libristo every last word 10933198

- znaleziono 31 produktów w 8 sklepach

Hasta la ultima palabra/ Every Last Word - 2861991745

79,67 zł

Hasta la ultima palabra/ Every Last Word Ediciones B

Książki / Literatura obcojęzyczna

Si pudieras leer mi mente, no estar

Sklep: Libristo.pl

Every Famous Last Word - 2839421825

66,99 zł

Every Famous Last Word DEFIA

Muzyka>Rock

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Sklep: Gigant.pl

Every Last Word - 2853889919

86,20 zł

Every Last Word

Książki

Sklep: KrainaKsiazek.pl

Every Last Word - 2854647897

43,99 zł

Every Last Word

Książki Obcojęzyczne>Angielskie>Children

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Sklep: Gigant.pl

Memorise the Last 15 Surahs of the Qur'an with Word by Word English Translation - 2862140959

65,90 zł

Memorise the Last 15 Surahs of the Qur'an with Word by Word English Translation Rahmah Books

Książki / Literatura obcojęzyczna

When we perform salah we actually communicate with All

Sklep: Libristo.pl

Last Chance to See - 2865804516

70,18 zł

Last Chance to See Ballantine Books

Książki / Literatura obcojęzyczna

In "The Hitchhiker's Trilogy" and the bestselling "Dirk Gently" novels, Douglas Adams has taken his millions of fans on wild excursions through time and space. Last Chance to See continues the trip--but this time the place is Earth, the date is today, and every word is true. By turns a poignant and hilarious look at exotic, endangered creatures around the world.

Sklep: Libristo.pl

The Seven Last Words - 2866649486

43,37 zł

The Seven Last Words Martino Fine Books

Książki / Literatura obcojęzyczna

2016 Reprint of 1952 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Our Lord spoke seven times from the Cross; these are called "His Seven Last Words." In His goodness, Our Blessed Lord left His thoughts on dying. He was representative of all humanity. In this sublime hour He called all His children to the pulpit of the Cross, and every word He said to them was set down for the purpose of an eternal publication and an undying consolation. There was never a preacher like the dying Christ; there was never a congregation like that which gathered about the pulpit of the Cross; there was never a sermon like the Seven Last Words. In the work Bishop Sheen expounds upon the Seven Last Words of Christ, elaborating on their meaning for Christians since the time of Christ to the present day.

Sklep: Libristo.pl

Spalona Żywcem Wyd. Kieszonkowe - Souad - 2854922647

11,15 zł

Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

Sklep: InBook.pl

Teatr odtrąconych poetów - Stone Tamara Ireland - 2836939820

24,30 zł

Teatr odtrąconych poetów - Stone Tamara Ireland

Książki & Multimedia > Książki

Opis - Każdy pragnie akceptacji. Ale jak być zaakceptowanym, jeśli jest się innym? Jeśli nie akceptuje się samego siebie? Sam ma 16 lat, robi sobie mistrzowski makijaż i jest jak inne dziewczyny w liceum. Samanta cierpi na ataki paniki i natręctwo myśli. Sam bardzo zależy na jej popularnych przyjaciółkach, bez których nie wyobraża sobie życia. Samanta bezpiecznie czuje się tylko w basenie, podczas samotnego treningu. Sam i Samanta to ta sama dziewczyna. Swoje problemy ukrywa, żeby nie być samotną w szkole. Jej życie zmienia się, gdy trafia do Teatru Poetów w piwnicy szkoły, w którym spotykają się niedopasowani, ignorowani albo odrzucani przez innych uczniów. Znajduje ciepło i akceptację. A nawet uczucie. Ale wtedy zdarza się coś, co każe jej nie ufać sobie... Nazwa - Teatr odtrąconych poetów Oryginalny tytuł - Every last word Autor - Stone Tamara Ireland Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324155071 Kod EAN - 9788324155071 Rok wydania - 2015 Język - polski Tłumacz - Wolin Julia Format - 13.0x20.5cm Ilość stron - 320 Podatek VAT - 5% Premiera - 2015-12-01

Sklep: InBook.pl

Her Gates Will Never Be Shut - 2866537414

107,59 zł

Her Gates Will Never Be Shut Wipf & Stock Publishers

Książki / Literatura obcojęzyczna

Description: Everlasting hell and divine judgment, a lake of fire and brimstone--these mainstays of evangelical tradition have come under fire once again in recent decades. Would the God of love revealed by Jesus really consign the vast majority of humankind to a destiny of eternal, conscious torment? Is divine mercy bound by the demands of justice? How can anyone presume to know who is saved from the flames and who is not? Reacting to presumptions in like manner, others write off the fiery images of final judgment altogether. If there is a God who loves us, then surely all are welcome into the heavenly kingdom, regardless of their beliefs or behaviors in this life. Yet, given the sheer volume of threat rhetoric in the Scriptures and the wickedness manifest in human history, the pop-universalism of our day sounds more like denial than hope. Mercy triumphs over judgment; it does not skirt it. Her Gates Will Never Be Shut endeavors to reconsider what the Bible and the Church have actually said about hell and hope, noting a breadth of real possibilities that undermines every presumption. The polyphony of perspectives on hell and hope offered by the prophets, apostles, and Jesus humble our obsessive need to harmonize every text into a neat theological system. But they open the door to the eternal hope found in Revelation 21-22: the City whose gates will never be shut; where the Spirit and Bride perpetually invite the thirsty who are outside the city to "Come, drink of the waters of life." Endorsements: "Who are the damned? Who are the saved? The questions have a way of provoking controversy, often quite heated. Brad Jersak, self-identified as an evangelical who accepts the Biblical witness as authoritative, turns the controversy into a conversation, a quiet conversation. He listens. He listens to opposing voices. He listens to Scripture as God's last word on the subject. He listens to the scholars and theologians. Out of the listening something like a 'humility of hope' (Jersak's phrase) begins to replace dogmatisms and we find ourselves part of a conversation with Christian brothers and sisters who are seriously praying for the world's salvation." --Eugene H. Peterson author of Tell It Slant: A Conversation on the Language of Jesus in His Stories and Prayers "Deeply grounded in evangelical faith and committed to evangelical categories of theological interpretation, Jersak probes the meaning of 'Final Judgment' in Christian faith and tradition. The phrase, for Jersak, must be kept in quote marks, because he sees that what is 'final' is not 'judgment' but the openness of God. The book traces the way in which Christians, and the author, 'exchange certainty for hope.' In the end the residue of evil will not have the last word; what prevails is the goodness of God's love. Readers will be greatly instructed by this thoughtful book." --Walter Brueggemann author of Divine Presence Amid Violence (Cascade, 2009) "Combining theological rigor and pastoral sensitivity Her Gates Will Never Be Shut is sure to push the boundaries of the contemporary theological landscape and expand the theological horizons of scholars, pastors, and lay Christians alike. Grounded, timely, and open--this is evangelical theology at its best." --Jon Stanley co-editor of "God is Dead" and I Don't Feel so Good Myself: Theological Engagements with the New Atheism (Cascade, 2009) About the Contributor(s): Bradley Jersak is an author and seminar speaker based in Abbotsford, British Columbia. He is the author of Can You Hear Me? (2003), Kissing the Leper (2006), and co-editor of Stricken by God? (2007).

Sklep: Libristo.pl

Letter from America - 2212824618

40,80 zł

Letter from America Penguin

Powieści i opowiadania

When Alistair Cooke retired in March 2004 and then died a few weeks later, he was acclaimed by many as one of the greatest broadcasters of all time. His Letters from America, which began in 1946 and continued uninterrupted every week until early 2004, kept the world in touch with what was happening in Cooke's wry, liberal and humane style. This selection, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. Over half have never appeared in print before. It is a remarkable portrait of a continent - and a man. Fred Astaire 26 June 1987 Movie stars don't make it. Nor statesmen. Not Prime Ministers, or dictators unless they die in office. Not even a world-famous rock star, unless he's assassinated. But last Monday, none of the three national television networks hesitated about the story that would lead the evening news. On millions of little screens in this country and I don't doubt in many other countries around the world, the first shots were of an imp, a graceful wraith, a firefly in impeccable white tie and tails. And for much longer than the lead story usually runs, for a full five minutes on NBC, we were given a loving retrospective of the dead man, ending with the firm declaration by Nureyev that 'He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.' And the newsmen were right to remind us of the immortal comment of the Hollywood mogul, who, with the no-nonsense directness of an expert, reported on Fred Astaire's first film test: 'Has enormous ears, can't act, can't sing, dances a little.' That Hollywood mogul, long gone, spent his life ducking round corners, to avoid being identified as the oaf who looked in the sky and never saw the brightest star. However, that expert opinion was, as the lawyers say, controlling at the time and in Astaire's first movies, there was no thought of allowing him to act or sing. But not for long. And thanks to the invention of television, and the need to fill vast stretches of the afternoon and night with old movies, it has been possible for my daughter, for instance, to claim Fred Astaire as her favourite film star from the evidence of all the movies he made fifteen, ten, five, three years before she was born. When I got the news on Monday evening here, and realized with immediate professional satisfaction that the BBC had smartly on hand a musical obituary tribute to him I put together eight years ago, I couldn't help recalling the casual, comic way this and similar radio obituaries came about. I was in London at the end of 1979, and Richard Rodgers - one of the two or three greatest of American songwriters - had just died, I believe on New Year's Eve or the night before. Britons, by then, were getting accustomed, without pain, to making what used to be a two-day Christmas holiday into a ten-day much-needed rest. For all laborious research purposes, the BBC was shut up. And there was no retrospective programme on the life and music of Richard Rodgers in the BBC's archives. Of course, in a gramophone library that looks like an annex to the Pentagon, there were hundreds, perhaps thousands, of recordings of his songs. The SOS went out to a writer, a producer, and - I presume - a man who had the key to the gramophone library. The silent place was unlocked, and the three of them laboured through the day to put together an hour's tribute to Richard Rodgers. It was done. It was competent enough, but rushed to an impossible deadline. This hasty improvisation happened just when my own music producer and I, who had enjoyed working together for six years or so on American popular music, were wondering what we could offer next. We'd done a sketch history of jazz, through individuals. We'd gone through all the popular music of the 1920s, 1930s and 1940s, and were stumped for a new series, at which point I asked if we mightn't go and talk to the head of the channel, network or whatever. We went in, and the genial boss asked me what we had in mind. 'A morgue,' I said. A what? 'Where', I asked, 'is your morgue?' He was not familiar with the word, a newspaper term. 'Well,' I said, 'all newspapers have them.' 'How d'you mean?' 'If, I explained, 'Mrs Thatcher died tonight and you woke up and read a two-sentence obituary, you'd be rightly outraged. But if you saw a two-page obituary, you'd take it for granted. When d'you suppose it was written?' 'That's right,' he said thoughtfully. What I was proposing was a morgue of the Americans eminent in popular music and jazz, so they'd not get caught short again. A splendid idea, the man said; pick your stars. We made a list and were commissioned to return to America and finish all of them. Naturally, we looked at a calendar, and birthdates of Hoagy Carmichael, Earl Hines, Harold Arlen, Ethel Merman, Stephane Grappelli, Ella Fitzgerald. But then, in a spasm of panic, we thought of two giants - if the word can be used about two comparative midgets: Irving Berlin and Fred Astaire. Berlin was then 91. And Fred Astaire was just crowding 80. The boss man, to whom the idea of a morgue had been, only a few minutes before, quaint if not morbid, wondered what we were waiting for. Better get busy, at once, on Berlin and then on Astaire. I remember doing the Astaire obit, then and there, while I was still in London. Meanwhile, we'd simply pray every night that the Lord would keep Irving Berlin breathing till I could get home and get busy. I remember being picked up in a car by a charming young girl to get to the BBC and record my Astaire narration - there wasn't a moment to lose. She asked me, in the car, what the script was that I was clutching. 'It's an obituary', I said, 'of Fred Astaire.' 'Fred Astaire,' she shrieked, 'dead?' and almost swerved into a bus. 'Of course, he's not dead,' I said, 'but he's going to be one day.' She, too, was new to the institution of a morgue. I recalled that when I was a correspondent for a British paper in the United States, and when for example. Dean Acheson was appointed Secretary of State, the first cable I had from my editor said, 'Welcome Acheson obituary soonest.' How ghoulish, she said. I imagine that to two generations at least, it's assumed that Fred Astaire, this slim, pop-eyed newcomer to Hollywood who couldn't act, couldn't sing, danced a little, only made a fool of the mogul through the movies he made, with Ginger Rogers, in the mid- and late 1930s. But long before then, from the mid-1920s on, he was already an incomparable star - as a dancer - to theatre audiences both in New York and in London. Perhaps more in London than anywhere, certainly in the 1920s, with the early Gershwin hits, Funny Face and Lady Be Good, and lastly, in 1933, in Cole Porter's Gay Divorce (which was the title of the theatre show; Hollywood would not then allow so shocking a title and called the movie version, The Gay Divorcee). Of all the thousands of words that have been written this week, and will be written, there is a passage I went back to on Tuesday night which, I think, as well as anything I know, sums up Astaire's overall appeal - the appeal that takes in but transcends one's admiration for his dancing and for his inimitably intimate singing style. This was written in November 1933, by a theatre critic who had so little feel for dancing that he marvelled why London should go on about 'Mr Astaire's doing well enough what the Tiller Girls at Blackpool do superbly'. The critic, the writer, was James Agate, the irascible, dogmatic, opinionated but brilliant journalist, and I believe the best critic of acting we have had this century. He is writing his review of Gay Divorce, after declaring yet again his contempt for musical comedy as an entertainment for idiots, deploring the play's plot and the acting and hoping 'Micawberishly, for something to turn up'. 'Presently,' he wrote, 'Mr Fred Astaire obliged, and there is really no more to be said.' Except

Sklep: Albertus.pl

Blood Doctor - 2212839586

32,40 zł

Blood Doctor Penguin

Powieści i opowiadania

Blood. That

Sklep: Albertus.pl

Youman's Neurological Surgery CD-Rom - 2212825774

4338,20 zł

Youman's Neurological Surgery CD-Rom W.B. Saunders Company

Zdrowie, medycyna

Featuring the entire 5 Volume Set of Neurological Surgery 4/e, in both Windows and Macintosh format on a single CD. The CD has the tremendous searching capability of locating any name, word, figure, illustration, legend, or reference within the text using a simple search command. Look on the reverse side for additional features. A very attractive package price makes it easier to have both the book and the CD. MINIMUM HARDWARE REQUIREMENTS: Windows Version: IBM 386 (or later) PC or compatible, Windows 3.1 or higher, DOS 5.0 or higher, 8 MB RAM, 10 MB free on hard drive, CD-ROM drive, Mouse. Macintosh Version: Apple Macintosh computer with 68020 microprocessor, 8MB RAM, 10 MB free on hard drive, System 7, Color Monitor, Mouse.* Full five volumes of text (4242 pp.). 4045 illustrations, tables and references all on one CD.* Both the WINDOWS and MACINTOSH versions are on the same disk.* Program includes tutorial.* Every name, word, figure, legend and reference is "searchable".* Abstracts of all references within the last ten years.* User will be able to compare and contrast illustrations from any part of the text. Each illustration has "zoom" and "reduction" capabilities.* References "pop up in a window" on top of text when clicked on and can be printed as hard copy.* Boolean based search engine for entire text.* Researcher can "highlight" text in a multitude of colors.* Yellow sticky note messages with up to 1400 characters can be added to each paragraph.* Book marks can be added for future research.* The table of contents can be searched hierarchically down to the text subheadings.* Program keeps a "trail" of work already completed.* Ability to print hard copy of all text and references (illustrations cannot be printed).

Sklep: Albertus.pl

Motorworld - 2212824613

36,60 zł

Motorworld Penguin

Powieści i opowiadania

In a revamped, refreshed and expanded edition, Motorworld appears in paperback for the first time. From Iceland to Australia, Clarkson travels the world exploring car culture. This is comic travel writing at its laugh-out-loud funniest. Jeremy Clarkson, tells penguin.co.uk what makes him angry, what puts a smile on his face, his greatest fear and his greatest (unsurprising) vice. Who or what always puts a smile on your face? Coming home after a week in London and finding the kids still up. What are you reading at the moment? The Sun. Which author do you most admire? For spinning a yarn, Tom Clancy in his early days; for breathtaking writing, Sebastian Faulks. What

Sklep: Albertus.pl

Eeny Meeny - 2865188592

46,54 zł

Eeny Meeny Penguin Books

Książki / Literatura obcojęzyczna

Eeny Meeny is the rocket-paced serial-killer thriller debut from M. J. Arlidge. The girl emerged from the woods, barely alive. Her story was beyond belief. But it was true. Every dreadful word of it. Days later, another desperate escapee is found - and a pattern is emerging. Pairs of victims are being abducted, imprisoned then faced with a terrible choice: kill or be killed. Would you rather lose your life or lose your mind? Detective Inspector Helen Grace has faced down her own demons on her rise to the top. As she leads the investigation to hunt down this unseen monster, she learns that it may be the survivors - living calling cards - who hold the key to the case. And unless she succeeds, more innocents will die...Introducing M. J. Arlidge's Detective Inspector Helen Grace. Eeny Meeny is an electrifying debut, with the nerve-shredding intensity of Saw and Along Came a Spider. Fans of James Patterson and Mo Hayder should pay attention. M. J. Arlidge has worked in television for the last fifteen years, specialising in high-end drama production. In the last five years Arlidge has produced a number of prime-time crime serials for ITV, including Torn, The Little House and most recently Undeniable, broadcast in spring 2014. Currently writing for Silent Witness, Arlidge is also piloting original crime series for both UK and US networks. Debut thriller Eeny Meeny, which introduces Detective Inspector Helen Grace, has sold to publishers around the world. The follow-up, Pop Goes the Weasel, is published by Penguin Books in September 2014.

Sklep: Libristo.pl

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