The Baby Chronicles: Where You Were Before You Were

Książki

Sklep: KrainaKsiazek.pl

Wish You Were Here Random House Publishing

Książki / Literatura obcojęzyczna

#1 NEW YORK TIMES BESTSELLER From the author of Small Great Things and The Book of Two Ways comes a powerfully evocative story of resilience and the triumph of the human spirit (Taylor Jenkins Reid, author of Malibu Rising) Rights sold to Netflix for adaptation as a feature filmDiana O Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She s an associate specialist at Sotheby s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos days before her thirtieth birthday. Right on time.But then a virus that felt worlds away has appeared in the city, and on the eve of their departure, Finn breaks the news: It s all hands on deck at the hospital. He has to stay behind. You should still go, he assures her, since it would be a shame for all of their nonrefundable trip to go to waste. And so, reluctantly, she goes.Almost immediately, Diana s dream vacation goes awry. Her luggage is lost, the Wi-Fi is nearly nonexistent, and the hotel they d booked is shut down due to the pandemic. In fact, the whole island is now under quarantine, and she is stranded until the borders reopen. Completely isolated, she must venture beyond her comfort zone. Slowly, she carves out a connection with a local family when a teenager with a secret opens up to Diana, despite her father s suspicion of outsiders.In the Galápagos Islands, where Darwin s theory of evolution by natural selection was formed, Diana finds herself examining her relationships, her choices, and herself and wondering if when she goes home, she too will have evolved into someone completely different.

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Spalona Żywcem Wyd. Kieszonkowe - Souad

Książki & Multimedia > Książki

Opis - Pierwsze na świecie świadectwo ofiary zbrodni honorowej. Miała siedemnaście lat i zakochała się: zhańbiła rodzinę. Więc rodzina wydała na nią wyrok śmierci... Pokochała go pierwszą miłością. Myślała, że się z nią ożeni. Ale ukochany zniknął, a ona odkryła, że jest w ciąży. A w jej świecie to najcięższa zbrodnia... W zapomnianej przez Boga wiosce w Cisjordanii kobiety są warte mniej niż zwierzęta domowe. Tu mężczyzna jest panem życia i śmierci żony, córki, siostry. Brat może bezkarnie zabić siostrę, matka - córkę, kolejną bezużyteczną dziewczynkę, jaka się urodzi. Tu kobiecie odbiera się godność, a nawet życie zgodnie z odwiecznym obyczajem i uświęconą tradycją. A śmierć jest karą dla dziewczyny, która zhańbi rodzinę. Tak jak Souad. Wyrok wydaje jej ojciec. Szwagier dokonuje egzekucji. Oblewa Souad benzyną i podpala... SOUAD przeżyła - cudem, ale rodzina usiłowała zabić ją nawet w szpitalu. Na zawsze jednak pozostanie straszliwie okaleczona - na ciele i duszy. I wciąż musi się ukrywać; dopóki żyje, jej rodzinę okrywa hańba. Spalona żywcem, opublikowana pod pseudonimem szokująca opowieść o piekle, jakim było jej dzieciństwo i młodość, stała się międzynarodowym bestsellerem. Wydana w 37 w krajach książka przerywa tabu milczenia wobec istniejącej nadal w krajach muzułmańskich barbarzyńskiej tradycji. Nieludzkiego obyczaju, prawa mężczyzn, na mocy którego co najmniej pięć tysięcy kobiet pada co roku ofiarą zbrodni honorowej. Nazwa - Spalona Żywcem Wyd. Kieszonkowe Autor - Souad Oprawa - Miękka Wydawca - Amber Kod ISBN - 9788324159406 Kod EAN - 9788324159406 Wydanie - 1 Rok wydania - 2016 Tłumacz - 31182,maria rostworowska; Format - 110 x 175 x 14 Ilość stron - 224 Podatek VAT - 5% Premiera - 2016-06-23

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You Got Anything Stronger? HarperCollins Publishers Inc

Książki / Literatura obcojęzyczna

Included in Time's 100 Must Read Books of 2021 list * A New York Times Best Seller * One of Audible's Best of The Year * AV Club's Best Books to Buy "Funny, tender, and so good." -Mindy Kaling, #1 New York Times bestselling author of Why Not Me?Remember when we hit it off so well that we decided We're Going to Need More Wine? Well, this time you and I are going to turn to our friend the bartender and ask, You Got Anything Stronger? I promise to continue to make you laugh, but with this round, the stakes get higher as the conversation goes deeper.So. Where were we?Right, you and I left off in October 2017, when my first book came out. The weeks before were filled with dreams of loss. Pets dying. My husband leaving me. Babies not being born. My therapist told me it was my soul preparing for my true self to emerge after letting go of my grief. I had finally spoken openly about my fertility journey. I was having second thoughts-in fact, so many thoughts they were organizing to go on strike. But I knew I had to be honest because I didn't want other women going through IVF to feel as alone as I did. I had suffered in isolation, having so many miscarriages that I could not give an exact number. Strangers shared their own journeys and heartbreak with me. I had led with the truth, and it opened the door to compassion. When I released We're Going to Need More Wine, the response was so great people asked when I would do a sequel. The New York Times even ran a headline reading "We're Going to Need More Gabrielle Union." Frankly, after being so open and honest in my writing, I wasn't sure there was more of me I was ready to share. But life happens with all its plot twists. And new stories demand to be told. This time, I need to be more vulnerable-not so much for me, but anyone who feels alone in what they're going through.A lot has changed in four years-I became a mom and I'm raising two amazing girls. My husband retired. My career has expanded so that I have the opportunity to lift up other voices that need to be heard. But the world has also shown us that we have a lot we still have to fight for-as women, as black women, as mothers, as aging women, as human beings, as friends. In You Got Anything Stronger?, I show you how this ever-changing life presents challenges, even as it gives me moments of pure joy. I take you on a girl's night at Chateau Marmont, and I also talk to Isis, my character from Bring It On. For the first time, I truly open up about my surrogacy journey and the birth of Kaavia James Union Wade. And I take on racist institutions and practices in the entertainment industry, asking for equality and real accountability.You Got Anything Stronger? is me at my most vulnerable. I have recently found true strength in that vulnerability, and I want to share that power with you here, through this book.

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BILLIE EILISH CD WHEN WE ALL FALL ASLEEP WHERE DO WE GO EDYCJA DELUXE WYDAWCA

Muzyka > Płyty kompaktowe

Billie Eilish to prawdziwy fenomen, który trudno porównać z jakimkolwiek innym współczesnym artystą. Od czasu debiutanckiego singla

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World Before Us Penguin Books

Książki / Literatura obcojęzyczna

'The who, what, where, when and how of human evolution, from one of the world's experts on the dating of prehistoric fossils' Steve Brusatte, author of The Rise and Fall of the Dinosaurs 'Fascinating and entertaining. If you read one book on human origins, this should be it' Ian Morris, author of Why the West Rules - For Now 50,000 years ago, we were not the only species of human in the world. There were at least four others, including the Neanderthals, Homo floresiensis, Homo luzonesis and the Denisovans. At the forefront of the latter's ground-breaking discovery was Oxford Professor Tom Higham.In The World Before Us, he explains the scientific and technological advancements - in radiocarbon dating and ancient DNA, for example - that allowed each of these discoveries to be made, enabling us to be more accurate in our predictions about not just how long ago these other humans lived, but how they lived, interacted and live on in our genes today. This is the story of us, told for the first time with its full cast of characters. 'Exciting' David Abulafia, author of The Boundless Sea 'Remarkable' Rebecca Wragg Sykes, author of Kindred 'Thrilling' David Reich, author of Who We Are and How We Got Here 'Brilliant' Chris Gosden, author of The History of Magic'Gripping and fun' Paul Collier, author of The Bottom Billion'Essential' Barry Cunliffe, author of The Scythians'Profoundly entertaining' Brian Fagan, author of World Prehistory

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100 Things Game of Thrones Fans Should Know & Do Before They Die Triumph Books

Książki / Literatura obcojęzyczna

Every Game of Thrones fan remembers where they were for Ned Stark's untimely demise, can hum the tune of "The Rains of Castamere," and can't wait to find out Daenerys Targaryen's next move. But do you know the real inspiration for the Red Wedding? O

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Under the Duvet Penguin

Powieści i opowiadania

'When people ask me what I do for a crust and I tell them that I'm a novelist, they immediately assume that my life is a non-stop carousel of limos, television appearances, hair-dos, devoted fans, stalkers and all the glitzy paraphernalia of being a public figure. It's time to set the record straight. I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me ...' Her novels are adored by millions around the world

Sklep: Albertus.pl

Natasha's Dance Penguin

Powieści i opowiadania

Orlando Figes

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XSLT 2.0 and XPath 2.0 Programmer's Reference 4e John Wiley & Sons Inc

Książki / Literatura obcojęzyczna

This book is primarily a practical reference book for professional XSLT developers. It assumes no previous knowledge of the language, and many developers have used it as their first introduction to XSLT; however, it is not structured as a tutorial, and there are other books on XSLT that provide a gentler approach for beginners. The book does assume a basic knowledge of XML, HTML, and the architecture of the Web, and it is written for experienced programmers. There's no assumption that you know any particular language such as Java or Visual Basic, just that you recognize the concepts that all programming languages have in common. The book is suitable both for XSLT 1.0 users upgrading to XSLT 2.0, and for newcomers to XSLT. The book is also equally suitable whether you work in the Java or .NET world. As befits a reference book, a key aim is that the coverage should be comprehensive and authoritative. It is designed to give you all the details, not just an overview of the 20 percent of the language that most people use 80 percent of the time.It's designed so that you will keep coming back to the book whenever you encounter new and challenging programming tasks, not as a book that you skim quickly and then leave on the shelf. If you like detail, you will enjoy this book; if not, you probably won't. But as well as giving the detail, this book aims to explain the concepts, in some depth. It's therefore a book for people who not only want to use the language but who also want to understand it at a deep level. The book aims to tell you everything you need to know about the XSLT 2.0 language. It gives equal weight to the things that are new in XSLT 2.0 and the things that were already present in version 1.0. The book is about the language, not about specific products. However, there are appendices about Saxon (the author's own implementation of XSLT 2.0), about the Altova XSLT 2.0 implementation, and about the Java and Microsoft APIs for controlling XSLT transformations, which will no doubt be upgraded to handle XSLT 2.0 as well as 1.0. A third XSLT 2.0 processor, Gestalt, was released shortly before the book went to press, too late to describe it in any detail. But the experience of XSLT 1.0 is that there has been a very high level of interoperability between different XSLT processors, and if you can use one of them, then you can use them all.In the previous edition we split XSLT 2.0 and XPath 2.0 into separate volumes. The idea was that some readers might be interested in XPath alone. However, many bought the XSLT 2.0 book without its XPath companion and were left confused as a result; so this time, the material is back together. The XPath reference information is in self-contained chapters, so it should still be accessible when you use XPath in contexts other than XSLT. The book does not cover XSL Formatting Objects, a big subject in its own right. Nor does it cover XML Schemas in any detail. If you want to use these important technologies in conjunction with XSLT, there are other books that do them justice. This book contains twenty chapters and eight appendixes (the last of which is a glossary) organized into four parts. The following section outlines what you can find in each part, chapter, and appendix. Part I: Foundations: The first part of the book covers essential concepts. You should read these before you start coding.If you ignore this advice, as most people do, then you read them when you get to that trough of despair when you find it impossible to make the language do anything but the most trivial tasks. XSLT is different from other languages, and to make it work for you, you need to understand how it was designed to be used. Chapter 1: XSLT in Context: This chapter explains how XSLT fits into the big picture: how the language came into being and how it sits alongside other technologies. It also has a few simple coding examples to keep you alert. Chapter 2: The XSLT Processing Model: This is about the architecture of an XSLT processor: the inputs, the outputs, and the data model. Understanding the data model is perhaps the most important thing that distinguishes an XSLT expert from an amateur; it may seem like information that you can't use immediately, but it's knowledge that will stop you making a lot of stupid mistakes. Chapter 3: Stylesheet Structure: XSLT development is about writing stylesheets, and this chapter takes a bird's eye view of what stylesheets look like.It explains the key concepts of rule-based programming using templates, and explains how to undertake programming-in-the-large by structuring your application using modules and pipelines. Chapter 4: Stylesheets and Schemas: A key innovation in XSLT 2.0 is that stylesheets can take advantage of knowledge about the structure of your input and output documents, provided in the form of an XML Schema. This chapter provides a quick overview of XML Schema to describe its impact on XSLT development. Not everyone uses schemas, and you can skip this chapter if you fall into that category. Chapter 5: The Type System: XPath 2.0 and XSLT 2.0 offer strong typing as an alternative to the weak typing approach of the 1.0 languages. This means that you can declare the types of your variables, functions, and parameters, and use this information to get early warning of programming errors. This chapter explains the data types available and the mechanisms for creating user-defined types. Part II: XSLT and XPath Reference: This section of the book contains reference material, organized in the hope that you can easily find what you need when you need it.It's not designed for sequential reading, though you might well want to leaf through the pages to discover what's there. Chapter 6: XSLT Elements: This monster chapter lists all the XSLT elements you can use in a stylesheet, in alphabetical order, giving detailed rules for the syntax and semantics of each element, advice on usage, and examples. This is probably the part of the book you will use most frequently as you become an expert XSLT user. It's a "no stone unturned" approach, based on the belief that as a professional developer you need to know what happens when the going gets tough, not just when the wind is in your direction. Chapter 7: XPath Fundamentals: This chapter explains the basics of XPath: the low-level constructs such as literals, variables, and function calls. It also explains the context rules, which describe how the evaluation of XPath expressions depends on the XSLT processing context in which they appear. Chapter 8: XPath: Operators on Items: XPath offers the usual range of operators for performing arithmetic, boolean comparison, and the like.However, these don't always behave exactly as you would expect, so it's worth reading this chapter to see what's available and how it differs from the last language that you used. Chapter 9: XPath: Path Expressions: Path expressions are what make XPath special; they enable you to navigate around the structure of an XML document. This chapter explains the syntax of path expressions, the 13 axes that you can use to locate the nodes that you need, and associated operators such as union, intersection, and difference. Chapter 10: XPath: Sequence Expressions: Unlike XPath 1.0, in version 2.0 all values are sequences (singletons are just a special case). Some of the most important operators in XPath 2.0 are those that manipulate sequences, notably the "for" expression, which translates one sequence into another by applying a mapping. Chapter 11: XPath: Type Expressions: The type system was explained in Chapter 5; this chapter explains the operations that you can use to take advantage of types. This includes the "cast" operation which is used to convert values from one type to another.A big part of this chapter is devoted to the detailed rules for how these conversions are done.Chapter 12: XSLT Patterns: This chapter returns from XPath to a subject that's specific to XSLT. Patterns are used to define template rules, the essence of XSLT's rule-based programming approach. The reason for explaining them now is that the syntax and semantics of patterns depends strongly on the corresponding rules for XPath expressions. Chapter 13: The Function Library: XPath 2.0 includes a library of functions that can be called from any XPath expression; XSLT 2.0 extends this with some additional functions that are available only when XPath is used within XSLT. The library has grown immensely since XPath 1.0. This chapter provides a single alphabetical reference for all these functions. Chapter 14: Regular Expressions: Processing of text is an area where XSLT 2.0 and XPath 2.0 are much more powerful than version 1.0, and this is largely through the use of constructs that exploit regular expressions. If you're familiar with regexes from languages such as Perl, this chapter tells you how XPath regular expressions differ. If you're new to the subject, it explains it from first principles.Chapter 15: Serialization: Serialization in XSLT means the ability to generate a textual XML document from the tree structure that's manipulated by a stylesheet. This isn't part of XSLT processing proper, so (following W3C's lead) it's separated it into its own chapter. You can control serialization from the stylesheet using an declaration, but many products also allow you to control it directly via an API. Part III: Exploitation: The final section of the book is advice and guidance on how to take advantage of XSLT to write real applications. It's intended to make you not just a competent XSLT coder, but a competent designer too. The best way of learning is by studying the work of others, so the emphasis here is on practical case studies. Chapter 16: Extensibility: This chapter describes the "hooks" provided in the XSLT specification to allow vendors and users to plug in extra functionality. The way this works will vary from one implementation to another, so we can't cover all possibilities, but one important aspect that the chapter does cover is how to use such extensions and still keep your code portable.Chapter 17: Stylesheet Design Patterns: This chapter explores a number of design and coding patterns for XSLT programming, starting with the simplest "fill-in-the-blanks" stylesheet, and extending to the full use of recursive programming in the functional programming style, which is needed to tackle problems of any computational complexity. This provides an opportunity to explain the thinking behind functional programming and the change in mindset needed to take full advantage of this style of development. Chapter 18: Case Study: XMLSpec: XSLT is often used for rendering documents, so where better to look for a case study than the stylesheets used by the W3C to render the XML and XSLT specifications, and others in the same family, for display on the web? The resulting stylesheets are typical of those you will find in any publishing organization that uses XML to develop a series of documents with a compatible look-and-feel. Chapter 19: Case Study: A Family Tree: Displaying a family tree is another typical XSLT application.This example with semi-structured data-a mixture of fairly complex data and narrative text-that can be presented in many different ways for different audiences. It also shows how to tackle another typical XSLT problem, conversion of the data into XML from a legacy text-based format. As it happens, this uses nearly all the important new XSLT 2.0 features in one short stylesheet. But another aim of this chapter is to show a collection of stylesheets doing different jobs as part of a complete application. Chapter 20: Case Study: Knight's Tour: Finding a route around a chessboard where a knight visits every square without ever retracing its steps might sound a fairly esoteric application for XSLT, but it's a good way of showing how even the most complex of algorithms are within the capabilities of the language. You may not need to tackle this particular problem, but if you want to construct an SVG diagram showing progress against your project plan, then the problems won't be that dissimilar. Part IV: Appendices: A ppendix A: XPath 2.0 Syntax Summary: Collects the XPath grammar rules and operator precedences into one place for ease of reference.Appendix B: Error Codes: A list of all the error codes defined in the XSLT and XPath language specifications, with brief explanations to help you understand what's gone wrong. Appendix C: Backward Compatibility: The list of things you need to look out for when converting applications from XSLT 1.0. Appendix D: Microsoft XSLT Processors: Although the two Microsoft XSLT processors don't yet support XSLT 2.0, we thought many readers would find it useful to have a quick summary here of the main objects and methods used in their APIs. Appendix E: JAXP: the Java API for XML Processing: JAXP is an interface rather than a product. Again, it doesn't have explicit support yet for XSLT 2.0, but Java programmers will often be using it in XSLT 2.0 projects, so the book includes an overview of the classes and methods available. Appendix F: Saxon: At the time of writing Saxon (developed by the author of this book) provides the most comprehensive implementation of XSLT 2.0 and XPath 2.0, so its interfaces and extensions are covered in some detail. Appendix G: Altova: Altova, the developers of XML Spy, have an XSLT 2.0 processor that can be used either as part of the development environment or as a freestanding component.This appendix gives details of its interfaces. Appendix H: Glossary Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

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Third Reich in Power Penguin

Inne 1

The Third Reich in Power examines how it was possible for a group of ideological obsessives to remould a society famous for its sophistication and complexity into a one-party state directed at war and race hate.  Richard J. Evans shows how the Nazis won over the hearts and minds of German citizens, twisted science, religion and culture, and transformed the economy, education, law and order to achieve total dominance in German politics and society.  Drawing on an extraordinary range of research, blending narrative, description and analysis he creates a picture of a dictatorship consumed by visceral hatreds and ambitions, and driven by war. 'Authoritative history... impressive sweep... This essential book comes as a stark reminder, should we need one, of how much freedom a people is prepared to give away in a political climate dominated by fear.' Daily Telegraph Extract from The Third Reich in Power, 1933-1939 by Richard J. Evans Despised minorities were, to be sure, put in the concentration camps; but to focus exclusively on this ignores the much larger number of political and other deviants condemned by the courts and put in state prisons and penitentiaries.  The further in time we get from Nazi Germany, the more difficult it becomes for historians living in democratic political systems and in cultures which respect the rights of the individual to make the leap of imagination necessary to understand people's behaviour in a state such as Nazi Germany, where imprisonment, torture or even death might await anyone who dared to voice the slightest criticism of the regime and its leaders.  Those who approved of such repression were in all likelihood a minority, active supporters and functionaries of the Party like the Block Wardens, and a good number of middle- and upper-class, conservative Germans who thought the best place for Marxists to be was in prison anyway.  Even they, however, knew well enough that they had to be careful about what they said and did, and the dangers of not doing so became abundantly clear once opposition began to spread among these groups too.  The shots that killed Kurt von Schleicher, Herbert von Bose, Edgar Jung, Gustav von Kahr, Erich Klausener and Kurt von Bredow at the beginning of July 1934 were also a warning to upper- and middle-class conservatives to keep their heads down if they did not want them to be blown off. Ordinary conservative citizens like Luise Solmitz, who harboured no thoughts of political activism, may have turned aside from the bleak fact of the regime's willingness to murder its opponents, revealed so starkly in late June and early July 1934, in their relief that the order they craved had been restored; to such people, Röhm's stormtroopers seemed as great a menace as the Reichsbanner or the Red Front-Fighters' League of the Weimar years.  Yet behind closed doors they cannot have been oblivious to the fate of the conservative clique around Vice-Chancellor von Papen.  It was not only the third or so of the population who had been committed to the Marxist left before 1933 that was subject to massive intimidation.  Indeed, scarcely had the murderous violence of the 'Night of the Long Knives' receded, than an even larger minority than the Marxists, that of the German Catholics, began to be prosecuted and imprisoned as they gave vent to their increasingly critical views of the regime in public.  More general still were measures such as the Law on Malicious Gossip, which clamped down on the most trivial expressions of dissent and put people who told jokes about Hitler and Göring in prison.  These were mainly members of the German working class, it is true, but the working class after all made up around half the entire population, and middle- and even upper-class offenders in this respect were brought before the Special Courts as well.  Successful prosecutions under this law were a further instrument of mass intimidation, adding to the general climate of fear and helping to create the spiral of silence in which the regime could commit ever greater crimes without fear of public censure or opposition. The truth is that far from Nazi terror being levelled exclusively against small and despised minorities, the threat of arrest, prosecution and incarceration in increasingly brutal and violent conditions loomed over everyone in the Third Reich, even, as we have seen in the cases brought before the Special Courts, over members of the Nazi Party itself.  The regime intimidated Germans into acquiescence, visiting a whole range of sanctions upon those who dared to oppose it, systematically disorienting people, and depriving them of their traditional social and cultural milieux, such as the pub or the club or the voluntary association, above all where these could be seen as a potential source of resistance, as in the case of the labour movement.  Fear and terror were integral parts of the Nazis' armoury of political weapons from the very beginning.  The state and the Party could use them because within a few months of Hitler's appointment as Reich Chancellor, they had systematically deprived all Germans of virtually every basic human and civil right they had enjoyed under the Weimar Republic.  The law was no protection against the state if the state or any of its agencies suspected that a citizen was disinclined to demonstrate approval of its policies and purposes.  On the contrary, vast numbers of new, often draconian laws were decreed that gave the police, the Gestapo and the SS a virtual carte blanche to deal with anyone suspected of deviating from the norms of human behaviour laid down by the Third Reich for its citizens.  In this situation, it was not surprising that ordinary people and lower-level officials of the Nazi Party began to reinforce the atmosphere of pervasive terror and intimidation by sending their own unsolicited denunciations of deviants to the Gestapo. At the same time, the Gestapo was only one part of a much wider net of surveillance, terror and persecution cast by the Nazi regime over German society in the 1930s; others included the SA and SS, the Criminal Police, the prison service, the social services and employment offices, the medical profession, health centres and hospitals, the Hitler Youth, the Block Wardens and even apparently politically neutral organizations like tax offices, the railway and the post office.  All of these furnished information about deviants and dissidents to the Gestapo, the courts and the prosecution service, forming a polymorphous, uncoordinated but pervasive system of control in which the Gestapo was merely one institution among many.  Everything that happened in the Third Reich took place in this pervasive atmosphere of fear and terror, which never slackened and indeed became far more intense towards the end.  'Do you know what fear is?' an elderly worker asked an interviewer some years after it was all over:  'No. The Third Reich was fear.'  Yet terrorism was only one of the Third Reich's techniques of rule.  For the Nazis did not just seek to batter the population into passive, sullen acquiescence.  They also wanted to rouse it into positive, enthusiastic endorsement of their ideals and their policies, to change people's minds and spirits and to create a new German culture that would reflect their values alone.  This meant propaganda, and here too, as we shall now see, they went to unprecedented lengths to achieve their aims.

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Blood Doctor Penguin

Powieści i opowiadania

Blood. That

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Consolations of Philosophy Penguin

Nauki humanistyczne

Alain de Botton, best-selling author of How Proust can Change Your Life, has set six of the finest minds in the history of philosophy to work on the problems of everyday life. Here then are Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche on some of the things that bother us all; lack of money, the pain of love, inadequacy, anxiety, the fear of failure and the pressure to conform.

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Shadow of the Sun Penguin

Literatura faktu

'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In a study that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on the mosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft. The Beginning: Collision, Ghana 1958 More than anything, one is struck by the light. Light everywhere. Brightness everywhere. Everywhere, the sun. Just yesterday, an autumnal London was drenched in rain. The airplane drenched in rain. A cold, wind, darkness. But here, from the morning

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DORRIS DAY 10 CD 23 ORIGINALS ALBUM I WANT TO VE HAPPY WYDAWCA

Muzyka > Płyty kompaktowe > Jazz, Swing

DORRIS DAY 10 CD 23 ORIGINALS ALBUM I WANT TO VE HAPPY 1. You're My Thrill - Doris Day 2. Bewitched, Bothered and Bewildered - Doris Day 3. I'm Confessin' (That I Love You) - Doris Day 4. Sometimes I'm Happy - Doris Day 5. You Go to My Head - Doris Day 6. I Didn't Know What Time It Was - Doris Day 7. When Your Lover Has Gone - Doris Day 8. That Old Feeling - Doris Day 9. Crazy Rhythm - Doris Day 10. Here in My Arms - Doris Day 11. I Know That You Know - Doris Day 12. I Want To Be Happy - Doris Day 13. Do Do Do - Doris Day 14. I Only Have Eyes for You - Doris Day 15. Oh Me! Oh My! Oh You! - Doris Day 16. Tea for Two - Doris Day 17. I May Be Wrong (But I Think You're Wonderful) - Doris Day 18. Get Happy - Doris Day 19. The Man I Love - Doris Day 20. Too Marvelous For Words - Doris Day 21. The Very Thought Of You - Doris Day 22. Limehouse Blues - Doris Day 23. Melancholy Rhapsody - Doris Day 24. With a Song In My Heart - Doris Day 25. Canadian Capers (Cuttin' Capers) - Doris Day 26. (Why Did I Tell You I Was Going To) Shanghai - Doris Day 27. Lullaby of Broadway - Doris Day 28. Fine and Dandy - Doris Day 29. In a Shanty in Old Shanty Town - Doris Day 30. Somebody Loves Me - Doris Day 31. Just One of Those Things - Doris Day 32. You're Getting to Be a Habit with Me - Doris Day 33. I Love the Way You Say Goodnight - Doris Day 34. Please Don't Talk About Me When I'm Gone - Doris Day 35. Moonlight Bay - Doris Day 36. Till We Meet Again - Doris Day 37. Love Ya - Doris Day 38. Christmas Story - Doris Day 39. I'm Forever Blowing Bubbles - Doris Day 40. Cuddle up a Little Closer - Doris Day 41. Every Little Moment (Has a Meaning of It's Own) - Doris Day 42. Tell Me - Doris Day 43. Ain't We Got Fun - Doris Day 44. The One I Love (Belongs to Somebody Else) - Doris Day 45. I Wish I Had a Girl - Doris Day 46. It Had to Be You - Doris Day 47. Nobody's Sweetheart - Doris Day 48. My Buddy - Doris Day 49. Makin' Whoopee - Doris Day 50. I'll See You in My Dreams - Doris Day 51. Sentimental Journey - Doris Day 52. It's Magic - Doris Day 53. By the Light of the Silvery Moon - Doris Day 54. Your Eyes Have Told Me So - Doris Day 55. Just One Girl - Doris Day 56. Ain't We Got Fun - Doris Day 57. If You Were the Only Girl - Doris Day 58. Be My Little Baby Bumble Bee - Doris Day 59. I'll Forget You - Doris Day 60. King Chanticleer - Doris Day 61. The Deadwood Stage (Whip-Crack-Away) - Doris Day 62. I Can Do Without You - Doris Day 63. The Black Hills of Dakota - Doris Day 64. Just Flew In From the Windy City - Doris Day 65. A Woman's Touch - Doris Day 66. Higher Than a Hawk (Deeper Than a Well) - Doris Day 67. Tis Harry I'm Plannin' to Marry - Doris Day 68. Secret Love - Doris Day 69. Till My Love Comes to Me - Doris Day 70. Ready, Willing and Able - Doris Day 71. Hold Me in Your Arms - Doris Day 72. You Can Take My Word for It Baby - Doris Day 73. There's a Rising Moon - Doris Day 74. One for My Baby (And One More for the Road) - Doris Day 75. You, My Love - Doris Day 76. I'm Glad There Is You - Doris Day 77. Bewitched - Doris Day 78. Hoop De Doo - Doris Day 79. It All Depends On You - Doris Day 80. You Made Me Love You (I Didn't Want to Do It) - Doris Day 81. Stay on the Right Side, Sister - Doris Day 82. Mean to Me - Doris Day 83. Everybody Loves My Baby (But My Baby Don't Love Nobody But Me) - Doris Day 84. Sam, the Old Accordion Man - Doris Day 85. Shaking the Blues Away - Doris Day 86. Ten Cents a Dance - Doris Day 87. I'll Never Stop Loving You - Doris Day 88. Never Look Back - Doris Day 89. At Sundown - Doris Day 90. Love Me or Leave Me - Doris Day 91. The Song Is You - Doris Day 92. Hello, My Lover, Goodbye - Doris Day 93. But Not For Me - Doris Day 94. I Remember You - Doris Day 95. I Hadn't Anyone Till You - Doris Day 96. But Beautiful - Doris Day 97. Autumn Leaves - Doris Day 98. Don't Take Your Love from Me - Doris Day 99. There'll Never Be another You - Doris Day 100. Gone With the Wind - Doris Day 101. The Gypsy in My Soul - Doris Day 102. Day By Day - Doris Day 103. A Guy Is a Guy - Doris Day 104. Sugarbush - Doris Day 105. The Pajama Game (Opening)/Racing with the Clock] - Doris Day 106. I'm Not At All in Love - Doris Day 107. I Never Be Jealous Again - Doris Day 108. Hey There - Doris Day 109. Once a Year Day! - Doris Day 110. Small Talk - Doris Day 111. There Once Was a Man - Doris Day 112. Steam Heat - Doris Day 113. Hernando's Hideaway - Doris Day 114. Seven and a Half Cents - Doris Day 115. Finale - Doris Day 116. I See Your Face before Me - Doris Day 117. Close Your Eyes - Doris Day 118. The Night We Called It a Day - Doris Day 119. Dream a Little Dream of Me - Doris Day 120. Under a Blanket of Blue - Doris Day 121. You Do Something to Me - Doris Day 122. Stars Fell On Alabama - Doris Day 123. Moon Song - Doris Day 124. Wrap Your Troubles in Dreams (And Dream Your Troubles Away) - Doris Day 125. Soft as the Starlight - Doris Day 126. Moonglow - Doris Day 127. The Lamp Is Low - Doris Day 128. Hooray for Hollywood - Doris Day 129. Cheek to Cheek - Doris Day 130. It's Easy to Remember - Doris Day 131. The Way You Look Tonight - Doris Day 132. I'll Remember April - Doris Day 133. Blues in the Night - Doris Day 134. Over the Rainbow - Doris Day 135. Our Love Is Here To Stay - Doris Day 136. In the Still of the Night - Doris Day 137. Night and Day - Doris Day 138. Easy to Love - Doris Day 139. I Had the Craziest Dream - Doris Day 140. I've Got My Love to Keep Me Warm - Doris Day 141. Soon - Doris Day 142. That Old Black Magic - Doris Day 143. You'll Never Know - Doris Day 144. A Foggy Day - Doris Day 145. It Might As Well Be Spring - Doris Day 146. Nice Work If You Can Get It - Doris Day 147. Three Coins in the Fountain - Doris Day 148. Let's Face the Music and Dance - Doris Day 149. Pennies from Heaven - Doris Day 150. Oh, But I Do - Doris Day 151. Cuttin' Capers - Doris Day 152. Steppin' Out With My Baby - Doris Day 153. Makin' Whoopee - Doris Day 154. The Lady's in Love with You - Doris Day 155. Why Don't We Do This More Often - Doris Day 156. Let's Take a Walk around the Block - Doris Day 157. I'm Sitting on Top of the World - Doris Day 158. Get Out and Get Under the Moon - Doris Day 159. Fit as a Fiddle (And Ready for Love) - Doris Day 160. Me Too (Ho-Ho! Ha-Ha!) - Doris Day 161. I Feel Like a Feather in the Breeze - Doris Day 162. Let's Fly Away - Doris Day 163. Show Time (Part One) - Doris Day 164. I Got the Sun in the Morning - Doris Day 165. Ohio - Doris Day 166. I Love Paris - Doris Day 167. When I'm Not Near the Boy I Love - Doris Day 168. People Will Say We're in Love - Doris Day 169. I've Grown Accustomed To His Face - Doris Day 170. The Surrey with the Fringe on Top - Doris Day 171. They Say It's Wonderful - Doris Day 172. Wonderful Guy - Doris Day 173. On the Street Where You Live - Doris Day 174. Medley: the Sound of Music/Show Time (Part Two) - Doris Day 175. Mister Tap Toe - Doris Day 176. I Give My Heart To You - Doris Day 177. Pillow Talk - Doris Day 178. Heart Full of Love - Doris Day 179. Anyway the Wind Blows - Doris Day 180. Oh! What a Lover You'll Be - Doris Day 181. No - Doris Day 182. Love Me in the Daytime - Doris Day 183. I Enjoy Being a Girl - Doris Day 184. Tunnel of Love - Doris Day 185. He's So Married - Doris Day 186. Roly Poly - Doris Day 187. Possess Me - Doris Day 188. Inspiration - Doris Day 189. What Every Girl Should Know - Doris Day 190. Mood Indigo - Doris Day 191. When You're Smiling - Doris Day 192. A Fellow Needs a Girl - Doris Day 193. My Kinda Love - Doris Day 194. What's the Use of Wondrin' - Doris Day 195. Something Wonderful - Doris Day 196. A Hundred Years from Today - Doris Day 197. You Can't Have Everything - Doris Day 198. Not Only Should You Love Him - Doris Day 199. What Does a Woman Do - Doris Day 200. The Everlasting Arms - Doris Day 201. When the Red, Red Robin Comes Bob, Bob Bobbin' along - Doris Day 202. Choo-Choo Train - Doris Day 203. Bright and Shiny - Doris Day 204. I Want to Be Happy - Doris Day 205. Keep Smilin', Keep Laughin', Be Happy - Doris Day 206. Singin' in the Rain - Doris Day 207. Gotta Feelin' - Doris Day 208. Happy Talk - Doris Day 209. Make Someone Happy - Doris Day 210. Ridin' High - Doris Day 211. On the Sunny Side of the Street - Doris Day 212. Clap Yo' Hands - Doris Day 213. Stay with the Happy People - Doris Day 214. Twinkle and Shine - Doris Day 215. I Believe in Dreams - Doris Day 216. I'll Buy That Dream - Doris Day 217. My Ship - Doris Day 218. All I Do Is Dream of You - Doris Day 219. When I Grow Too Old To Dream - Doris Day 220. We'll Love Again - Doris Day 221. I Have Dreamed - Doris Day 222. Periwinkle Blue - Doris Day 223. Someday I'll Find You - Doris Day 224. You Stepped Out of a Dream - Doris Day 225. O What a Beautiful Dream - Doris Day 226. Time to Say Goodnight - Doris Day 227. Everybody Loves a Lover - Doris Day 228. Teacher's Pet - Doris Day 229. The Circus on Parade - Doris Day 230. Over and Over Again - Doris Day 231. Why Can't I? - Doris Day 232. This Can't Be Love - Doris Day 233. The Most Beautiful Girl in the World - Doris Day 234. My Romance - Doris Day 235. The Most Beautiful Girl in the World (Reprise) - Doris Day 236. Little Girl Blue - Doris Day 237. Sawdust Spangles and Dreams (Finale) - Doris Day 238. If I Can Help Somebody - Doris Day 239. Nearer My God to Thee - Doris Day 240. The Prodigal Son - Doris Day 241. Abide With Me - Doris Day 242. Bless This House - Doris Day 243. You'll Never Walk Alone - Doris Day 244. In the Garden - Doris Day 245. Walk with Him - Doris Day 246. Scarlet Ribbons (For Her Hair) - Doris Day 247. Be Still and Know - Doris Day 248. I Need Thee Every Hour - Doris Day 249. The Lord's Prayer - Doris Day 250. Whatever Will Be, Will Be (Que Sera, Sera) - Doris Day 251. Secret Love - Doris Day

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