146,11 zł

Don Giovanni Vocal Score Dover Publications Inc.

Książki / Literatura obcojęzyczna

Mozart's 1787 masterpiece, "Don Giovanni" is considered by many to be his greatest opera. It is among the most often performed operas the world over, essential to the repertoire of every singer. This complete vocal score is ideal for rehearsals, study and concert performances. It is the lowest-priced vocal score edition now available. Features the Italian text.

Sklep: Libristo.pl

24,90 zł

Rebay: Complete Music for Clarinet and Guitar

Kultura. Sztuka. >Muzyka Taniec Śpiew

Here's a genuine rarity: Ferdinand Rebay (1878-1953) has been hitherto unknown outside a small circle of guitar connoiseurs, but that should change thanks to this attractive set of sonatas and dances, all receiving their first recordings at the hands of two talented young Italian musicians. Rebay was Viennese born and bred. In 1901 he entered the piano class of Joseph Hofmann at the Vienna Conservatory and studied composition with the eminent pedagogue Robert Fuchs, who counted Mahler, Wolf, Sibelius and von Zemlinsky among his students.Four years later, when leaving the Conservatory with a distinction in composition, Rebay's catalogue already numbered around 100 works, including a piano concerto dedicated to Prof. Hofmann. He continued to compose prolifically, mainly in the area of vocal music, pro-ducing around 100 choral works, 400 Lieder and two operas. After the Anschluss in 1938, Rebay lost his teaching positions as well as his pension and was reintegrated only in 1945, a few months before his definite retirement. Rebay's interest in writing for the guitar was triggered by his niece, the guitarist Gerta Hammerschmid (1906-1985) and by her teacher, his friend and colleague at the Musikakademie, Jakob Ortner (1879-1959), who probably introduced him to the technical possibilities of the instrument. He died, almost forgotten, in Vienna in 1953.Among Rebay's most ambitious and important guitar works are the duos for guitar and a string or wind instrument. Substantial works, with a duration between 15 and 25 minutes, these duos have no match in the guitar repertoire; the Sonatas on this disc are among their number, and complemented by stylish arrangements made by Rebay of several of Beethoven's German Dances. The scarce original repertoire for clarinet and guitar, limited during the 19th century essentially to Heinrich Neumann's six serenades is almost trebled by Rebay's substantial contribution....

Sklep: Prolibri.pl

22,40 zł

Rebay: Complete Music for Clarinet and Guitar Brilliant Classics

Nagrania muzyczneMuzyka poważna

Here's a genuine rarity: Ferdinand Rebay (1878-1953) has been hitherto unknown outside a small circle of guitar connoiseurs, but that should change thanks to this attractive set of sonatas and dances, all receiving their first recordings at the hands of two talented young Italian musicians. Rebay was Viennese born and bred. In 1901 he entered the piano class of Joseph Hofmann at the Vienna Conservatory and studied composition with the eminent pedagogue Robert Fuchs, who counted Mahler, Wolf, Sibelius and von Zemlinsky among his students.Four years later, when leaving the Conservatory with a distinction in composition, Rebay's catalogue already numbered around 100 works, including a piano concerto dedicated to Prof. Hofmann. He continued to compose prolifically, mainly in the area of vocal music, pro-ducing around 100 choral works, 400 Lieder and two operas. After the Anschluss in 1938, Rebay lost his teaching positions as well as his pension and was reintegrated only in 1945, a few months before his definite retirement. Rebay's interest in writing for the guitar was triggered by his niece, the guitarist Gerta Hammerschmid (1906-1985) and by her teacher, his friend and colleague at the Musikakademie, Jakob Ortner (1879-1959), who probably introduced him to the technical possibilities of the instrument. He died, almost forgotten, in Vienna in 1953.Among Rebay's most ambitious and important guitar works are the duos for guitar and a string or wind instrument. Substantial works, with a duration between 15 and 25 minutes, these duos have no match in the guitar repertoire; the Sonatas on this disc are among their number, and complemented by stylish arrangements made by Rebay of several of Beethoven's German Dances. The scarce original repertoire for clarinet and guitar, limited during the 19th century essentially to Heinrich Neumann's six serenades is almost trebled by Rebay's substantial contribution.

Sklep: Booknet.net.pl

24,00 zł

Rebay: Complete Music for Clarinet and Guitar brilliant classics

Nagrania>Nagrania muzyczne

Here's a genuine rarity: Ferdinand Rebay (1878-1953) has been hitherto unknown outside a small circle of guitar connoiseurs, but that should change thanks to this attractive set of sonatas and dances, all receiving their first recordings at the hands of two talented young Italian musicians. Rebay was Viennese born and bred. In 1901 he entered the piano class of Joseph Hofmann at the Vienna Conservatory and studied composition with the eminent pedagogue Robert Fuchs, who counted Mahler, Wolf, Sibelius and von Zemlinsky among his students.Four years later, when leaving the Conservatory with a distinction in composition, Rebay's catalogue already numbered around 100 works, including a piano concerto dedicated to Prof. Hofmann. He continued to compose prolifically, mainly in the area of vocal music, pro-ducing around 100 choral works, 400 Lieder and two operas. After the Anschluss in 1938, Rebay lost his teaching positions as well as his pension and was reintegrated only in 1945, a few months before his definite retirement. Rebay's interest in writing for the guitar was triggered by his niece, the guitarist Gerta Hammerschmid (1906-1985) and by her teacher, his friend and colleague at the Musikakademie, Jakob Ortner (1879-1959), who probably introduced him to the technical possibilities of the instrument. He died, almost forgotten, in Vienna in 1953.Among Rebay's most ambitious and important guitar works are the duos for guitar and a string or wind instrument. Substantial works, with a duration between 15 and 25 minutes, these duos have no match in the guitar repertoire; the Sonatas on this disc are among their number, and complemented by stylish arrangements made by Rebay of several of Beethoven's German Dances. The scarce original repertoire for clarinet and guitar, limited during the 19th century essentially to Heinrich Neumann's six serenades is almost trebled by Rebay's substantial contribution....

Sklep: Bonusmedia

62,90 zł

Catalani: Loreley Allegro Corporation

Nagrania muzyczneMuzyka poważna

This performance, recorded live at the La Scala opera house in Milan on February 13, 1968, is the only recording of this opera ever issued with complete libretto at mid-price. Alfredo Catalani (1854?1893) was long ignored internationally among the numerous Italian opera composers of the late nineteenth century. In recent years Catalani has become more familiar with a revival of interest in his masterpiece, La Wally, one aria from which has always had currency and which achieved even wider fame in recent years from its use in films and commercials. This has led to further explorations, including a revival of Catalani?s nextbest stage work, Loreley, the first of his operas to attract attention outside of Italy. Like La Wally, Loreley has always had one excerpt which has kept the opera?s title in circulation, the atmospheric ?Dance of the Ondine? (also known as ?Dance of the Water Spirits?) from Act III, occasionally heard in concert programs and on recordings of light Romantic orchestral music. Greek soprano Elena Suliotis was a musical ?comet? whose first appearances in the late 1960s caused considerable critical excitement? a voice, the New York Times said, with ?the potential for greatness.? After a short career, Suliotis developed vocal problems and her career was truncated. This is one of the rare recordings preserving that short period of vocal splendor that has become a modern legend.?This 1968 performance certainly makes a strong case for the opera, with a fine cast and conductor, pulling out all the stops ? there is much here to admire and enjoy ? Suliotis was a fascinating singer ? the Scala forces, under the inspired direction of Gianandrea Gavazzeni, play beautifully.? ? OPERA NEWS

Sklep: Booknet.net.pl

27,00 zł

Mozart: Il Re Pastore Brilliant Classics

Nagrania muzyczneMuzyka poważna

n addition to his mastery of instrumental and sacred works, Wolfgang Amadeus Mozart is one of the most celebrated operatic writers in music history. In Il re pastore, a relatively early opera from the then nineteen-year-old composer, we see the beginnings of genius in a man who was later to become a true master of the genre.Il re pastore was commissioned in 1775 for the visit of Austria's Archduke Maximilian Franz to Salzburg. Written in just six weeks, the opera is based on a libretto by Pietro Metastasio in which Alexander the Great (Alessandro) discovers that young shepherd Aminta is the rightful heir to the throne, taking it upon himself to restore the boy to power. Regardless of the composer's youth, several moments in the opera show hints of the more mature Mozart, including the aria 'L'amero saro costante' in which rippling strings and lush orchestration are combined with a poignant, yearning vocal line. Another highlight is the glorious ensemble finale of Act II, a feature that would become a vital characteristic of Mozart's later operas.Musica ad Rhenum has earned a special place in the early music world, with critics describing the ensemble's performances as 'cutting-edge' and 'exhilarating'. The group are joined by a fantastic set of vocal soloists, with Johanette Zomer assuming the role of Aminta and Alexei Gregoriev playing Alexander the Great.Other information:- Recorded September 2001, Maria Minor Church, Utrecht, The Netherlands.- From the Complete Mozart Edition: Il Re Pastore, early opera of the then 19 year old genius Wolfgang Amadeus Mozart.- Excellent performances on original instruments by Musica ad Rhenum, led by early music specialist Jed Wentz. Soprano Johannette Zomer is widely regarded as one of the leading sopranos in Baroque and Classical repertoire, having collaborated with Philippe Herreweghe, William Christie, Ton Koopman, René Jacobs and Paul McCreesh.

Sklep: Booknet.net.pl

29,00 zł

Mozart: Il Re Pastore brilliant classics

Nagrania>Nagrania muzyczne

n addition to his mastery of instrumental and sacred works, Wolfgang Amadeus Mozart is one of the most celebrated operatic writers in music history. In Il re pastore, a relatively early opera from the then nineteen-year-old composer, we see the beginnings of genius in a man who was later to become a true master of the genre.Il re pastore was commissioned in 1775 for the visit of Austria's Archduke Maximilian Franz to Salzburg. Written in just six weeks, the opera is based on a libretto by Pietro Metastasio in which Alexander the Great (Alessandro) discovers that young shepherd Aminta is the rightful heir to the throne, taking it upon himself to restore the boy to power. Regardless of the composer's youth, several moments in the opera show hints of the more mature Mozart, including the aria 'L'amero saro costante' in which rippling strings and lush orchestration are combined with a poignant, yearning vocal line. Another highlight is the glorious ensemble finale of Act II, a feature that would become a vital characteristic of Mozart's later operas.Musica ad Rhenum has earned a special place in the early music world, with critics describing the ensemble's performances as 'cutting-edge' and 'exhilarating'. The group are joined by a fantastic set of vocal soloists, with Johanette Zomer assuming the role of Aminta and Alexei Gregoriev playing Alexander the Great.Other information:- Recorded September 2001, Maria Minor Church, Utrecht, The Netherlands.- From the Complete Mozart Edition: Il Re Pastore, early opera of the then 19 year old genius Wolfgang Amadeus Mozart.- Excellent performances on original instruments by Musica ad Rhenum, led by early music specialist Jed Wentz. Soprano Johannette Zomer is widely regarded as one of the leading sopranos in Baroque and Classical repertoire, having collaborated with Philippe Herreweghe, William Christie, Ton Koopman, René Jacobs and Paul McCreesh....

Sklep: Bonusmedia

67,00 zł

Catalani: Loreley allegro corporation

Nagrania>Nagrania muzyczne

This performance, recorded live at the La Scala opera house in Milan on February 13, 1968, is the only recording of this opera ever issued with complete libretto at mid-price. Alfredo Catalani (1854

Sklep: Bonusmedia

27,22 zł

Mozart: Il Re Pastore brilliant classics

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna

n addition to his mastery of instrumental and sacred works, Wolfgang Amadeus Mozart is one of the most celebrated operatic writers in music history. In Il re pastore, a relatively early opera from the then nineteen-year-old composer, we see the beginnings of genius in a man who was later to become a true master of the genre.Il re pastore was commissioned in 1775 for the visit of Austria's Archduke Maximilian Franz to Salzburg. Written in just six weeks, the opera is based on a libretto by Pietro Metastasio in which Alexander the Great (Alessandro) discovers that young shepherd Aminta is the rightful heir to the throne, taking it upon himself to restore the boy to power. Regardless of the composer's youth, several moments in the opera show hints of the more mature Mozart, including the aria 'L'amero saro costante' in which rippling strings and lush orchestration are combined with a poignant, yearning vocal line. Another highlight is the glorious ensemble finale of Act II, a feature that would become a vital characteristic of Mozart's later operas.Musica ad Rhenum has earned a special place in the early music world, with critics describing the ensemble's performances as 'cutting-edge' and 'exhilarating'. The group are joined by a fantastic set of vocal soloists, with Johanette Zomer assuming the role of Aminta and Alexei Gregoriev playing Alexander the Great.Other information:- Recorded September 2001, Maria Minor Church, Utrecht, The Netherlands.- From the Complete Mozart Edition: Il Re Pastore, early opera of the then 19 year old genius Wolfgang Amadeus Mozart.- Excellent performances on original instruments by Musica ad Rhenum, led by early music specialist Jed Wentz. Soprano Johannette Zomer is widely regarded as one of the leading sopranos in Baroque and Classical repertoire, having collaborated with Philippe Herreweghe, William Christie, Ton Koopman, René Jacobs and Paul McCreesh....

Sklep: Madbooks.pl

89,90 zł

Legendary performances of José Carreras Allegro Corporation

Książki

Seven complete operas starring the great José Carreras?live opera recordings at budget price in one space-saving set! Exciting live recordings taped 1972?1976! Spanish tenor José Carreras (b. 1946) was, by the end of the 20th century, one of the few ?superstars? of the world of opera, having taken his place alongside Luciano Pavarotti and Placido Domingo as one of the ?Three Tenors,? a media phenomenon that reflected worldwide popular approval. Carreras endeared himself to the public not only for the beauty of his vocal color and the purity of his phrasing, but also for his romantic appearance, his intelligence and modesty, and his personal courage and generosity. These imperishable performances are among the greatest ever put to disc, and are now available at the lowest price ever!

Sklep: Booknet.net.pl

22,40 zł

Schubert: Lazarus Brilliant Classics

Nagrania muzyczneMuzyka poważna

As with many of the works composed during the same period, Schubert's Lazarus -- essentially a sacred stage work rather than an oratorio -- remains unfinished, with Act 2's burial never completed and the music for Act 3's resurrection never begun. Perhaps Schubert felt unable to continue due to his religious views; perhaps his rapidly developing style simply caused him to lose patience with the work, which it would appear was not written to commission. Whatever the reason, there is little doubt that the work remains one of the composer's most forward-thinking and innovative -- and therein lies the real miracle of the piece.In terms of musical profundity and individuality, Lazarus may be thought of as the dramatic vocal counterpart of the 'Unfinished' Symphony. What makes the work stand out is its formal and instrumentation-based novelties -- gone is the separation of recitative and aria still adhered to by Beethoven, for example -- as well as an unprecedented treatment of the text -- Jairus's daughter's description of her death and return to earthly life, for instance, surpasses anything in Schubert's songs with regard to expression of words in music. Written during the political setbacks of the Restoration, Lazarus represents Schubert's first attempt to escape from a world that becoming increasingly out of joint. The composer, like so many of his fellow artists, sought refuge in Romantic forms of religious utopianism, and this quality also comes to the fore in 'Unfinished' and his A flat major Mass, works that also date from the middle period of Schubert's life.It is an astonishing paradox that Schubert, whose operas failed so completely, should emerge in this unfinished work as the unnoticed pioneer of music drama. Considered years ahead of its time, Lazarus is here performed by an all-German cast featuring the esteemed choral conductor Dietrich Knothe -- who made a name for himself recording unknown or forgotten music of the great Romantics.Other information:- Recorded in 1978 at the Christuskirche in Berlin.- Contains detailed notes on the composer and his music.Schubert's oratorio Lazarus is unfinished (part of the 2nd and the complete 3rd act are missing), and that may account for its relative obscurity. A great shame, as Lazarus is one of Schubert's most original and forward looking dramatic works. It contains music of great beauty and power, its structure highly innovative, as it is one continuous dramatic development without the distinction between recitative and aria.- A most welcome reissue from the Berlin Classics catalogue of this neglected masterwork, featuring a superb all German cast, with the great Eberhard Büchner and Ingeborg Springer. The famous Berliner Singakademie and the Staatskapelle Berlin are conducted by choral specialist Dietrich Knothe.Booklet contains extensive liner notes.

Sklep: Booknet.net.pl

24,00 zł

Schubert: Lazarus brilliant classics

Nagrania>Nagrania muzyczne

As with many of the works composed during the same period, Schubert's Lazarus -- essentially a sacred stage work rather than an oratorio -- remains unfinished, with Act 2's burial never completed and the music for Act 3's resurrection never begun. Perhaps Schubert felt unable to continue due to his religious views; perhaps his rapidly developing style simply caused him to lose patience with the work, which it would appear was not written to commission. Whatever the reason, there is little doubt that the work remains one of the composer's most forward-thinking and innovative -- and therein lies the real miracle of the piece.In terms of musical profundity and individuality, Lazarus may be thought of as the dramatic vocal counterpart of the 'Unfinished' Symphony. What makes the work stand out is its formal and instrumentation-based novelties -- gone is the separation of recitative and aria still adhered to by Beethoven, for example -- as well as an unprecedented treatment of the text -- Jairus's daughter's description of her death and return to earthly life, for instance, surpasses anything in Schubert's songs with regard to expression of words in music. Written during the political setbacks of the Restoration, Lazarus represents Schubert's first attempt to escape from a world that becoming increasingly out of joint. The composer, like so many of his fellow artists, sought refuge in Romantic forms of religious utopianism, and this quality also comes to the fore in 'Unfinished' and his A flat major Mass, works that also date from the middle period of Schubert's life.It is an astonishing paradox that Schubert, whose operas failed so completely, should emerge in this unfinished work as the unnoticed pioneer of music drama. Considered years ahead of its time, Lazarus is here performed by an all-German cast featuring the esteemed choral conductor Dietrich Knothe -- who made a name for himself recording unknown or forgotten music of the great Romantics.Other information:- Recorded in 1978 at the Christuskirche in Berlin.- Contains detailed notes on the composer and his music.Schubert's oratorio Lazarus is unfinished (part of the 2nd and the complete 3rd act are missing), and that may account for its relative obscurity. A great shame, as Lazarus is one of Schubert's most original and forward looking dramatic works. It contains music of great beauty and power, its structure highly innovative, as it is one continuous dramatic development without the distinction between recitative and aria.- A most welcome reissue from the Berlin Classics catalogue of this neglected masterwork, featuring a superb all German cast, with the great Eberhard Büchner and Ingeborg Springer. The famous Berliner Singakademie and the Staatskapelle Berlin are conducted by choral specialist Dietrich Knothe.Booklet contains extensive liner notes....

Sklep: Bonusmedia

95,00 zł

Legendary performances of José Carreras allegro corporation

Nagrania>Nagrania muzyczne

Seven complete operas starring the great José Carreras

Sklep: Bonusmedia

22,62 zł

Schubert: Lazarus brilliant classics

Książki naukowe>Sztuka>Muzyka, śpiew i taniec>Muzyka poważna

As with many of the works composed during the same period, Schubert's Lazarus -- essentially a sacred stage work rather than an oratorio -- remains unfinished, with Act 2's burial never completed and the music for Act 3's resurrection never begun. Perhaps Schubert felt unable to continue due to his religious views; perhaps his rapidly developing style simply caused him to lose patience with the work, which it would appear was not written to commission. Whatever the reason, there is little doubt that the work remains one of the composer's most forward-thinking and innovative -- and therein lies the real miracle of the piece.In terms of musical profundity and individuality, Lazarus may be thought of as the dramatic vocal counterpart of the 'Unfinished' Symphony. What makes the work stand out is its formal and instrumentation-based novelties -- gone is the separation of recitative and aria still adhered to by Beethoven, for example -- as well as an unprecedented treatment of the text -- Jairus's daughter's description of her death and return to earthly life, for instance, surpasses anything in Schubert's songs with regard to expression of words in music. Written during the political setbacks of the Restoration, Lazarus represents Schubert's first attempt to escape from a world that becoming increasingly out of joint. The composer, like so many of his fellow artists, sought refuge in Romantic forms of religious utopianism, and this quality also comes to the fore in 'Unfinished' and his A flat major Mass, works that also date from the middle period of Schubert's life.It is an astonishing paradox that Schubert, whose operas failed so completely, should emerge in this unfinished work as the unnoticed pioneer of music drama. Considered years ahead of its time, Lazarus is here performed by an all-German cast featuring the esteemed choral conductor Dietrich Knothe -- who made a name for himself recording unknown or forgotten music of the great Romantics.Other information:- Recorded in 1978 at the Christuskirche in Berlin.- Contains detailed notes on the composer and his music.Schubert's oratorio Lazarus is unfinished (part of the 2nd and the complete 3rd act are missing), and that may account for its relative obscurity. A great shame, as Lazarus is one of Schubert's most original and forward looking dramatic works. It contains music of great beauty and power, its structure highly innovative, as it is one continuous dramatic development without the distinction between recitative and aria.- A most welcome reissue from the Berlin Classics catalogue of this neglected masterwork, featuring a superb all German cast, with the great Eberhard Büchner and Ingeborg Springer. The famous Berliner Singakademie and the Staatskapelle Berlin are conducted by choral specialist Dietrich Knothe.Booklet contains extensive liner notes....

Sklep: Madbooks.pl

321,19 zł

Musorgsky Princeton University Press

Książki / Literatura obcojęzyczna

"It is [a] fully illuminated story that Richard Taruskin, in the path-breaking essays collected here, unfolds around Modest Musorgsky, Russia's greatest national composer...[Taruskin's] tour de force comes with a frontal attack on all the Soviet-bred truisms that for a century have refashioned Musorgsky from what the evidence suggests he was--an aristocrat with an early clinical interest in true-to-life musical portraiture and a later penchant for drinking partners who were both folklore buffs and political reactionaries democrat." - From the foreword.Incorporating both new and now-classic essays, this book for the first time sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers the most complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Chaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.

Sklep: Libristo.pl

Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

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