krainaksiazek modern american grotesque literature and photography 20130276
- znaleziono 5 produktów w 2 sklepach
Readings in English and American Literature and Culture 2: The Body Uniwersytet Opolski
HUMANISTYKA
The volume focuses on cultural/ideological/literary constructions and manifestations of the body in British and American literature of the nineteenth and the twentieth century. The authors of the articles share the contention that the body is not a neutral subject of critical investigation, for it involves our existence and shapes human reality. Autorzy artykułów zebranych w tomie The Body skupiają się na kulturowych, ideologicznych i literackich konstrukcjach i manifestacjach cielesności w literaturze anglojęzycznej dziewiętnastego i dwudziestego wieku. Łączy ich przekonanie, że ciało nie jest neutralnym przedmiotem krytycznej analizy, gdyż angażuje i kształtuje każdy wymiar ludzkiego doświadczania. Praca adresowana jest do zarówno do badaczy, jak i studentów literatur i kultur krajów angielskiego obszaru językowego oraz do wszystkich humanistów zainteresowanych problematyką ciała i cielesności. Contents Jacek Gutorow
Sklep: Księgarnia Techniczna
Walker Evans: American Photographs Museum of Modern Art
Książki / Literatura obcojęzyczna
More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edi
Sklep: Libristo.pl
Walker Evans: American Photographs Museum of Modern Art
Książki / Literatura obcojęzyczna
More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edi
Sklep: Libristo.pl
Walter Kaufmann Princeton University Press
Książki / Literatura obcojęzyczna
Walter Kaufmann (1921-1980) was a charismatic philosopher, critic, translator, and poet who fled Nazi Germany at the age of eighteen, emigrating alone to the United States. He was astonishingly prolific until his untimely death at age fifty-nine, writing some dozen major books, all marked by breathtaking erudition and a provocative essayistic style. He single-handedly rehabilitated Nietzsche's reputation after World War II and was enormously influential in introducing postwar American readers to existentialism. Until now, no book has examined his intellectual legacy. Stanley Corngold provides the first in-depth study of Kaufmann's thought, covering all his major works. He shows how Kaufmann speaks to many issues that concern us today, such as the good of philosophy, the effects of religion, the persistence of tragedy, and the crisis of the humanities in an age of technology. Few scholars in modern times can match Kaufmann's range of interests, from philosophy and literature to intellectual history and comparative religion, from psychology and photography to art and architecture. Corngold provides a heartfelt portrait of a man who, to an extraordinary extent, transfigured his personal experience in the pages of his books. This original study, both appreciative and critical, is the definitive intellectual life of one of the twentieth century's most engaging yet neglected thinkers. It will introduce Kaufmann to a new generation of readers and serves as a fitting tribute to a scholar's incomparable libido sciendi, or lust for knowledge.
Sklep: Libristo.pl
What Do Pictures Want? The University of Chicago Press
Książki / Literatura obcojęzyczna
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. "What Do Pictures Want?" explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep--who, as a clone, fulfills the ancient dream of creating a living image--and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. "What Do Pictures Want?" offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. "A treasury of episodes--generally overlooked by art history and visual studies--that turn on images that 'walk by themselves' and exert their own power over the living."--Norman Bryson, "Artforum "
Sklep: Libristo.pl

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