krainaksiazek a little over weight and or diabetic don t be the fool i was read 20169922

- znaleziono 11 produktów w 4 sklepach

A Little Over Weight And Or Diabetic (Don't Be The Fool I Was Read!!!! - 2855425331

72,49 zł

A Little Over Weight And Or Diabetic (Don't Be The Fool I Was Read!!!!

Książki Obcojęzyczne>Angielskie>Health & personal development>Family & health>Coping with personal problems>Illness & specific conditio...

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Sklep: Gigant.pl

One Flew Over the Cuckoo's Nest - 2212824640

41,70 zł

One Flew Over the Cuckoo's Nest Penguin

Powieści i opowiadania

Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew Over the Cuckoo's Nest is the seminal novel of the 1960s that has left an indelible mark on the literature of our time. Here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the awesome powers that keep them all imprisoned. This morning the lockworks rattle strange; it's not a regular visitor at the door. An Escort Man's voice calls down, edgy and impatient, 'Admission, come sign for him,' and the black boys go. Admission. Everybody stops playing cards and Monopoly, turns towards the day-room door. Most days I'd be out sweeping the hall and see who they're signing in, but this morning, like I explain to you, the Big Nurse put a thousand pounds down me and I can't budge out of the chair. Most days I'm the first one to see the Admission, watch him creep in the door and slide along the wall and stand scared till the black boys come sign for him and take him into the shower room, where they strip him and leave him shivering with the door open while they all three run grinning up and down the halls looking for the Vaseline. 'We need that Vaseline,' they'll tell the Big Nurse, 'for the thermometer.' She looks from one to the other: 'I'm sure you do,' and hands them a jar holds at least a gallon, 'but mind you boys don't group up in there.' Then I see two, maybe all three of them in there, in that shower room with the Admission, running that thermometer around in the grease till it's coated the size of your finger, crooning,

Sklep: Albertus.pl

DEFINITIVE SOUL COLLECTION,THE - Aretha Franklin (Płyta CD) - 2853084193

29,70 zł

DEFINITIVE SOUL COLLECTION,THE - Aretha Franklin (Płyta CD)

Książki & Multimedia > Muzyka

Lista utworów - Płyta CD 1 1. I Never Loved A Man (the Way I Love You) 2. Respect 3. Do Right Woman, Do Right Man 4. Dr Feelgood 5. Save Me 6. Baby I Love You 7. (you Make Me Feel Like) A Natural Woman 8. Chain Of Fools 9. Since You've Been Gone 10. Ain't No Way 11. Think 12. I Say A Little Prayer 13. The House That Jack Built 14. See Saw 15. The Weight 16. Share Your Love With Me 17. Eleanor Rigby Płyta CD 2 1. Call Me 2. Spirit In The Dark 3. Don't Play That Song 4. You're All I Need To Get By 5. Bridge Over Troubled Water 6. Spanish Harlem 7. Rock Steady 8. Oh Me Oh My (i'm A Fool For You Baby) 9. Day Dreaming 10. Wholly Holy 11. Angel 12. Until You Come Back To Me 13. I'm In Love Opis - Kompilacja 30 najwspanialszych nagrań z dorobku królowej soulu, Arethy Franklin. Na dwóch krążkach zebrano piosenki, jakie artystka nagrała w swoim złotym okresie, czyli w latach 1967-1974. Wydawnictwo aż roi się od klasyków soulu i R&B. Znajdziemy tu chociażby "I Never Loved A Man The Way I Loved You", "Chain Of Fools", "Rock Steady", "Think", a także znakomite przeróbki "Bridge Over Troubled Water" Simona i Garfunkela, "Eleanor Rigby" Beatlesów, "The Weight" The Band. Jest też "Ain't No Way", w której Aretha śpiewa w duecie z Cissy Houston, mamą nieodżałowanej Whitney Houston. Składanka to mus dla wszystkich wielbicieli soulu z najwyższej półki!Spis utworów: CD 1 Strona 1 1. I Never Loved A Man [The Way I Love You] 2. Respect 3. Do Right Woman, Do Right Man 4. Dr. Feelgood [Love Is Serious Business] 5. Save Me 6. Baby I Love You (LP Version) 7. [You Make Me Feel Like] A Natural Woman 8. Chain Of Fools 9. (Sweet Sweet Baby) Since You've Been Gone (LP Version) 10. Ain't No Way (LP Version) 11. Think 12. I Say A Little Prayer 13. The House That Jack Built (LP Version) 14. See Saw (LP Version) 15. The Weight (LP Version) 16. Share Your Love With Me (LP Version) 17. Eleanor Rigby (LP Version) CD 2 Strona 1 1. Call Me (LP Version) 2. Spirit In The Dark (LP Version) 3. Don't Play That Song (You Lied) (LP Version) 4. You're All I Need To Get By (LP Version) 5. Bridge Over Troubled Water (LP Version) 6. Spanish Harlem 7. Rock Steady 8. Oh Me Oh My (I'm A Fool For You Baby) (LP Version) 9. Day Dreaming (LP Version) 10. Wholy Holy (LP Version) 11. Angel (LP Version) 12. Until You Come Back To Me [That's What I Am Going To Do] 13. I'm In Love (LP Version) Nazwa - DEFINITIVE SOUL COLLECTION,THE Autor - Aretha Franklin Wydawca - Rhino US Kod EAN - 0075678166822 Rok wydania - 1991 Nośnik - Płyta CD Ilość elementów - 2 Podatek VAT - 23% Premiera - 1991-08-02

Sklep: InBook.pl

R & B Vocal Group Sound 1950-1960 - Doo Wop (Płyta CD) - 2845455015

57,20 zł

R & B Vocal Group Sound 1950-1960 - Doo Wop (Płyta CD)

Książki & Multimedia > Muzyka

Lista utworów - Płyta 1 1. Double Crossing Blues 2. I Will Wait 3. Sixty-minute Man 4. Don't You Know I Love You 5. The Glory of Love 6. Fool, Fool, Fool 7. Have Mercy Baby 8. One Mint Julep 9. Baby Don't Do It 10. Ting-a-ling 11. I Wanna Know 12. Help Me Somebody 13. Good Lovin' 14. Crying in the Chapel 15. Nadine 16. Money Honey 17. Rags to Riches 18. I Didn't Want to Do It 19. Such a Night 20. Lovey Dovey 21. Gee 22. Work With Me Annie 23. Middle of the Night 24. Goodnite Sweetheart Goodnite 25. Honey Love (Feat. Clyde McPhatter) 26. Sh-boom 27. Sexy Ways 28. Heart of Stone 29. Sincerely Płyta 2 1. Earth Angel 2. Ling Ting Tong 3. The Door Is Open 4. Story Untold 5. Soldier Boy 6. Only You (And You Alone) 7. Why Don't You Write Me? 8. At My Front Door 9. Adorable 10. When You Dance 11. The Great Pretender 12. Speedoo 13. Devil Or Angel 14. Why Do Fools Fall in Love? 15. Eddie My Love 16. (You've Got) the Magic Touch 17. Ivory Tower 18. Please, Please, Please 19. I Want You to Be My Girl 20. My Prayer 21. Stranded in the Jungle 22. In the Still of the Nite 23. Heaven On Earth 24. Oh What a Night 25. A Thousand Miles Away 26. Come Go With Me 27. I'm Sorry 28. Over the Mountain, Across the Sea 29. Searchin' Płyta 3 1. Young Blood 2. Star Dust 3. Mr Lee 4. Happy, Happy Birthday Baby 5. Silhouettes 6. Little Bitty Pretty One 7. Buzz-buzz-buzz 8. Get a Job 9. Maybe 10. Don't You Just Know It 11. Book of Love 12. Twilight Time 13. Yakety Yak 14. For Your Precious Love 15. One Summer Night 16. Western Movies 17. Rockin' Robin 18. Tears On My Pillow 19. Try Me 20. Smoke Gets in Your Eyes 21. Charlie Brown 22. So Fine 23. You're So Fine 24. There Goes My Baby 25. I Only Have Eyes for You 26. Sea of Love 27. Poison Ivy 28. Dance With Me 29. Stay 30. Save the Last Dance for Me 31. Shop Around Nazwa - R & B Vocal Group Sound 1950-1960 Autor - Doo Wop Wydawca - Fantastic Voyage Kod EAN - 5055311001166 Rok wydania - 2011 Nośnik - Płyta CD Podatek VAT - 23%

Sklep: InBook.pl

Under the Duvet - 2212824601

36,60 zł

Under the Duvet Penguin

Powieści i opowiadania

'When people ask me what I do for a crust and I tell them that I'm a novelist, they immediately assume that my life is a non-stop carousel of limos, television appearances, hair-dos, devoted fans, stalkers and all the glitzy paraphernalia of being a public figure. It's time to set the record straight. I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me ...' Her novels are adored by millions around the world

Sklep: Albertus.pl

Shadow of the Sun - 2212824581

40,80 zł

Shadow of the Sun Penguin

Literatura faktu

'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In a study that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on the mosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft. The Beginning: Collision, Ghana 1958 More than anything, one is struck by the light. Light everywhere. Brightness everywhere. Everywhere, the sun. Just yesterday, an autumnal London was drenched in rain. The airplane drenched in rain. A cold, wind, darkness. But here, from the morning

Sklep: Albertus.pl

ARETHA FRANKLIN 2 CDC THE QUEEN OF SOUL - 2860134457

204,65 zł

ARETHA FRANKLIN 2 CDC THE QUEEN OF SOUL WYDAWCA

Muzyka > P

Lista utwor

Sklep: ksiazkitanie.pl

Letter from America - 2212824618

40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

Sklep: Albertus.pl

ARETHA FRANKLIN CD 30 GREATEST HITS 2 CD - 2860138146

63,69 zł

ARETHA FRANKLIN CD 30 GREATEST HITS 2 CD WYDAWCA

Muzyka > Płyty kompaktowe > Soul, Funk

ARETHA FRANKLIN CD 30 GREATEST HITS 2 CD Lista utwor

Sklep: ksiazkitanie.pl

ELVIS PRESLEY THE REAL DIGIPACK 3CD ALL SHOOK UP - 2860156162

66,42 zł

ELVIS PRESLEY THE REAL DIGIPACK 3CD ALL SHOOK UP WYDAWCA

Muzyka > Płyty kompaktowe > Rock'n'roll

Elvis Presley: The Real... (digipack) [3CD] CD 1: 1.

Sklep: ksiazkitanie.pl

BAY CITY ROLLERS GOLD REMEMBER 3 CD NOWA - 2867283012

75,39 zł

BAY CITY ROLLERS GOLD REMEMBER 3 CD NOWA WYDAWCA

Muzyka

BAY CITY ROLLERS GOLD REMEMBER 3 CD NOWA CD 1 :

Sklep: ksiazkitanie.pl

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