and donators like St. Agnes of Bohemia, Vilém z Pernstejna, Jan Filipec, nobles of Sternberk and others are mentioned too.In the next part, the author tries to generalize features and the development of some considered libraries, first in description of their historical development and then characterizing properties of libraries and book treatment in the Modern times, now separately in three orders of Conventual Franciscans, Franciscans and Capuchins.After this general part, libraries in particular convents in the present Czech Republic, sorted by alphabet, are delineated. Each of these chapters has a determined structure: history and fate of the convent and library, known manuscripts, book donators, catalogues, librarians and present preservation of the book collection.

Sklep: Libristo.pl

178,57 zł

Constantin Brancusi Crescent Moon Publishing

Książki / Literatura obcojęzyczna

CONSTANTIN BRANCUSI Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, along with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists. This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive scultpural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only the essence was left. It was Constantin Brancusi's project to strip away the detritus that had accumulated around sculpture, Henry Moore said, and to offer the pure, simple shape. What Brancusi did was 'to concentrate on very simple shapes, to keep his sculpture, as it were, one-cylindered, to refine and polish a single shape to a degree almost too precious.' As well as being a sculptor, Constantin Brancusi was also an accomplished photographer. Quite a few artists (not all of them sculptors) have expressed  for Brancusi's photographs, and the way he would set up his sculptures in his studio and photograph them at particular times of the day, when the lighting was just right. They are early examples of installation art (and some of the best, too). Andy Goldsworthy said he admired how Brancusi created the right conditions in his studio so that his work 'comes alive at a particular time of the day as the light momentarily touches it'. For Goldsworthy, Brancusi's works were at their best when they were arranged by the sculptor in his studio and photographed. Somehow, it wasn't quite the same when they were displayed in modern art museums (such as the Pompidou Centre in Paris or the Museum of Modern Art in Gotham, which have important Brancusi pieces). Fully illustrated, including many photos of Constantin Brancusi's studio in Paris, Brancusi's works in museums in New York, Washington and L.A., and the art of his contemporaries. With bibliography and notes. ISBN 9781861713599. 180 pages. This new (5th) edition has been revised. www.crmoon.com AUTHOR'S NOTE: The art of Constantin Brancusi never ceases to fascinate and inspire, and it always seems fresh, as if it had been created fives minutes ago, no matter how many times you look at it. When you encounter a Brancusi sculpture in a museum, it pops out, clear and direct; there is simply nothing else like Brancusi's art in history. I have tried to explore the key elements of Brancusi's art, and the important events in his development as a sculptor. I have also included comparisons with other artists of the period, and also how Brancusi's art has influenced many subsequent artists.

Sklep: Libristo.pl

1018,02 zł

Oxford Classical Dictionary Oxford University Press

Książki / Literatura obcojęzyczna

'offers not only that breakfast for the mind we keep hearing about, but lunch, tea, dinner, supper and non-stop snacks...offers a cornucopia of accurate and succinct knowledge that would be hard to equal' (Peter Green, Washington Times about the third edition). For over sixty years, The Oxford Classical Dictionary has been the unrivalled one-volume reference in the field of classics. Now completely revised and updated to include the very latest research findings, developments, and publications, this highly acclaimed reference work will be the most up-to-date and comprehensive dictionary available on all aspects of the classical era. In over 6,700 entries written by the very best of classical scholars from around the world, the Dictionary provides coverage of Greek and Roman history, literature, myth, religion, linguistics, philosophy, law, science, art, archaeology, near eastern studies, and late antiquity. New entries supplement the existing material, including entries on topics such as Adrasteia, Latin anthologies, Jewish art, ancient religious beliefs, emotions, film, gender, kinship, and many more.Other specific developments include an added focus on two new areas: 'anthropology ' and 'reception'. All entries are written in an accessible style and all Latin and Greek words have been translated to ensure ease of use. Under the editorship of Simon Hornblower, Antony Spawforth, and Esther Eidinow, a huge range of contributors have revised and updated the text, which has made an already outstanding work even better.The Dictionary covers: 1) politics, government, economy - from political figures to political systems, terms and practices, histories of major states and empires, economic theory, agriculture, artisans and industry, trade and markets 2) religion and mythology - deities and mythological creatures, beliefs and rituals, sanctuaries and sacred buildings, astrology 3) law and philosophy - from biographies of lawgivers and lawyers to legal terms and procedures, from major and minor philosophers to philosophical schools, terms, and concepts 4) science and geography - scientists and specific theory and practice, doctors and medicine, climate and landscape, natural disasters, regions and islands, cities and settlements, communications 5) languages, literature, art, and architecture - languages and dialects, writers and literary terms and genres, orators and rhetorical theory and practice, drama and performance, art, painters and sculptors, architects, buildings and materials 6) archaeology and historical writing - amphorae and pottery, shipwrecks and cemeteries, historians, and Greek and Roman historiography 7) military history - generals, arms and armour, famous battles, attitudes to warfare 8) social history, sex, and gender - women and the family, kinship, peasants and slaves, attitudes to sexuality

Sklep: Libristo.pl

943,10 zł

Lexikon der Kunstlerinnen 1700-1900 Saur Verlag KG

Nauki humanistyczne

The Lexikon der Künstlerinnen 1700-1900 (Encyclopaedia of Women Artists 1700-1900) contains the biographies of approximately 3,100 female artists in the German-speaking countries: professional and amateur - aristocratic and bourgeois - students and teachers. The artists in question are those active after 1700 or born in 1850 at the latest. Accordingly, the range extends from baroque, rococo, classicism, romanticism and Biedermeier to realism, naturalism and late impressionism, and in some cases, to art nouveau. Besides presenting biographical details, lengthier portraits also shed light on the artist's private, social and cultural environments. Until now, no other work has displayed such comprehensive coverage of the female artists active during this period. Not only was extensive material gathered on professional and academic artists, but also on many amateurs and little-known artists; some material being examined for the very first time. The resulting picture encompasses to the full extent, the quantity and quality of female artistic work from the late baroque period to the end of the 19th century. Many previously unknown or disregarded female artists were tracked down for the very first time. The term "female artist" covers a wide range of disciplines. Among those included are: oil, pastel and watercolour painters, draughtswomen, illustrators, lithographers, sculptresses, builders, interior decorators, garden designers, daguerreotype photographers, craftswomen, textile artists, patrons and collectors, as well as a few studio managers and publishers. Angelica Kauffmann (1741-1807) was one of the most successful portrait painters in the late 18th century. Maria Ellenrieder (1791-1863), the first female student to be accepted at the Münchner Akademie (Munich Academy) in 1813, was employed as the court painter in Baden from 1829 onwards. These are just two examples of artists who were highly esteemed in their time. In the Lexikon der Künstlerinnen 1700-1900, however, there are many other interesting discoveries to be made: for example, 26 of the listed artists achieved the status of chamber, cabinet or court painters, draughtswomen or embroiders. Also remarkable, are the many cases of memberships of domestic and foreign academies as well as enrolment at art schools. A number of the artists listed worked as "academic artists" or art teachers for aristocratic and royal families. One of the achievements of this encyclopaedia, however, is that it also provides comprehensive information on those women who, due to numerous private and social restrictions, were prevented from embarking on careers as professional artists. The Lexikon der Künstlerinnen 1700-1900 will serve as a reference work and a working tool for both art historians and those carrying out women's studies. It is aimed at art experts, academics, school and university students, as well as all those interested in art and art history.

Sklep: Albertus.pl

485,89 zł

Painting the Hortus deliciarum Pennsylvania State University Press

Książki / Literatura obcojęzyczna

"Between 1170 and 1190 in Alsace, Abbess Herrad compiled for her canonesses an elaborate manuscript, the Hortus deliciarum, which combined resplendent images with quotations from more than fifty texts to portray a history of the Christian church across time and through eternity. Destroyed in a bombing during the 1870 siege of Strasbourg, Herradżs lavishly illuminated manuscript was one of the earliest works created by a woman expressly for other women, the nuns training at the Hohenbourg abbey.In this close study of the art and history of the Hortus deliciarum, Danielle Joyner shows how the book reflected twelfth-century concerns, such as emphasizing a historical interpretation of the Bible and reconciling scientific and theological accounts of the cosmos. She analyzes the images, texts, ideas, and processes at work in the manuscript and offers insights into how it configured a history of the Church in the temporal world as a guide to achieving eternal salvation.By tracing the flexibility and efficacy of the multiple visions employed in the manuscript, Joyner explores how the Hortus deliciarum crafted a deeper understanding of the integral role of time in medieval constructions of history, the cosmos, and humanityżs place within them. Scholars and students of art history, medieval and early modern studies, religion, gender, and the history of the book will find Joynerżs work especially valuable, compelling, and provoking.

Sklep: Libristo.pl

169,99 zł

Taking The Train

Książki Obcojęzyczne>Angielskie>Society & social sciences>Society & culture: general>Cultural studies>Popular cultureKsiążki Obcojęzycz...

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Sklep: Gigant.pl

90,44 zł

Constantin Brancusi Crescent Moon Publishing

Książki / Literatura obcojęzyczna

CONSTANTIN BRANCUSI Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, along with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists. This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive sculptural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only the essence was left. It was Constantin Brancusi's project to strip away the detritus that had accumulated around sculpture, Henry Moore said, and to offer the pure, simple shape. What Brancusi did was 'to concentrate on very simple shapes, to keep his sculpture, as it were, one-cylindered, to refine and polish a single shape to a degree almost too precious.' As well as being a sculptor, Constantin Brancusi was also an accomplished photographer. Quite a few artists (not all of them sculptors) have expressed  for Brancusi's photographs, and the way he would set up his sculptures in his studio and photograph them at particular times of the day, when the lighting was just right. They are early examples of installation art (and some of the best, too). Andy Goldsworthy said he admired how Brancusi created the right conditions in his studio so that his work 'comes alive at a particular time of the day as the light momentarily touches it'. For Goldsworthy, Brancusi's works were at their best when they were arranged by the sculptor in his studio and photographed. Somehow, it wasn't quite the same when they were displayed in modern art museums (such as the Pompidou Centre in Paris or the Museum of Modern Art in Gotham, which have important Brancusi pieces). Fully illustrated, including many photos of Constantin Brancusi's studio in Paris, Brancusi's works in museums in New York, Washington and L.A., and the art of his contemporaries. With bibliography and notes. ISBN 9781861714343. 180 pages. This new (5th) edition has been revised. www.crmoon.com AUTHOR'S NOTE: The art of Constantin Brancusi never ceases to fascinate and inspire, and it always seems fresh, as if it had been created five minutes ago, no matter how many times you look at it. When you encounter a Brancusi sculpture in a museum, it pops out, clear and direct; there is simply nothing else like Brancusi's art in history. I have tried to explore the key elements of Brancusi's art, and the important events in his development as a sculptor. I have also included comparisons with other artists of the period, and also how Brancusi's art has influenced many subsequent artists.

Sklep: Libristo.pl

283,39 zł

Cinema of Poetry Johns Hopkins University Press

Książki / Literatura obcojęzyczna

A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relationship between film and literature, such as the cinematic adaptation of literary sources, and more generally the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relationship between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression - what Pasolini called the "cinema of poetry."While Luzzi establishes how certain qualities of film - its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history, which lends to this national cinema its unique aesthetic perspectives. In other words, what makes this version of the art film recognizably "Italian"?

Sklep: Libristo.pl

88,53 zł

Leonardo Da Vinci PRASA BALTYCKA

Literatura obcojęzyczna

'Isaacson's scholarship is impressive-he cites not only primary sources but secondary materials by art critics, essayists, and da Vinci's other biographers. This is a monumental tribute to a titanic figure.' - Publisher's Weekly 'To read this magnificent biography of Leonardo da Vinci is to take a tour through the life and works of one of the most extraordinary human beings of all time in the company of the most engaging, informed, and insightful guide imaginable. Walter Isaacson is at once a true scholar and a spellbinding writer. And what a wealth of lessons there are to be learned in these pages.' David McCullough Based on thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius. His creativity, like that of other great innovators, came from having wide-ranging passions. He peeled flesh off the faces of cadavers, drew the muscles that move the lips, and then painted history's most memorable smile. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. Isaacson also describes how Leonardo's lifelong enthusiasm for staging theatrical productions informed his paintings and inventions. Leonardo's delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance of instilling, both in ourselves and our children, not just received knowledge but a willingness to question it-to be imaginative and, like talented misfits and rebels in any era, to think different.

Sklep: Literacka.pl

448,49 zł

BIOLOGY A GLOBAL APPROACH GLOBAL EDITION NOWA URRY WYDAWCA

Podręczniki, artykuły szkolne > Podręczniki do szkół podst. i średnich

Biology: A Global Approach, Global Edition   Biology: A Global Approach   delivers a trusted, accurate, current, and pedagogically innovative experience that guides students to a true understanding of biology. The author team advances Neil Campbell

Sklep: ksiazkitanie.pl

47,22 zł

Why Have There Been No Great Women Artists? Thames & Hudson Ltd

Książki / Literatura obcojęzyczna

Linda Nochlin's seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no 'great women artists' on its own, corrupted, terms. Instead, she dismantled the very concept of 'greatness', unravelling the basic assumptions that had centred a male-coded 'genius' in the study of art.With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art world's institutions, and rebuilding them anew - in other words, to leap into the unknown. In this stand-alone anniversary edition, Nochlin's essay is published alongside its reappraisal, 'Thirty Years After'.Written in an era of thriving feminist theory, as well as queer theory, race and postcolonial studies, 'Thirty Years After' is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. 'Why Have There Been No Great Women Artists?' has become a slogan and rallying cry that resonates across culture and society; Dior even adopted it in their 2018 collections.In the 2020s, at a time when 'certain patriarchal values are making a comeback', Nochlin's message could not be more urgent: as she herself put it in 2015, 'there is still a long way to go'.

Sklep: Libristo.pl

121,89 zł

Anahita Avalonia

Książki / Literatura obcojęzyczna

The Indo-Iranian Anahita is an ancient Persian Goddess, who became a Zoroastrian Yazata (or Angel) and is still part of contemporary Zoroastrianism. Described as a beautiful maiden, who is strong, tall and pure, she is depicted as wearing a mantle embroidered with gold and as holding the baresma (sacred plant) in her hand. She is the Goddess of all the waters upon the earth, her full title being Aredvi Sura Anahita which means moist, mighty and immaculate (pure), and she travels on her chariot pulled by four horses: Wind, Rain, Cloud and Sleet. Closely associated with the King's investiture she is a Goddess of Sovereignty, thought by some to be the Persian Aphrodite, who also has some remarkable similarities to numerous other ancient goddesses, including Ishtar, Venus, Nana and Isis.Anahita: Ancient Persian Goddess and Zoroastrian Yazata is a collection of papers, art and poetry celebrating this fascinating Goddess from more than 25 esteemed international academics, Zoroastrians, artists and writers. Each in turn share their research and insights leading the reader on a journey of discovery - from the Achaemenid Royal Inscriptions featuring Anahita and Mithra, to the possible relationships between Anahita and the Dame du Lac of Arthurian Legend, representations of her in Sassanian art, William Morris Hunt through to Anahita as the pre-Christian Virgin Mother of Mithra, as well as her role in purification and purity. Studies of the Sassanian rock reliefs, hot mineral springs, and her water ritual in Mahayana Buddhism, in addition to an examination of the Sassanid stucco discovered in the Barz-e-qawela in Lorestan province of Iran and women in ancient Elam are all brought together illustrating the significance of Anahita throughout Persian and Middle Eastern history. This book is the most extensive study of the figure of Anahita in recent years, and includes new and never published before research. Anahita: Ancient Persian Goddess and Zoroastrian Yazata is essential reading for all those interested not just in this Goddess and her history, but also all those interested in Persian and Middle Eastern history.Contributors include: Dr. Israel Campos Méndez, Dr. Kaveh Farrokh, Dr. Matteo Compareti, Sheda Vasseghi, D.M. Murdock, Dr. Sam Kerr, Rahele Koulabadi, Dr. Seyyed Rasool Mousavi Haji, Morteza Ataie, Seyed Mehdi Mousavi Kouhpar, Seyyed Sadrudin Mosavi Jashni, Farhang Khademi Nadooshan, Hassan Nia, Masoud Sabzali, Dr. Masato Tojo, Behzad Mahmoudi, Amir Mansouri, Dr Kamyar Abdi, Dr Gholamreza Karamian, Maryam Zour, Saman Farzin, Babak Aryanpour, Reza MehrAfarin, Akashanath, Shapour Suren-Pahlav, Ana C. Jones, Katherine Sutherland, and Dr. Payam Nabarz.

Sklep: Libristo.pl

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