The Short Story Is Dead, Long Live the Short Story! Volume 2

Książki

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Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

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Micropenis: The Long and Short of it Createspace Independent Publishing Platform

Książki / Literatura obcojęzyczna

After enduring a very publicized and documented penis enlargement, David Brian revealed his side of the experience in Penoplasty: A True Story. In this follow-up, he continues the detailed, real-life telling of what it means to live with an abnor

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Life and Death of Ancient Cities Oxford University Press

Książki / Literatura obcojęzyczna

The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. This book tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

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Cyclone Key GSM-Support, Krak

1. Boxy serwisowe > Nokia

Cyclone Key Reloaded jest nowym kluczem serwisowym do telefon

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Legendy śląskie - Sylwia Chmiel

Książki & Multimedia > Książki

Opis - Książka ta powstała z myślą o spopularyzowaniu wśród dzieci legend, gawęd i podań powtarzanych na terenie Górnego Śląska od wieków. Opowieści te odzwierciedlają ludową mądrość Ślązaków, uczą morałem, pokazują ważne w życiu wartości. Współczesne opracowane literackie i piękne ilustracje sprawiają, że Legendy śląskie zainteresują każde dziecko. Nazwa - Legendy śląskie Autor - Sylwia Chmiel Oprawa - Twarda Wydawca - Damidos Kod ISBN - 9788378554479 Kod EAN - 9788378554479 Wydanie - 1 Rok wydania - 2014 Język - polski Seria wydawnicza - Damidos bajki Format - 23.5x30.0cm Ilość stron - 64 Podatek VAT - 5% Premiera - 2014-04-29

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Cilea: Adriana Lecouvreur - Magda Olivero, Franco Corelli, Giulietta Simionato, Ettore Bastianini, Teatro San Carlo Orchestra & Chorus (Płyta CD)

Książki & Multimedia > Muzyka

Opis - One of the greatest recordings showcasing the artistry of soprano Magda Olivero, "the Queen of Verismo." Also stars one of the greatest tenors of the twentieth century, Franco Corelli, with legendary mezzo Giulietta Simionato in the main supporting role. Francesco Cilea (1866"1950) was one of the "minor masters" of Italian opera. His masterpiece is Adriana Lecouvreur, a work that, ever since its Milan premiere starring Enrico Caruso at the Teatro Lyrico in November 1902, has been a standard opera on Italian stages. Its story is a romanticized treatment of the life of a real person, the celebrated French actor Adrienne Couvreur (original spelling, 1692"1730), who was the beloved of the great Voltaire, among many other men. She caused a sensation at her debut in 1717 at the Comédie Française in Paris when she appeared on stage in a simple robe, her bare shoulders covered only by her long luxurious hair. Previously, all female actors were normally costumed in elaborate drapery and plumed headdresses. In one stroke, Mlle. Couvreur (by now known under the more aristocratic form of Lecouvreur) changed the style of stage declamation forever, and became the favorite actress in France for the rest of her short life. When she died at the age of thirty-eight, rumor had it that a jealous noblewoman had poisoned her, as in the opera. Live performance, Naples, November 28, 1959. Nazwa - Cilea: Adriana Lecouvreur Autor - Magda Olivero, Franco Corelli, Giulietta Simionato, Ettore Bastianini, Teatro San Carlo Orchestra & Chorus Wydawca - Allegro Corporation Kod EAN - 0723721314156 Rok wydania - 2007 Nośnik - Płyta CD Podatek VAT - 23%

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Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

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Disney Stories Springer Nature Switzerland AG

Książki / Literatura obcojęzyczna

The second edition of Disney Stories: Getting to Digital will be of interest to lovers of Disney history and also to lovers of Hollywood history in general. The first edition was planned as a short history of the companies evolution from analog storytelling to a digital online presence that closed the chapter on early Disney films with the release of the groundbreaking Snow White. The purpose of the new edition is to bring to readers a more complete view of the analog-digital story by including three new chapters on film that cover key developments from the live-animation hybrids of the 1940s to CAPS and CGI in the 1990s and VR in the 2010s. It also includes in the discussion of cross-media storytelling the acquisition of the exceptional story property, Star Wars, and discusses how Disney has brought the epic into the Disney Master Narrative by creating Galaxy's Edge in its US theme parks. Krystina Madej's engaging portrayal of the long history of Disney's love affair with storytelling and technology brings to life the larger focus of innovation in creating characters and stories that captivate an audience, and together with Newton Lee's detailed experience of Disney during the crucial 1995-2005 era when digital innovation in online and games was at its height in the company, makes for a fast-paced captivating read. Disney Stories first edition explored the history of Disney, both analog and digital. It described in detail how Walt Disney used inventive and often ground-breaking approaches in the use of sound, color, depth, and the psychology of characters to move the animation genre from short visual gags to feature-length films with meaningful stories that engaged audience's hearts as well as tickled their funny bones. It showed Walt's comprehensive approach to engaging the public across all media as he built the Disney Master Narrative by using products, books, comics, public engagements, fan groups such as the Mickey Mouse club, TV, and, of course, Disneyland, his theme park. Finally it showed how, after his passing, the company continued to embrace Walt's enthusiasm for using new technology to engage audiences through their commitment to innovation in digital worlds. It describes in detail the innovative storybook CD-ROMs, their extensive online presence, the software they used and created for MMORGs such as Toontown, and the use of production methods such as agile methodology. This new edition provides insight on major developments in Disney films that moved them into the digital world.

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Entropiae EN HUMBIRD CURLEW

Książki / Literatura obcojęzyczna

First published in French, this book is a collection of short stories by Edouard B. W., divided into three parts.The 1rst will take you through short stories that could be considered disturbing emotional games. Integrated into thenarrative, you will live through an impossible love story with a couple, observe two unlikely friends who walk tirelessly aroundthe same block, and experience the difficult awakening of a student after a typical boozy evening. You will know that the mosteffective terror only occurs every day in real life.The second part is about the awakening of the consciousness of humanity: it's high time we discover our origins... and ourfuture. You will be immersed in a merciless criticism of the society we have created, a questioning of our legitimacy on this Earth.But don

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History of the Universe in 100 Stars Quercus Publishing

Książki / Literatura obcojęzyczna

From the Big Bang to the Gaia Mission, this is a very personal history of the universe through the author's favourite 100 stars. Astronomer Florian Freistetter has chosen 100 stars that have almost nothing in common. Some are bright and famous, some shine so feebly you need a huge telescope. There are big stars, small stars, nearby stars and faraway stars. Some died a while ago, others have not even yet come into being. Collectively they tell the story of the whole world, according to Freistetter. There is Algol, for example, the Demon Star, whose strange behaviour has long caused people sleepless nights. And Gamma Draconis, from which we know that the earth rotates around its own axis. There is also the star sequence 61 Cygni, which revealed the size of the cosmos to us. Then there are certain stars used by astronomers to search for extra-terrestrial life, to explore interstellar space travel, or to explain why the dinosaurs became extinct. In 100 short, fascinating and entertaining chapters, Freistetter not only reveals the past and future of the cosmos, but also the story of the people who have tried to understand the world in which we live.

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Gunslinger New American Library

Powieści i opowiadania

Beginning with a short story appearing in The Magazine of Fantasy and Science Fiction in 1978, the publication of Stephen King's epic work of fantasy -- what he considers to be a single long novel and his magnum opus -- has spanned a quarter of a century.Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is King's most visionary feat of storytelling, a magical mix of science fiction, fantasy, and horror that may well be his crowning achievement.Book IIn The Gunslinger (originally published in 1982), King introduces his most enigmatic hero, Roland Deschain of Gilead, the Last Gunslinger. He is a haunting, solitary figure at first, on a mysterious quest through a desolate world that eerily mirrors our own. Pursuing the man in black, an evil being who can bring the dead back to life, Roland is a good man who seems to leave nothing but death in his wake.This new edition of The Gunslinger has been revised and expanded throughout by King, with new story material, in addition to a new introduction and foreword. It also includes four full-color illustrations in the hardcover and trade paperback formats.

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Natasha's Dance Penguin

Powieści i opowiadania

Orlando Figes

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Consolations of Philosophy Penguin

Nauki humanistyczne

Alain de Botton, best-selling author of How Proust can Change Your Life, has set six of the finest minds in the history of philosophy to work on the problems of everyday life. Here then are Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche on some of the things that bother us all; lack of money, the pain of love, inadequacy, anxiety, the fear of failure and the pressure to conform.

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History of the Universe in 100 Stars Quercus Publishing

Książki / Literatura obcojęzyczna

From the Big Bang to the Gaia Mission, this is a very personal history of the universe through the author's favourite 100 stars. Astronomer Florian Freistetter has chosen 100 stars that have almost nothing in common. Some are bright and famous, some shine so feebly you need a huge telescope. There are big stars, small stars, nearby stars and faraway stars. Some died a while ago, others have not even yet come into being. Collectively they tell the story of the whole world, according to Freistetter. There is Algol, for example, the Demon Star, whose strange behaviour has long caused people sleepless nights. And Gamma Draconis, from which we know that the earth rotates around its own axis. There is also the star sequence 61 Cygni, which revealed the size of the cosmos to us. Then there are certain stars used by astronomers to search for extra-terrestrial life, to explore interstellar space travel, or to explain why the dinosaurs became extinct. In 100 short, fascinating and entertaining chapters, Freistetter not only reveals the past and future of the cosmos, but also the story of the people who have tried to understand the world in which we live.

Sklep: Libristo.pl